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iRsSlw"><a class="RubricLk-gRWSOU fgWnkQ bric__lk" href="/culture/annals-of-gastronomy"><span class="RubricName-fVtemz cLxcNi">Annals of Gastronomy</span></a></div></div></div><h1 data-ttid="ContentHearHed" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearHed-NCyCC iUEiRd NbxED hpJvIc">The Ethics of a Deepfake Anthony Bourda Voice</h1></div><div class="ContentHearAccredatn-lfctVB enhwXT ntent-hear__accredatn" data-ttid="ContentHearAccredatn"><div class="ContentHearDek-bIqFFZ Mtme">The new documentary “Roadnner” A.I.-generated d whout disclosg to viewers. How should we feel about that?</div><div class="ContentHearByle-kmPyCa gvUmxJ"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset ContentHearContributorImage-cvjZXn jKACOU"><picture class="RponsiveImagePicture-cWuUZO dUOtEa ContentHearContributorImage-cvjZXn jKACOU rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w" siz="66px"/><source media="(m-width: 768px)" srcSet=" 120w, 240w" siz="66px"/><img alt="" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></span><div class="ContentHearByleContent-dpPmNn DRFq"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl ContentHearByl-cZqgyJ bqbBYQ"><p class="ByleWrapper-jWHrLH ivtvgj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span><a class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM ByleLk-gEnFiw iUEiRd ggMZaT cXqSTL eErqIx byle__name-lk button" href="/ntributors/helen-rosner">Helen Rosner</a></span></span></p></div><time data-ttid="ContentHearPublishDate" dateTime="2021-07-17T17:54:33-04:00" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearPublishDate-eIBicG iUEiRd kYZrFA kEBrdf">July 17, 2021</time></div></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ContentHearLeadAsset-hGbumP iWPCcH lead-asset ContentHearLeadAssetWrapper-hfXHEc fTrSlG lead-asset--width-smallle" data-ttid="ContentHearLeadAsset"><figure class="ContentHearLeadAssetContent-kOfYSG dRGWbI"><div class="ContentHearLeadAssetContentMedia-bLEIpi jjhWdS lead-asset__ntent__photo"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset ContentHearRponsiveAsset-bREgIb khLUzS"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz ehBsNT"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO KhjZz ContentHearRponsiveAsset-bREgIb khLUzS rponsive-image rponsive-image--expandable"><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w, 960w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w, 1920w, 2240w" siz="100vw"/><img alt="Anthony Bourda pos for a photo on a balny Lisbon." class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></div></div></span><div class="CaptnWrapper-jSZdqE iTuhkZ ptn ContentHearLeadAssetCaptn-hPWmSN kuCzGS"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo iXWezO ptn__text">The artificial voice may trouble people large part bee of the close nnectn they feel wh Bourda, shown here 2011.</span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd iicloT jbIJNS ptn__cred">Photograph by Jose Sena Goulao / EPA-EFE / Shutterstock</span></div></div></figure><div 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data-ttid="ArticlePageChunks" class="ArticlePageChunks-fLyCVG Uozmo"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bDyAMU body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="has-dropp has-dropp__lead-standard-headg">The documentary “Roadnner: A Film About Anthony Bourda,” which opened theatr on Friday, is an angry, elegant, often overwhelmgly emotnal chronicle of the late televisn star’s life and his impact on the people close to him. Directed by Man Neville, the film portrays <a href=">Bourda</a> as tense, self-loathg, relentlsly driven, preternaturally charismatic, and— his life and his ath, by suici, 2018—a man who both focsed and disturbed the liv of those around him. To craft the film’s narrative, Neville drew on tens of thoands of hours of vio footage and d archiv—and, for three particular l heard the film, Neville missned a software pany to make an A.I.-generated versn of Bourda’s voice. <a href=">News of the synthetic d</a>, which Neville discsed this past week terviews wh me and wh Brett Mart, at <em>GQ</em>, provoked a strikg gree of anger and unease among Bourda’s fans. “<a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Well, this is ghoulish</a>”; “<a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">This is awful</a>”; “<a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">WTF?!</a>” people said on Twter, where the fake Bourda voice beme a trendg topic. The cric Sean Burns, who had <a href=">reviewed the documentary negatively</a>, tweeted, “I feel like this tells you all you need to know about the ethics of the people behd this project.”