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class="SpaceHolr-oayp fXtswJ ad-height-hold"></div><ma id="ma-ntent" tabx="-1" class="BasePageMaContent-kFvAuh ewPCZH pagema-ntent"><article class="article ma-ntent" lang="en-US"><div class="ArticlePageLeBackground-EufvU tFsh"><hear class="ContentHearWrapper-clujbs bhNIJY ntent-hear articlentent-hear"><div data-ttid="ContentHearContaer" class="ContentHearContaer-cGKRbE knDxNq"><div class="ContentHearHedAccredatnWrapper-GFiQf cDNVlV"><div data-ttid="ContentHearTleBlockWrapper" class="ContentHearTleBlockWrapper-cjmSKp jbzVNV"><div data-ttid="ContentHearRubric" class="ContentHearRubricBlock-LmpbT kkDiIx"><div data-ttid="ContentHearRubricDateBlock" class="ContentHearRubricDateBlock-kAQcZP fTFWxD"><div class="RubricWrapper-dKmCNX dZhWBL bric ContentHearRubricContaer-eTudtt iRsSlw"><a class="RubricLk-gRWSOU fgWnkQ briclk" href="/magaze/books"><span class="RubricName-fVtemz cLxcNi">Books</span></a></div></div></div><h1 data-ttid="ContentHearHed" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearHed-NCyCC iUEiRd NbxED hpJvIc">Hemgway, the Sensualist</h1></div><div class="ContentHearAccredatn-lfctVB enhwXT ntent-hearaccredatn" data-ttid="ContentHearAccredatn"><div class="ContentHearDek-bIqFFZ Mtme">The macho in has been rest as a genr-bendg progrsive. But what really ma his pulse race?</div><div class="ContentHearByle-kmPyCa gvUmxJ"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset ContentHearContributorImage-cvjZXn jKACOU"><picture class="RponsiveImagePicture-cWuUZO dUOtEa ContentHearContributorImage-cvjZXn jKACOU rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w" siz="66px"/><source media="(m-width: 768px)" srcSet=" 120w, 240w" siz="66px"/><img alt="" class="RponsiveImageContaer-eybHBd fptoWY rponsive-imageimage" src="></picture></span><div class="ContentHearByleContent-dpPmNn DRFq"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl ContentHearByl-cZqgyJ bqbBYQ"><p class="ByleWrapper-jWHrLH ivtvgj byle bylbyle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU bylename"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss bylepreamble">By </span><a class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM ByleLk-gEnFiw iUEiRd ggMZaT cXqSTL eErqIx bylename-lk button" href="/ntributors/adam-gopnik">Adam Gopnik</a></span></span></p></div><time data-ttid="ContentHearPublishDate" dateTime="2017-06-26T05:00:00-04:00" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearPublishDate-eIBicG iUEiRd kYZrFA kEBrdf">June 26, 2017</time></div></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ContentHearLeadAsset-hGbumP iWPCcH lead-asset ContentHearLeadAssetWrapper-hfXHEc fTrSlG lead-asset--width-smallle" data-ttid="ContentHearLeadAsset"><figure class="ContentHearLeadAssetContent-kOfYSG dRGWbI"><div class="ContentHearLeadAssetContentMedia-bLEIpi jjhWdS lead-assetntentphoto"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset ContentHearRponsiveAsset-bREgIb khLUzS"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz hlQxkn"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO KhjZz ContentHearRponsiveAsset-bREgIb khLUzS rponsive-image rponsive-image--expandable"><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w, 960w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w, 1920w, 2240w" siz="100vw"/><img alt="Hemgways stoil stance has been celebrated but was an epicurean evotn of the material world that quickened his..." class="RponsiveImageContaer-eybHBd fptoWY rponsive-imageimage" src="></picture></div></div></span><div class="CaptnWrapper-jSZdqE iTuhkZ ptn ContentHearLeadAssetCaptn-hPWmSN kuCzGS"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo iXWezO ptntext">Hemgway’s stoil stance has been celebrated, but was an epicurean evotn of the material world that quickened his prose.</span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd iicloT jbIJNS ptncred">Illtratn by Sébastien Plassard</span></div></div></figure><div data-ttid="ContentHearLeadRailAnchor" class="ContentHearLeadRailAnchor-jYVcDc djtEof"></div></div></div></div></hear></div><div data-attribute-verso-pattern="article-body" class="ArticlePageContentBackGround-cNiFNN kbAoLA article-bodyntent"><div class="ActnBarWrapperContent-lasBkU cAHp"><div class="ActnBarWrapperComponent-cjwxLS bEeSLb"><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh kNjTbQ viewport-monor-anchor"><button id="bookmark" aria-label="Save this story" class="ActnBarButton-dyFOZU hQrwCF bookmark large-screen"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Save this story</tle><path class="in-bookmark-fill" d="M20 23.9508L12.5 19.7312L5 23.9508V2.95081H14V3.93211H6V22.1845L12.5 18.5536L19 22.1845V8.83866H20V23.9508Z"></path><path class="in-bookmark-fill" d="M23 3H20V0H19V3H16V4H19V7H20V4H23V3Z"></path></svg></span><span 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data-ttid="ArticlePageChunks" class="ArticlePageChunks-fLyCVG Uozmo"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layoutntent"><div class="BodyWrapper-kufPGa bDyAMU body bodyntaer articlebody" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="bodyner-ntaer"><p class="has-dropp has-dropp__lead-standard-headg">It’s difficult for people who weren’t around at the time to grasp the sle of the Hemgway cult twentieth-century Ameri. As late as 1965, the edor of <em>The Atlantic</em> uld wre reverently of scen om a kd of Ernt Hemgway Advent lendar: “We-staed moods the siwalk fés and roisterg nights Left Bank <em>boît</em>. Walkg home alone the ra. Talk of ath, and scen of , the Spanish sun. Treks and trophi Tanganyika’s green hills. Duck-shootg the Veian marsh. . . . Lovg and drkg and fishg out of Key Wt and Havana.” It was real fame, too, not the thirty-mut-wh-Terry Gross kd that wrers have to ntent themselv wh now. To get close to the tone of today, you would have to image the lerary reputatn of Raymond Carver joed wh the populary and polil piety of Bce Sprgsteen. “Papa” Hemgway was not jt a much admired artist; he was seen as a reprentative Amerin public man. He reprented the thory of wrg even for people who didn’t read.</p><p class="paywall">The bunkg, when me, me hard. As the bter memoirs poured out, we got alholism, male chvism, fabulatn, malice toward those who had ma the mistake of beg kd to him—all that. Eventually there me, om his avid tate, the lucrative but not reputatn-enhancg publitn of posthumo novels. The brand ntu: his tate licens the “Ernt Hemgway Collectn,” which clus an artisanal m, Papa’s preferred eyewear, and heavy Cuban-style furnure featurg “leather-like vyl wh a warm pata.” (What would Papa have said of that!) But few would now give the old man the heavyweight champnship of lerature for which he fought so hard, not least bee thkg of lerature as an elimatn bout is no longer our style. We thk of more as a quiltg bee, wh everyone havg a chance to add a patch, and the ft patch often arisg om the least privileged quilters. In recent s, Hemgway has reprented the thory of wrg only for people who never read.</p><p class="paywall">Sudnly, though, there has been an amic revival Hemgway studi which, wh an irony no satirist uld have imaged, Hemgway, who his day exemplified Amerin macho, has, through our taste for “queerg the text,” bee Hemgway the genr benr. <em>The Hemgway Review</em> n now nta admirg articl wh subtl like “Sodomy and Transvtic Hallucatn Hemgway.” It is newly possible to duce that Papa was far weirr, a posive sense, than he liked to pretend, and that his texts nta, jt below their rigidly tumcent surface, ep glimmerg pools of sexual ambiguy and genr liquidy.</p><p class="paywall">Mary V. Dearborn’s new bgraphy, “<a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Hemgway</a>” (Knopf), is hardly full of revelatns. Wh the wns almost all ad, and the archiv bed through as if by addicts lookg for remnants of crack, how uld be? But is up to date attu. The queer-theory patch are all place, as are the femist on. Dearborn has an oddly puranil attu toward the storytellg of a storyteller, beg que prim as she pots out that Hem exaggerated here, nfabulated there, ma ls of this than was que tthful, and more of that. Hemgway, she wr, told “enormo whoppers” about, for stance, trappg pigeons the Luxembourg Garns for dner his early years Paris. In fact, he and his first wife, Hadley, had plenty of money. But he was wrg fabl about the aspiratns of expatriat, not textbooks on acuntg. Hungry people—and no one is hungrier than a young wrer tryg to make a reputatn—feel hungry even when they’re not actually starvg.</p><p class="paywall">In general, Dearborn seems not to have met many wrers along her scholarly path, and appears astound that the good on tell tall tal about their own formatn, which is like beg astound that fishermen exaggerate the size of their tch. (Of urse, Hemgway did that, too.) Most of Hemgway’s fabulatns are transparent style and purpose: he told an terviewer once that, when he walked wh Joyce Paris the neteen-twenti, Joyce would “fall to an argument or a fight. He uldn’t even see the man so he’d say, ‘Deal wh him, Hemgway! Deal wh him!’ ” This surely never happened, but you n see why he wished had, and n’t hate him for wishg . He wanted to be Joyce’s Lu Brasi.</p><p class="paywall">In Dearborn’s better moments, she shows how telligently Hemgway managed to apportn the amount of empiril accuracy for each ocsn. Although he flated his heroism the Great War—at one pot givg crence to the report that he had rried a wound Italian soldier over a distance twice the length of a football field—he was direct and unrstated his published stori. Dearborn thks that Hemgway was askg whether “there was any more thenticy, or tth.” No, he wasn’t. He was allotg thenticy and tth acrdg to the needs of his art. The origal of Cathere “A Farewell to Arms” was an Amerin nurse named Agn von Kurowsky, whom he loved passnately, only to have her reject him wh a chilly Dear John letter, which she told him that she was “still very fond” of him but “more as a mother than a sweetheart.” He fixed the facts the novel by havg her die for love bearg his child. Revenge on realy like that is what lerature is <em>for</em>.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-1 viewport-monor-anchor"></div><p class="paywall">But Dearborn is an encyclopedic llector of facts and, on the whole, a cent and fair-md judge of them. One rarely objects to her verdicts about what exactly happened and why. The story here gets retold more or ls on the terms we know, wh judic gus ma as to the tth of much-argued-over episos: y, his mother drsed him as a girl until he was old enough to notice; no, Stt Fzgerald probably never asked him to check the size of Fzgerald’s member a Paris men’s room; y, those famo wilrns outgs Michigan took place the ntext of a big middle-class hoe and middle-class vatns, and were not nearly as primive as the stori make them sound; and no, his first wife did not lose all of his early work on a tra for good—a lot was soon revered. Recent “disveri” the field are put more or ls to place: the revelatn om the thor Nicholas Reynolds, “<a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Wrer, Sailor, Soldier, Spy,</a>” that Hemgway had been reced as a spy by Stal’s N.K.V.D. the neteen-thirti is noted, although ’s also noted that Hemgway seems never to have done anythg for . The tth that he was not entirely paranoid at the end of his life to thk that the F.B.I. had been keepg an eye on him is noted, too, and so is the fact that the Bure seemed to have ltle malice toward him. Ined, J. Edgar Hoover himself—another tough guy wh a hidn si—was an admirer. And Dearborn se clearly what was cloud then: that a large part of Hemgway’s cle his last years was due to an hered bipolar disorr upled wh a penchant for self-meditn through alhol.</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-unslot nsumer-marketg-unslot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p class="paywall">We pass through the ual progrs of Hemgway’s life, already well charted all those other books. Early ght years Oak Park, a suburb of Chigo, wh a distant, manic-prsive father, who eventually mted suici, and a ld mother, who once orred the young Ernt out of the hoe and, years later, when his first novel was a h, found a wholly negative lol review to send him. Relief the form of summers spent fishg at the fay’s lake ttage. No llege years—he missed that part, and paid for by overpensatg tellectually—but war experienc. Hemgway went to the Italian ont 1918, at eighteen, as an ambulance driver, the pany of the once famo, now largely fotten novelist John Dos Passos. As Jam McGrath Morris pots out his new book “<a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">The Ambulance Drivers</a>,” Dos Passos had a keen sense of the real waste and horror of war, whereas Hemgway still saw as an ocsn for a heroic show of stoil endurance. The urage of his gog at all is unniable; after a few weeks, he got blown up by a mortar and revered the hospal, fallg love wh that betiful nurse. He then went to work as a journalist for the Toronto <em>Star</em>; there’s a nice le “The Sun Also Ris” about the easy social grac of Canadians. But, as much as generatns of newspapermen have claimed him as a stunt of newspaper style, nothg memorable emerg om the llected journalism.