Ken Burns' Ernt Hemgway Doc: What Was Hemgway's Sexualy? | Esquire</tle><meta name="tle" ntent="Ken Burns' Ernt Hemgway Doc: What Was Hemgway's Sexualy? | Esquire" /><meta name="scriptn" ntent="Ken Burns and Lynn Novick’s new film explor the man beneath the myth, reopeng qutns about the macho wrer’s sexualy" /><meta name="keywords" ntent /><meta property="og:type" ntent="webse" /><meta name="theme-lor" ntent="#000000" /><lk href="/_assets/sign-tokens/quire/static/imag/" rel="in" /><meta property="og:se_name" ntent="Esquire" /><meta name="fb:app_id" ntent="1643411472613830" property="fb:app_id" /><meta name="article:publisher" ntent=" property="article:publisher" /><meta name="twter:se" ntent="@EsquireUK" /><meta name="google-se-verifitn" ntent="1vf5i9wM7chlCFc_0XI_e-oCfDf4sEvp32sTGKokQ" /><meta property="og:tle" ntent="Ernt Hemgway: The Old Man and the Androgyny" /><meta property="og:scriptn" ntent="Ken Burns and Lynn Novick’s new film explor the man beneath the myth, reopeng qutns about the macho wrer’s sexualy" /><meta name="robots" ntent="max-image-preview:large,max-snippet:-1,max-vio-preview:30" /><lk rel="apple-touch-in" href="/_assets/sign-tokens/quire/static/imag/" /><meta property="og:image" ntent="" /><meta property="og:image:width" ntent="1200" /><meta property="og:image:height" ntent="600" /><meta name="thumbnail" ntent="" /><meta name="" ntent="" /><meta name="" ntent=" /><meta name="twter:image" ntent="" /><meta ntent=" property="og:url" /><meta name="to-publish" ntent="timely" /><meta property="og:type" ntent="article" /><meta name="twter:rd" ntent="summary_large_image" /><meta name="article:opn" property="article:opn" /><meta ntent="Books" property="article:sectn" /><meta ntent="2023-04-06T10:11:55Z" property="article:modified_time" /><meta ntent="2021-04-05T07:00:00Z" property="article:published_time" /><meta name="sailth.excerpt" ntent="Bullfight-lover. Big game hunter. Deep sea fisher. Brawler. Boxer. Drker. War hero. Ladi' man. Even for his time, Ernt Hemgway was masculy hyperbole. The outsized wrer of stripped-back prose was also, a new documentary argu, an explorer of genr fluidy the bedroom – both his lerature and" /><meta name="" ntent="culture,Culture,books,Books" /><meta name="" ntent="2021-04-05 07:00:00" /><meta name="sailth.socialtle" ntent="Ernt Hemgway: The Old Man and the Androgyny" /><meta name="ntenttype" ntent="longform-article" /><meta id="m1" name="m1" emProp="cssSelector " ntent=".ntent-hed" /><meta id="m2" name="m2" emProp="cssSelector" ntent=".ntent-k p" /><lk href="/" emSpe emType=" emRef="m1 m2" /><lk rel="preload" as="image" image-src-set=" 640w, 980w, 1120w, 1200w, 1920w" image-siz="100vw" /><lk rel="prefetch" href="" as="image" /><lk rel="preload" as="image" image-src-set=" 640w, 980w, 1120w, 1200w, 1920w" image-siz="100vw" /><meta name="next-head-unt" ntent="47" /><meta name="next-font-prennect" /><script id="vice-tect" data-nscript="beforeInteractive">(()=>{nst o="ontouchstart" 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data-vars-ga-ll-to-actn="Ernt Hemgway: The Old Man and the Androgyny" data-vars-ga-outbound-lk=" class="e9l0kn00 css-10e6ywj e1c1bym14"><span emProp="name">Ernt Hemgway: The Old Man and the Androgyny</span></a><meta emProp="posn" ntent="3" /></li></ol></nav><style data-emotn="css g4r5va">{font-fay:Glanz,Glanz-fallback,Tim,Serif;font-weight:normal;grid-lumn:1/-1;marg-bottom:0.9375rem;marg-top:0.9375rem;}@media(max-width: 48rem){{font-size:2rem;le-height:1.25;}}@media(m-width: 48rem){{font-size:2.625rem;le-height:1.1;}}@media(m-width: 64rem){{font-size:3.125rem;le-height:1.1;}}@media(m-width: 73.75rem){{font-size:3.37499rem;le-height:1.1;}}</style><h1 class="css-g4r5va exadjwu10"><span aria-hidn="te" class="css-0 eagam8p0"></span>Ernt Hemgway: The Old Man and the Androgyny<span aria-hidn="te" class="css-0 eagam8p1"></span></h1><style data-emotn="css 2qf7xf">{lor:#515150;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-weight:normal;marg-bottom:0.625rem;}@media(max-width: 48rem){{font-size:1.0625rem;le-height:1.2;}}@media(m-width: 48rem){{font-size:1.3125rem;le-height:1.2;}}@media(m-width: 64rem){{font-size:1.3125rem;le-height:1.3;}} a{-webk-text-ratn:unrle;text-ratn:unrle;text-ratn-thickns:0.0625rem;text-ratn-lor:#FF3A30;text-unrle-offset:0.25rem;lor:#000000;-webk-transn:all 0.3s ease--out;transn:all 0.3s ease--out;} a:hover{lor:#595959;text-ratn-lor:borr-lk-body-hover;}</style><div class="css-2qf7xf exadjwu8"><p>Ken Burns’ new film explor the man beneath the myth, reopeng qutns about the macho wrer’s sexualy</p></div><style data-emotn="css d04ng2">{lor:#161616;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;letter-spacg:0.02rem;marg-bottom:0.625rem;paddg-right:0.3125rem;text-transform:upperse;}@media(max-width: 48rem){{font-size:0.70003rem;le-height:1.4;}}@media(m-width: 40.625rem){{font-size:0.70003rem;le-height:1.3;}} span{font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;letter-spacg:0rem;text-transform:palize;}@media(max-width: 48rem){ span{font-size:0.875rem;le-height:1.4;}}@media(m-width: 48rem){ span{font-size:0.875rem;le-height:1.4;}}@media(m-width: 64rem){ span{font-size:0.875rem;le-height:1.4;}}</style><div class="css-d04ng2 exadjwu7"><style data-emotn="css 1eqkg5m">{lor:#161616;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-style:normal;letter-spacg:0.02rem;paddg-right:0.3125rem;text-transform:upperse;-webk-text-stroke:0.005rem;}@media(max-width: 48rem){{font-size:0.70003rem;le-height:1.4;}}@media(m-width: 40.625rem){{font-size:0.70003rem;le-height:1.3;}}</style><addrs class="css-1eqkg5m ehvvd9m2"><style data-emotn="css 19e0noj">{lor:#161616;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;letter-spacg:0.02rem;paddg-right:0.3125rem;text-transform:upperse;-webk-text-stroke:0.005rem;}@media(max-width: 48rem){{font-size:0.70003rem;le-height:1.4;}}@media(m-width: 40.625rem){{font-size:0.70003rem;le-height:1.3;}}</style><span class="css-19e0noj ehvvd9m1">By Mary Kathare Tramontana</span><style data-emotn="css 1bcsdhu">{display:le-block;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;marg-left:0.625rem;text-transform:upperse;}@media(max-width: 48rem){{font-size:0.75rem;le-height:1.3;}}@media(m-width: 48rem){{font-size:0.75rem;le-height:1.3;}}@media(m-width: 64rem){{font-size:0.75rem;le-height:1.3;}}</style><time class="css-1bcsdhu exadjwu6">Published: 05 April 2021</time></addrs></div></div></div></hear><style data-emotn="css 149neno">{marg-left:to;marg-right:to;marg-bottom:0.9375rem;max-width:m(lc(20.625rem * 2 - 1rem), lc(100vw - 1rem * 2));} .e152u5os0{marg-left:lc((100vw - m(lc(20.625rem * 2 - 1rem), lc(100vw - 1rem * 2)))/-2);width:100vw;}@media(m-width: 48rem) and (max-width: 61.25rem){ .e152u5os0{marg-left:lc(lc((100vw - m(lc(20.625rem * 2 - 1rem), lc(100vw - 1rem * 2)))/-2) - 3.5rem);}}@media(m-width: 90rem){ .e152u5os0{paddg-left:0.1rem;paddg-right:0.1rem;marg-left:lc(lc((100vw - m(lc(20.625rem * 2 - 1rem), lc(100vw - 1rem * 2)))/-2));}}</style><div class="longform-ntaer ntent-ntaer article-ntaer css-149neno ewisyje2"><style data-emotn="css z6i669">{font-fay:Charter,Geia,Tim,Serif;font-size:1.1875rem;le-height:1.6;paddg-left:0rem;paddg-right:0rem;posn:relative;}@media(m-width: 48rem){{paddg-left:3.5rem;paddg-right:3.5rem;}}@media(m-width: 48rem) and (max-width: 61.25rem){{max-width:45.25rem;marg-left:to;marg-right:to;}}@media(m-width: 61.25rem){{paddg-left:0rem;paddg-right:0rem;}}@media(m-width: 73.75rem) and (max-width: 100rem){{paddg-left:0rem;paddg-right:0rem;}}@media(m-width: 90rem){{paddg-left:0rem;paddg-right:0rem;}} em{font-fay:Charter,Geia,Tim,Serif;font-style:alic;} strong{font-fay:Charter,Geia,Tim,Serif;font-weight:bold;}{clear:both;ntent:" ";display:block;font-size:0.7rem;le-height:1.5rem;height:0rem;visibily:hidn;}</style><div class="article-body-ntent article-body longform-body css-z6i669 ewisyje7"><style data-emotn="css d9wkvk">{--data-embed-display:flex;-webk-align-ems:center;-webk-box-align:center;-ms-flex-align:center;align-ems:center;clear:both;display:-webk-box;display:-webk-flex;display:-ms-flexbox;display:flex;marg-bottom:0.9375rem;marg-left:to;marg-right:to;width:100%;}@media(m-width: 20rem){{marg:to lc(50% - 50vw) 0.9375rem;width:100vw;}}@media(m-width: 30rem){{marg:to lc(50% - 50vw) 0.9375rem;width:100vw;}}@media(m-width: 40.625rem){{marg:to lc(50% - 50vw) 0.9375rem;width:100vw;}}@media(m-width: 48rem){{marg:to lc(50% - 50vw) 0.9375rem;width:100vw;}}@media(m-width: 64rem){{marg:to lc(50% - 50vw) 0.9375rem;width:100vw;}}@media(m-width: 73.75rem){{marg:to lc(50% - 50vw) 0.9375rem;width:100vw;}}@media(m-width: 75rem){{marg:to lc(50% - 50vw) 0.9375rem;width:100vw;}}@media(m-width: 90rem){{marg:to lc(50% - 50vw) 0.9375rem;width:100vw;}} a span{right:1rem;} img{width:to;height:85vh;} a{display:-webk-le-box;display:-webk-le-flex;display:-ms-le-flexbox;display:le-flex;posn:var(--posn, relative);} img:not(.ewcw41w1){display:block;width:100%;height:to;-webk-align-self:flex-start;-ms-flex-em-align:flex-start;align-self:flex-start;}</style><div size="large" data-embed="body-image" data-no-id="0" class="align-center size-large embed css-d9wkvk e1xqj1sx4"><style data-emotn="css uwraif">{width:100%;display:-webk-le-box;display:-webk-le-flex;display:-ms-le-flexbox;display:le-flex;-webk-flex-directn:lumn;-ms-flex-directn:lumn;flex-directn:lumn;marg-left:to;marg-right:to;-webk-box-pack:center;-ms-flex-pack:center;-webk-jtify-ntent:center;jtify-ntent:center;}</style><div class="css-uwraif e1xqj1sx3"><img fetchPrry="high" alt="ernt hemgway" tle="Ernt Hemgway" width="6000" height="4616" dg="async" data-nimg="1" style="lor: transparent; width: 100%; height: to;" siz="100vw" srcSet=" 640w, 980w, 1120w, 1200w, 1920w" src="" class="css-0 exi4f7p0" /><style data-emotn="css 1gccgwy">@media(m-width: 20rem){{paddg-left:1rem;}}@media(m-width: 30rem){{paddg-left:1rem;}}@media(m-width: 40.625rem){{paddg-left:1rem;}}@media(m-width: 48rem){{paddg-left:1rem;}}@media(m-width: 64rem){{paddg-left:1rem;}}@media(m-width: 73.75rem){{paddg-left:1rem;}}@media(m-width: 75rem){{paddg-left:1rem;}}@media(m-width: 90rem){{paddg-left:1rem;}}</style><div class="css-1gccgwy e1xqj1sx2"><style data-emotn="css 8h7i7x">{width:0;m-width:100%;paddg-top:0.625rem;letter-spacg:0.02rem;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-size:0.875rem;le-height:1.3;} em, i{font-fay:her;font-style:alic;}</style><div class="css-8h7i7x e1xqj1sx1">Ernt Hemgway and his three sons wh blue marl on the docks of Bimi, The Bahamas. 