</p><p class="paywall">When I first spoke wh Neville, I was surprised to learn about his e of synthetic d and equally taken aback that he’d chosen not to disclose s prence his film. He admted to g the technology for a specific voice-over that I’d asked about— which Bourda improbably reads aloud a spairg e-mail that he sent to a iend, the artist David Choe—but did not reveal the documentary’s other two stanc of technologil wizardry. Creatg a synthetic Bourda voice-over seemed to me far ls crass than, say, a <a href=">C.G.I. Fred Astaire</a> put to work sellg vacuum cleaners a Dirt Devil mercial, or a <a href=">holographic Tupac Shakur</a> performg alongsi Snoop Dogg at Coachella, and far more trivial than the tentnal blendg of fictn and nonfictn , for stance, Errol Morris’s “Th Blue Le.” Neville ed the A.I.-generated d only to narrate text that Bourda himself had wrten. Bourda posed the words; he jt—to the bt of our knowledge—never uttered them aloud. Some of Neville’s crics ntend that Bourda should have the right to ntrol the way his wrten words are livered. But don’t a person relquish that ntrol anytime his wrg go out to the world? The act of readg—whether an e-mail or a novel, our heads or out loud—always volv some gree of terpretatn. I was more troubled by the fact that Neville said he hadn’t terviewed Bourda’s former girliend Asia Argento, who is portrayed the film as the agent of his unravellg.</p><p class="paywall">Bis, documentary film, like nonfictn wrg, is a broad and loose tegory, enpassg everythg om uneded, unmanipulated véré to highly nstcted and renstcted narrativ. Wsor McCay’s short “The Skg of the Lania,” a propaganda film, om 1918, that’s nsired an early example of the animated-documentary form, was ma entirely om reënacted and re-created footage. Ari Folman’s Osr-nomated “Waltz wh Bashir,” om 2008, is a cematic memoir of war told through animatn, wh an unreliable narrator, and wh the cln of characters who are entirely fictnal. Véré is “merely a superficial tth, the tth of acuntants,” <a href=">Werner Herzog</a> wrote his famo manifto “Mnota Declaratn.” “There are eper strata of tth cema, and there is such a thg as poetic, ecstatic tth. It is myster and elive, and n be reached only through fabritn and imagatn and stylizatn.” At the same time, “epfak” and other puter-generated synthetic media have certa troublg nnotatns—polil machatns, fake news, li wearg the HD-renred face of tth—and is natural for viewers, and filmmakers, to qutn the boundari of s rponsible e. Neville’s offhand ment, his terview wh me, that “we n have a documentary-ethics panel about later,” did not help assure people that he took the matters serly.</p><p class="paywall">On Friday, to help me unknot the tangle of ethil and emotnal qutns raised by the three bs of “Roadnner” d (totallg a mere forty-five sends), I spoke to two people who would be well-qualified for Neville’s hypothetil ethics panel. The first, Sam Gregory, is a former filmmaker and the program director of Wns, a human-rights nonprof that focs on ethil applitns of vio and technology. “In some sens, this is que a mor e of a synthetic-media technology,” he told me. “It’s a few l a genre where you do sometim nstct thgs, where there aren’t fixed norms about what’s acceptable.” But, he explaed, Neville’s re-creatn, and the way he ed , raise fundamental qutns about how we fe ethil e of synthetic media.</p><p class="paywall">The first has to do wh nsent, and what Gregory scribed as our “queass” around manipulatg the image or voice of a ceased person. In Neville’s terview wh <em>GQ</em>, he said that he had pursued the A.I. ia wh the support of Bourda’s ner circle—“I checked, you know, wh his widow and his lerary executor, jt to make sure people were ol wh that,” he said. But early on Friday morng, as the news of his e of A.I. richeted, his ex-wife Ottavia Bia tweeted, “I certaly was NOT the one who said Tony would have been ol wh that.” On Saturday afternoon, Neville wrote to me that the A.I. ia “was part of my ial pch of havg Tony narrate the film posthumoly á la Sunset Boulevard—one of Tony’s favore films and one he had even reenacted himself on Cook’s Tour,” addg, “I didn’t mean to imply that Ottavia thought Tony would’ve liked . All I know is that nobody ever exprsed any rervatns to me.” (Bia told me, an e-mail, that she relled the ia of A.I. g up an ial nversatn wh Neville and others, but that she didn’t realize that had actually been ed until the social-media flurry began. “I do believe Man thought he had everyone’s blsg to go ahead,” she wrote. “I took the cisn to remove myself om the procs early on bee was jt too paful for me.”)