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layoutasi"><asi class="PersistentAsiWrapper-VGrR daRVRt persistent-asi" style="posn:absolute;top:to;height:to" data-ttid="PersistentAsiWrapper"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-boxprimary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="adslot adslot--rail" data-no-id="dqsxml"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-unslot nsumer-marketg-unslot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></asi></div></div><div data-ttid="RowWrapper" class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="adslot adslot--mid-ntent" data-no-id="s7b7bq"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layoutntent"><div class="BodyWrapper-kufPGa bDyAMU body bodyntaer articlebody" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="bodyner-ntaer"><p class="paywall">It was only after his marriage to Hadley Richardson, a St. Louis heirs, that he set off for Paris, arrivg late 1921 wh a termatn to bee a great and morn wrer that was touchg one who had received so ltle enuragement. Enuragement as a wrer, that is; Hemgway’s charisma and good looks had ma life easy for him, as they would go on dog for a long time after. (Of all the gifts that n grace a lerary reer, good looks are the most easily overlooked and not the least important: though we may read bld, we don’t beiend bld.) Dearborn is fatly disapprovg of his lerary reerism Paris, registerg the fact that he ed his attractivens to attract, while rather missg the pot that the people he was urtg, Ezra Pound and Sylvia Beach and Gert Ste and the rt, were avant-gardists wh no fluence the realms of mercial publishg where he had to make a livg. He was certaly amb and appealg, but the ambn for which he ed his appeal was to wre well a new way.</p><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embedasset-ntaer"><span class="SpanWrapper-umhxW kKwZhx rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embedrponsive-asset"><div data-attr-viewport-monor="" class="RponsiveCartoonWrapper-iTMMjI eXTYsS rponsive-rtoon AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embedrponsive-asset viewport-monor-anchor"><a class="external-lk rponsive-rtoonimage-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank"><picture class="RponsiveImagePicture-cWuUZO dUOtEa RponsiveCartoonImage-hzNqyc ikeCcH rponsive-rtoonimage rponsive-image"><noscript><img alt="Hemgway the Sensualist" class="RponsiveImageContaer-eybHBd fptoWY rponsive-imageimage" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" siz="100vw"/></noscript></picture></a><div class="RponsiveCartoonCTA-eiqqMB iDCQRs"><div class="RponsiveCartoonCTAWrapper-CYIqa iTbFtf"><div class="RponsiveCartoonLkButtonWrapper-hqDAJK eSEhbj"><button aria-label="Copy lk to rtoon" class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv YsOBB button button--primary-pair RponsiveCartoonInButton-hBCBMq lpsjql" data-event-click="{"element":"Button"}" data-ttid="Button" type="button"><span class="ButtonLabel-cjAuJN bBWXSg buttonlabel">Copy lk to rtoon</span><div class="ButtonInWrapper-gFdzAL bPDyTT buttonin-ntaer"><svg class="in in-pylk" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Copy lk to rtoon</tle><g clip-path="url(#clip0_3732_178637)"><path fill-le="evenodd" clip-le="evenodd" d="M16.3488 10.5017C16.2107 10.7357 16.2926 11.035 16.5318 11.17C16.7709 11.3052 17.0767 11.225 17.2148 10.991L18.4648 8.87225C19.5694 7.00002 18.9139 4.60601 17.0007 3.52508C15.0875 2.44415 12.6412 3.08562 11.5366 4.95785L9.53657 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18.8167 5.57417 17.0212 6.4026 15.6171L7.6526 13.4983Z" fill="black"></path></g><fs><clipPath id="clip0_3732_178637"><rect width="24" height="24" fill="whe"></rect></clipPath><clipPath id="clip1_3732_178637"><rect width="24" height="24" fill="whe"></rect></clipPath></fs></svg></div></button><div class="AlertWrapper-gvFATk MdjE RponsiveCartoonLkAlertPopup-BPAXn kdMXRM shoppg-alert" role="dialog"><div aria-hidn="te" role="prentatn" class="AlertArrow-daOgye AlLda alert-arrow"></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ AlertMsage-jgAjgo bVCFRm ifgabc cxFROy alert-msage"><p aria-hidn="te">Lk pied</p></div></div></div><button aria-label="Shop" class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv YsOBB button button--primary-pair RponsiveCartoonInButton-hBCBMq lpsjql" data-event-click="{"element":"Button"}" data-ttid="Button" type="button"><span class="ButtonLabel-cjAuJN bBWXSg buttonlabel">Shop</span><div class="ButtonInWrapper-gFdzAL bPDyTT buttonin-ntaer"><svg class="in in-rt" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Shop</tle><g clip-path="url(#clip0_3732_178638)"><path fill-le="evenodd" clip-le="evenodd" d="M4 3H2V4H4.23828L6.99617 15.2631C7.11483 15.6982 7.50998 16 7.96094 16H18.0365C18.4875 16 18.8826 15.6982 19.0013 15.2631L20.9648 7.26312C21.1383 6.62698 20.6594 6 20 6H10V7H20L18.0365 15H7.96094L5.03652 3H4.58055H4ZM10.0365 19C10.0365 19.5523 9.58881 20 9.03652 20C8.48424 20 8.03652 19.5523 8.03652 19C8.03652 18.4477 8.48424 18 9.03652 18C9.58881 18 10.0365 18.4477 10.0365 19ZM11.0365 19C11.0365 20.1046 10.1411 21 9.03652 21C7.93195 21 7.03652 20.1046 7.03652 19C7.03652 17.8954 7.93195 17 9.03652 17C10.1411 17 11.0365 17.8954 11.0365 19ZM18.0365 19C18.0365 19.5523 17.5888 20 17.0365 20C16.4842 20 16.0365 19.5523 16.0365 19C16.0365 18.4477 16.4842 18 17.0365 18C17.5888 18 18.0365 18.4477 18.0365 19ZM19.0365 19C19.0365 20.1046 18.1411 21 17.0365 21C15.932 21 15.0365 20.1046 15.0365 19C15.0365 17.8954 15.932 17 17.0365 17C18.1411 17 19.0365 17.8954 19.0365 19Z" fill="black"></path></g><fs><clipPath id="clip0_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath><clipPath id="clip1_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath></fs></svg></div></button></div></div></div></span></div></figure><p class="paywall">His natural sound, the tone that ris when he is wrg unself-nscly to iends, is nothg like the voice of his good fictn. He was naturally garlo and jose—ed, by the time he was a celebry he was so garlo and jose that shocked people, though he was jt beg himself. (This explas the rponse to the notor Profile of him by Lillian Ross <a href=">that ran this magaze</a> 1950: he read the galleys, thought he sound hilar and charmg, and had no ia that he would e off as a self-absorbed blowhard.) Wrg to a iend about bullfights 1925, when his lerary style was already fully formed, he said, “It a’t a moral spectacle and if a male looks at for a moral standpot there isn’t any exc. But if a male tak as . Gawk what a hell of a wonrful show.” His letters are stuffed wh siar kds of heavy-hand kiddg.</p><div class="Contaer-bkChBi byNLHx"></div><p class="paywall">The real Amerin mascule style, as Sclair Lewis shrewdly saw, is not tight-lipped-stoil but wheezy-genial. Hemgway was no exceptn to the le that every Amerin man needs to see himself as funny. (Clt Eastwood’s famo turn at the 2012 Republin Natnal Conventn is further evince of this: Ameri’s tough guy took for granted that he was so naturally amg that all he had to do was drag an empty chair onstage and start jokg.) Hemgway actually had zero gift for edy—he liked makg fun of other people, but uld never implite himself the jok, which shuts off the humor spigot quickly. Still, the tight-lipped grimace was always threateng to turn to a regular-guy gr, sce the regular-guy gr was what the tight-lipped grimace started off ncealg.</p><p class="has-dropp has-dropp__lead-standard-headg paywall">But—what a fantastic wrer he beme! Scribner has now produced <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">a new volume</a> of Hemgway’s short stori, most om the neteen-twenti, his bt , plete wh many of the drafts he ma along the way. What is amazg is how pch-perfect he was. Readg passag om the Nick Adams stori published origally relatively obscure lerary reviews, one is overwhelmed by how so ltle produc so much—how the brevy, far om beg tacurn or severe, is matchlsly eloquent s evotn of the pleasur of the sens and of the feelg of place, as the famo scriptn of a trout stream Michigan om the 1925 story “Big Two-Hearted River”:</p><blockquote class="BlockquoteEmbedWrapper-sc-SdiGL jPeLne paywall blockquote-embed"><div class="BlockquoteEmbedContent-RbGs gmbtPx blockquote-embedntent"><p>Nick looked down to the pool om the bridge. It was a hot day. A kgfisher flew up the stream. It was a long time sce Nick had looked to a stream and seen trout. They were very satisfactory. As the shadow of the kgfisher moved up the stream, a big trout shot upstream a long angle, only his shadow markg the angle, then lost his shadow as he me through the surface of the water, ught the sun, and then, as he went back to the stream unr the surface, his shadow seemed to float down the stream wh the current, unristg, to his post unr the bridge where he tightened facg up to the current.</p><p>Nick’s heart tightened as the trout moved. He felt all the old feelg.</p></div></blockquote><p class="paywall">The bety of the scriptn is rerced by s emotnal subject: we sense and then briefly duce that Nick is a veteran of the war, tryg to relote his md through faiar pleasur. How did Hemgway do ? Simplicy, monosyllabl, elimatn of adverbs and adjectiv . . . that’s supposed to be the formula. For mordant mischief, one n now download the Hemgway Edor app, which ntas an algorhm meant to reproduce his style, and see how well this works. (The app picks out, adversely, the sgle adverb “swiftly” the openg paragraph of “A Farewell to Arms.”) But all the algorhm n do is simplify, and produce the kd of baby-talk prose that Hemgway himself wrote only when he was losg . The heart of his style was not abbreviatn but amputatn; not simplicy but mystery.</p><p class="paywall">Aga and aga, he creat his effects by strikg out what would seem to be sential material. In “Big Two-Hearted River,” Nick’s plited European experience—or the way that fishg is sany-prervg for Nick, the damaged veteran—is nveyed clearly the first versn, and left apparent only as implitn the published send versn. In a draft of the heartbreakg early story “Hills Like Whe Elephants,” about a man talkg his girliend to havg an abortn, Hemgway twice the words “three of .” This is the woman’s sential sire, to bee three rather than two. But Hemgway strik both stanc om the fished story, so the key image remas as ghostly subtext wh the sentenc. We feel the missg “three,” but we don’t read .</p><p class="paywall">That’s typil of his practice. The art om scissorg out his natural garlons, and the mystery is ma by what was elid. Readg through draft and then fished story, one is repeatedly stunned by the meticulo rightns of his elisns. There are fluenc at work, obvly, om Stephen Crane to Sherwood Anrson, not to mentn Gert Ste’s fx-naïf smarts. Yet Hemgway himself gave most of the cred to Cézanne. In that ncelled passage om “Big Two-Hearted River,” we read, “He wanted to wre like Cezanne pated. Cezanne started wh all the tricks. Then he broke the whole thg down and built <l>clearly and slowly</l> the real thg. It was hell to do. He was the greatt. It wasn’t a cult.” (The crossg-out is the origal.) This is the kd of classy thg that wrers are bound to say and bgraphers are bound to doubt—Dearborn lls Hemgway’s nstant reference to Cézanne “mystifyg”—but mak all the sense the world. The whole aim of Cézanne’s patg om the eighteen-seventi on is to build up landspe and still-life om the pictorial equivalent of monosyllabl—om small, square nstctive marks, like the cross-shadgs of a pencil, which make space by beg overlaid. Outle and firm shape are subordated, as Hemgway, to the passage of one shape to the next. Both men are masters of “and” more than “this.”</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layoutasi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-boxprimary"></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div><div data-ttid="RowWrapper" class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="adslot adslot--mid-ntent" data-no-id="vpi6lp"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layoutntent"><div class="BodyWrapper-kufPGa bDyAMU body bodyntaer articlebody" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="bodyner-ntaer"><p class="paywall">Cézanne also showed that a few strong hts of specificy—this one pe tree the right ont plane, this plastic foreground orange—are all that is need for the evotn of shap and spac. In “Big Two-Hearted River,” there are moments that are not jt nstcted like a Cézanne patg; they look like a Cézanne patg:</p><blockquote class="BlockquoteEmbedWrapper-sc-SdiGL jPeLne paywall blockquote-embed"><div class="BlockquoteEmbedContent-RbGs gmbtPx blockquote-embedntent"><p>There was no unrbsh the island of pe tre. The tnks of the tre went straight up or slanted toward each other. The tnks were straight and brown whout branch. The branch were high above. Some terlocked to make a solid shadow on the brown fort floor. Around the grove of tre was a bare space. It was brown and soft unrfoot as Nick walked on .</p></div></blockquote><p class="paywall">It is exactly the feelg of Cézanne’s “P and Rocks,” at <em class="small">MoMA</em>. Hemgway’s prose b the brightly lored sensualy of morn French patg wh a clench-jawed Amerin reprsn. The stoil stance and the sensual touch: that was Hemgway’s keynote emotn, and his claim to have learned om Cézanne looks jt.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-2 viewport-monor-anchor"></div><p class="paywall">The stoil stance has been much celebrated—“grace unr prsure” and the rt—but the sensual touch is the more equent material of the prose. Whether at Michigan trout streams or Pamplona fitas or those Paris boît, there is a strong element of “travel wrg.” He wrote pleasure far better than vlence. Fzgerald’s evotn of the fashnable world is que abstract and mostly unspecific. Hemgway is full of advice about what to eat and drk. “Death the Afternoon” even clus a brief but cisive “Lonely Pla”-style disurse on European beer—the bt is Czech, German, and Spanish—as “The Sun Also Ris” do on Spanish we. There’s a reason that the bar at the Paris Rz was the first place he “liberated” Paris, and that El Florida rtrant, Havana, still claims him as the father of s grapeu-enhanced Daiquiri. No good wrer ever had such clear views on hotels and fés and rtrants.</p><p class="paywall">Hemgway’s people are damaged but not shell-shocked. “A Farewell to Arms” is a romance—a Hollywood-movie romance, featurg a uple wh glamoro nam. The romance of honor and glory may have died on the Wtern Front, but the romance of romance, and of sex and the material life particular, was relighted; the face of annihilatn, postpong pleasure jt looked silly. For all his reputatn for “mascule” valu, an stctive Hemgway theme is far more culturally “feme,” a graceful bendg unr prsure. “I’m not brave any more, darlg,” Cathere tells Freric “A Farewell to Arms.” “I’m all broken. They’ve broken me.” The self-regnn of breakage is the form of bravery available to real people. The edict of Hemgway’s art is to take what life throws at you whout plat, but is also to never postpone pleasure if you n help . The travel-lerature, brand-name si of Hemgway—the si that ma Pamplona a tourist trap and Venice’s Grti Palace an “in,” the si kept alive grad form by all that artisanal m and pat furnure—is sential to his effects. Hemgway was a master not of a realized stoicism but of a wound epicureanism. Have fun while you n, and then endure the bad stuff when . It don’t sound high-md when you say , but was saner than almost anythg else on offer.