20 July 20, 1935</div><style data-emotn="css 1am3yn9">{paddg-left:0rem;le-height:1;}</style><figptn class="css-1am3yn9 enfs9c50"><style data-emotn="css 1mcfn5x">{lor:#595959;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;paddg-right:0.3125rem;}@media(max-width: 48rem){{font-size:0.70028rem;le-height:1.2;}}@media(m-width: 48rem){{font-size:0.70028rem;le-height:1.2;}}@media(m-width: 64rem){{font-size:0.75rem;le-height:1.3;}}</style><span class="css-1mcfn5x e6iqd2">Ernt Hemgway Collectn. John F Kennedy Printial Library and Mm, Boston</span></figptn></div></div></div><style data-emotn="css 18vfmjb">{font-fay:Charter,Geia,Tim,Serif;font-size:1.1875rem;le-height:1.6;} em{font-fay:Charter,Geia,Tim,Serif;font-style:alic;} strong{font-fay:Charter,Geia,Tim,Serif;font-weight:bold;}</style><p data-no-id="1" class="css-18vfmjb et3p2gv0">Bullfight-lover. Big game hunter. Deep sea fisher. Brawler. Boxer. Drker. War hero. Ladi' man. Even for his time, Ernt Hemgway was masculy hyperbole. The outsized wrer of stripped-back prose was also, a new documentary argu, an explorer of genr fluidy the bedroom – both his lerature and his life. At a cultural moment which favours simplistic terpretatns of inic figur as villas or hero, Amerin filmmakers Ken Burns and Lynn Novick muddy the waters of the fallen lerary celebry <em>Hemgway</em>, their non-haggraphic, six-hour examatn of the ntradictn between the myth and the man.</p><p data-no-id="2" class="css-18vfmjb et3p2gv0">“For 's about makg thgs more plex,” Burns tells me, on a ll om his home Walpole, New Hampshire. “Hemgway is monstro at tim and there's never a moment the film where we let him off the hook.” The wrer’s epic and, ultimately, tragic life allowed him to create lerature – nsired to be among the most fluential the English language – that Burns says beli the imprisong masculy that he’s known for. “He shows how credibly difficult is to have an on-off swch. That black-whe, good-bad labellg may be the rigur activy, but there's nothg bary about the world.”</p><p data-no-id="3" class="css-18vfmjb et3p2gv0">This qut for nuance is key unrstandg Hemgway’s maral bed. In the film, bgrapher Mary Dearborn lls him “brave” for his “sexual preferenc” and admissn to an “tense sire” for role play. “He really had a thg about androgyny and he liked to swch sex rol bed, and he tells Mary [Walsh Hemgway, his fourth wife], ‘Let’s play around, I’m gonna ll you Pete, you ll me Cathere.’” </p><div supprsHydratnWarng data-no-id="4" data-embed="pullquote" class="embed css-0 e9hzx6g0"><style data-emotn="css 1eiql25">{text-align:center;marg:0rem;paddg-top:0.9375rem;paddg-bottom:0.9375rem;}</style><blockquote class="css-1eiql25 e1pe3zr91"><style data-emotn="css ow0dpz">{borr:0.3125rem solid #FF3A30;borr-radi:100%;ntent:'';display:block;height:2.1875rem;left:50%;marg:-0.99rem to 0 -1.33rem;posn:absolute;width:2.1875rem;}</style><span aria-hidn="te" class="css-ow0dpz eagam8p0"></span><style data-emotn="css la9czl">{font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-size:1.625rem;le-height:1.2;marg:0rem;}@media(max-width: 48rem){{font-size:1.75rem;le-height:1.2;}}@media(m-width: 64rem){{font-size:2.375rem;le-height:1.2;}} b, strong{font-fay:her;font-weight:bold;} em, i{font-fay:her;font-style:alic;}{ntent:'"';display:block;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-size:3.4375rem;le-height:0.72;font-style:alic;paddg:0.3125rem 0.875rem 0 0;}</style><blockquote class="css-la9czl e1pe3zr90">Was Hemgway gay or straight? He was a fetishist</blockquote><span aria-hidn="te" class="css-0 eagam8p1"></span></blockquote></div><p data-no-id="5" class="css-18vfmjb et3p2gv0">In her journal, Mary wrote that he was the bt man she’d been wh bed. He “wanted his wife to be both pletely obedient and sexually loose.” She “enjoyed the sexual part, cut her hair short and bleached platum, bee exced him, and sometim pretend that she was a boy and he was a girl,” the narrator (longtime Burns llaborator Peter Coyote) tells . “He dyed his hair too.” </p><p data-no-id="6" class="css-18vfmjb et3p2gv0">The film voic a nnsed excerpt om Hemgway’s entry Mary’s diary while the two were on safari East Ai 1953: </p><style data-emotn="css 116jaoo">{borr-left:0.4375rem solid #15263D;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;marg:0.625rem 0 0;paddg-left:1.25rem;}@media(max-width: 48rem){{font-size:1.125rem;le-height:1.5;}}@media(m-width: 48rem){{font-size:1.125rem;le-height:1.5;}}@media(m-width: 64rem){{font-size:1.125rem;le-height:1.5;}} b, strong{font-fay:her;font-weight:bold;} em, i{font-fay:her;font-style:alic;}</style><blockquote data-no-id="7" class="body-blockquote css-116jaoo et3p2gv0">She has always wanted to be a boy and thks as a boy whout losg any of her femy. If you should bee nfed on this, you should retire. She lov me to be her girls, which I love to be, not beg absolutely stupid... In return she mak me awards, and at night we do every sort of thg which pleas her and which pleas me. […] I loved feelg the embrace of Mary, which me to me as somethg que new and outsi all tribal law.</blockquote><p data-no-id="8" class="css-18vfmjb et3p2gv0">Was the genr swappg simply for Hemgway’s enjoyment of <em>every sort of thg outsi all tribal law</em> – like anal peratn? Do “beg the girl” jt mean beg the one perated? Was Hemgway an early, lerary proponent of peggg?</p><p data-no-id="9" class="css-18vfmjb et3p2gv0">“I don't know,” Burns told me. “This is a really important qutn, somethg's clearly happeng that diary entry and <em>Garn of En</em>. It certaly opens a door to that nsiratn.”</p><p data-no-id="10" class="css-18vfmjb et3p2gv0"><em>The Garn of En</em> is a posthumoly published novel that overlaps, many ways, wh Hemgway’s life – cludg the matchg hair and sex play. In the film, the wrer Michael Katakis says the novel expos thgs that “some people would fd shockg” about Hemgway. “He’s not hidg himself.” </p><p data-no-id="11" class="css-18vfmjb et3p2gv0">The book foc on a uple honeymoong the French Riviera 1927 (the spot of Hemgway’s honeymoon wh his send wife, <em>Vogue</em> edor Ple Pfeiffer). David, an thor and war veteran, and Cathere spend their days eatg, tanng, drkg, and havg sex. One day Cathere returns to the hotel wh a surprise for David. She cut her hair "cropped as short as a boy's." Later bed, when David lls her "girl" Cathere tells him, "Don't ll me girl." Then she asks, "Will you change and be my girl and let me take you? [….] I'm Peter. You're my wonrful Cathere." The two meet and fall love wh Mara, who be a proto-polyamoro lover to both.</p><div supprsHydratnWarng data-no-id="12" class="embed css-0 e9hzx6g0"><style data-emotn="css 10klw3m">{height:100%;}</style><div data-embed="youtube" class="embed align-center css-10klw3m ez8lbhw1"><style data-emotn="css 63r9na">{-webk-align-ems:center;-webk-box-align:center;-ms-flex-align:center;align-ems:center;display:-webk-box;display:-webk-flex;display:-ms-flexbox;display:flex;-webk-box-pack:center;-ms-flex-pack:center;-webk-jtify-ntent:center;jtify-ntent:center;m-height:10rem;background-lor:#F5F5F5;lor:#000;-webk-flex-directn:lumn;-ms-flex-directn:lumn;flex-directn:lumn;height:100%;marg-bottom:0.9375rem;}</style><div class="css-63r9na ez8lbhw0"><style data-emotn="css 1msakm2">{width:3.125rem;height:3.125rem;}</style><img data-dynamic-svg src="/_assets/sign-tokens/e/static/ins/social/;id=lk-out-embed" loadg="lazy" alt="youtube in" height="to" width="to" class="css-1msakm2 ez8lbhw2" /><a target="_blank" rel="noreferrer noopener" href=" aria-label="View full post on Youtube" class="css-0 e1c1bym14">View full post on Youtube</a></div></div></div><p data-no-id="13" class="css-18vfmjb et3p2gv0">Hemgway said the book was “too sexually adventuro” to be published his lifetime, and he was right. It wasn’t released until 1986, 25 years after he shot himself his home Ketchum, Idaho. Rounds of electroshock therapy prcribed for prsn had ed a loss Hemgway's short-term memory, renrg him unable to wre. Numero ncsns, self-meditn wh prcriptn dgs, and s of alholism didn’t help, but prsn and suici ran the fay. His father, sister, brother, and granddghter also killed themselv. There’s a paful scene the film where Hemgway giv a rare terview, after wng his Nobel Prize 1954, wh his speech impaired. </p><p data-no-id="14" class="css-18vfmjb et3p2gv0">After the book me out, Joan Didn – who, like Ralph Ellison, would retype Hemgway’s stori to learn his style – lamented s publitn <em>The New Yorker</em>. How ethil is to publish an unfished book agast an thor’s wish – an thor who red about every perd, ma, and article? </p><p data-no-id="15" class="css-18vfmjb et3p2gv0">And yet, he didn't stroy eher.</p><style data-emotn="css qplj0i">{font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-weight:normal;marg-bottom:0.625rem;marg-top:0.625rem;}@media(max-width: 48rem){{font-size:2.125rem;le-height:1.2;}}@media(m-width: 48rem){{font-size:2.25rem;le-height:1.3;}}@media(m-width: 64rem){{font-size:2.5rem;le-height:1.1;}} b, strong{font-fay:her;font-weight:bold;} em, i{font-fay:her;font-style:alic;}</style><h2 data-no-id="16" class="body-h2 css-qplj0i et3p2gv0"><strong>Peggg Papa</strong></h2><p data-no-id="17" class="css-18vfmjb et3p2gv0">Ethics asi, the book do offer sential sight. For one, the anal peratn <em>The Garn of En </em>is “pretty well accepted” by crics faiar wh the origal mancript, acrdg to Debra Modlmog, an of the College of Liberal Arts at the Universy of Nevada, Reno. In <em>Readg Dire</em>, Modlmog pots out a revealg phrase Hemgway had crossed out, which ntas more explic tail: David felt “somethg that yield and entered.” In the published novel, </p><blockquote data-no-id="18" class="body-blockquote css-116jaoo et3p2gv0">[David] lay there and felt somethg and then her hand holdg him and searchg lower and he helped wh his hands and then laid back the dark and did not thk at all and only felt the weight and the strangens si and she said, “Now you n’t tell who is who n you?” </blockquote><p data-no-id="19" class="css-18vfmjb et3p2gv0">What entered? <br /></p><p data-no-id="20" class="css-18vfmjb et3p2gv0">“I thk this is digal anal peratn,” Modlmog tells me (a 2010 film adaptatn agre), “but there’s room for terpretatn.” Of urse, the “somethg” and the “weight” uld easily be an implement heavier than fgers. The game is repeated many tim. And absthe helped to cure David’s “remorse” when, one day, while visg Spa, the peratn occurred when he and Cathere were both “boys.” </p><style data-emotn="css 1bsfgxp">{clear:none;posn:relative;text-align:center;word-break:break-word;}@media(max-width: 64rem){{max-width:100%;}{max-width:100%;}{max-width:100%;}}@media(m-width: 48rem){{text-align:left;}}@media(m-width: 