</p><div class="Contaer-bkChBi byNLHx"></div><p class="paywall">A send re prciple is disclosure—how the e of synthetic media is or is not ma clear to an dience. Gregory brought up the example of “Wele to Chechnya,” the film, om 2020, about unrground Chechen activists who work to ee survivors of the untry’s vlent anti-gay purg. The film’s director, David France, relied on epfake technology to protect the inti of the film’s subjects by swappg their fac for others, but he left a slight shimmer around the heads of the activists to alert his viewers to the manipulatn —what Gregory scribed as an example of “creative signallg.” “It’s not like you need to lerally label somethg—’s not like you need to wre somethg across the bottom of the screen every time you e a synthetic tool—but ’s rponsible to jt remd the dience that this is a reprentatn,” he said. “If you look at a Ken Burns documentary, don’t say ‘renstctn’ at the bottom of every photo he’s animated. But there’s norms and ntext—tryg to thk, wh the nature of the genre, how we might show manipulatn a way that’s rponsible to the dience and don’t ceive them.”</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p class="paywall">Gregory suggted that much of the disfort people are feelg about “Roadnner” might stem om the novelty of the technology. “I’m not sure that ’s even all that much about what the director did this film—’s bee ’s triggerg to thk how this will play out, terms of our norms of what’s acceptable, our expectatns of media,” he said. “It may well be that a uple of years we are fortable wh this, the same way we’re fortable wh a narrator readg a poem, or a letter om the Civil War.”</p><p class="paywall">“There are really awome creative for the tools,” my send terviewee, Karen Hao, an edor at the <em>MIT Technology Review</em> who focs on artificial telligence, told me. “But we have to be really ut of how we e them early on.” She brought up two recent ployments of epfake technology that she nsirs succsful. The first, a 2020 llaboratn between artists and A.I. pani, is an d-vio synthetic reprentatn of <a href=">Richard Nixon</a> readg his famo “In Event of Moon Disaster” speech, which he would have livered had the Apollo 11 missn failed and Neil Armstrong and Buzz Aldr perished. (“The first time I watched , I got chills,” Hao said.) The send, an episo of “The Simpsons,” om March, which the character Mrs. Krabappel, voiced by the late actrs Marcia Wallace, was rurrected by splicg together phonem om earlier rerdgs, passed her ethil lm tt bee, a fictnal show like “The Simpsons,” “you know that the person’s voice is not reprentg <em>them</em>, so there’s ls attachment to the fact that the voice might be fake,” Hao said. But, the ntext of a documentary, “you’re not expectg to sudnly be viewg fake footage, or hearg fake d.”</p><p class="paywall">A particularly unsettlg aspect of the Bourda voice clone, Hao speculated, may be s hybridizatn of realy and unrealy: “It’s not clearly faked, nor is clearly real, and the fact that <em>was</em> his actual words jt muddl that even more.” In the world of broadst media, epfake and synthetic technologi are logil succsors to ubiquo—and more discernible—analog and digal manipulatn techniqu. Already, face renrs and voice clon are an up-and-g technology scripted media, pecially high-budget productns, where they promise to provi an alternative to labor and expensive practil effects. But the potential of the technologi is unrmed “if we troduce the public to them jarrg ways,” Hao said, addg, “It uld prime the public to have a more negative perceptn of this technology than perhaps is served.” The fact that the synthetic Bourda voice was untected until Neville poted out is part of what mak so unnervg. “I’m sure people are askg themselv, How many other thgs have I heard where I thought this is fely real, bee this is somethg X person would say, and was actually fabrited?” Hao said. Still, she add, “I would urge people to give the guy”—Neville—“some slack. This is such h terrory. . . . It’s pletely new ground. I would personally be cled to five him for crossg a boundary that didn’t prevly exist.”</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><asi class="PersistentAsiWrapper-VGrR daRVRt persistent-asi" style="posn:absolute;top:to;height:to" data-ttid="PersistentAsiWrapper"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="2o53nc"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></asi></div></div><div data-ttid="RowWrapper" class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="pylgo"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bDyAMU body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="paywall">Settg asi qutns of technologil ethics, the artificial voice may trouble people large part bee of the close nnectn they feel wh Bourda—what psychologists ll a parasocial relatnship. “There’s this visceral reactn of, Hey, whoa, you potentially manipulated our unrstandg of Anthony Bourda—what he would have said, how he would have portrayed himself—whout his nsent and whout our knowg,” Hao said. Parasocial timacy n be profound and eply prec; the pth and duratn of grief over Bourda’s ath—ironilly, the same grief that Neville navigat and dissects “Roadnner”—is proof of that. The synthetic le readgs trigger our revulsn at the unnny valley of artificial telligence, which turn threatens to rro the sancty of our private relatnships wh Bourda and his memory.