</p><p class="has-dropp has-dropplead-standard-headg paywall">Hemgway’s early style is also a poetic style; ’s signifint that, like the Romantic poets, he bloomed as a wrer his mid-twenti. The novel was vented by the middle-aged, and Gee Elt and Anthony Trollope were their fifti when they wrote their masterpiec. But lyric poetry is for the young, and the trouble wh a poetic style is that, wh age, n bee a pose. Hemgway’s beme a style so mannered that uld be parodied endlsly, to the pot that Hemgway parodi are nearly as rich a lerary form as Hemgway stori. The two bt—Woltt Gibbs’s “Death the Rumble Seat” and E. B. Whe’s “Across the Street and Into the Grill”—both appeared this magaze, and ’s signifint that the two parodists shared Hemgway’s project of simplifyg the hell out of Amerin prose; attuned them to the distortns and tics the Master’s way of dog so.</p><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embedasset-ntaer"><span class="SpanWrapper-umhxW kKwZhx rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embedrponsive-asset"><div data-attr-viewport-monor="" class="RponsiveCartoonWrapper-iTMMjI eXTYsS rponsive-rtoon AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embedrponsive-asset viewport-monor-anchor"><a class="external-lk rponsive-rtoon__image-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank"><picture class="RponsiveImagePicture-cWuUZO dUOtEa RponsiveCartoonImage-hzNqyc ikeCcH rponsive-rtoonimage rponsive-image"><noscript><img alt="“I suggt we ntue to treat everythg as allegatns until such time as we all have to plead guilty.”" class="RponsiveImageContaer-eybHBd fptoWY rponsive-imageimage" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" siz="100vw"/></noscript></picture></a><div class="CaptnWrapper-jSZdqE gdZTpI ptn RponsiveCartoonCaptn-dokfdF hJgaLQ rponsive-rtoonptn"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo bsWloa ptntext">“I suggt we ntue to treat everythg as allegatns until such time as we all have to plead guilty.”</span></div><div class="RponsiveCartoonCTA-eiqqMB iDCQRs"><div class="RponsiveCartoonCTAWrapper-CYIqa iTbFtf"><div class="RponsiveCartoonLkButtonWrapper-hqDAJK eSEhbj"><button aria-label="Copy lk to rtoon" class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv YsOBB button button--primary-pair RponsiveCartoonInButton-hBCBMq lpsjql" data-event-click="{"element":"Button"}" data-ttid="Button" type="button"><span class="ButtonLabel-cjAuJN bBWXSg buttonlabel">Copy lk to 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12.775 6.78657 13.009L5.53657 15.1278C4.432 17 5.0875 19.394 7.00068 20.475C8.91385 21.5558 11.3602 20.9144 12.4648 19.0422L14.4648 15.6521C15.5694 13.78 14.9139 11.3859 13.0007 10.305C12.8127 10.1988 12.6195 10.1091 12.4229 10.0357C12.2195 9.95975 11.9956 10.0515 11.8867 10.236C11.7221 10.5151 11.8911 10.8724 12.1932 11.0008C12.2973 11.0451 12.4 11.0956 12.5007 11.1525C13.9356 11.9632 14.4272 13.7587 13.5988 15.1628L11.5988 18.5529C10.7704 19.957 8.93555 20.4382 7.50068 19.6274C6.0658 18.8167 5.57417 17.0212 6.4026 15.6171L7.6526 13.4983Z" fill="black"></path></g><fs><clipPath id="clip0_3732_178637"><rect width="24" height="24" fill="whe"></rect></clipPath><clipPath id="clip1_3732_178637"><rect width="24" height="24" fill="whe"></rect></clipPath></fs></svg></div></button><div class="AlertWrapper-gvFATk MdjE RponsiveCartoonLkAlertPopup-BPAXn kdMXRM shoppg-alert" role="dialog"><div aria-hidn="te" role="prentatn" class="AlertArrow-daOgye AlLda alert-arrow"></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ AlertMsage-jgAjgo bVCFRm ifgabc cxFROy alert-msage"><p aria-hidn="te">Lk pied</p></div></div></div><button aria-label="Shop" class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv YsOBB button button--primary-pair RponsiveCartoonInButton-hBCBMq lpsjql" data-event-click="{"element":"Button"}" data-ttid="Button" type="button"><span class="ButtonLabel-cjAuJN bBWXSg buttonlabel">Shop</span><div class="ButtonInWrapper-gFdzAL bPDyTT buttonin-ntaer"><svg class="in in-rt" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Shop</tle><g clip-path="url(#clip0_3732_178638)"><path fill-le="evenodd" clip-le="evenodd" d="M4 3H2V4H4.23828L6.99617 15.2631C7.11483 15.6982 7.50998 16 7.96094 16H18.0365C18.4875 16 18.8826 15.6982 19.0013 15.2631L20.9648 7.26312C21.1383 6.62698 20.6594 6 20 6H10V7H20L18.0365 15H7.96094L5.03652 3H4.58055H4ZM10.0365 19C10.0365 19.5523 9.58881 20 9.03652 20C8.48424 20 8.03652 19.5523 8.03652 19C8.03652 18.4477 8.48424 18 9.03652 18C9.58881 18 10.0365 18.4477 10.0365 19ZM11.0365 19C11.0365 20.1046 10.1411 21 9.03652 21C7.93195 21 7.03652 20.1046 7.03652 19C7.03652 17.8954 7.93195 17 9.03652 17C10.1411 17 11.0365 17.8954 11.0365 19ZM18.0365 19C18.0365 19.5523 17.5888 20 17.0365 20C16.4842 20 16.0365 19.5523 16.0365 19C16.0365 18.4477 16.4842 18 17.0365 18C17.5888 18 18.0365 18.4477 18.0365 19ZM19.0365 19C19.0365 20.1046 18.1411 21 17.0365 21C15.932 21 15.0365 20.1046 15.0365 19C15.0365 17.8954 15.932 17 17.0365 17C18.1411 17 19.0365 17.8954 19.0365 19Z" fill="black"></path></g><fs><clipPath id="clip0_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath><clipPath id="clip1_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath></fs></svg></div></button></div></div></div></span></div></figure><p class="paywall">Dearborn brgs home another tth: for all his time wh the Paris mornists, Hemgway’s reputatn was ma on the bt-seller lists Ameri. “A Farewell to Arms” (1929) had a first prt n of more than thirty thoand pi, huge s day. “For Whom the Bell Tolls” (1940), helped by s timely fightg-the-Fascists subject, stayed on the bt-seller lists for two years. He had wrten much of while rentg F Vigía, a betiful hoe Cuba, and, wh the money om his books, he bought the place. It beme his stle and retreat almost for the rt of his life, until the Cuban Revolutn forced him out. It was here that he beme Papa Hemgway, the great bear of lerature, receivg journalists and raisg children and ventg the grapeu Daiquiri and fightg marl and takg quick and often dangero trips to lser provc of his empire, to Ai (where, on a sgle trip, he twice crashed a plane) and Spa (where he ntued to return, Fran notwhstandg, to watch the bullfights).</p><p class="paywall">The weird sexual stuff began, or began to be rerd, the neteen-forti. The actual sequence is a ltle hard to follow, sce the lerary evince appears “The Garn of En,” an unfished, posthumoly published novel that he worked on the forti and fifti but that tak place the mid-twenti, which is when he started seeg the Amerin journalist Ple Pfeiffer, who eventually beme his send wife. Basilly, Hemgway began to sist that the women his life get their hair cut short, like his, while he dyed his to match theirs, wh many plited twists both lor and stylg. The s and outs of this “sex play,” as Dearborn lls , read like a mix of D. H. Lawrence and a Clairol ad. She reunts:</p><blockquote class="BlockquoteEmbedWrapper-sc-SdiGL jPeLne paywall blockquote-embed"><div class="BlockquoteEmbedContent-RbGs gmbtPx blockquote-embedntent"><p>First, Ernt bleached or dyed his. Josephe Merck, a iend om Montana, vised Ernt and Ple 1933 and remembered Ernt’s hair “bleached by the sun”; was highly unlikely that the sun “bleached” his dark hair. She also saw jt after, when his hair was red, and when she asked him about , he got annoyed. A letter om Ple to her hband cleared up what lor his hair was that sprg: “About your hair,” she wrote him, “don’t know how to turn red to gold. What about straight peroxi—or better what’s the matter wh red hair. Red hair lovely on you.” Evintly Ernt felt some regret, if not for dyeg his hair the first place, then for choosg the wrong lor.</p></div></blockquote><p class="paywall">We know this bee Ple wrote to a iend that Hemgway was “a ltle subdued, though not much, by his haircut,” and explaed, “His hair turned bright gold on the boat to Havana . . . and he cut to the roots a enzy.” Later, Hemgway dyed his hair red and went around sistg that had happened “accintally.”</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layoutasi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-boxprimary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="adslot adslot--rail" data-no-id="sxo8bk"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-unslot nsumer-marketg-unslot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div><div data-ttid="RowWrapper" class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="adslot adslot--mid-ntent" data-no-id="nb38p"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layoutntent"><div class="BodyWrapper-kufPGa bDyAMU body bodyntaer articlebody" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="bodyner-ntaer"><p class="paywall">Realized as fictn, all the cuttg and dyeg be even odr, not bee of s darg genr fluidy but bee of the sticky prose that was necsary to dramatize . “The Garn of En” has sequenc wh the og, self-rsg sound of someone whisperg his sexual fantasi your ear, and, like all sex fantasi, they have a standardized, stereotyped settg— this se, French hair salons. Dearborn tells that Hemgway loved to wre down the shas of blondns: pale gold, ep gold, ash blond. (The power of words for a wrer’s fetish is absolute; Aun says that he was more stimulated by the words for his sexual obssns than by their objects.) “Over time, jt wrg about the shas of hair lor would bee almost unbearably excg to him; he would talogue them wh obv erotic pleasure,” Dearborn reunts. Simply thkg about hair lor “ma Mr. Scrooby stand at attentn.”</p><p class="paywall">Where Mr. Scrooby really got turned around, though, was bed. In “The Garn of En,” the Hemgway stand-, David Bourne, is anally perated night after night by a dildo, wh the now short-haired Hadley character on top—a practice that, real life, seems to date to Hemgway’s fourth marriage, to the journalist Mary Welsh, 1946. When “The Garn of En” appeared, 1986, reviewers ma much of the hair-cuttg androgyny while leavg the analy more or ls alone, but ’s clear the text that the “vil thgs,” as Cathere lls them, center on the peratn, for which all the hair treatment is merely a preparatn.</p><p class="paywall">It’s this kd of thg that mak Hemgway’s “libidal polics” look progrsive today, revealg genr rol as the culturally manufactured toys they are. Yet the sex, one soon se, is actually imaged on much the same macho terms as before, jt wh the signifiers shaken up. “The Garn of En” evok not cheerful pluralism transgrsg genr boundari but the old Hemgway them of the bondg of hunter and hunted, prey and predator. Sex rol are swched, not broaned. The twists and turns are, this view, entirely sful—what driv om paradise, not what remds of .</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-3 viewport-monor-anchor"></div><p class="paywall">Like every sexual fetish, his got s tang om transgrsn. Sex mt be experienced as s to be satisfyg. For Hemgway, there was no greater s than actg a “womanish” way, and was therefore the subject that Mr. Scrooby awoke to. The prospect of beg unmanned was as thrillgly illic for his self-stimulatn as the enactment of manly rual was sential to his self-image. We need not believe that the public face is fake to unrstand that the private sire n be s oppose. The rult, as evinced “The Garn of En,” was certaly more darg and origal and hont than the “Old Man and the Sea” stuff he published the fifti stead. But was not postmorn genr pluralism, eher. It was more bary than that, and more btal.</p><p class="paywall">What giv Hemgway’s flirtatn wh genr reversal a special pathos is his relatnship wh his much loved son Gregory, an termtent cross-drser who had a sex-change operatn at the age of sixty-three and died g the name Gloria. At one pot, Hemgway me upon the boy, whom he lled Giggy, tryg on his mother’s stockgs and drs a fay bedroom Cuba, and later said to him, “We e om a strange tribe, you and I.” He doubtls saw this boy, his favore, ambigui that he uld never nfs, and ma him by turns both enraged and, oddly, touchgly, empathetic. Their letters, reprted a memoir by Greg’s son John lled, appropriately, “Strange Tribe,” are eply movg, their moments of celty and, on Greg’s part, at least, their flash of sight. (Greg was the only person ready to tell Hemgway how bad “The Old Man and the Sea” really was: “As sickly a bucket of sentimental slop as was ever scbbed off a barroom floor.”) As always happens wh famo fathers and strangled sons, the letters turn toward money, wh Hemgway gracelsly layg out his budget for the boy. (Let be said, though, that Hemgway’s money troubl mt have been exhstg to live through: he was never nearly as rich as his reputatn would make you thk.)</p><p class="paywall">“He has the biggt dark si the fay except me and you,” Hemgway wrote to Ple, “and I’m not the fay.” Hemgway’s own suici, by shotgun, 1961, at his huntg retreat Ketchum, Idaho, brought a palette of tragedy to the story, even though the much discsed curse of the Hemgways seems no more than a gene for bipolary that bounced around fiendishly om generatn to generatn. The trail of suici is heartbreakg to nsir—the father, Clarence; Ernt, his brother Leicter, and his sister Ursula; his helpls, betiful granddghter Margx.</p><p class="has-dropp has-dropplead-standard-headg paywall">The new attempts to make Papa matter by makg him a lot ls Papa and a ltle more Mama are, fally, not all that persuasive. Hemgway remas Hemgway—the macho attus ntue to perate the prose even when the genr rol get swched around. And those macho attus clu many admirable thgs: a genue love of urage, a surprisg reads to celebrate failure if is bought wh bravery, an unsparg sense of the fataly of human existence, a love of the small pleasur that ennoble .