48rem) and (max-width: 61.25rem){{clear:both;max-width:lc(20.625rem * 2 - 1rem);marg-left:to;marg-right:to;}{max-width:m(20.625rem, lc((100vw - (1rem * 3))/2));float:left;marg-left:0rem;marg-right:0rem;paddg-right:1rem;background:#ffffff;}{max-width:m(20.625rem, lc((100vw - (1rem * 3))/2));float:right;marg-right:0rem;marg-left:1rem;}}@media(m-width: 61.25rem) and (max-width: 90rem){{marg-right:0rem;max-width:lc(20.625rem * 2 - 1rem);clear:both;}{max-width:20.625rem;float:left;clear:left;marg-right:0rem;paddg-right:1rem;background:#ffffff;}{max-width:20.625rem;float:right;clear:right;marg-left:1rem;}}@media(m-width: 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data-vars-ga-product-price="£36.95" data-vars-ga-product-retailer-id="3223e044-8988-46ae-8ed4-ce8a893b8820" data-vars-ga-product-sem3-brand="McFarland & Company" data-vars-ga-product-sem3-tegory="Cril Theory" data-vars-ga-gallery-id data-vars-ga-lk-treatment="sale | (not set)" data-vars-ga-sku="0786426381" data-vars-ga-magento-trackg="1" role="button" data-ab-label="ProdClick" class="product-btn-lk en6kra60 css-1i4dhmq e1c1bym14">£37 at Amazon</a></div></div></div><style data-emotn="css 74nsqh">{display:-webk-box;display:-webk-flex;display:-ms-flexbox;display:flex;marg-top:0.9375rem;paddg-top:0.9375rem;text-align:left;}@media(m-width: 48rem){{borr-top:th solid #CDCDCD;}}</style><div data-optimizely="pros-ns-ntaer" class="css-74nsqh ektooqb7"><style data-emotn="css aqsj2r">{paddg:0rem;-webk-flex:1;-ms-flex:1;flex:1;}{marg-left:0;marg-right:0.625rem;}</style><div class="css-aqsj2r ektooqb6"><style data-emotn="css 3samd3">{font-weight:normal;marg:0rem;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-size:0.8125rem;le-height:1.1;letter-spacg:0.06rem;text-ratn-thickns:0.125rem;text-transform:upperse;text-unrle-offset:0.25rem;}</style><h6 class="css-3samd3 ektooqb5">Pros</h6><style data-emotn="css 1rybwxh">{-webk-flex:1;-ms-flex:1;flex:1;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;-webk-hyphens:to;-moz-hyphens:to;-ms-hyphens:to;hyphens:to;list-style:none;marg-top:0;paddg:0rem;}@media(max-width: 48rem){{font-size:1rem;le-height:1.4;}}@media(m-width: 48rem){{font-size:1rem;le-height:1.4;}}@media(m-width: 64rem){{font-size:0.875rem;le-height:1.4;}}{marg-left:0;}</style><ul class="css-1rybwxh ektooqb4"></ul></div><div class="css-aqsj2r ektooqb6"><h6 class="css-3samd3 ektooqb5">Cons</h6><ul class="css-1rybwxh ektooqb4"><style data-emotn="css 4kwcq1">{display:grid;grid-template-lumns:0 1;grid-gap:1.5rem;marg-top:0.625rem;-webk-align-ems:start;-webk-box-align:start;-ms-flex-align:start;align-ems:start;}</style><li class="css-4kwcq1 ektooqb2"><style data-emotn="css 4bs81v">{-webk-text-ratn:her;text-ratn:her;text-transform:none;text-renrg:to;webk-font-smoothg:antialiased;moz-osx-font-smoothg:graysle;}</style><span aria-hidn="te" class=" css-4bs81v 31yw60"><style data-emotn="css 23kqqm">{width:1rem;height:1rem;marg-top:0.25rem;}</style><img data-dynamic-svg src="/_assets/sign-tokens/e/static/ins/" loadg="lazy" alt="Con" role="img" tle="Con" height="to" width="to" class="css-23kqqm ektooqb0" /></span></li></ul></div></div></div><p data-no-id="22" class="css-18vfmjb et3p2gv0">The late Richard Fanta’s “<style data-emotn="css umdwtv">{-webk-text-ratn:unrle;text-ratn:unrle;text-ratn-thickns:.0625rem;text-ratn-lor:#FF3A30;text-unrle-offset:0.25rem;lor:her;-webk-transn:background 0.4s;transn:background 0.4s;background:lear-gradient(#ffffff, #ffffff 50%, #d5dbe3 50%, #d5dbe3);-webk-background-size:100% 200%;background-size:100% 200%;}{lor:#000000;text-ratn-lor:borr-lk-body-hover;-webk-background-posn:100% 100%;background-posn:100% 100%;}</style><a href=" data-vars-ga-outbound-lk=" data-vars-ga-ux-element="Hyperlk" data-vars-ga-ll-to-actn="Peggg" class="body-lk css-umdwtv et3p2gv0"><u>Peggg</u></a> Ernt Hemgway”, om his book <em><a href=" target="_blank" rel="nofollow" data-vars-ga-outbound-lk=" data-vars-ga-ux-element="Hyperlk" data-vars-ga-ll-to-actn="Straight Wr Queer" data-vars-ga-product-id="cd21a3c6-58a0-4168-b490-3400a00312" data-href=" data-product-url=" data-affiliate="te" data-affiliate-url=" data-affiliate-work="{"id":"67a1c675-44b4-45cd-bd62-a1001851fad5","se_id":"190ce153-424a-469c-a2ee-0521e9e2c5cb","metadata":{},"work":{"id":"469ce69f-4798-416d-9432-eaa9954b4053","name":"Amazon","metadata":{}}}" data-vars-ga-media-role data-vars-ga-media-type data-vars-ga-product-brand="McFarland & Company" data-vars-ga-product-price="£36.95" data-vars-ga-product-retailer-id="3223e044-8988-46ae-8ed4-ce8a893b8820" data-vars-ga-product-sem3-brand="McFarland & Company" data-vars-ga-product-sem3-tegory="Cril Theory" data-vars-ga-gallery-id data-vars-ga-lk-treatment="sale | (not set)" class="body-lk product-lks css-umdwtv ebsw2pb0">Straight Wr Queer</a></em>, offers another take. “In Hemgway’s work the male hero seldom perate women but rather are sometim perated themselv,” he wr. Male submissn is part of the back door sex for Fanta: “The ial Hemgway woman”, like sexually liberated Brett Ashley <em>The Sun Also Ris</em> (1926), “monstrat power and a will to domate.” In <em>The Garn of En</em>, Hemgway “celebrat a woman who ntrols the sexual relatnship wh her hband and who iat female-on-male sodomy.” Sodomy, Fanta argu, is a “polymorpho practise that transcends tegori of genr and sexual preference.”<br /></p><p data-no-id="23" class="css-18vfmjb et3p2gv0">In her diary, durg that prevly mentned 1953 Ain sex safari, Mary Hemgway wrote: “Papa’s fn of buggery: ‘Sodomy when practised by those who are not gentlemen.’” A few l away om that is an acunt of their afternoon nap: a “love-feast, love-ft, love fita,” and another entry later that night noted “a bigger, happier, lovelier, love-ft-feast.” There’s also her acunt of Hemgway’s mock terview:</p><blockquote data-no-id="24" class="body-blockquote css-116jaoo et3p2gv0">REPORTER: ‘Mr. Hemgway, is te that your wife is a lbian?’<br />PAPA: ‘Of urse not. Mrs Hemgway is a boy.’<br />REPORTER: ‘What are your favore sports, sir?’<br />PAPA: ‘Shootg, fishg, readg and sodomy.’<br />REPORTER: ‘Do Mrs Hemgway participate the sports?’<br />PAPA: ‘She participat all of them.’<br />REPORTER: ‘Sir, n you pare fishg, shootg and cricket, perhaps, wh the other sports you practise?’<br />PAPA: ‘Young man, you mt distguish between the diurnal and the nocturnal sports. In this later tegory sodomy is fely superr to fishg.’</blockquote><h2 data-no-id="25" class="body-h2 css-qplj0i et3p2gv0"><strong>Icebergs and Enemas</strong></h2><p data-no-id="26" class="css-18vfmjb et3p2gv0">In 1918, Hemgway was hospal Milan after beg wound while volunteerg as an ambulance driver on the Italian ont durg World War I. In preparatn for an operatn, he was likely given an enema by nurse Agn von Kurowsky – his first great love. This enema was replited <em>A Farewell to Arms</em>, when Cathere admisters one to Freric, a litenant of the ambulance re, before his operatn. </p><p data-no-id="27" class="css-18vfmjb et3p2gv0">The word 'enema' is never ed. The rear mt fer om his lover-nurse makg him “clean si and out.” </p><p data-no-id="28" class="css-18vfmjb et3p2gv0">In Hemgway’s pared-down 'iceberg' technique of layered wrg, 's what’s unsaid, left beneath the surface, that matters. That omissn entailed excisg chunks of text and givg the rear the genero cred to tu the absence. In his 1927 short story, “Hills Like Whe Elephants,” a man prsur a woman to get an abortn, and the word abortn is never mentned.<strong> “</strong>The Sea Change” (1931) featur a woman talkg to a man a bar about how she's gog to leave him for another woman, yet her bisexualy is never stated directly. Elisn and subtext are Hemgway's signature style. And this certaly applied to sex. </p><p data-no-id="29" class="css-18vfmjb et3p2gv0">The quiet enema <em>A Farewell to Arms</em> is sexualised, subtly, as is the moment directly after:</p><blockquote data-no-id="30" class="body-blockquote css-116jaoo et3p2gv0"> ‘What would you like me to do now that you’re all ready?’ <br />‘Come to the bed aga.’ <br />‘All right. I’ll e.’ <br />‘Oh, darlg, darlg, darlg,’ I said. <br />‘You see,’ she said. ‘I do anythg you want.’ <br />‘You’re so lovely.’ <br />‘I’m aaid I’m not very good at yet,’ <br />‘You’re lovely.’ <br />‘I want what you want. There isn’t any me any more. Jt what you want.’</blockquote><p data-no-id="31" class="css-18vfmjb et3p2gv0">Hemgway’s enema timacy was possibly his foray to adulthood anal pleasur.</p><h2 data-no-id="32" class="body-h2 css-qplj0i et3p2gv0"><strong>A Moveable Fetish</strong></h2><p data-no-id="33" class="css-18vfmjb et3p2gv0">Years earlier, a young Ernt wore a flouncy summer drs. His mother, Grace, ptned a snapshot of him: “summer girl.” He and his sister Marcelle, who was a year-and-a-half olr, were always drsed alike – wh intil haircuts. In that time, was mon for young boys to wear drs. However, at the Hemgway’s, his mother also referred to him as a girl, and this went on long enough for Ernt to worry aloud that Santa Cls would not know he was a boy. </p><p data-no-id="34" class="css-18vfmjb et3p2gv0">Beg raised as the psdo-tw of his sister is what many crics attribute to his fascatn wh matchg haircuts, which is repeated his adult eroticism, letters, and fictn, and the genr swappg – which often allus to brother/sisters.</p><p data-no-id="35" class="css-18vfmjb et3p2gv0">“You’ll almost never see an erotic scene Hemgway whout a good al of attentn to hair,” Carl Eby, the print of The Hemgway Foundatn and thor of <em>Hemgway’s Fetishism</em> tells me by phone om Boone, North Carola. “People always ask me, ‘Was Hemgway gay or straight?’