</p><p class="paywall">A mon rea on Twter recent days has been that Bourda would surely have hated the e of his A.I.-generated voice. He is often nsired a champn of “thenticy,” and some fans have cricized the technology as anthetil to that standard. But thenticy is a slippery ncept, pecially the world of food and travel—somethg that Bourda himself knew. “The word thentic has bee a pletely ridiculo, snobbish term,” he once told <a href="><em>Time</em></a>. We n’t know how he would have felt about the vol clone, of urse. When to matters of journalistic ethics, the opn of the subject isn’t really relevant, and maybe ’s irrponsible of to speculate. But, given Bourda’s formalist, cematic approach to his TV storytellg—not to mentn his documented love of Werner Herzog—’s not unreasonable to image that he would have subscribed to Herzog’s notn of ecstatic tth. He almost certaly would have relished the passnate dialogue about cematic ethics that “Roadnner” has kicked off. “Our procs is much more manipulative than the fly-on-the-wall approach,” Bourda said, of his CNN travel show, “Parts Unknown,” an <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">terview om 2013</a>. “We try to get the dience to a particular place. Our shows are very subjective, wh no attempt of beg fair. . . . If I feel opprsed or a particular mood, I want the dience to feel that way, too, by all means possible.”</p><le-embed name="" attrs="[object Object]" childTyp="" ntentType="llout:"><hr class="paywall"/><h2 class="paywall">New Yorker Favor</h2><ul class="paywall"><li><a href=">Anthony Bourda</a> spills secrets om the kchen.</li><li>Why are some of <a href=">terrible at regnizg fac</a>?</li><li>The fay that <a href=">built an empire of pa</a>.</li><li>How Joan Rivers <a href=">got that way</a>.</li><li>Was Jeanne Calment the olst person who ever lived—<a href=">or a d</a>?</li><li>The Brney Spears <a href=">nservatorship nightmare</a>.</li><li>Sign up for our daily <a href=">newsletter</a> to receive the bt stori om <em>The New Yorker</em>.</li></ul></le-embed></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="nf1dm"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 PaywallInleBarrierWhWrapperGrid-fyrGfS kLQIUk grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__le-barrier article__body"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"><asi class="PaywallInleBarrierWrapper-iBnuqk lfXXa-D" data-ttid="PaywallInleBarrierWrapper"><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--paywall-le-barrier" role="prentatn" aria-live="pole" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--paywall-le-barrier"></div><div class="journey-un"></div></div></asi></div></div></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ContentWrapperGrid-fvkmBv brYtrA grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__ntaer"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"></div></div></div></div></div></div></article><div class="ContentFooterWrapper-jVNdRG dTJkpP ArticlePageContentFooterGrid-ccsXYy eMZRHU article-body__footer"><div data-ttid="RowWrapper" class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"></div></div></div><div data-ttid="RowWrapper" class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="ContributorsWrapper-eNpWFu GWFsc ntributors" data-ttid="Contributors"><div class="ContributorBWrapper-bnVHbt gMon"><div class="ContributorBAvatar-bIGTqf eMWbvj"><a href="/ntributors/helen-rosner"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO dUOtEa rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w" siz="100vw"/><img alt="" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></span></a></div><div class="ContributorBContent-ubQdr jZTSSi"><div class="ContributorBHear-ledood XOIEx"></div><div class="ContributorBB-fBolsO giFhKz"><a href="/ntributors/helen-rosner">Helen Rosner</a> is a staff wrer at The New Yorker. In 2016, she won the Jam Beard award for personal-say wrg.</div><div class="ContributorBFooter-brqDlv ezUmSv"></div></div></div></div></div></div></div><div data-ttid="RowWrapper" class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div data-ttid="TagCloudWrapper" class="TagCloudWrapper-gGgndx ctyZyK ContentFooterTagCloud-krQmRG ZLGh"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudSectnHear-cOforY iUEiRd bPyAoD kQQRmu">More:</span><a href="/tag/anthony-bourda" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Anthony Bourda</span></a><a href="/tag/documentary" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Documentary</span></a><a href="/tag/ai" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">A.I.