</p><p class="paywall">At Hemgway’s bt, the affectatns are undone by an affectn for the sensuo surface of life, which is of necsy erotilly multivalent, neher neatly mascule nor neatly feme. Although we may “genr” , our scriptns, if they have nsy at all, pe the btal bari, the narrow tegori, of appete. To read the openg l about the lovers’ breakfast “The Garn of En” is to be touch wh an impulse far more movg and pansexual than all the sexual reversals that revisnist crics have to offer:</p><blockquote class="BlockquoteEmbedWrapper-sc-SdiGL jPeLne paywall blockquote-embed"><div class="BlockquoteEmbedContent-RbGs gmbtPx blockquote-embedntent"><p>On this morng there was brche and red raspberry prerve and the eggs were boiled and there was a pat of butter that melted as they stirred them and salted them lightly and ground pepper over them the cups. . . . He remembered that easily and he was happy wh his which he diced up wh the spoon and ate wh only the flow of the butter to moisten them and the h early morng texture and the be of the arsely ground pepper gras and the hot ffee and the chickory-agrant bowl of fé la.</p></div></blockquote><p class="paywall">The flow of the butter and the be of the pepper—there is more effective genr-blendg his breakfasts than his bedrooms. The pleasure he tak the world’s surface is more plural than the pos he choos on the world’s stage.</p><p class="paywall">Always an epicurean before he was a stoic, Hemgway is at his worst when he is boastg and bluffg and lg the roost, at his bt when he is bendg and breakg and wrg down breakfast. Macho and mimalist alike, the sentenc are thrillg still their exactu and dacy. Comg away even om the sad last pag of his bgraphy, the rear feels that Hemgway earned the epaph he would most have wanted. He <em>was</em> a brave man, and he did know how to wre. ♦</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layoutasi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-boxprimary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="adslot adslot--rail" data-no-id="e64ss"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-unslot nsumer-marketg-unslot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 PaywallInleBarrierWhWrapperGrid-fyrGfS kLQIUk grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layoutntent"><div class="body bodyle-barrier articlebody"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"><asi class="PaywallInleBarrierWrapper-iBnuqk lfXXa-D" data-ttid="PaywallInleBarrierWrapper"><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--paywall-le-barrier" role="prentatn" aria-live="pole" aria-hidn="te"><div class="nsumer-marketg-unslot nsumer-marketg-unslot--paywall-le-barrier"></div><div class="journey-un"></div></div></asi></div></div></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ContentWrapperGrid-fvkmBv brYtrA grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layoutntent"><div class="body bodyntaer"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"></div></div></div></div></div></div></article><div class="ContentFooterWrapper-jVNdRG dTJkpP ArticlePageContentFooterGrid-ccsXYy eMZRHU article-bodyfooter"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layoutntent"><footer class="ContentFooterMagazeDisclaimer-gzKAqo iZIuUU" data-ttid="MagazeDisclaimerWrapper">Published the prt edn of the <a href="/magaze/2017/07/03" data-reactroot="">July 3, 2017</a>, issue, wh the headle “A New Man.”</footer></div></div><div data-ttid="RowWrapper" class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layoutntent"></div></div></div><div data-ttid="RowWrapper" class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layoutntent"><div class="ContributorsWrapper-eNpWFu GWFsc ntributors" data-ttid="Contributors"><div class="ContributorBWrapper-bnVHbt gMon"><div class="ContributorBAvatar-bIGTqf eMWbvj"><a href="/ntributors/adam-gopnik"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO dUOtEa rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w" siz="100vw"/><img alt="" class="RponsiveImageContaer-eybHBd fptoWY rponsive-imageimage" src="></picture></span></a></div><div class="ContributorBContent-ubQdr jZTSSi"><div class="ContributorBHear-ledood XOIEx"></div><div class="ContributorBB-fBolsO giFhKz"><a href="/ntributors/adam-gopnik">Adam Gopnik</a>, a staff wrer, has been ntributg to The New Yorker sce 1986. He is the thor of, most recently, “<a href=">The Real Work: On the Mystery of Mastery</a>.”</div><div class="ContributorBFooter-brqDlv ezUmSv"></div></div></div></div></div></div></div><div data-ttid="RowWrapper" class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layoutntent"><div data-ttid="TagCloudWrapper" class="TagCloudWrapper-gGgndx ctyZyK ContentFooterTagCloud-krQmRG ZLGh"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudSectnHear-cOforY iUEiRd bPyAoD kQQRmu">More:</span><a href="/tag/ernt-hemgway" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Ernt Hemgway</span></a><a href="/tag/books" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Books</span></a><a href="/tag/novels" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Novels</span></a><a href="/tag/bgraphi" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Bgraphi</span></a><a href="/tag/mary-v-arborn" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Mary V. Dearborn</span></a></div></div></div></div><div data-ttid="ContentFooterBottom" class="ContentFooterBottom-jwWZfC kcbyiW"><div class="ContentFooterNewsletterContentWrapper-bmjtna kixtae"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layoutntent"><div data-ttid="NewsletterSubscribeFormWrapper" class="NewsletterSubscribeFormWrapper-fCqqkN jKSBhE newsletter-subscribe-form ContentFooterNewsletterForm-hKeYwa liPqcf"><div data-ttid="NewsletterSubscribeFormHedDekWrapper" class="NewsletterSubscribeFormHedDekWrapper-fpMElW eglIBL"><h3 class="NewsletterSubscribeFormDangeroHed-kRwWjt jjsHHz newsletter-subscribe-formhed ContentFooterNewsletterForm-hKeYwa liPqcf">Books & Fictn</h3><div class="NewsletterSubscribeFormDek-kXonvc lhYeOn newsletter-subscribe-formk">Short stori and poems, pl thor terviews, profil, and tal om the world of lerature.</div></div><div data-ttid="NewsletterSubscribeFormInputsWrapper" class="NewsletterSubscribeFormInputsWrapper-keARJE hVWbzr"><form class="form-wh-validatn NewsletterSubscribeFormValidatn-iCYa-Dt dweEln" id="newsletter" name="newsletter" novalidate="" method="POST"><span class="TextFieldWrapper-Pzdqp hNhevp text-field" data-ttid="TextFieldWrapperemail"><label class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TextFieldLabel-klrYvg iUEiRd stdEm fvoOvz text-fieldlabel text-fieldlabel--sgle-le" for="newsletter-text-field-email" data-ttid="TextFieldLabelemail"><div class="TextFieldLabelText-cvvxBl eeDYTb">E-mail addrs</div><div class="TextFieldInputContaer-jcMPhb oFrOs"><put type="email" aria-scribedby="privacy-text" aria-valid="false" id="newsletter-text-field-email" required="" name="email" placeholr="E-mail addrs" class="BaseInput-fAzTdK TextFieldControlInput-eFUxkf eGzzTT laFPCK text-fieldntrol text-fieldntrol--put" data-ttid="TextFieldInputemail"/></div></label><button class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv dwpimO button button--utily TextFieldButton-csBrgY edxbrw" data-event-click="{"element":"Button"}" data-ttid="Button" type="subm"><span class="ButtonLabel-cjAuJN hzwRuG button__label">Sign up</span></button></span><div id="privacy-text" tabx="-1" class="NewsletterSubscribeFormDisclaimer-bTVtiV lnYvsZ"><span><p>By signg up, you agree to our <a href=" rel="nofollow noopener noreferrer" target="_blank">User Agreement</a> and <a href=" rel="nofollow noopener noreferrer" target="_blank">Privacy Policy & Cookie Statement</a>. 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summary-em-trackgimage-lk" href="/magaze/2015/09/14/omissn" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-1" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-emimage"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-emimage rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Omissn" class="RponsiveImageContaer-eybHBd fptoWY rponsive-imageimage" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-emntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-embric"><span class="RubricName-fVtemz cLxcNi">The Wrg Life</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackghed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-1" data-recirc-pattern="summary-em" href="/magaze/2015/09/14/omissn" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-emhed" data-ttid="SummaryItemHed">Omissn</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-emasset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-emimage-lk summary-em-trackgimage-lk" href="/magaze/2015/09/14/omissn" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-1" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-emimage"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-emimage rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Omissn" class="RponsiveImageContaer-eybHBd fptoWY rponsive-imageimage" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-emk">Choosg what to leave out.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-embyle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-embyle"><div class="summary-embylentent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle bylbyle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU bylename"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss bylepreamble">By </span>John McPhee</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hlYhBH summary-em summary-em--article summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm fvDIAb" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-emasset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-emimage-lk summary-em-trackgimage-lk" href="/magaze/1950/05/13/how-do-you-like--now-gentlemen" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-emimage"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-emimage rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="How Do You Like It Now, Gentlemen?" class="RponsiveImageContaer-eybHBd fptoWY rponsive-imageimage" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-emntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-embric"><span class="RubricName-fVtemz cLxcNi">Profil</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackghed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-2" data-recirc-pattern="summary-em" href="/magaze/1950/05/13/how-do-you-like--now-gentlemen" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-emhed" data-ttid="SummaryItemHed">How Do You Like It Now, Gentlemen?</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-emasset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-emimage-lk summary-em-trackgimage-lk" href="/magaze/1950/05/13/how-do-you-like--now-gentlemen" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-emimage"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-emimage rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="How Do You Like It Now, Gentlemen?" class="RponsiveImageContaer-eybHBd fptoWY rponsive-imageimage" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-emk">The moods of Ernt Hemgway.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-embyle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-embyle"><div class="summary-embylentent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle bylbyle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU bylename"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss bylepreamble">By </span>Lillian Ross</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hlYhBH summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm fvDIAb" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-emasset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-emimage-lk summary-em-trackgimage-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-emimage"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-emimage rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Briefly Noted" class="RponsiveImageContaer-eybHBd fptoWY rponsive-imageimage" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-emntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-embric"><span class="RubricName-fVtemz cLxcNi">Books</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackghed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-emhed" data-ttid="SummaryItemHed">Briefly Noted</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-emasset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-emimage-lk summary-em-trackgimage-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-emimage"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-emimage rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Briefly Noted" class="RponsiveImageContaer-eybHBd fptoWY rponsive-imageimage" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-emk">“The Heaven & Earth Grocery Store,” “My Hband,” “The Philosopher of Palo Alto,” and “The Great Whe Bard.”</div></div></div><div class="SummaryItemWrapper-iwvBff hlYhBH summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm fvDIAb" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-emasset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-emimage-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-emimage"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz 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ernest hemmingway gay

5 Dec 2024

A prevly unpublished letter sheds light on Papa's unenlightened views of gay men

MEET THE GAY BROOKLYN BULLFIGHTER WHO BEIEND HEMGWAY

Ernt Hemgway was a famed thor who married multiple tim, but some rears and tors have wonred if he was actually gay. Details! * ernest hemmingway gay *

Ernt Hemgway's Sexualy Remas a Subject of Speculatn Des After His DeathErnt Hemgway was a famed thor who married multiple tim, but some rears and tors have wonred if he was actually gay.