</p><p data-no-id="36" class="css-18vfmjb et3p2gv0">“He was a fetishist.” </p><style data-emotn="css 1mtk2uq">{--data-embed-display:flex;-webk-align-ems:center;-webk-box-align:center;-ms-flex-align:center;align-ems:center;display:-webk-box;display:-webk-flex;display:-ms-flexbox;display:flex;marg-bottom:0.9375rem;}@media(m-width: 20rem){{clear:both;marg-left:to;marg-right:to;width:100%;}}@media(m-width: 30rem){{clear:both;marg-left:to;marg-right:to;width:100%;}}@media(m-width: 40.625rem){{width:70%;marg-left:1rem;marg-right:0rem;float:right;clear:right;}}@media(m-width: 48rem){{width:70%;marg-left:1rem;marg-right:0rem;float:right;clear:right;}}@media(m-width: 64rem){{width:60%;marg-left:1rem;marg-right:0rem;float:right;clear:right;}}@media(m-width: 73.75rem){{width:60%;marg-left:1rem;marg-right:lc(-30% - 1rem);float:right;clear:right;}}@media(m-width: 75rem){{width:60%;marg-left:1rem;marg-right:lc(-30% - 1rem);float:right;clear:right;}}@media(m-width: 90rem){{width:60%;marg-left:1rem;marg-right:lc(-30% - 1rem);float:right;clear:right;}} a span{right:1rem;} img{width:to;height:85vh;} a{display:-webk-le-box;display:-webk-le-flex;display:-ms-le-flexbox;display:le-flex;posn:var(--posn, relative);} img:not(.ewcw41w1){display:block;width:100%;height:to;-webk-align-self:flex-start;-ms-flex-em-align:flex-start;align-self:flex-start;}</style><div size="large" data-embed="body-image" data-no-id="37" class="align-right size-large embed css-1mtk2uq e1xqj1sx4"><div class="css-uwraif e1xqj1sx3"><img alt="ernt hemgway" tle="Ernt Hemgway" loadg="lazy" width="1921" height="2782" dg="async" data-nimg="1" style="lor: transparent; width: 100%; height: to;" siz="100vw" srcSet=" 640w, 980w, 1120w, 1200w, 1920w" src="" class="css-0 exi4f7p0" /><style data-emotn="css 78jldq">{paddg-left:0rem;}</style><div class="css-78jldq e1xqj1sx2"><div class="css-8h7i7x e1xqj1sx1">Ernt Hemgway’s send wife, ple pfeiffer, cuttg his hair</div><figptn class="css-1am3yn9 enfs9c50"><span class="css-1mcfn5x e6iqd2">Ernt Hemgway Collectn. John F Kennedy Printial Library and Mm, Boston</span></figptn></div></div></div><p data-no-id="38" class="css-18vfmjb et3p2gv0">Fetish, which are typilly lked to experienc childhood, are “an obligatory prop – for stance, sho, unrwear, or Hemgway’s se, hair—that mak sexual gratifitn possible,” said Eby. “The fetishist will e as a tool to disavow sexual difference a partner, so the person wearg the fetish n bee a girl-boy. As Robert Stoller betifully puts , ‘a fetish is a story masqueradg as an object.’” </p><p data-no-id="39" class="css-18vfmjb et3p2gv0">In Hemgway’s fictn, the “heterosexual sodomisg” of men is nnected to a set of patterns, acrdg to Eby, like fetishised haircuts, genr transformatn, and the male protagonist enterg a state of “not thkg.” </p><p data-no-id="40" class="css-18vfmjb et3p2gv0">(Though, isn’t a state of not thkg an aim of all sex?)</p><p data-no-id="41" class="css-18vfmjb et3p2gv0">“For Hemgway, sodomy rried a homosexual unrtone,” Eby said. “Like David <em>The Garn of En, </em>he'd image himself a female role while gettg perated by a female partner playg a male role. A sort of genr-swappg heterosexualy. But he uld never ee himself om a sneakg spicn that there was somethg ‘homosexual’ about .” His characters often seem to be tryg to fend that off. </p><h2 data-no-id="42" class="body-h2 css-qplj0i et3p2gv0"><strong>Secret Pleasur </strong></h2><p data-no-id="43" class="css-18vfmjb et3p2gv0">Was the macho posturg a ont to ver Papa’s secret pleasur? </p><p data-no-id="44" class="css-18vfmjb et3p2gv0">That’s the pop psychology take. But Hemgway was likely aware of his kks. He was an avid fan of the pneerg sexologist Havelock Ellis, who wrote extensively on all thgs sexually viant – cludg hair fetish – and even remend his books to his first wife, Hadley, and iends. Aled Ksey, another non-judgmental taxonomer of sexual behavur, was also on his bookshelv. After Hemgway found his trans son his mother’s nylons he said, “Gigi [a nickname for Gregory, who transned to Gloria after Hemgway’s ath], we e om a strange tribe, you and I.”</p><p data-no-id="45" class="css-18vfmjb et3p2gv0">Papa, who helped lnch<a href=" data-vars-ga-outbound-lk=" data-vars-ga-ux-element="Hyperlk" data-vars-ga-ll-to-actn=" this magaze" class="body-lk css-umdwtv et3p2gv0"> <u>this magaze</u></a>, really did love those “manly” hobbi. The manls was fely hyperbolic, thanks to the prs and Hemgway’s mastery of brandg (back when self-promotn was still a social embarrassment). He knew the public wanted the he-man, and was the taboo of s oppose that exced him.</p><p data-no-id="46" class="css-18vfmjb et3p2gv0">Like a femist who gets off on beg subservient to men bed, the erotic li the <em>verboten</em>. For Hemgway, born 1899, beg bad meant “beg the girl” and gettg perated.</p><div supprsHydratnWarng data-no-id="47" data-embed="pullquote" class="embed css-0 e9hzx6g0"><blockquote class="css-1eiql25 e1pe3zr91"><span aria-hidn="te" class="css-ow0dpz eagam8p0"></span><blockquote class="css-la9czl e1pe3zr90">The plexy of human nature and sire is, ultimately, unknowable, even ourselv</blockquote><span aria-hidn="te" class="css-0 eagam8p1"></span></blockquote></div><p data-no-id="48" class="css-18vfmjb et3p2gv0">The hair stuff was a cheeky public prelu to all of that. Transgrsg cultural taboos is often an element of fetishism. Like his wrg, you uld see the haircuts on the surface, and the “vil thgs” they got up to privately (as they ll <em> Garn</em>) were the bottom part of that hair iceberg. </p><p data-no-id="49" class="css-18vfmjb et3p2gv0">In the safari entry Hemgway lls Mary “prce of vils.” In “Secret Pleasur,” a chapter cut om <em>A Moveable Feast</em> – his glossed-up tobgraphil acunt of livg Paris the Twenti wh Hadley – he gh over their matchg hair (his grown out, hers cut) and “how much fun was to be damned... [We] kept our own tribal l and had our own ctoms and our own standards, secrets, taboos and lights.” </p><p data-no-id="50" class="css-18vfmjb et3p2gv0">None of this is new. That sodomy terview was prted <em>The New York Tim </em> 1977, a feature lled “A Farewell to Machismo.” What’s bafflg is that after<em> Garn </em>was published 1986, reviewers foced on the hair stuff and ignored the sodomy. Wh the mystery of his unrstatement and tntn, surely many crics jt missed . After all, the pleasur of prostate stimulatn aren’t part of the standard hetero sex script (vagal peratn + phall) – Hemgway’s pictn is remarkable for s rarens lerature. Bottomg don’t exactly f the (homophobic) archetypal epome of masculy eher. Then, too, there’s no doubt that some crics who were clued- about the analy were too self-nsc to wre about . What might that awarens suggt about their own liv?</p><div data-ad-exclu="(m-width: 90rem)" data-embed="embed-product" data-no-id="51" size="medium" class="size-medium align-right embed css-1bsfgxp etrqhn80"><div id="product-a45035f0-b821-4c0f-b222-13913867358b" class="css-17pp2fn etrqhn81"></div><div size="medium" class="size-medium align-right css-60ezry eyaokey4"><div class="top css-10ck1xh eyaokey2"><h2 class="css-6nsryy e8seki10">The Garn of En</h2></div><a target="_blank" rel="nofollow noopener" href=" aria-label="$17 at Blackwell's for The Garn of En" data-href=" data-product-url=" data-affiliate="false" data-affiliate-work data-vars-ga-ll-to-actn="$17 at Blackwell's" data-vars-ga-media-role data-vars-ga-media-type="Sgle Product Embed" data-vars-ga-outbound-lk=" data-vars-ga-product-id="a45035f0-b821-4c0f-b222-13913867358b" data-vars-ga-product-price="$17.27" data-vars-ga-product-retailer-id="a8e0b433-f7-41be-901b-b4296a61ffd9" data-vars-ga-lk-treatment="(not set) | (not set)" data-vars-ga-sku="9780684804521" data-vars-ga-magento-trackg="1" class="product-image-lk eyaokey0 en6kra60 css-15xslai e1c1bym14"><div class="css-zjhp4x e729n7u1"><div data-optimizely="product-image-ntaer" class="css-1pc0key e729n7u0"><img srcSet=" 640w, 980w" alt="The Garn of En" tle="The Garn of En" src="" width="400" height="611" dg="async" loadg="lazy" /></div></div></a><div size="medium" class="css-y6pcxk eyaokey1"><div class="css-10ck1xh eyaokey2"><h2 class="css-6nsryy e8seki10">The Garn of En</h2></div><div size="medium" class="size-medium css-g3y2dc e1a1omje0"><a target="_blank" rel="nofollow noopener" href=" aria-label="$17 at Blackwell's for The Garn of En" data-href=" data-product-url=" data-affiliate="false" data-affiliate-work data-vars-ga-ll-to-actn="$17 at Blackwell's" data-vars-ga-media-type="Sgle Product Embed" data-vars-ga-outbound-lk=" data-vars-ga-product-id="a45035f0-b821-4c0f-b222-13913867358b" data-vars-ga-product-price="$17.27" data-vars-ga-product-retailer-id="a8e0b433-f7-41be-901b-b4296a61ffd9" data-vars-ga-gallery-id data-vars-ga-lk-treatment="(not set) | (not set)" data-vars-ga-sku="9780684804521" data-vars-ga-magento-trackg="1" role="button" data-ab-label="ProdClick" class="product-btn-lk en6kra60 css-1i4dhmq e1c1bym14">$17 at Blackwell's</a></div></div></div></div><p data-no-id="52" class="css-18vfmjb et3p2gv0">I’m still not nvced that too much fs isn’t beg ma about Papa’s genr trouble. After all the posturg and the bravado, knowg more about Hemgway’s private life and wrg remds that “we have very ltle unrstandg of the timate liv of other people,” -filmmaker Lynn Novick tells me, on a ll om her apartment New York Cy. “Wh a famo person who's left a lot of breadcmbs, we're so cur and we want to expla everythg, but maybe that's oversimplifyg the plexy of human nature and sire, which is, ultimately, unknowable – even ourselv.”</p><p data-no-id="53" class="css-18vfmjb et3p2gv0">It’s worthwhile to keep md how much overblown analysg we do wh the art and liv of legendary figur. We project our sir as part of our existential cravg for meang our own liv, and dog so, we often place meang where none may be. Hemgway was a pleasure-seeker, and his wrg is unniably sensual, that much is clear his erotic scriptns of food and drk alone (tastg “the ld bottle of whe we wrapped a newspaper” at the beach; the “flow of the butter” meltg on eggs at breakfast). </p><p data-no-id="54" class="css-18vfmjb et3p2gv0">An appreciatn of blon hair and prostate sensatn are not exactly unique pleasur eher. Before rearchg this story, I told a male iend, who sleeps exclively wh women, that after mullg over the film’s vaguens about his sexual ambiguy, I wonred if the big androgyny mystery of “beg the girl” wasn’t much of a mystery at all. “I thk Hemgway jt liked stuff his ass,” I said. His rponse: “Who don’t?”</p><p data-no-id="55" class="css-18vfmjb et3p2gv0"><em>'</em><em>Hemgway' airs on PBS om 5-7 April, and on the BBC later this year</em></p><style data-emotn="css 6s2y3d">{background-lor:#F5F6F8;borr:none;borr-radi:0.625rem;box-shadow:0.4rem 0.4rem 0 #15263D;clear:both;lor:#000;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;marg-bottom:1.875rem;marg-top:1.875rem;paddg:1.875rem 1.25rem;text-align:center;}@media(max-width: 48rem){{font-size:1.1875rem;le-height:1.4;paddg:1.25rem;}}@media(m-width: 48rem){{font-size:1.1875rem;le-height:1.4;}}@media(m-width: 64rem){{font-size:1.25rem;le-height:1.4;}} b, strong{font-fay:her;font-weight:bold;} em, i{font-fay:her;font-style:alic;}</style><p data-no-id="56" class="body-tip css-6s2y3d et3p2gv0"><em><em>Mary Kathare Tramontana is a wrer verg sexual polics and culture for The New York Tim, Playboy, and other outlets. 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ernest hemmingway gay

A prevly unpublished letter sheds light on Papa's unenlightened views of gay men.