</span></a><a href="/tag/voice" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Voice</span></a><a href="/tag/filmmakg" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Filmmakg</span></a></div></div></div></div><div data-ttid="ContentFooterBottom" class="ContentFooterBottom-jwWZfC kcbyiW"><div class="ContentFooterNewsletterContentWrapper-bmjtna kixtae"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div data-ttid="NewsletterSubscribeFormWrapper" class="NewsletterSubscribeFormWrapper-fCqqkN jKSBhE newsletter-subscribe-form ContentFooterNewsletterForm-hKeYwa liPqcf"><div data-ttid="NewsletterSubscribeFormHedDekWrapper" class="NewsletterSubscribeFormHedDekWrapper-fpMElW eglIBL"><h3 class="NewsletterSubscribeFormDangeroHed-kRwWjt jjsHHz newsletter-subscribe-form__hed ContentFooterNewsletterForm-hKeYwa liPqcf">The Food Scene</h3><div class="NewsletterSubscribeFormDek-kXonvc lhYeOn newsletter-subscribe-form__k">Helen Rosner on what, where, and how to eat.</div></div><div data-ttid="NewsletterSubscribeFormInputsWrapper" class="NewsletterSubscribeFormInputsWrapper-keARJE hVWbzr"><form class="form-wh-validatn NewsletterSubscribeFormValidatn-iCYa-Dt dweEln" id="newsletter" name="newsletter" novalidate="" method="POST"><span class="TextFieldWrapper-Pzdqp hNhevp text-field" data-ttid="TextFieldWrapper__email"><label class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TextFieldLabel-klrYvg iUEiRd stdEm fvoOvz text-field__label text-field__label--sgle-le" for="newsletter-text-field-email" data-ttid="TextFieldLabel__email"><div class="TextFieldLabelText-cvvxBl eeDYTb">E-mail addrs</div><div class="TextFieldInputContaer-jcMPhb oFrOs"><put type="email" aria-scribedby="privacy-text" aria-valid="false" id="newsletter-text-field-email" required="" name="email" placeholr="E-mail addrs" class="BaseInput-fAzTdK TextFieldControlInput-eFUxkf eGzzTT laFPCK text-field__ntrol text-field__ntrol--put" data-ttid="TextFieldInput__email"/></div></label><button class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv dwpimO button button--utily TextFieldButton-csBrgY edxbrw" data-event-click="{"element":"Button"}" data-ttid="Button" type="subm"><span class="ButtonLabel-cjAuJN hzwRuG button__label">Sign up</span></button></span><div id="privacy-text" tabx="-1" class="NewsletterSubscribeFormDisclaimer-bTVtiV lnYvsZ"><span><p>By signg up, you agree to our <a href=" rel="nofollow noopener noreferrer" target="_blank">User Agreement</a> and <a href=" rel="nofollow noopener noreferrer" target="_blank">Privacy Policy & Cookie Statement</a>. 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fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">A Reporter at Large</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-1" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">Iphigenia Fort Hills</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-1" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Iphigenia Fort Hills" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">Anatomy of a murr trial.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Ja Mallm</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hlYhBH summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm fvDIAb" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Transn" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Annals of History</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-2" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">The Transn</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Transn" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">Lyndon Johnson and the events Dallas.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Robert A. Caro</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hlYhBH summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm fvDIAb" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Blood Ti" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Annals of Crime</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">Blood Ti</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Blood Ti" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">Two brilliant llege lovers were nvicted of a btal slayg. All the years later, why has the se bee a e?</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Nathan Heller</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hlYhBH summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm fvDIAb" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Chameleon" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Annals of Crime</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-4" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">The Chameleon</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Chameleon" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">The many liv of Frédéric Bourd.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" 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anthony bourdain is gay

Sure, he was many thgs, but was Anthony Bourda gay? This is jt one of the qutns people have curly quired about the veteran chef.