* ernest hemmingway gay *

And, although most still admire him for his work, others still have cursi about Hemgway's sexualy and whether he was, fact, gay. Hemgway himself never openly intified as gay durg his life, but for some scholars, the proof was many of his books.

BEAR-MAGAZINE.COM ERNEST HEMMINGWAY GAY

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class="RubricLk-gRWSOU fgWnkQ bric__lk" href="/magaze/books"><span class="RubricName-fVtemz cLxcNi">Books</span></a></div></div></div><h1 data-ttid="ContentHearHed" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearHed-NCyCC iUEiRd NbxED hpJvIc">Hemgway, the Sensualist</h1></div><div class="ContentHearAccredatn-lfctVB enhwXT ntent-hear__accredatn" data-ttid="ContentHearAccredatn"><div class="ContentHearDek-bIqFFZ Mtme">The macho in has been rest as a genr-bendg progrsive. But what really ma his pulse race?</div><div class="ContentHearByle-kmPyCa gvUmxJ"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset ContentHearContributorImage-cvjZXn jKACOU"><picture class="RponsiveImagePicture-cWuUZO dUOtEa ContentHearContributorImage-cvjZXn jKACOU rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w" siz="66px"/><source media="(m-width: 768px)" srcSet=" 120w, 240w" siz="66px"/><img alt="" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></span><div class="ContentHearByleContent-dpPmNn DRFq"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl ContentHearByl-cZqgyJ bqbBYQ"><p class="ByleWrapper-jWHrLH ivtvgj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span><a class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM ByleLk-gEnFiw iUEiRd ggMZaT cXqSTL eErqIx byle__name-lk button" href="/ntributors/adam-gopnik">Adam Gopnik</a></span></span></p></div><time data-ttid="ContentHearPublishDate" dateTime="2017-06-26T05:00:00-04:00" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearPublishDate-eIBicG iUEiRd kYZrFA kEBrdf">June 26, 2017</time></div></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ContentHearLeadAsset-hGbumP iWPCcH lead-asset ContentHearLeadAssetWrapper-hfXHEc fTrSlG lead-asset--width-smallle" data-ttid="ContentHearLeadAsset"><figure class="ContentHearLeadAssetContent-kOfYSG dRGWbI"><div class="ContentHearLeadAssetContentMedia-bLEIpi jjhWdS lead-asset__ntent__photo"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset ContentHearRponsiveAsset-bREgIb khLUzS"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz hlQxkn"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO KhjZz ContentHearRponsiveAsset-bREgIb khLUzS rponsive-image rponsive-image--expandable"><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w, 960w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w, 1920w, 2240w" siz="100vw"/><img alt="Hemgways stoil stance has been celebrated but was an epicurean evotn of the material world that quickened his..." class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></div></div></span><div class="CaptnWrapper-jSZdqE iTuhkZ ptn ContentHearLeadAssetCaptn-hPWmSN kuCzGS"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo iXWezO ptn__text">Hemgway’s stoil stance has been celebrated, but was an epicurean evotn of the material world that quickened his prose.</span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd iicloT jbIJNS ptn__cred">Illtratn by Sébastien Plassard</span></div></div></figure><div data-ttid="ContentHearLeadRailAnchor" class="ContentHearLeadRailAnchor-jYVcDc djtEof"></div></div></div></div></hear></div><div data-attribute-verso-pattern="article-body" class="ArticlePageContentBackGround-cNiFNN kbAoLA article-body__ntent"><div class="ActnBarWrapperContent-lasBkU cAHp"><div class="ActnBarWrapperComponent-cjwxLS bEeSLb"><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh kNjTbQ viewport-monor-anchor"><button id="bookmark" aria-label="Save this story" class="ActnBarButton-dyFOZU hQrwCF bookmark large-screen"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Save this story</tle><path class="in-bookmark-fill" d="M20 23.9508L12.5 19.7312L5 23.9508V2.95081H14V3.93211H6V22.1845L12.5 18.5536L19 22.1845V8.83866H20V23.9508Z"></path><path class="in-bookmark-fill" d="M23 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hhylRt"><div class="ArticlePageChunksContent-etcMtP bwyLBj"><div data-ttid="ArticlePageChunks" class="ArticlePageChunks-fLyCVG Uozmo"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bDyAMU body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="has-dropp has-dropp__lead-standard-headg">It’s difficult for people who weren’t around at the time to grasp the sle of the Hemgway cult twentieth-century Ameri. As late as 1965, the edor of <em>The Atlantic</em> uld wre reverently of scen om a kd of Ernt Hemgway Advent lendar: “We-staed moods the siwalk fés and roisterg nights Left Bank <em>boît</em>. Walkg home alone the ra. Talk of ath, and scen of , the Spanish sun. Treks and trophi Tanganyika’s green hills. Duck-shootg the Veian marsh. . . . Lovg and drkg and fishg out of Key Wt and Havana.” It was real fame, too, not the thirty-mut-wh-Terry Gross kd that wrers have to ntent themselv wh now. To get close to the tone of today, you would have to image the lerary reputatn of Raymond Carver joed wh the populary and polil piety of Bce Sprgsteen. “Papa” Hemgway was not jt a much admired artist; he was seen as a reprentative Amerin public man. He reprented the thory of wrg even for people who didn’t read.</p><p class="paywall">The bunkg, when me, me hard. As the bter memoirs poured out, we got alholism, male chvism, fabulatn, malice toward those who had ma the mistake of beg kd to him—all that. Eventually there me, om his avid tate, the lucrative but not reputatn-enhancg publitn of posthumo novels. The brand ntu: his tate licens the “Ernt Hemgway Collectn,” which clus an artisanal m, Papa’s preferred eyewear, and heavy Cuban-style furnure featurg “leather-like vyl wh a warm pata.” (What would Papa have said of that!) But few would now give the old man the heavyweight champnship of lerature for which he fought so hard, not least bee thkg of lerature as an elimatn bout is no longer our style. We thk of more as a quiltg bee, wh everyone havg a chance to add a patch, and the ft patch often arisg om the least privileged quilters. In recent s, Hemgway has reprented the thory of wrg only for people who never read.</p><p class="paywall">Sudnly, though, there has been an amic revival Hemgway studi which, wh an irony no satirist uld have imaged, Hemgway, who his day exemplified Amerin macho, has, through our taste for “queerg the text,” bee Hemgway the genr benr. <em>The Hemgway Review</em> n now nta admirg articl wh subtl like “Sodomy and Transvtic Hallucatn Hemgway.” It is newly possible to duce that Papa was far weirr, a posive sense, than he liked to pretend, and that his texts nta, jt below their rigidly tumcent surface, ep glimmerg pools of sexual ambiguy and genr liquidy.</p><p class="paywall">Mary V. Dearborn’s new bgraphy, “<a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Hemgway</a>” (Knopf), is hardly full of revelatns. Wh the wns almost all ad, and the archiv bed through as if by addicts lookg for remnants of crack, how uld be? But is up to date attu. The queer-theory patch are all place, as are the femist on. Dearborn has an oddly puranil attu toward the storytellg of a storyteller, beg que prim as she pots out that Hem exaggerated here, nfabulated there, ma ls of this than was que tthful, and more of that. Hemgway, she wr, told “enormo whoppers” about, for stance, trappg pigeons the Luxembourg Garns for dner his early years Paris. In fact, he and his first wife, Hadley, had plenty of money. But he was wrg fabl about the aspiratns of expatriat, not textbooks on acuntg. Hungry people—and no one is hungrier than a young wrer tryg to make a reputatn—feel hungry even when they’re not actually starvg.</p><p class="paywall">In general, Dearborn seems not to have met many wrers along her scholarly path, and appears astound that the good on tell tall tal about their own formatn, which is like beg astound that fishermen exaggerate the size of their tch. (Of urse, Hemgway did that, too.) Most of Hemgway’s fabulatns are transparent style and purpose: he told an terviewer once that, when he walked wh Joyce Paris the neteen-twenti, Joyce would “fall to an argument or a fight. He uldn’t even see the man so he’d say, ‘Deal wh him, Hemgway! Deal wh him!’ ” This surely never happened, but you n see why he wished had, and n’t hate him for wishg . He wanted to be Joyce’s Lu Brasi.</p><p class="paywall">In Dearborn’s better moments, she shows how telligently Hemgway managed to apportn the amount of empiril accuracy for each ocsn. Although he flated his heroism the Great War—at one pot givg crence to the report that he had rried a wound Italian soldier over a distance twice the length of a football field—he was direct and unrstated his published stori. Dearborn thks that Hemgway was askg whether “there was any more thenticy, or tth.” No, he wasn’t. He was allotg thenticy and tth acrdg to the needs of his art. The origal of Cathere “A Farewell to Arms” was an Amerin nurse named Agn von Kurowsky, whom he loved passnately, only to have her reject him wh a chilly Dear John letter, which she told him that she was “still very fond” of him but “more as a mother than a sweetheart.” He fixed the facts the novel by havg her die for love bearg his child. Revenge on realy like that is what lerature is <em>for</em>.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-1 viewport-monor-anchor"></div><p class="paywall">But Dearborn is an encyclopedic llector of facts and, on the whole, a cent and fair-md judge of them. One rarely objects to her verdicts about what exactly happened and why. The story here gets retold more or ls on the terms we know, wh judic gus ma as to the tth of much-argued-over episos: y, his mother drsed him as a girl until he was old enough to notice; no, Stt Fzgerald probably never asked him to check the size of Fzgerald’s member a Paris men’s room; y, those famo wilrns outgs Michigan took place the ntext of a big middle-class hoe and middle-class vatns, and were not nearly as primive as the stori make them sound; and no, his first wife did not lose all of his early work on a tra for good—a lot was soon revered. Recent “disveri” the field are put more or ls to place: the revelatn om the thor Nicholas Reynolds, “<a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Wrer, Sailor, Soldier, Spy,</a>” that Hemgway had been reced as a spy by Stal’s N.K.V.D. the neteen-thirti is noted, although ’s also noted that Hemgway seems never to have done anythg for . The tth that he was not entirely paranoid at the end of his life to thk that the F.B.I. had been keepg an eye on him is noted, too, and so is the fact that the Bure seemed to have ltle malice toward him. Ined, J. Edgar Hoover himself—another tough guy wh a hidn si—was an admirer. And Dearborn se clearly what was cloud then: that a large part of Hemgway’s cle his last years was due to an hered bipolar disorr upled wh a penchant for self-meditn through alhol.</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p class="paywall">We pass through the ual progrs of Hemgway’s life, already well charted all those other books. Early ght years Oak Park, a suburb of Chigo, wh a distant, manic-prsive father, who eventually mted suici, and a ld mother, who once orred the young Ernt out of the hoe and, years later, when his first novel was a h, found a wholly negative lol review to send him. Relief the form of summers spent fishg at the fay’s lake ttage. No llege years—he missed that part, and paid for by overpensatg tellectually—but war experienc. Hemgway went to the Italian ont 1918, at eighteen, as an ambulance driver, the pany of the once famo, now largely fotten novelist John Dos Passos. As Jam McGrath Morris pots out his new book “<a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">The Ambulance Drivers</a>,” Dos Passos had a keen sense of the real waste and horror of war, whereas Hemgway still saw as an ocsn for a heroic show of stoil endurance. The urage of his gog at all is unniable; after a few weeks, he got blown up by a mortar and revered the hospal, fallg love wh that betiful nurse. He then went to work as a journalist for the Toronto <em>Star</em>; there’s a nice le “The Sun Also Ris” about the easy social grac of Canadians. But, as much as generatns of newspapermen have claimed him as a stunt of newspaper style, nothg memorable emerg om the llected journalism.