Contents:

MEET THE GAY BROOKLYN BULLFIGHTER WHO BEIEND HEMGWAY

Ernt Hemgway was a famed thor who married multiple tim, but some rears and tors have wonred if he was actually gay. Details! * ernest hemmingway gay *

Ernt Hemgway's Sexualy Remas a Subject of Speculatn Des After His DeathErnt Hemgway was a famed thor who married multiple tim, but some rears and tors have wonred if he was actually gay. And, although most still admire him for his work, others still have cursi about Hemgway's sexualy and whether he was, fact, gay.

A prevly unpublished letter sheds light on Papa's unenlightened views of gay men * ernest hemmingway gay *

Hemgway himself never openly intified as gay durg his life, but for some scholars, the proof was many of his books. Now, people have even more qutns about GettyArticle ntu below advertisementHemgway never "me out, " any sense of the phrase, but there are still many who assume he might have been gay, or simply intified as havg been sexualy fluid. Dearborn, who wrote Ernt Hemgway: A Bgraphy, told El País that she don't believe he was gay, but agreed that his sexualy was more plited than merely black-and-whe.

*BEAR-MAGAZINE.COM* ERNEST HEMMINGWAY GAY

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jssHut nsumer-marketg-un nsumer-marketg-un--display-hero" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-hero"></div><div class="journey-un"></div></div></div><div class="SpaceHolr-oayp fXtswJ ad-height-hold"></div><ma id="ma-ntent" tabx="-1" class="BasePageMaContent-kFvAuh ewPCZH page__ma-ntent"><article class="article ma-ntent" lang="en-US"><div class="ArticlePageLeBackground-EufvU tFsh"><hear class="ContentHearWrapper-clujbs bhNIJY ntent-hear article__ntent-hear"><div data-ttid="ContentHearContaer" class="ContentHearContaer-cGKRbE knDxNq"><div class="ContentHearHedAccredatnWrapper-GFiQf cDNVlV"><div data-ttid="ContentHearTleBlockWrapper" class="ContentHearTleBlockWrapper-cjmSKp jbzVNV"><div data-ttid="ContentHearRubric" class="ContentHearRubricBlock-LmpbT kkDiIx"><div data-ttid="ContentHearRubricDateBlock" class="ContentHearRubricDateBlock-kAQcZP fTFWxD"><div class="RubricWrapper-dKmCNX dZhWBL bric ContentHearRubricContaer-eTudtt iRsSlw"><a class="RubricLk-gRWSOU fgWnkQ bric__lk" href="/magaze/books"><span class="RubricName-fVtemz cLxcNi">Books</span></a></div></div></div><h1 data-ttid="ContentHearHed" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearHed-NCyCC iUEiRd NbxED hpJvIc">Hemgway, the Sensualist</h1></div><div class="ContentHearAccredatn-lfctVB enhwXT ntent-hear__accredatn" data-ttid="ContentHearAccredatn"><div class="ContentHearDek-bIqFFZ Mtme">The macho in has been rest as a genr-bendg progrsive. But what really ma his pulse race?</div><div class="ContentHearByle-kmPyCa gvUmxJ"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset ContentHearContributorImage-cvjZXn jKACOU"><picture class="RponsiveImagePicture-cWuUZO dUOtEa ContentHearContributorImage-cvjZXn jKACOU rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w" siz="66px"/><source media="(m-width: 768px)" srcSet=" 120w, 240w" siz="66px"/><img alt="" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></span><div class="ContentHearByleContent-dpPmNn DRFq"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl ContentHearByl-cZqgyJ bqbBYQ"><p class="ByleWrapper-jWHrLH ivtvgj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span><a class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM ByleLk-gEnFiw iUEiRd ggMZaT cXqSTL eErqIx byle__name-lk button" href="/ntributors/adam-gopnik">Adam Gopnik</a></span></span></p></div><time data-ttid="ContentHearPublishDate" dateTime="2017-06-26T05:00:00-04:00" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearPublishDate-eIBicG iUEiRd kYZrFA kEBrdf">June 26, 2017</time></div></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ContentHearLeadAsset-hGbumP iWPCcH lead-asset ContentHearLeadAssetWrapper-hfXHEc fTrSlG lead-asset--width-smallle" data-ttid="ContentHearLeadAsset"><figure class="ContentHearLeadAssetContent-kOfYSG dRGWbI"><div class="ContentHearLeadAssetContentMedia-bLEIpi jjhWdS lead-asset__ntent__photo"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset ContentHearRponsiveAsset-bREgIb khLUzS"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz hlQxkn"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO KhjZz ContentHearRponsiveAsset-bREgIb khLUzS rponsive-image rponsive-image--expandable"><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w, 960w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w, 1920w, 2240w" siz="100vw"/><img alt="Hemgways stoil stance has been celebrated but was an epicurean evotn of the material world that quickened his..." class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></div></div></span><div class="CaptnWrapper-jSZdqE iTuhkZ ptn ContentHearLeadAssetCaptn-hPWmSN kuCzGS"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo iXWezO ptn__text">Hemgway’s stoil stance has been celebrated, but was an epicurean evotn of the material world that quickened his prose.</span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd iicloT jbIJNS ptn__cred">Illtratn by Sébastien Plassard</span></div></div></figure><div data-ttid="ContentHearLeadRailAnchor" class="ContentHearLeadRailAnchor-jYVcDc djtEof"></div></div></div></div></hear></div><div data-attribute-verso-pattern="article-body" class="ArticlePageContentBackGround-cNiFNN kbAoLA article-body__ntent"><div class="ActnBarWrapperContent-lasBkU cAHp"><div class="ActnBarWrapperComponent-cjwxLS bEeSLb"><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh kNjTbQ viewport-monor-anchor"><button id="bookmark" aria-label="Save this story" class="ActnBarButton-dyFOZU hQrwCF bookmark large-screen"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Save this story</tle><path class="in-bookmark-fill" d="M20 23.9508L12.5 19.7312L5 23.9508V2.95081H14V3.93211H6V22.1845L12.5 18.5536L19 22.1845V8.83866H20V23.9508Z"></path><path class="in-bookmark-fill" d="M23 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hhylRt"><div class="ArticlePageChunksContent-etcMtP bwyLBj"><div data-ttid="ArticlePageChunks" class="ArticlePageChunks-fLyCVG Uozmo"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bDyAMU body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="has-dropp has-dropp__lead-standard-headg">It’s difficult for people who weren’t around at the time to grasp the sle of the Hemgway cult twentieth-century Ameri. As late as 1965, the edor of <em>The Atlantic</em> uld wre reverently of scen om a kd of Ernt Hemgway Advent lendar: “We-staed moods the siwalk fés and roisterg nights Left Bank <em>boît</em>. Walkg home alone the ra. Talk of ath, and scen of , the Spanish sun. Treks and trophi Tanganyika’s green hills. Duck-shootg the Veian marsh. . . . Lovg and drkg and fishg out of Key Wt and Havana.” It was real fame, too, not the thirty-mut-wh-Terry Gross kd that wrers have to ntent themselv wh now. To get close to the tone of today, you would have to image the lerary reputatn of Raymond Carver joed wh the populary and polil piety of Bce Sprgsteen. “Papa” Hemgway was not jt a much admired artist; he was seen as a reprentative Amerin public man. He reprented the thory of wrg even for people who didn’t read.</p><p class="paywall">The bunkg, when me, me hard. As the bter memoirs poured out, we got alholism, male chvism, fabulatn, malice toward those who had ma the mistake of beg kd to him—all that. Eventually there me, om his avid tate, the lucrative but not reputatn-enhancg publitn of posthumo novels. The brand ntu: his tate licens the “Ernt Hemgway Collectn,” which clus an artisanal m, Papa’s preferred eyewear, and heavy Cuban-style furnure featurg “leather-like vyl wh a warm pata.” (What would Papa have said of that!) But few would now give the old man the heavyweight champnship of lerature for which he fought so hard, not least bee thkg of lerature as an elimatn bout is no longer our style. We thk of more as a quiltg bee, wh everyone havg a chance to add a patch, and the ft patch often arisg om the least privileged quilters. In recent s, Hemgway has reprented the thory of wrg only for people who never read.</p><p class="paywall">Sudnly, though, there has been an amic revival Hemgway studi which, wh an irony no satirist uld have imaged, Hemgway, who his day exemplified Amerin macho, has, through our taste for “queerg the text,” bee Hemgway the genr benr. <em>The Hemgway Review</em> n now nta admirg articl wh subtl like “Sodomy and Transvtic Hallucatn Hemgway.” It is newly possible to duce that Papa was far weirr, a posive sense, than he liked to pretend, and that his texts nta, jt below their rigidly tumcent surface, ep glimmerg pools of sexual ambiguy and genr liquidy.</p><p class="paywall">Mary V. Dearborn’s new bgraphy, “<a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Hemgway</a>” (Knopf), is hardly full of revelatns. Wh the wns almost all ad, and the archiv bed through as if by addicts lookg for remnants of crack, how uld be? But is up to date attu. The queer-theory patch are all place, as are the femist on. Dearborn has an oddly puranil attu toward the storytellg of a storyteller, beg que prim as she pots out that Hem exaggerated here, nfabulated there, ma ls of this than was que tthful, and more of that. Hemgway, she wr, told “enormo whoppers” about, for stance, trappg pigeons the Luxembourg Garns for dner his early years Paris. In fact, he and his first wife, Hadley, had plenty of money. But he was wrg fabl about the aspiratns of expatriat, not textbooks on acuntg. Hungry people—and no one is hungrier than a young wrer tryg to make a reputatn—feel hungry even when they’re not actually starvg.</p><p class="paywall">In general, Dearborn seems not to have met many wrers along her scholarly path, and appears astound that the good on tell tall tal about their own formatn, which is like beg astound that fishermen exaggerate the size of their tch. (Of urse, Hemgway did that, too.) Most of Hemgway’s fabulatns are transparent style and purpose: he told an terviewer once that, when he walked wh Joyce Paris the neteen-twenti, Joyce would “fall to an argument or a fight. He uldn’t even see the man so he’d say, ‘Deal wh him, Hemgway! Deal wh him!’ ” This surely never happened, but you n see why he wished had, and n’t hate him for wishg . He wanted to be Joyce’s Lu Brasi.</p><p class="paywall">In Dearborn’s better moments, she shows how telligently Hemgway managed to apportn the amount of empiril accuracy for each ocsn. Although he flated his heroism the Great War—at one pot givg crence to the report that he had rried a wound Italian soldier over a distance twice the length of a football field—he was direct and unrstated his published stori. Dearborn thks that Hemgway was askg whether “there was any more thenticy, or tth.” No, he wasn’t. He was allotg thenticy and tth acrdg to the needs of his art. The origal of Cathere “A Farewell to Arms” was an Amerin nurse named Agn von Kurowsky, whom he loved passnately, only to have her reject him wh a chilly Dear John letter, which she told him that she was “still very fond” of him but “more as a mother than a sweetheart.” He fixed the facts the novel by havg her die for love bearg his child. Revenge on realy like that is what lerature is <em>for</em>.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-1 viewport-monor-anchor"></div><p class="paywall">But Dearborn is an encyclopedic llector of facts and, on the whole, a cent and fair-md judge of them. One rarely objects to her verdicts about what exactly happened and why. The story here gets retold more or ls on the terms we know, wh judic gus ma as to the tth of much-argued-over episos: y, his mother drsed him as a girl until he was old enough to notice; no, Stt Fzgerald probably never asked him to check the size of Fzgerald’s member a Paris men’s room; y, those famo wilrns outgs Michigan took place the ntext of a big middle-class hoe and middle-class vatns, and were not nearly as primive as the stori make them sound; and no, his first wife did not lose all of his early work on a tra for good—a lot was soon revered. Recent “disveri” the field are put more or ls to place: the revelatn om the thor Nicholas Reynolds, “<a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Wrer, Sailor, Soldier, Spy,</a>” that Hemgway had been reced as a spy by Stal’s N.K.V.D. the neteen-thirti is noted, although ’s also noted that Hemgway seems never to have done anythg for . The tth that he was not entirely paranoid at the end of his life to thk that the F.B.I. had been keepg an eye on him is noted, too, and so is the fact that the Bure seemed to have ltle malice toward him. Ined, J. Edgar Hoover himself—another tough guy wh a hidn si—was an admirer. And Dearborn se clearly what was cloud then: that a large part of Hemgway’s cle his last years was due to an hered bipolar disorr upled wh a penchant for self-meditn through alhol.