Contents:

WAS ANTHONY BOURDA GAY AND WHO WERE HIS FAY MEMBERS?

* anthony bourdain is gay *

In Anthony Bourda’s breakout 2000 book Kchen Confintial, he scribed the homophobic, misogynist culture the kchens of many of the bt rtrants. He was many thgs, but was Anthony Bourda gay? Was Anthony Bourda Gay?

IS ANTHONY BOURDA GAY?

He once tweeted "God lled. He said you suck" to an anti-gay ffee shop. * anthony bourdain is gay *

He was nstantly llg out homophob and bashg anti-gang tablishments for their stupid and offensive views. So, was Anthony Bourda gay? The chef was straight, but he advoted for gay rights and LGBTQ equaly throughout his lifetime.

See Also: Is Marc Anthony Gay and Do He Have a Spoe, Kids or Girliend? When a Colorado bakery refed to make a weddg ke for a gay uple, spe state law preventg bs om discrimatg on the basis of sexual orientatn, Bourda took the si of the two gay men and the wir LGBT muny when he signed a brief argug that k were not protected by the first amendment – and that bakers did not have a nstutnal right to discrimate agast same-sex ctomers.

Bourda was also exriatg his disda for other anti-gay pani, too. When asked about boyttg Chick-fil-A, whose chairman ma a seri of anti-gay ments and donated money to anti-LGBT , Bourda nced that they had a right to say and believe what they wanted. Even before that, he was llg out homophob.

LOOKG BACK ON ANTHONY BOURDA AND ASIA ARGENTO’S ROLLER-COASTER ROMANCEA EP DIVE TO THE RELATNSHIP SO PLITED THAT ROADNNER FILMMAKER MAN NEVILLE EMED “NARRATIVE QUICKSAND.”BY JULIE MILLERJULY 16, 2021PHOTO ILLTRATN BY QUTON MCMILLAN. IMAGE BY GETTY.SAVE THIS STORYSAVESAVE THIS STORYSAVEWHEN MAN NEVILLE WAS MAKG ROADNNER, HIS DOCUMENTARY ABOUT ANTHONY BOURDA, THE OSR-WNG FILMMAKER SPOKE TO MANY BOURDA’S NER CIRCLE ABOUT THE TV PERSONALY’S FAL MONTHS—SPECIFILLY ABOUT BOURDA’S ROMANTIC RELATNSHIP WH THE ITALIAN ACTOR ASIA ARGENTO.MICHAEL STEED, A PARTS UNKNOWN DIRECTOR, RELLED HOW BOURDA MET ARGENTO 2016 WHILE FILMG A SEASON-EIGHT EPISO SET HER HOME TOWN OF ROME. AT THE TIME, BOURDA WAS REBOUNDG OM HIS SEND DIVORCE, AND SEEMED TO IMMEDIATELY FALL FOR ARGENTO, WHO WAS ABOUT 20 YEARS HIS JUNR.“WHEN TONY MET ASIA, HE WAS LIKE, ‘SHE’S THE BT. MY GOD, SHE’S SO GREAT.’ YOU KNOW, LIKE HIGH SCHOOL WHEN YOU GET LAID FOR THE FIRST TIME,” STEED SAYS THE DOCUMENTARY. THE RELATNSHIP QUICKLY LATED, WH THE CHEF TURNED TV PERSONALY GHG ABOUT ARGENTO TERVIEWS AND ON INSTAGRAM, PUBLICLY CHAMPNG HER AS SHE EMERGED AS A #METOO LEAR, PRIVATELY PAYG OFF ARGENTO’S OWN ACCER, AND EVEN PHG FOR HIS GIRLIEND TO DIRECT AN EPISO OF PARTS UNKNOWN WHEN ANOTHER DIRECTOR FELL ILL. ANOTHER PARTS UNKNOWN WORKER THEORIZ THAT BOURDA, A REVERG HERO ADDICT, “TURN[ED] A LIFELONG ADDICTIVE PERSONALY TO ANOTHER PERSON, AND THAT WAS EXTREMELY DANGERO.”THOUGH THE FAL ACT OF ROADNNER FEATUR VAR IENDS AND FAY MEMBERS SPEAKG ABOUT ARGENTO’S HOLD OVER BOURDA, AND THE TABLOID PHOTOS THAT SOME SUGGT MAY HAVE TALYZED HIS SUICI, NEVILLE SAID THAT HE ACTUALLY PARED DOWN VERAGE OF THE ROMANCE.“THE ASIA STORY IS SANELY PLITED,” SAID NEVILLE, WHO DID NOT TERVIEW ARGENTO FOR HIS DOCUMENTARY. “AND IF YOU GO AND READ ALL THE NEWS STORI, AND KD OF GO TO , EVERY QUTN YOU BRG UP…BRGS UP 10 MORE QUTNS.… WHAT I CLUD WAS A ACTN OF WHAT WAS THERE. SO IF PEOPLE THK THERE’S A LOT, LET ME TELL YOU, THERE IS VERY LTLE PARED TO WHAT’S THERE.… AND I THK I WAS VERY FAIR WH HAVG SEEN ALL THE FACTS. I’M VERY FORTABLE WH WHAT I DID.”AHEAD, AN EFFORT TO UNRSTAND THE PLITED NATURE OF THE RELATNSHIP THAT ROADNNER OUTL, WE LOOK BACK AT BOURDA AND ARGENTO’S ILL-FATED ROMANCE.“LIKE A TEENAGE BOY”IT DIDN’T TAKE LONG FOR BOURDA TO VELOP FEELGS FOR ARGENTO. AFTER FILMG THE ROME EPISO OF PARTS UNKNOWN, BOURDA GHED TO CNN:THE EPISO WOULD NOT HAVE BEEN POSSIBLE—OR BE ANYTHG LIKE IS WHOUT THE TLY MAGNIFICENT ASIA ARGENTO.… SHE TOLD ABOUT “STORNARO,” THE BAWDY, PROFANE ROMAN FOLK SONGS WE FEATURE AT VAR TIM DURG THE EPISO. SHE TRODUCED TO THE BATSH CRAZY BOXG CLUB WHERE WE ATE PASTA RGSI AS GLADIATORS POUND ONE ANOTHER AND THE CROWD HOOTED AND ROARED. SHE ALLOWED TO SHOOT AT HER FAVORE LTLE RTRANTS, WHERE SHE TAK HER KIDS ON THE WEEKENDS FOR HOMEMA FETTUCCE AND POLPETTI.… SHE ARRANGED FOR HER SISTER FRE TO OK FOR ME AT HER HOME—WH HER LIGHTFUL CHILDREN, DGHTER ANA AND SON NILA (WHO PRETTY MUCH STEALS THE SHOW AS HE STGGL WH HIS TRIPE).… BUT MOST IMPORTANTLY, SHE WAS HERSELF. ALWAYS HONT, PLETELY UNSPARG. IF YOU ASK ASIA A QUTN, YOU ARE GOG TO GET AN ANSWER—AND SHE DON’T RE IF REFLECTS BADLY ON YOU—OR ON HERSELF.