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><asi class="PersistentAsiWrapper-VGrR daRVRt persistent-asi" style="posn:absolute;top:to;height:to" data-ttid="PersistentAsiWrapper"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="dqsxml"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></asi></div></div><div data-ttid="RowWrapper" class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="s7b7bq"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bDyAMU body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="paywall">It was only after his marriage to Hadley Richardson, a St. Louis heirs, that he set off for Paris, arrivg late 1921 wh a termatn to bee a great and morn wrer that was touchg one who had received so ltle enuragement. Enuragement as a wrer, that is; Hemgway’s charisma and good looks had ma life easy for him, as they would go on dog for a long time after. (Of all the gifts that n grace a lerary reer, good looks are the most easily overlooked and not the least important: though we may read bld, we don’t beiend bld.) Dearborn is fatly disapprovg of his lerary reerism Paris, registerg the fact that he ed his attractivens to attract, while rather missg the pot that the people he was urtg, Ezra Pound and Sylvia Beach and Gert Ste and the rt, were avant-gardists wh no fluence the realms of mercial publishg where he had to make a livg. He was certaly amb and appealg, but the ambn for which he ed his appeal was to wre well a new way.</p><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kKwZhx rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><div data-attr-viewport-monor="" class="RponsiveCartoonWrapper-iTMMjI eXTYsS rponsive-rtoon AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset viewport-monor-anchor"><a class="external-lk rponsive-rtoon__image-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank"><picture class="RponsiveImagePicture-cWuUZO dUOtEa RponsiveCartoonImage-hzNqyc ikeCcH rponsive-rtoon__image rponsive-image"><noscript><img alt="Hemgway the Sensualist" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" siz="100vw"/></noscript></picture></a><div class="RponsiveCartoonCTA-eiqqMB iDCQRs"><div class="RponsiveCartoonCTAWrapper-CYIqa iTbFtf"><div class="RponsiveCartoonLkButtonWrapper-hqDAJK eSEhbj"><button aria-label="Copy lk to rtoon" class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv YsOBB button button--primary-pair RponsiveCartoonInButton-hBCBMq lpsjql" data-event-click="{"element":"Button"}" data-ttid="Button" type="button"><span class="ButtonLabel-cjAuJN bBWXSg button__label">Copy lk to rtoon</span><div class="ButtonInWrapper-gFdzAL bPDyTT button__in-ntaer"><svg class="in in-pylk" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Copy lk to rtoon</tle><g clip-path="url(#clip0_3732_178637)"><path fill-le="evenodd" clip-le="evenodd" d="M16.3488 10.5017C16.2107 10.7357 16.2926 11.035 16.5318 11.17C16.7709 11.3052 17.0767 11.225 17.2148 10.991L18.4648 8.87225C19.5694 7.00002 18.9139 4.60601 17.0007 3.52508C15.0875 2.44415 12.6412 3.08562 11.5366 4.95785L9.53657 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18.8167 5.57417 17.0212 6.4026 15.6171L7.6526 13.4983Z" fill="black"></path></g><fs><clipPath id="clip0_3732_178637"><rect width="24" height="24" fill="whe"></rect></clipPath><clipPath id="clip1_3732_178637"><rect width="24" height="24" fill="whe"></rect></clipPath></fs></svg></div></button><div class="AlertWrapper-gvFATk MdjE RponsiveCartoonLkAlertPopup-BPAXn kdMXRM shoppg-alert" role="dialog"><div aria-hidn="te" role="prentatn" class="AlertArrow-daOgye AlLda alert-arrow"></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ AlertMsage-jgAjgo bVCFRm ifgabc cxFROy alert-msage"><p aria-hidn="te">Lk pied</p></div></div></div><button aria-label="Shop" class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv YsOBB button button--primary-pair RponsiveCartoonInButton-hBCBMq lpsjql" data-event-click="{"element":"Button"}" data-ttid="Button" type="button"><span class="ButtonLabel-cjAuJN bBWXSg button__label">Shop</span><div class="ButtonInWrapper-gFdzAL bPDyTT button__in-ntaer"><svg class="in in-rt" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Shop</tle><g clip-path="url(#clip0_3732_178638)"><path fill-le="evenodd" clip-le="evenodd" d="M4 3H2V4H4.23828L6.99617 15.2631C7.11483 15.6982 7.50998 16 7.96094 16H18.0365C18.4875 16 18.8826 15.6982 19.0013 15.2631L20.9648 7.26312C21.1383 6.62698 20.6594 6 20 6H10V7H20L18.0365 15H7.96094L5.03652 3H4.58055H4ZM10.0365 19C10.0365 19.5523 9.58881 20 9.03652 20C8.48424 20 8.03652 19.5523 8.03652 19C8.03652 18.4477 8.48424 18 9.03652 18C9.58881 18 10.0365 18.4477 10.0365 19ZM11.0365 19C11.0365 20.1046 10.1411 21 9.03652 21C7.93195 21 7.03652 20.1046 7.03652 19C7.03652 17.8954 7.93195 17 9.03652 17C10.1411 17 11.0365 17.8954 11.0365 19ZM18.0365 19C18.0365 19.5523 17.5888 20 17.0365 20C16.4842 20 16.0365 19.5523 16.0365 19C16.0365 18.4477 16.4842 18 17.0365 18C17.5888 18 18.0365 18.4477 18.0365 19ZM19.0365 19C19.0365 20.1046 18.1411 21 17.0365 21C15.932 21 15.0365 20.1046 15.0365 19C15.0365 17.8954 15.932 17 17.0365 17C18.1411 17 19.0365 17.8954 19.0365 19Z" fill="black"></path></g><fs><clipPath id="clip0_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath><clipPath id="clip1_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath></fs></svg></div></button></div></div></div></span></div></figure><p class="paywall">His natural sound, the tone that ris when he is wrg unself-nscly to iends, is nothg like the voice of his good fictn. He was naturally garlo and jose—ed, by the time he was a celebry he was so garlo and jose that shocked people, though he was jt beg himself. (This explas the rponse to the notor Profile of him by Lillian Ross <a href=">that ran this magaze</a> 1950: he read the galleys, thought he sound hilar and charmg, and had no ia that he would e off as a self-absorbed blowhard.) Wrg to a iend about bullfights 1925, when his lerary style was already fully formed, he said, “It a’t a moral spectacle and if a male looks at for a moral standpot there isn’t any exc. But if a male tak as . Gawk what a hell of a wonrful show.” His letters are stuffed wh siar kds of heavy-hand kiddg.</p><div class="Contaer-bkChBi byNLHx"></div><p class="paywall">The real Amerin mascule style, as Sclair Lewis shrewdly saw, is not tight-lipped-stoil but wheezy-genial. Hemgway was no exceptn to the le that every Amerin man needs to see himself as funny. (Clt Eastwood’s famo turn at the 2012 Republin Natnal Conventn is further evince of this: Ameri’s tough guy took for granted that he was so naturally amg that all he had to do was drag an empty chair onstage and start jokg.) Hemgway actually had zero gift for edy—he liked makg fun of other people, but uld never implite himself the jok, which shuts off the humor spigot quickly. Still, the tight-lipped grimace was always threateng to turn to a regular-guy gr, sce the regular-guy gr was what the tight-lipped grimace started off ncealg.</p><p class="has-dropp has-dropp__lead-standard-headg paywall">But—what a fantastic wrer he beme! Scribner has now produced <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">a new volume</a> of Hemgway’s short stori, most om the neteen-twenti, his bt , plete wh many of the drafts he ma along the way. What is amazg is how pch-perfect he was. Readg passag om the Nick Adams stori published origally relatively obscure lerary reviews, one is overwhelmed by how so ltle produc so much—how the brevy, far om beg tacurn or severe, is matchlsly eloquent s evotn of the pleasur of the sens and of the feelg of place, as the famo scriptn of a trout stream Michigan om the 1925 story “Big Two-Hearted River”:</p><blockquote class="BlockquoteEmbedWrapper-sc-SdiGL jPeLne paywall blockquote-embed"><div class="BlockquoteEmbedContent-RbGs gmbtPx blockquote-embed__ntent"><p>Nick looked down to the pool om the bridge. It was a hot day. A kgfisher flew up the stream. It was a long time sce Nick had looked to a stream and seen trout. They were very satisfactory. As the shadow of the kgfisher moved up the stream, a big trout shot upstream a long angle, only his shadow markg the angle, then lost his shadow as he me through the surface of the water, ught the sun, and then, as he went back to the stream unr the surface, his shadow seemed to float down the stream wh the current, unristg, to his post unr the bridge where he tightened facg up to the current.</p><p>Nick’s heart tightened as the trout moved. He felt all the old feelg.</p></div></blockquote><p class="paywall">The bety of the scriptn is rerced by s emotnal subject: we sense and then briefly duce that Nick is a veteran of the war, tryg to relote his md through faiar pleasur. How did Hemgway do ? Simplicy, monosyllabl, elimatn of adverbs and adjectiv . . . that’s supposed to be the formula. For mordant mischief, one n now download the Hemgway Edor app, which ntas an algorhm meant to reproduce his style, and see how well this works. (The app picks out, adversely, the sgle adverb “swiftly” the openg paragraph of “A Farewell to Arms.”) But all the algorhm n do is simplify, and produce the kd of baby-talk prose that Hemgway himself wrote only when he was losg . The heart of his style was not abbreviatn but amputatn; not simplicy but mystery.</p><p class="paywall">Aga and aga, he creat his effects by strikg out what would seem to be sential material. In “Big Two-Hearted River,” Nick’s plited European experience—or the way that fishg is sany-prervg for Nick, the damaged veteran—is nveyed clearly the first versn, and left apparent only as implitn the published send versn. In a draft of the heartbreakg early story “Hills Like Whe Elephants,” about a man talkg his girliend to havg an abortn, Hemgway twice the words “three of .” This is the woman’s sential sire, to bee three rather than two. But Hemgway strik both stanc om the fished story, so the key image remas as ghostly subtext wh the sentenc. We feel the missg “three,” but we don’t read .</p><p class="paywall">That’s typil of his practice. The art om scissorg out his natural garlons, and the mystery is ma by what was elid. Readg through draft and then fished story, one is repeatedly stunned by the meticulo rightns of his elisns. There are fluenc at work, obvly, om Stephen Crane to Sherwood Anrson, not to mentn Gert Ste’s fx-naïf smarts. Yet Hemgway himself gave most of the cred to Cézanne. In that ncelled passage om “Big Two-Hearted River,” we read, “He wanted to wre like Cezanne pated. Cezanne started wh all the tricks. Then he broke the whole thg down and built <l>clearly and slowly</l> the real thg. It was hell to do. He was the greatt. It wasn’t a cult.” (The crossg-out is the origal.) This is the kd of classy thg that wrers are bound to say and bgraphers are bound to doubt—Dearborn lls Hemgway’s nstant reference to Cézanne “mystifyg”—but mak all the sense the world. The whole aim of Cézanne’s patg om the eighteen-seventi on is to build up landspe and still-life om the pictorial equivalent of monosyllabl—om small, square nstctive marks, like the cross-shadgs of a pencil, which make space by beg overlaid. Outle and firm shape are subordated, as Hemgway, to the passage of one shape to the next. Both men are masters of “and” more than “this.”</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div><div data-ttid="RowWrapper" class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="vpi6lp"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bDyAMU body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="paywall">Cézanne also showed that a few strong hts of specificy—this one pe tree the right ont plane, this plastic foreground orange—are all that is need for the evotn of shap and spac. In “Big Two-Hearted River,” there are moments that are not jt nstcted like a Cézanne patg; they look like a Cézanne patg:</p><blockquote class="BlockquoteEmbedWrapper-sc-SdiGL jPeLne paywall blockquote-embed"><div class="BlockquoteEmbedContent-RbGs gmbtPx blockquote-embed__ntent"><p>There was no unrbsh the island of pe tre. The tnks of the tre went straight up or slanted toward each other. The tnks were straight and brown whout branch. The branch were high above. Some terlocked to make a solid shadow on the brown fort floor. Around the grove of tre was a bare space. It was brown and soft unrfoot as Nick walked on .</p></div></blockquote><p class="paywall">It is exactly the feelg of Cézanne’s “P and Rocks,” at <em class="small">MoMA</em>. Hemgway’s prose b the brightly lored sensualy of morn French patg wh a clench-jawed Amerin reprsn. The stoil stance and the sensual touch: that was Hemgway’s keynote emotn, and his claim to have learned om Cézanne looks jt.