</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p class="paywall">We pass through the ual progrs of Hemgway’s life, already well charted all those other books. Early ght years Oak Park, a suburb of Chigo, wh a distant, manic-prsive father, who eventually mted suici, and a ld mother, who once orred the young Ernt out of the hoe and, years later, when his first novel was a h, found a wholly negative lol review to send him. Relief the form of summers spent fishg at the fay’s lake ttage. No llege years—he missed that part, and paid for by overpensatg tellectually—but war experienc. Hemgway went to the Italian ont 1918, at eighteen, as an ambulance driver, the pany of the once famo, now largely fotten novelist John Dos Passos. As Jam McGrath Morris pots out his new book “<a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">The Ambulance Drivers</a>,” Dos Passos had a keen sense of the real waste and horror of war, whereas Hemgway still saw as an ocsn for a heroic show of stoil endurance. The urage of his gog at all is unniable; after a few weeks, he got blown up by a mortar and revered the hospal, fallg love wh that betiful nurse. He then went to work as a journalist for the Toronto <em>Star</em>; there’s a nice le “The Sun Also Ris” about the easy social grac of Canadians. But, as much as generatns of newspapermen have claimed him as a stunt of newspaper style, nothg memorable emerg om the llected journalism.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><asi class="PersistentAsiWrapper-VGrR daRVRt persistent-asi" style="posn:absolute;top:to;height:to" data-ttid="PersistentAsiWrapper"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="dqsxml"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></asi></div></div><div data-ttid="RowWrapper" class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="s7b7bq"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bDyAMU body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="paywall">It was only after his marriage to Hadley Richardson, a St. Louis heirs, that he set off for Paris, arrivg late 1921 wh a termatn to bee a great and morn wrer that was touchg one who had received so ltle enuragement. Enuragement as a wrer, that is; Hemgway’s charisma and good looks had ma life easy for him, as they would go on dog for a long time after. (Of all the gifts that n grace a lerary reer, good looks are the most easily overlooked and not the least important: though we may read bld, we don’t beiend bld.) Dearborn is fatly disapprovg of his lerary reerism Paris, registerg the fact that he ed his attractivens to attract, while rather missg the pot that the people he was urtg, Ezra Pound and Sylvia Beach and Gert Ste and the rt, were avant-gardists wh no fluence the realms of mercial publishg where he had to make a livg. He was certaly amb and appealg, but the ambn for which he ed his appeal was to wre well a new way.</p><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kKwZhx rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><div data-attr-viewport-monor="" class="RponsiveCartoonWrapper-iTMMjI eXTYsS rponsive-rtoon AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset viewport-monor-anchor"><a class="external-lk rponsive-rtoon__image-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank"><picture class="RponsiveImagePicture-cWuUZO dUOtEa RponsiveCartoonImage-hzNqyc ikeCcH rponsive-rtoon__image rponsive-image"><noscript><img alt="Hemgway the Sensualist" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" siz="100vw"/></noscript></picture></a><div class="RponsiveCartoonCTA-eiqqMB iDCQRs"><div class="RponsiveCartoonCTAWrapper-CYIqa iTbFtf"><div class="RponsiveCartoonLkButtonWrapper-hqDAJK eSEhbj"><button aria-label="Copy lk to rtoon" class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv YsOBB button button--primary-pair RponsiveCartoonInButton-hBCBMq lpsjql" data-event-click="{"element":"Button"}" data-ttid="Button" type="button"><span class="ButtonLabel-cjAuJN bBWXSg button__label">Copy lk to rtoon</span><div class="ButtonInWrapper-gFdzAL bPDyTT button__in-ntaer"><svg class="in in-pylk" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Copy lk to rtoon</tle><g clip-path="url(#clip0_3732_178637)"><path fill-le="evenodd" clip-le="evenodd" d="M16.3488 10.5017C16.2107 10.7357 16.2926 11.035 16.5318 11.17C16.7709 11.3052 17.0767 11.225 17.2148 10.991L18.4648 8.87225C19.5694 7.00002 18.9139 4.60601 17.0007 3.52508C15.0875 2.44415 12.6412 3.08562 11.5366 4.95785L9.53657 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18.8167 5.57417 17.0212 6.4026 15.6171L7.6526 13.4983Z" fill="black"></path></g><fs><clipPath id="clip0_3732_178637"><rect width="24" height="24" fill="whe"></rect></clipPath><clipPath id="clip1_3732_178637"><rect width="24" height="24" fill="whe"></rect></clipPath></fs></svg></div></button><div class="AlertWrapper-gvFATk MdjE RponsiveCartoonLkAlertPopup-BPAXn kdMXRM shoppg-alert" role="dialog"><div aria-hidn="te" role="prentatn" class="AlertArrow-daOgye AlLda alert-arrow"></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ AlertMsage-jgAjgo bVCFRm ifgabc cxFROy alert-msage"><p aria-hidn="te">Lk pied</p></div></div></div><button aria-label="Shop" class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv YsOBB button button--primary-pair RponsiveCartoonInButton-hBCBMq lpsjql" data-event-click="{"element":"Button"}" data-ttid="Button" type="button"><span class="ButtonLabel-cjAuJN bBWXSg button__label">Shop</span><div class="ButtonInWrapper-gFdzAL bPDyTT button__in-ntaer"><svg class="in in-rt" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Shop</tle><g clip-path="url(#clip0_3732_178638)"><path fill-le="evenodd" clip-le="evenodd" d="M4 3H2V4H4.23828L6.99617 15.2631C7.11483 15.6982 7.50998 16 7.96094 16H18.0365C18.4875 16 18.8826 15.6982 19.0013 15.2631L20.9648 7.26312C21.1383 6.62698 20.6594 6 20 6H10V7H20L18.0365 15H7.96094L5.03652 3H4.58055H4ZM10.0365 19C10.0365 19.5523 9.58881 20 9.03652 20C8.48424 20 8.03652 19.5523 8.03652 19C8.03652 18.4477 8.48424 18 9.03652 18C9.58881 18 10.0365 18.4477 10.0365 19ZM11.0365 19C11.0365 20.1046 10.1411 21 9.03652 21C7.93195 21 7.03652 20.1046 7.03652 19C7.03652 17.8954 7.93195 17 9.03652 17C10.1411 17 11.0365 17.8954 11.0365 19ZM18.0365 19C18.0365 19.5523 17.5888 20 17.0365 20C16.4842 20 16.0365 19.5523 16.0365 19C16.0365 18.4477 16.4842 18 17.0365 18C17.5888 18 18.0365 18.4477 18.0365 19ZM19.0365 19C19.0365 20.1046 18.1411 21 17.0365 21C15.932 21 15.0365 20.1046 15.0365 19C15.0365 17.8954 15.932 17 17.0365 17C18.1411 17 19.0365 17.8954 19.0365 19Z" fill="black"></path></g><fs><clipPath id="clip0_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath><clipPath id="clip1_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath></fs></svg></div></button></div></div></div></span></div></figure><p class="paywall">His natural sound, the tone that ris when he is wrg unself-nscly to iends, is nothg like the voice of his good fictn. He was naturally garlo and jose—ed, by the time he was a celebry he was so garlo and jose that shocked people, though he was jt beg himself. (This explas the rponse to the notor Profile of him by Lillian Ross <a href=">that ran this magaze</a> 1950: he read the galleys, thought he sound hilar and charmg, and had no ia that he would e off as a self-absorbed blowhard.) Wrg to a iend about bullfights 1925, when his lerary style was already fully formed, he said, “It a’t a moral spectacle and if a male looks at for a moral standpot there isn’t any exc. But if a male tak as . Gawk what a hell of a wonrful show.” His letters are stuffed wh siar kds of heavy-hand kiddg.</p><div class="Contaer-bkChBi byNLHx"></div><p class="paywall">The real Amerin mascule style, as Sclair Lewis shrewdly saw, is not tight-lipped-stoil but wheezy-genial. Hemgway was no exceptn to the le that every Amerin man needs to see himself as funny. (Clt Eastwood’s famo turn at the 2012 Republin Natnal Conventn is further evince of this: Ameri’s tough guy took for granted that he was so naturally amg that all he had to do was drag an empty chair onstage and start jokg.) Hemgway actually had zero gift for edy—he liked makg fun of other people, but uld never implite himself the jok, which shuts off the humor spigot quickly. Still, the tight-lipped grimace was always threateng to turn to a regular-guy gr, sce the regular-guy gr was what the tight-lipped grimace started off ncealg.</p><p class="has-dropp has-dropp__lead-standard-headg paywall">But—what a fantastic wrer he beme! Scribner has now produced <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">a new volume</a> of Hemgway’s short stori, most om the neteen-twenti, his bt , plete wh many of the drafts he ma along the way. What is amazg is how pch-perfect he was. Readg passag om the Nick Adams stori published origally relatively obscure lerary reviews, one is overwhelmed by how so ltle produc so much—how the brevy, far om beg tacurn or severe, is matchlsly eloquent s evotn of the pleasur of the sens and of the feelg of place, as the famo scriptn of a trout stream Michigan om the 1925 story “Big Two-Hearted River”:</p><blockquote class="BlockquoteEmbedWrapper-sc-SdiGL jPeLne paywall blockquote-embed"><div class="BlockquoteEmbedContent-RbGs gmbtPx blockquote-embed__ntent"><p>Nick looked down to the pool om the bridge. It was a hot day. A kgfisher flew up the stream. It was a long time sce Nick had looked to a stream and seen trout. They were very satisfactory. As the shadow of the kgfisher moved up the stream, a big trout shot upstream a long angle, only his shadow markg the angle, then lost his shadow as he me through the surface of the water, ught the sun, and then, as he went back to the stream unr the surface, his shadow seemed to float down the stream wh the current, unristg, to his post unr the bridge where he tightened facg up to the current.</p><p>Nick’s heart tightened as the trout moved. He felt all the old feelg.</p></div></blockquote><p class="paywall">The bety of the scriptn is rerced by s emotnal subject: we sense and then briefly duce that Nick is a veteran of the war, tryg to relote his md through faiar pleasur. How did Hemgway do ? Simplicy, monosyllabl, elimatn of adverbs and adjectiv . . . that’s supposed to be the formula. For mordant mischief, one n now download the Hemgway Edor app, which ntas an algorhm meant to reproduce his style, and see how well this works. (The app picks out, adversely, the sgle adverb “swiftly” the openg paragraph of “A Farewell to Arms.”) But all the algorhm n do is simplify, and produce the kd of baby-talk prose that Hemgway himself wrote only when he was losg . The heart of his style was not abbreviatn but amputatn; not simplicy but mystery.</p><p class="paywall">Aga and aga, he creat his effects by strikg out what would seem to be sential material. In “Big Two-Hearted River,” Nick’s plited European experience—or the way that fishg is sany-prervg for Nick, the damaged veteran—is nveyed clearly the first versn, and left apparent only as implitn the published send versn. In a draft of the heartbreakg early story “Hills Like Whe Elephants,” about a man talkg his girliend to havg an abortn, Hemgway twice the words “three of .” This is the woman’s sential sire, to bee three rather than two. But Hemgway strik both stanc om the fished story, so the key image remas as ghostly subtext wh the sentenc. We feel the missg “three,” but we don’t read .</p><p class="paywall">That’s typil of his practice. The art om scissorg out his natural garlons, and the mystery is ma by what was elid. Readg through draft and then fished story, one is repeatedly stunned by the meticulo rightns of his elisns. There are fluenc at work, obvly, om Stephen Crane to Sherwood Anrson, not to mentn Gert Ste’s fx-naïf smarts. Yet Hemgway himself gave most of the cred to Cézanne. In that ncelled passage om “Big Two-Hearted River,” we read, “He wanted to wre like Cezanne pated. Cezanne started wh all the tricks. Then he broke the whole thg down and built <l>clearly and slowly</l> the real thg. It was hell to do. He was the greatt. It wasn’t a cult.” (The crossg-out is the origal.) This is the kd of classy thg that wrers are bound to say and bgraphers are bound to doubt—Dearborn lls Hemgway’s nstant reference to Cézanne “mystifyg”—but mak all the sense the world. The whole aim of Cézanne’s patg om the eighteen-seventi on is to build up landspe and still-life om the pictorial equivalent of monosyllabl—om small, square nstctive marks, like the cross-shadgs of a pencil, which make space by beg overlaid. Outle and firm shape are subordated, as Hemgway, to the passage of one shape to the next. Both men are masters of “and” more than “this.”