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-2 viewport-monor-anchor"></div><p class="paywall">The stoil stance has been much celebrated—“grace unr prsure” and the rt—but the sensual touch is the more equent material of the prose. Whether at Michigan trout streams or Pamplona fitas or those Paris boît, there is a strong element of “travel wrg.” He wrote pleasure far better than vlence. Fzgerald’s evotn of the fashnable world is que abstract and mostly unspecific. Hemgway is full of advice about what to eat and drk. “Death the Afternoon” even clus a brief but cisive “Lonely Pla”-style disurse on European beer—the bt is Czech, German, and Spanish—as “The Sun Also Ris” do on Spanish we. There’s a reason that the bar at the Paris Rz was the first place he “liberated” Paris, and that El Florida rtrant, Havana, still claims him as the father of s grapeu-enhanced Daiquiri. No good wrer ever had such clear views on hotels and fés and rtrants.</p><p class="paywall">Hemgway’s people are damaged but not shell-shocked. “A Farewell to Arms” is a romance—a Hollywood-movie romance, featurg a uple wh glamoro nam. The romance of honor and glory may have died on the Wtern Front, but the romance of romance, and of sex and the material life particular, was relighted; the face of annihilatn, postpong pleasure jt looked silly. For all his reputatn for “mascule” valu, an stctive Hemgway theme is far more culturally “feme,” a graceful bendg unr prsure. “I’m not brave any more, darlg,” Cathere tells Freric “A Farewell to Arms.” “I’m all broken. They’ve broken me.” The self-regnn of breakage is the form of bravery available to real people. The edict of Hemgway’s art is to take what life throws at you whout plat, but is also to never postpone pleasure if you n help . The travel-lerature, brand-name si of Hemgway—the si that ma Pamplona a tourist trap and Venice’s Grti Palace an “in,” the si kept alive grad form by all that artisanal m and pat furnure—is sential to his effects. Hemgway was a master not of a realized stoicism but of a wound epicureanism. Have fun while you n, and then endure the bad stuff when . It don’t sound high-md when you say , but was saner than almost anythg else on offer.</p><p class="has-dropp has-dropp__lead-standard-headg paywall">Hemgway’s early style is also a poetic style; ’s signifint that, like the Romantic poets, he bloomed as a wrer his mid-twenti. The novel was vented by the middle-aged, and Gee Elt and Anthony Trollope were their fifti when they wrote their masterpiec. But lyric poetry is for the young, and the trouble wh a poetic style is that, wh age, n bee a pose. Hemgway’s beme a style so mannered that uld be parodied endlsly, to the pot that Hemgway parodi are nearly as rich a lerary form as Hemgway stori. The two bt—Woltt Gibbs’s “Death the Rumble Seat” and E. B. Whe’s “Across the Street and Into the Grill”—both appeared this magaze, and ’s signifint that the two parodists shared Hemgway’s project of simplifyg the hell out of Amerin prose; attuned them to the distortns and tics the Master’s way of dog so.</p><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kKwZhx rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><div data-attr-viewport-monor="" class="RponsiveCartoonWrapper-iTMMjI eXTYsS rponsive-rtoon AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset viewport-monor-anchor"><a class="external-lk rponsive-rtoon__image-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank"><picture class="RponsiveImagePicture-cWuUZO dUOtEa RponsiveCartoonImage-hzNqyc ikeCcH rponsive-rtoon__image rponsive-image"><noscript><img alt="“I suggt we ntue to treat everythg as allegatns until such time as we all have to plead guilty.”" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" siz="100vw"/></noscript></picture></a><div class="CaptnWrapper-jSZdqE gdZTpI ptn RponsiveCartoonCaptn-dokfdF hJgaLQ rponsive-rtoon__ptn"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo bsWloa ptn__text">“I suggt we ntue to treat everythg as allegatns until such time as we all have to plead guilty.”</span></div><div class="RponsiveCartoonCTA-eiqqMB iDCQRs"><div class="RponsiveCartoonCTAWrapper-CYIqa iTbFtf"><div class="RponsiveCartoonLkButtonWrapper-hqDAJK eSEhbj"><button aria-label="Copy lk to rtoon" class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv YsOBB button button--primary-pair RponsiveCartoonInButton-hBCBMq lpsjql" data-event-click="{"element":"Button"}" data-ttid="Button" type="button"><span class="ButtonLabel-cjAuJN bBWXSg button__label">Copy lk to 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18 9.03652 18C9.58881 18 10.0365 18.4477 10.0365 19ZM11.0365 19C11.0365 20.1046 10.1411 21 9.03652 21C7.93195 21 7.03652 20.1046 7.03652 19C7.03652 17.8954 7.93195 17 9.03652 17C10.1411 17 11.0365 17.8954 11.0365 19ZM18.0365 19C18.0365 19.5523 17.5888 20 17.0365 20C16.4842 20 16.0365 19.5523 16.0365 19C16.0365 18.4477 16.4842 18 17.0365 18C17.5888 18 18.0365 18.4477 18.0365 19ZM19.0365 19C19.0365 20.1046 18.1411 21 17.0365 21C15.932 21 15.0365 20.1046 15.0365 19C15.0365 17.8954 15.932 17 17.0365 17C18.1411 17 19.0365 17.8954 19.0365 19Z" fill="black"></path></g><fs><clipPath id="clip0_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath><clipPath id="clip1_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath></fs></svg></div></button></div></div></div></span></div></figure><p class="paywall">Dearborn brgs home another tth: for all his time wh the Paris mornists, Hemgway’s reputatn was ma on the bt-seller lists Ameri. “A Farewell to Arms” (1929) had a first prt n of more than thirty thoand pi, huge s day. “For Whom the Bell Tolls” (1940), helped by s timely fightg-the-Fascists subject, stayed on the bt-seller lists for two years. He had wrten much of while rentg F Vigía, a betiful hoe Cuba, and, wh the money om his books, he bought the place. It beme his stle and retreat almost for the rt of his life, until the Cuban Revolutn forced him out. It was here that he beme Papa Hemgway, the great bear of lerature, receivg journalists and raisg children and ventg the grapeu Daiquiri and fightg marl and takg quick and often dangero trips to lser provc of his empire, to Ai (where, on a sgle trip, he twice crashed a plane) and Spa (where he ntued to return, Fran notwhstandg, to watch the bullfights).</p><p class="paywall">The weird sexual stuff began, or began to be rerd, the neteen-forti. The actual sequence is a ltle hard to follow, sce the lerary evince appears “The Garn of En,” an unfished, posthumoly published novel that he worked on the forti and fifti but that tak place the mid-twenti, which is when he started seeg the Amerin journalist Ple Pfeiffer, who eventually beme his send wife. Basilly, Hemgway began to sist that the women his life get their hair cut short, like his, while he dyed his to match theirs, wh many plited twists both lor and stylg. The s and outs of this “sex play,” as Dearborn lls , read like a mix of D. H. Lawrence and a Clairol ad. She reunts:</p><blockquote class="BlockquoteEmbedWrapper-sc-SdiGL jPeLne paywall blockquote-embed"><div class="BlockquoteEmbedContent-RbGs gmbtPx blockquote-embed__ntent"><p>First, Ernt bleached or dyed his. Josephe Merck, a iend om Montana, vised Ernt and Ple 1933 and remembered Ernt’s hair “bleached by the sun”; was highly unlikely that the sun “bleached” his dark hair. She also saw jt after, when his hair was red, and when she asked him about , he got annoyed. A letter om Ple to her hband cleared up what lor his hair was that sprg: “About your hair,” she wrote him, “don’t know how to turn red to gold. What about straight peroxi—or better what’s the matter wh red hair. Red hair lovely on you.” Evintly Ernt felt some regret, if not for dyeg his hair the first place, then for choosg the wrong lor.</p></div></blockquote><p class="paywall">We know this bee Ple wrote to a iend that Hemgway was “a ltle subdued, though not much, by his haircut,” and explaed, “His hair turned bright gold on the boat to Havana . . . and he cut to the roots a enzy.” Later, Hemgway dyed his hair red and went around sistg that had happened “accintally.”</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="sxo8bk"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div><div data-ttid="RowWrapper" class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="nb38p"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bDyAMU body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="paywall">Realized as fictn, all the cuttg and dyeg be even odr, not bee of s darg genr fluidy but bee of the sticky prose that was necsary to dramatize . “The Garn of En” has sequenc wh the og, self-rsg sound of someone whisperg his sexual fantasi your ear, and, like all sex fantasi, they have a standardized, stereotyped settg— this se, French hair salons. Dearborn tells that Hemgway loved to wre down the shas of blondns: pale gold, ep gold, ash blond. (The power of words for a wrer’s fetish is absolute; Aun says that he was more stimulated by the words for his sexual obssns than by their objects.) “Over time, jt wrg about the shas of hair lor would bee almost unbearably excg to him; he would talogue them wh obv erotic pleasure,” Dearborn reunts. Simply thkg about hair lor “ma Mr. Scrooby stand at attentn.”</p><p class="paywall">Where Mr. Scrooby really got turned around, though, was bed. In “The Garn of En,” the Hemgway stand-, David Bourne, is anally perated night after night by a dildo, wh the now short-haired Hadley character on top—a practice that, real life, seems to date to Hemgway’s fourth marriage, to the journalist Mary Welsh, 1946. When “The Garn of En” appeared, 1986, reviewers ma much of the hair-cuttg androgyny while leavg the analy more or ls alone, but ’s clear the text that the “vil thgs,” as Cathere lls them, center on the peratn, for which all the hair treatment is merely a preparatn.</p><p class="paywall">It’s this kd of thg that mak Hemgway’s “libidal polics” look progrsive today, revealg genr rol as the culturally manufactured toys they are. Yet the sex, one soon se, is actually imaged on much the same macho terms as before, jt wh the signifiers shaken up. “The Garn of En” evok not cheerful pluralism transgrsg genr boundari but the old Hemgway them of the bondg of hunter and hunted, prey and predator. Sex rol are swched, not broaned. The twists and turns are, this view, entirely sful—what driv om paradise, not what remds of .</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-3 viewport-monor-anchor"></div><p class="paywall">Like every sexual fetish, his got s tang om transgrsn. Sex mt be experienced as s to be satisfyg. For Hemgway, there was no greater s than actg a “womanish” way, and was therefore the subject that Mr. Scrooby awoke to. The prospect of beg unmanned was as thrillgly illic for his self-stimulatn as the enactment of manly rual was sential to his self-image. We need not believe that the public face is fake to unrstand that the private sire n be s oppose. The rult, as evinced “The Garn of En,” was certaly more darg and origal and hont than the “Old Man and the Sea” stuff he published the fifti stead. But was not postmorn genr pluralism, eher. It was more bary than that, and more btal.</p><p class="paywall">What giv Hemgway’s flirtatn wh genr reversal a special pathos is his relatnship wh his much loved son Gregory, an termtent cross-drser who had a sex-change operatn at the age of sixty-three and died g the name Gloria. At one pot, Hemgway me upon the boy, whom he lled Giggy, tryg on his mother’s stockgs and drs a fay bedroom Cuba, and later said to him, “We e om a strange tribe, you and I.” He doubtls saw this boy, his favore, ambigui that he uld never nfs, and ma him by turns both enraged and, oddly, touchgly, empathetic. Their letters, reprted a memoir by Greg’s son John lled, appropriately, “Strange Tribe,” are eply movg, their moments of celty and, on Greg’s part, at least, their flash of sight. (Greg was the only person ready to tell Hemgway how bad “The Old Man and the Sea” really was: “As sickly a bucket of sentimental slop as was ever scbbed off a barroom floor.”) As always happens wh famo fathers and strangled sons, the letters turn toward money, wh Hemgway gracelsly layg out his budget for the boy. (Let be said, though, that Hemgway’s money troubl mt have been exhstg to live through: he was never nearly as rich as his reputatn would make you thk.)</p><p class="paywall">“He has the biggt dark si the fay except me and you,” Hemgway wrote to Ple, “and I’m not the fay.” Hemgway’s own suici, by shotgun, 1961, at his huntg retreat Ketchum, Idaho, brought a palette of tragedy to the story, even though the much discsed curse of the Hemgways seems no more than a gene for bipolary that bounced around fiendishly om generatn to generatn. The trail of suici is heartbreakg to nsir—the father, Clarence; Ernt, his brother Leicter, and his sister Ursula; his helpls, betiful granddghter Margx.</p><p class="has-dropp has-dropp__lead-standard-headg paywall">The new attempts to make Papa matter by makg him a lot ls Papa and a ltle more Mama are, fally, not all that persuasive. Hemgway remas Hemgway—the macho attus ntue to perate the prose even when the genr rol get swched around. And those macho attus clu many admirable thgs: a genue love of urage, a surprisg reads to celebrate failure if is bought wh bravery, an unsparg sense of the fataly of human existence, a love of the small pleasur that ennoble .</p><p class="paywall">At Hemgway’s bt, the affectatns are undone by an affectn for the sensuo surface of life, which is of necsy erotilly multivalent, neher neatly mascule nor neatly feme. Although we may “genr” , our scriptns, if they have nsy at all, pe the btal bari, the narrow tegori, of appete. To read the openg l about the lovers’ breakfast “The Garn of En” is to be touch wh an impulse far more movg and pansexual than all the sexual reversals that revisnist crics have to offer:</p><blockquote class="BlockquoteEmbedWrapper-sc-SdiGL jPeLne paywall blockquote-embed"><div class="BlockquoteEmbedContent-RbGs gmbtPx blockquote-embed__ntent"><p>On this morng there was brche and red raspberry prerve and the eggs were boiled and there was a pat of butter that melted as they stirred them and salted them lightly and ground pepper over them the cups. . . . He remembered that easily and he was happy wh his which he diced up wh the spoon and ate wh only the flow of the butter to moisten them and the h early morng texture and the be of the arsely ground pepper gras and the hot ffee and the chickory-agrant bowl of fé la.</p></div></blockquote><p class="paywall">The flow of the butter and the be of the pepper—there is more effective genr-blendg his breakfasts than his bedrooms. The pleasure he tak the world’s surface is more plural than the pos he choos on the world’s stage.</p><p class="paywall">Always an epicurean before he was a stoic, Hemgway is at his worst when he is boastg and bluffg and lg the roost, at his bt when he is bendg and breakg and wrg down breakfast. Macho and mimalist alike, the sentenc are thrillg still their exactu and dacy. Comg away even om the sad last pag of his bgraphy, the rear feels that Hemgway earned the epaph he would most have wanted. He <em>was</em> a brave man, and he did know how to wre. ♦</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="e64ss"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 PaywallInleBarrierWhWrapperGrid-fyrGfS kLQIUk grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__le-barrier article__body"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"><asi class="PaywallInleBarrierWrapper-iBnuqk lfXXa-D" data-ttid="PaywallInleBarrierWrapper"><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--paywall-le-barrier" role="prentatn" aria-live="pole" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--paywall-le-barrier"></div><div class="journey-un"></div></div></asi></div></div></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ContentWrapperGrid-fvkmBv brYtrA grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__ntaer"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"></div></div></div></div></div></div></article><div class="ContentFooterWrapper-jVNdRG dTJkpP ArticlePageContentFooterGrid-ccsXYy eMZRHU article-body__footer"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><footer class="ContentFooterMagazeDisclaimer-gzKAqo iZIuUU" data-ttid="MagazeDisclaimerWrapper">Published the prt edn of the <a href="/magaze/2017/07/03" data-reactroot="">July 3, 2017</a>, issue, wh the headle “A New Man.”</footer></div></div><div data-ttid="RowWrapper" class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"></div></div></div><div data-ttid="RowWrapper" class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="ContributorsWrapper-eNpWFu GWFsc ntributors" data-ttid="Contributors"><div class="ContributorBWrapper-bnVHbt gMon"><div class="ContributorBAvatar-bIGTqf eMWbvj"><a href="/ntributors/adam-gopnik"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO dUOtEa rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w" siz="100vw"/><img alt="" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></span></a></div><div class="ContributorBContent-ubQdr jZTSSi"><div class="ContributorBHear-ledood XOIEx"></div><div class="ContributorBB-fBolsO giFhKz"><a href="/ntributors/adam-gopnik">Adam Gopnik</a>, a staff wrer, has been ntributg to The New Yorker sce 1986. He is the thor of, most recently, “<a href=">The Real Work: On the Mystery of Mastery</a>.”</div><div class="ContributorBFooter-brqDlv ezUmSv"></div></div></div></div></div></div></div><div data-ttid="RowWrapper" class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div data-ttid="TagCloudWrapper" class="TagCloudWrapper-gGgndx ctyZyK ContentFooterTagCloud-krQmRG ZLGh"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudSectnHear-cOforY iUEiRd bPyAoD kQQRmu">More:</span><a href="/tag/ernt-hemgway" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Ernt Hemgway</span></a><a href="/tag/books" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Books</span></a><a href="/tag/novels" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Novels</span></a><a href="/tag/bgraphi" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Bgraphi</span></a><a href="/tag/mary-v-arborn" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Mary V. Dearborn</span></a></div></div></div></div><div data-ttid="ContentFooterBottom" class="ContentFooterBottom-jwWZfC kcbyiW"><div class="ContentFooterNewsletterContentWrapper-bmjtna kixtae"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div data-ttid="NewsletterSubscribeFormWrapper" class="NewsletterSubscribeFormWrapper-fCqqkN jKSBhE newsletter-subscribe-form ContentFooterNewsletterForm-hKeYwa liPqcf"><div data-ttid="NewsletterSubscribeFormHedDekWrapper" class="NewsletterSubscribeFormHedDekWrapper-fpMElW eglIBL"><h3 class="NewsletterSubscribeFormDangeroHed-kRwWjt jjsHHz newsletter-subscribe-form__hed ContentFooterNewsletterForm-hKeYwa liPqcf">Books & Fictn</h3><div class="NewsletterSubscribeFormDek-kXonvc lhYeOn newsletter-subscribe-form__k">Short stori and poems, pl thor terviews, profil, and tal om the world of lerature.</div></div><div data-ttid="NewsletterSubscribeFormInputsWrapper" class="NewsletterSubscribeFormInputsWrapper-keARJE hVWbzr"><form class="form-wh-validatn NewsletterSubscribeFormValidatn-iCYa-Dt dweEln" id="newsletter" name="newsletter" novalidate="" method="POST"><span class="TextFieldWrapper-Pzdqp hNhevp text-field" data-ttid="TextFieldWrapper__email"><label class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TextFieldLabel-klrYvg iUEiRd stdEm fvoOvz text-field__label text-field__label--sgle-le" for="newsletter-text-field-email" data-ttid="TextFieldLabel__email"><div class="TextFieldLabelText-cvvxBl eeDYTb">E-mail addrs</div><div class="TextFieldInputContaer-jcMPhb oFrOs"><put type="email" aria-scribedby="privacy-text" aria-valid="false" id="newsletter-text-field-email" required="" name="email" placeholr="E-mail addrs" class="BaseInput-fAzTdK TextFieldControlInput-eFUxkf eGzzTT laFPCK text-field__ntrol text-field__ntrol--put" data-ttid="TextFieldInput__email"/></div></label><button class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv dwpimO button button--utily TextFieldButton-csBrgY edxbrw" data-event-click="{"element":"Button"}" data-ttid="Button" type="subm"><span class="ButtonLabel-cjAuJN hzwRuG button__label">Sign up</span></button></span><div id="privacy-text" tabx="-1" class="NewsletterSubscribeFormDisclaimer-bTVtiV lnYvsZ"><span><p>By signg up, you agree to our <a href=" rel="nofollow noopener noreferrer" target="_blank">User Agreement</a> and <a href=" rel="nofollow noopener noreferrer" target="_blank">Privacy Policy & Cookie Statement</a>. This se is protected by reCAPTCHA and the Google<a href=" rel="nofollow noopener noreferrer" target="_blank"> Privacy Policy</a> and<a href=" rel="nofollow noopener noreferrer" target="_blank"> Terms of Service</a> apply.</p></span></div></form></div></div></div></div></div><div class="ntent-bottom-anchor"></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-footer" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-footer"></div><div class="journey-un"></div></div><div data-attr-viewport-monor="" class="recirc-list-wrapper viewport-monor-anchor"><div data-ttid="RowWrapper" class="RowWrapper-UmqTg HEhan ContentFooterRelated-kEBiFe kVUuwq"><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0 SummaryCollectnGridComponent-ktyEog bdTTVU summary-llectn-grid RecircListDefltOverlaySummaryCollectnGrid-AHJhY bEaXiL recirc-list__ems summary-llectn-grid--four-lumns summary-llectn-grid--DenseDktopStack"><div class="GridItem-buujkM kHPPIF grid--em"><div class="SummaryCollectnGridContent-eVUpRm jTGbEO"><div class="SectnTleRoot-dBGvdq kjAxEG SummaryCollectnGridSectnTle-fCmYwG izjbVn" data-ttid="SectnTle"><hear class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SectnTleHed-dKqZet dxqEAa dqtvfu jttyjJ">Read More</hear></div><div class="SummaryCollectnGridItems-DZShR eOCboB hi-read-more-ad" data-ttid="SummaryCollectnGridItems"><div class="SummaryItemWrapper-iwvBff hlYhBH summary-em summary-em--article summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm fvDIAb" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href="/magaze/2015/09/14/omissn" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-1" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Omissn" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">The Wrg Life</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-1" data-recirc-pattern="summary-em" href="/magaze/2015/09/14/omissn" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">Omissn</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href="/magaze/2015/09/14/omissn" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-1" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Omissn" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">Choosg what to leave out.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>John McPhee</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hlYhBH summary-em summary-em--article summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm fvDIAb" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href="/magaze/1950/05/13/how-do-you-like--now-gentlemen" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="How Do You Like It Now, Gentlemen?" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Profil</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-2" data-recirc-pattern="summary-em" href="/magaze/1950/05/13/how-do-you-like--now-gentlemen" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">How Do You Like It Now, Gentlemen?</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href="/magaze/1950/05/13/how-do-you-like--now-gentlemen" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="How Do You Like It Now, Gentlemen?" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">The moods of Ernt Hemgway.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Lillian Ross</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hlYhBH summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm fvDIAb" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Briefly Noted" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Books</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">Briefly Noted</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Briefly Noted" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">“The Heaven & Earth Grocery Store,” “My Hband,” “The Philosopher of Palo Alto,” and “The Great Whe Bard.”</div></div></div><div class="SummaryItemWrapper-iwvBff hlYhBH summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm fvDIAb" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" 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siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Vivek Ramaswamy Is Not the Next Tmp" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">Many the prs have clared the entreprenr and polil novice “Tmp’s heir.” The parison sells the former Print short.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ 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