</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div><div data-ttid="RowWrapper" class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="vpi6lp"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bDyAMU body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="paywall">Cézanne also showed that a few strong hts of specificy—this one pe tree the right ont plane, this plastic foreground orange—are all that is need for the evotn of shap and spac. In “Big Two-Hearted River,” there are moments that are not jt nstcted like a Cézanne patg; they look like a Cézanne patg:</p><blockquote class="BlockquoteEmbedWrapper-sc-SdiGL jPeLne paywall blockquote-embed"><div class="BlockquoteEmbedContent-RbGs gmbtPx blockquote-embed__ntent"><p>There was no unrbsh the island of pe tre. The tnks of the tre went straight up or slanted toward each other. The tnks were straight and brown whout branch. The branch were high above. Some terlocked to make a solid shadow on the brown fort floor. Around the grove of tre was a bare space. It was brown and soft unrfoot as Nick walked on .</p></div></blockquote><p class="paywall">It is exactly the feelg of Cézanne’s “P and Rocks,” at <em class="small">MoMA</em>. Hemgway’s prose b the brightly lored sensualy of morn French patg wh a clench-jawed Amerin reprsn. The stoil stance and the sensual touch: that was Hemgway’s keynote emotn, and his claim to have learned om Cézanne looks jt.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-2 viewport-monor-anchor"></div><p class="paywall">The stoil stance has been much celebrated—“grace unr prsure” and the rt—but the sensual touch is the more equent material of the prose. Whether at Michigan trout streams or Pamplona fitas or those Paris boît, there is a strong element of “travel wrg.” He wrote pleasure far better than vlence. Fzgerald’s evotn of the fashnable world is que abstract and mostly unspecific. Hemgway is full of advice about what to eat and drk. “Death the Afternoon” even clus a brief but cisive “Lonely Pla”-style disurse on European beer—the bt is Czech, German, and Spanish—as “The Sun Also Ris” do on Spanish we. There’s a reason that the bar at the Paris Rz was the first place he “liberated” Paris, and that El Florida rtrant, Havana, still claims him as the father of s grapeu-enhanced Daiquiri. No good wrer ever had such clear views on hotels and fés and rtrants.</p><p class="paywall">Hemgway’s people are damaged but not shell-shocked. “A Farewell to Arms” is a romance—a Hollywood-movie romance, featurg a uple wh glamoro nam. The romance of honor and glory may have died on the Wtern Front, but the romance of romance, and of sex and the material life particular, was relighted; the face of annihilatn, postpong pleasure jt looked silly. For all his reputatn for “mascule” valu, an stctive Hemgway theme is far more culturally “feme,” a graceful bendg unr prsure. “I’m not brave any more, darlg,” Cathere tells Freric “A Farewell to Arms.” “I’m all broken. They’ve broken me.” The self-regnn of breakage is the form of bravery available to real people. The edict of Hemgway’s art is to take what life throws at you whout plat, but is also to never postpone pleasure if you n help . The travel-lerature, brand-name si of Hemgway—the si that ma Pamplona a tourist trap and Venice’s Grti Palace an “in,” the si kept alive grad form by all that artisanal m and pat furnure—is sential to his effects. Hemgway was a master not of a realized stoicism but of a wound epicureanism. Have fun while you n, and then endure the bad stuff when . It don’t sound high-md when you say , but was saner than almost anythg else on offer.</p><p class="has-dropp has-dropp__lead-standard-headg paywall">Hemgway’s early style is also a poetic style; ’s signifint that, like the Romantic poets, he bloomed as a wrer his mid-twenti. The novel was vented by the middle-aged, and Gee Elt and Anthony Trollope were their fifti when they wrote their masterpiec. But lyric poetry is for the young, and the trouble wh a poetic style is that, wh age, n bee a pose. Hemgway’s beme a style so mannered that uld be parodied endlsly, to the pot that Hemgway parodi are nearly as rich a lerary form as Hemgway stori. The two bt—Woltt Gibbs’s “Death the Rumble Seat” and E. B. Whe’s “Across the Street and Into the Grill”—both appeared this magaze, and ’s signifint that the two parodists shared Hemgway’s project of simplifyg the hell out of Amerin prose; attuned them to the distortns and tics the Master’s way of dog so.</p><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kKwZhx rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><div data-attr-viewport-monor="" class="RponsiveCartoonWrapper-iTMMjI eXTYsS rponsive-rtoon AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset viewport-monor-anchor"><a class="external-lk rponsive-rtoon__image-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank"><picture class="RponsiveImagePicture-cWuUZO dUOtEa RponsiveCartoonImage-hzNqyc ikeCcH rponsive-rtoon__image rponsive-image"><noscript><img alt="“I suggt we ntue to treat everythg as allegatns until such time as we all have to plead guilty.”" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" siz="100vw"/></noscript></picture></a><div class="CaptnWrapper-jSZdqE gdZTpI ptn RponsiveCartoonCaptn-dokfdF hJgaLQ rponsive-rtoon__ptn"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo bsWloa ptn__text">“I suggt we ntue to treat everythg as allegatns until such time as we all have to plead guilty.”</span></div><div class="RponsiveCartoonCTA-eiqqMB iDCQRs"><div class="RponsiveCartoonCTAWrapper-CYIqa iTbFtf"><div class="RponsiveCartoonLkButtonWrapper-hqDAJK eSEhbj"><button aria-label="Copy lk to rtoon" class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv YsOBB button button--primary-pair RponsiveCartoonInButton-hBCBMq lpsjql" data-event-click="{"element":"Button"}" data-ttid="Button" type="button"><span class="ButtonLabel-cjAuJN bBWXSg button__label">Copy lk to 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18 9.03652 18C9.58881 18 10.0365 18.4477 10.0365 19ZM11.0365 19C11.0365 20.1046 10.1411 21 9.03652 21C7.93195 21 7.03652 20.1046 7.03652 19C7.03652 17.8954 7.93195 17 9.03652 17C10.1411 17 11.0365 17.8954 11.0365 19ZM18.0365 19C18.0365 19.5523 17.5888 20 17.0365 20C16.4842 20 16.0365 19.5523 16.0365 19C16.0365 18.4477 16.4842 18 17.0365 18C17.5888 18 18.0365 18.4477 18.0365 19ZM19.0365 19C19.0365 20.1046 18.1411 21 17.0365 21C15.932 21 15.0365 20.1046 15.0365 19C15.0365 17.8954 15.932 17 17.0365 17C18.1411 17 19.0365 17.8954 19.0365 19Z" fill="black"></path></g><fs><clipPath id="clip0_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath><clipPath id="clip1_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath></fs></svg></div></button></div></div></div></span></div></figure><p class="paywall">Dearborn brgs home another tth: for all his time wh the Paris mornists, Hemgway’s reputatn was ma on the bt-seller lists Ameri. “A Farewell to Arms” (1929) had a first prt n of more than thirty thoand pi, huge s day. “For Whom the Bell Tolls” (1940), helped by s timely fightg-the-Fascists subject, stayed on the bt-seller lists for two years. He had wrten much of while rentg F Vigía, a betiful hoe Cuba, and, wh the money om his books, he bought the place. It beme his stle and retreat almost for the rt of his life, until the Cuban Revolutn forced him out. It was here that he beme Papa Hemgway, the great bear of lerature, receivg journalists and raisg children and ventg the grapeu Daiquiri and fightg marl and takg quick and often dangero trips to lser provc of his empire, to Ai (where, on a sgle trip, he twice crashed a plane) and Spa (where he ntued to return, Fran notwhstandg, to watch the bullfights).</p><p class="paywall">The weird sexual stuff began, or began to be rerd, the neteen-forti. The actual sequence is a ltle hard to follow, sce the lerary evince appears “The Garn of En,” an unfished, posthumoly published novel that he worked on the forti and fifti but that tak place the mid-twenti, which is when he started seeg the Amerin journalist Ple Pfeiffer, who eventually beme his send wife. Basilly, Hemgway began to sist that the women his life get their hair cut short, like his, while he dyed his to match theirs, wh many plited twists both lor and stylg. The s and outs of this “sex play,” as Dearborn lls , read like a mix of D. H. Lawrence and a Clairol ad. She reunts:</p><blockquote class="BlockquoteEmbedWrapper-sc-SdiGL jPeLne paywall blockquote-embed"><div class="BlockquoteEmbedContent-RbGs gmbtPx blockquote-embed__ntent"><p>First, Ernt bleached or dyed his. Josephe Merck, a iend om Montana, vised Ernt and Ple 1933 and remembered Ernt’s hair “bleached by the sun”; was highly unlikely that the sun “bleached” his dark hair. She also saw jt after, when his hair was red, and when she asked him about , he got annoyed. A letter om Ple to her hband cleared up what lor his hair was that sprg: “About your hair,” she wrote him, “don’t know how to turn red to gold. What about straight peroxi—or better what’s the matter wh red hair. Red hair lovely on you.” Evintly Ernt felt some regret, if not for dyeg his hair the first place, then for choosg the wrong lor.</p></div></blockquote><p class="paywall">We know this bee Ple wrote to a iend that Hemgway was “a ltle subdued, though not much, by his haircut,” and explaed, “His hair turned bright gold on the boat to Havana . . . and he cut to the roots a enzy.” Later, Hemgway dyed his hair red and went around sistg that had happened “accintally.”</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="sxo8bk"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div><div data-ttid="RowWrapper" class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="nb38p"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bDyAMU body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="paywall">Realized as fictn, all the cuttg and dyeg be even odr, not bee of s darg genr fluidy but bee of the sticky prose that was necsary to dramatize . “The Garn of En” has sequenc wh the og, self-rsg sound of someone whisperg his sexual fantasi your ear, and, like all sex fantasi, they have a standardized, stereotyped settg— this se, French hair salons. Dearborn tells that Hemgway loved to wre down the shas of blondns: pale gold, ep gold, ash blond. (The power of words for a wrer’s fetish is absolute; Aun says that he was more stimulated by the words for his sexual obssns than by their objects.) “Over time, jt wrg about the shas of hair lor would bee almost unbearably excg to him; he would talogue them wh obv erotic pleasure,” Dearborn reunts. Simply thkg about hair lor “ma Mr. Scrooby stand at attentn.”</p><p class="paywall">Where Mr. Scrooby really got turned around, though, was bed. In “The Garn of En,” the Hemgway stand-, David Bourne, is anally perated night after night by a dildo, wh the now short-haired Hadley character on top—a practice that, real life, seems to date to Hemgway’s fourth marriage, to the journalist Mary Welsh, 1946. When “The Garn of En” appeared, 1986, reviewers ma much of the hair-cuttg androgyny while leavg the analy more or ls alone, but ’s clear the text that the “vil thgs,” as Cathere lls them, center on the peratn, for which all the hair treatment is merely a preparatn.</p><p class="paywall">It’s this kd of thg that mak Hemgway’s “libidal polics” look progrsive today, revealg genr rol as the culturally manufactured toys they are. Yet the sex, one soon se, is actually imaged on much the same macho terms as before, jt wh the signifiers shaken up. “The Garn of En” evok not cheerful pluralism transgrsg genr boundari but the old Hemgway them of the bondg of hunter and hunted, prey and predator. Sex rol are swched, not broaned. The twists and turns are, this view, entirely sful—what driv om paradise, not what remds of .</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-3 viewport-monor-anchor"></div><p class="paywall">Like every sexual fetish, his got s tang om transgrsn. Sex mt be experienced as s to be satisfyg. For Hemgway, there was no greater s than actg a “womanish” way, and was therefore the subject that Mr. Scrooby awoke to. The prospect of beg unmanned was as thrillgly illic for his self-stimulatn as the enactment of manly rual was sential to his self-image. We need not believe that the public face is fake to unrstand that the private sire n be s oppose. The rult, as evinced “The Garn of En,” was certaly more darg and origal and hont than the “Old Man and the Sea” stuff he published the fifti stead. But was not postmorn genr pluralism, eher. It was more bary than that, and more btal.</p><p class="paywall">What giv Hemgway’s flirtatn wh genr reversal a special pathos is his relatnship wh his much loved son Gregory, an termtent cross-drser who had a sex-change operatn at the age of sixty-three and died g the name Gloria. At one pot, Hemgway me upon the boy, whom he lled Giggy, tryg on his mother’s stockgs and drs a fay bedroom Cuba, and later said to him, “We e om a strange tribe, you and I.” He doubtls saw this boy, his favore, ambigui that he uld never nfs, and ma him by turns both enraged and, oddly, touchgly, empathetic. Their letters, reprted a memoir by Greg’s son John lled, appropriately, “Strange Tribe,” are eply movg, their moments of celty and, on Greg’s part, at least, their flash of sight. (Greg was the only person ready to tell Hemgway how bad “The Old Man and the Sea” really was: “As sickly a bucket of sentimental slop as was ever scbbed off a barroom floor.”) As always happens wh famo fathers and strangled sons, the letters turn toward money, wh Hemgway gracelsly layg out his budget for the boy. (Let be said, though, that Hemgway’s money troubl mt have been exhstg to live through: he was never nearly as rich as his reputatn would make you thk.)</p><p class="paywall">“He has the biggt dark si the fay except me and you,” Hemgway wrote to Ple, “and I’m not the fay.” Hemgway’s own suici, by shotgun, 1961, at his huntg retreat Ketchum, Idaho, brought a palette of tragedy to the story, even though the much discsed curse of the Hemgways seems no more than a gene for bipolary that bounced around fiendishly om generatn to generatn. The trail of suici is heartbreakg to nsir—the father, Clarence; Ernt, his brother Leicter, and his sister Ursula; his helpls, betiful granddghter Margx.</p><p class="has-dropp has-dropp__lead-standard-headg paywall">The new attempts to make Papa matter by makg him a lot ls Papa and a ltle more Mama are, fally, not all that persuasive. Hemgway remas Hemgway—the macho attus ntue to perate the prose even when the genr rol get swched around. And those macho attus clu many admirable thgs: a genue love of urage, a surprisg reads to celebrate failure if is bought wh bravery, an unsparg sense of the fataly of human existence, a love of the small pleasur that ennoble .</p><p class="paywall">At Hemgway’s bt, the affectatns are undone by an affectn for the sensuo surface of life, which is of necsy erotilly multivalent, neher neatly mascule nor neatly feme. Although we may “genr” , our scriptns, if they have nsy at all, pe the btal bari, the narrow tegori, of appete. To read the openg l about the lovers’ breakfast “The Garn of En” is to be touch wh an impulse far more movg and pansexual than all the sexual reversals that revisnist crics have to offer:</p><blockquote class="BlockquoteEmbedWrapper-sc-SdiGL jPeLne paywall blockquote-embed"><div class="BlockquoteEmbedContent-RbGs gmbtPx blockquote-embed__ntent"><p>On this morng there was brche and red raspberry prerve and the eggs were boiled and there was a pat of butter that melted as they stirred them and salted them lightly and ground pepper over them the cups. . . . He remembered that easily and he was happy wh his which he diced up wh the spoon and ate wh only the flow of the butter to moisten them and the h early morng texture and the be of the arsely ground pepper gras and the hot ffee and the chickory-agrant bowl of fé la.</p></div></blockquote><p class="paywall">The flow of the butter and the be of the pepper—there is more effective genr-blendg his breakfasts than his bedrooms. The pleasure he tak the world’s surface is more plural than the pos he choos on the world’s stage.</p><p class="paywall">Always an epicurean before he was a stoic, Hemgway is at his worst when he is boastg and bluffg and lg the roost, at his bt when he is bendg and breakg and wrg down breakfast. Macho and mimalist alike, the sentenc are thrillg still their exactu and dacy. Comg away even om the sad last pag of his bgraphy, the rear feels that Hemgway earned the epaph he would most have wanted. He <em>was</em> a brave man, and he did know how to wre. ♦</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="e64ss"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 PaywallInleBarrierWhWrapperGrid-fyrGfS kLQIUk grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__le-barrier article__body"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"><asi class="PaywallInleBarrierWrapper-iBnuqk lfXXa-D" data-ttid="PaywallInleBarrierWrapper"><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--paywall-le-barrier" role="prentatn" aria-live="pole" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--paywall-le-barrier"></div><div class="journey-un"></div></div></asi></div></div></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ContentWrapperGrid-fvkmBv brYtrA grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__ntaer"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"></div></div></div></div></div></div></article><div class="ContentFooterWrapper-jVNdRG dTJkpP ArticlePageContentFooterGrid-ccsXYy eMZRHU article-body__footer"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><footer class="ContentFooterMagazeDisclaimer-gzKAqo iZIuUU" data-ttid="MagazeDisclaimerWrapper">Published the prt edn of the <a href="/magaze/2017/07/03" data-reactroot="">July 3, 2017</a>, issue, wh the headle “A New Man.”</footer></div></div><div data-ttid="RowWrapper" class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"></div></div></div><div data-ttid="RowWrapper" class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="ContributorsWrapper-eNpWFu GWFsc ntributors" data-ttid="Contributors"><div class="ContributorBWrapper-bnVHbt gMon"><div class="ContributorBAvatar-bIGTqf eMWbvj"><a href="/ntributors/adam-gopnik"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO dUOtEa rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w" siz="100vw"/><img alt="" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></span></a></div><div class="ContributorBContent-ubQdr jZTSSi"><div class="ContributorBHear-ledood XOIEx"></div><div class="ContributorBB-fBolsO giFhKz"><a href="/ntributors/adam-gopnik">Adam Gopnik</a>, a staff wrer, has been ntributg to The New Yorker sce 1986. He is the thor of, most recently, “<a href=">The Real Work: On the Mystery of Mastery</a>.”</div><div class="ContributorBFooter-brqDlv ezUmSv"></div></div></div></div></div></div></div><div data-ttid="RowWrapper" class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div data-ttid="TagCloudWrapper" class="TagCloudWrapper-gGgndx ctyZyK ContentFooterTagCloud-krQmRG ZLGh"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudSectnHear-cOforY iUEiRd bPyAoD kQQRmu">More:</span><a href="/tag/ernt-hemgway" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Ernt Hemgway</span></a><a href="/tag/books" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Books</span></a><a href="/tag/novels" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Novels</span></a><a href="/tag/bgraphi" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Bgraphi</span></a><a href="/tag/mary-v-arborn" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Mary V. Dearborn</span></a></div></div></div></div><div data-ttid="ContentFooterBottom" class="ContentFooterBottom-jwWZfC kcbyiW"><div class="ContentFooterNewsletterContentWrapper-bmjtna kixtae"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div data-ttid="NewsletterSubscribeFormWrapper" class="NewsletterSubscribeFormWrapper-fCqqkN jKSBhE newsletter-subscribe-form ContentFooterNewsletterForm-hKeYwa liPqcf"><div data-ttid="NewsletterSubscribeFormHedDekWrapper" class="NewsletterSubscribeFormHedDekWrapper-fpMElW eglIBL"><h3 class="NewsletterSubscribeFormDangeroHed-kRwWjt jjsHHz newsletter-subscribe-form__hed ContentFooterNewsletterForm-hKeYwa liPqcf">Books & Fictn</h3><div class="NewsletterSubscribeFormDek-kXonvc lhYeOn newsletter-subscribe-form__k">Short stori and poems, pl thor terviews, profil, and tal om the world of lerature.</div></div><div data-ttid="NewsletterSubscribeFormInputsWrapper" class="NewsletterSubscribeFormInputsWrapper-keARJE hVWbzr"><form class="form-wh-validatn NewsletterSubscribeFormValidatn-iCYa-Dt dweEln" id="newsletter" name="newsletter" novalidate="" method="POST"><span class="TextFieldWrapper-Pzdqp hNhevp text-field" data-ttid="TextFieldWrapper__email"><label class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TextFieldLabel-klrYvg iUEiRd stdEm fvoOvz text-field__label text-field__label--sgle-le" for="newsletter-text-field-email" data-ttid="TextFieldLabel__email"><div class="TextFieldLabelText-cvvxBl eeDYTb">E-mail addrs</div><div class="TextFieldInputContaer-jcMPhb oFrOs"><put type="email" aria-scribedby="privacy-text" aria-valid="false" id="newsletter-text-field-email" required="" name="email" placeholr="E-mail addrs" class="BaseInput-fAzTdK TextFieldControlInput-eFUxkf eGzzTT laFPCK text-field__ntrol text-field__ntrol--put" data-ttid="TextFieldInput__email"/></div></label><button class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv dwpimO button button--utily TextFieldButton-csBrgY edxbrw" data-event-click="{"element":"Button"}" data-ttid="Button" type="subm"><span class="ButtonLabel-cjAuJN hzwRuG button__label">Sign up</span></button></span><div id="privacy-text" tabx="-1" class="NewsletterSubscribeFormDisclaimer-bTVtiV lnYvsZ"><span><p>By signg up, you agree to our <a href=" rel="nofollow noopener noreferrer" target="_blank">User Agreement</a> and <a href=" rel="nofollow noopener noreferrer" target="_blank">Privacy Policy & Cookie Statement</a>. This se is protected by reCAPTCHA and the Google<a href=" rel="nofollow noopener noreferrer" target="_blank"> Privacy Policy</a> and<a href=" rel="nofollow noopener noreferrer" target="_blank"> Terms of Service</a> apply.</p></span></div></form></div></div></div></div></div><div class="ntent-bottom-anchor"></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-footer" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-footer"></div><div class="journey-un"></div></div><div data-attr-viewport-monor="" class="recirc-list-wrapper viewport-monor-anchor"><div data-ttid="RowWrapper" class="RowWrapper-UmqTg HEhan ContentFooterRelated-kEBiFe kVUuwq"><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0 SummaryCollectnGridComponent-ktyEog bdTTVU summary-llectn-grid RecircListDefltOverlaySummaryCollectnGrid-AHJhY bEaXiL recirc-list__ems summary-llectn-grid--four-lumns summary-llectn-grid--DenseDktopStack"><div class="GridItem-buujkM kHPPIF grid--em"><div class="SummaryCollectnGridContent-eVUpRm jTGbEO"><div class="SectnTleRoot-dBGvdq kjAxEG SummaryCollectnGridSectnTle-fCmYwG izjbVn" data-ttid="SectnTle"><hear class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SectnTleHed-dKqZet dxqEAa dqtvfu jttyjJ">Read More</hear></div><div class="SummaryCollectnGridItems-DZShR eOCboB hi-read-more-ad" data-ttid="SummaryCollectnGridItems"><div class="SummaryItemWrapper-iwvBff hlYhBH summary-em summary-em--article summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm fvDIAb" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href="/magaze/2015/09/14/omissn" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-1" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Omissn" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">The Wrg Life</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-1" data-recirc-pattern="summary-em" href="/magaze/2015/09/14/omissn" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">Omissn</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href="/magaze/2015/09/14/omissn" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-1" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Omissn" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">Choosg what to leave out.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>John McPhee</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hlYhBH summary-em summary-em--article summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm fvDIAb" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href="/magaze/1950/05/13/how-do-you-like--now-gentlemen" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="How Do You Like It Now, Gentlemen?" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Profil</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-2" data-recirc-pattern="summary-em" href="/magaze/1950/05/13/how-do-you-like--now-gentlemen" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">How Do You Like It Now, Gentlemen?</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href="/magaze/1950/05/13/how-do-you-like--now-gentlemen" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="How Do You Like It Now, Gentlemen?" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">The moods of Ernt Hemgway.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Lillian Ross</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hlYhBH summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm fvDIAb" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Briefly Noted" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Books</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">Briefly Noted</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Briefly Noted" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">“The Heaven & Earth Grocery Store,” “My Hband,” “The Philosopher of Palo Alto,” and “The Great Whe Bard.”</div></div></div><div class="SummaryItemWrapper-iwvBff hlYhBH summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm fvDIAb" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" 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siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Vivek Ramaswamy Is Not the Next Tmp" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">Many the prs have clared the entreprenr and polil novice “Tmp’s heir.” The parison sells the former Print short.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ 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