… ASIA HAS NEVER GIVEN A FUCK. HER ADMISSN THAT SHE NEVER VOT IS BOTH TERRIBLE AND TE—AND ABOUT AS CLOSE TO HOME AS GETS. THE LAST WORD, APPROPRIATELY, IS HERS.MOST POPULARVANY FAIR’S “IT’S RAG TEENS” COVER AT 20: WHERE ARE THEY NOW?BY SAVANNAH WALSHZENDAYA PAYS TRIBUTE TO “BROTHER” ANG CLOUD: “I’LL CHERISH EVERY MOMENT”BY SAVANNAH WALSHSOUND OF FREEDOM: THE WILD TE STORY BEHD 2023’S MOST CONTROVERSIAL FILMBY EVE BATEYIN FEBARY 2017, PAGE SIX REPORTED THAT THE TWO HAD “FALLEN LOVE.” BOURDA POSTED PHOTOS OF HER ON INSTAGRAM ALONGSI PTNS LIKE, “JT A PERFECT DAY…YOU MA ME FET MYSELF.”INSTAGRAM NTENTTHIS NTENT N ALSO BE VIEWED ON THE SE ORIGAT OM.BOURDA TOLD PEOPLE HE WAS “HAPPIER FOR SURE” WH ARGENTO HIS LIFE. “IT’S NICE TO BE WH SOMEBODY WHO I SEE AS A PEER.” DURG A FAL TERVIEW WH THE MAGAZE, HE SAID HE WAS “HAPPY WAYS THAT I HAVE NOT BEEN MEMORY” AND “HAPPY WAYS I DIDN’T THK I EVER WOULD BE, FOR SURE.” HE ATTRIBUTED THOSE FEELGS TO “SOMEBODY REALLY STRONG”—SEEMGLY A REFERENCE TO ARGENTO.THOUGH BOURDA DID NOT WANT TO MARRY AGA, HE SAID THAT HE’D BE OPEN TO MOVG WH HER.“LOOK, I LIKE BEG AROUND HER AS MUCH AS POSSIBLE,” BOURDA TOLD PEOPLE. “SHE’S LIKE ME, A LOT OF WAYS. WE’VE BOTH BEEN MARRIED…. SO THAT’S NOT SOMETHG THAT’S EVER, EVER GOG TO HAPPEN. THAT’S THE ATH OF EVERYTHG. I THK WE BOTH RPECT EACH OTHER’S WORK. NOBODY’S EVER GOG TO SAY, ‘OH, BUT YOU PROMISED WE WERE GOG TO GO TO THE BEACH.’ NO, YOU KNOW, YOU GET A GIG, THAT’S . THAT’S . NOTHG ELSE MATTERS. WORK FIRST.”SHORTLY AFTER BOURDA’S SUICI, A IEND TOLD THE MAGAZE, “LIKE A TEENAGE BOY, [HE WAS] JT ABSOLUTELY LOVTCK. HE WOULD HAVE DONE ANYTHG FOR HER, AND THAT WAS A LTLE RED FLAG FOR SOME OF HIS IENDS.”ARGENTO SHARED HER FEELGS ABOUT BOURDA AS WELL, BUT NOT AS PROLIFILLY. IN FEBARY 2020, SHE POSTED AN INSTAGRAM OF BOURDA HOLDG WHAT LOOKS TO BE A FAKE HEART ALONGSI THE PTN, “MY BLOODY VALENTE.”INSTAGRAM NTENTTHIS NTENT N ALSO BE VIEWED ON THE SE ORIGAT OM.MOST POPULARVANY FAIR’S “IT’S RAG TEENS” COVER AT 20: WHERE ARE THEY NOW?BY SAVANNAH WALSHZENDAYA PAYS TRIBUTE TO “BROTHER” ANG CLOUD: “I’LL CHERISH EVERY MOMENT”BY SAVANNAH WALSHSOUND OF FREEDOM: THE WILD TE STORY BEHD 2023’S MOST CONTROVERSIAL FILMBY EVE BATEYAN EXTRAORDARY WOMANBOURDA’S RELATNSHIP WH ARGENTO ATTRACTED MORE MEDIA ATTENTN OCTOBER 2017, AFTER RONAN FARROW PUBLISHED A BOMBSHELL NEW YORKER EXPOSé ABOUT HARVEY WESTE. IN THE FEATURE, ARGENTO SPOKE ON THE RERD ABOUT HER OWN WESTE RAPE ALLEGATN, ADDG, “I KNOW HE HAS CSHED A LOT OF PEOPLE BEFORE. THAT’S WHY THIS STORY— MY SE, ’S TWENTY YEARS OLD, SOME OF THEM ARE OLR—HAS NEVER E OUT.” (WESTE HAS NIED ALL ALLEGATNS OF NONNSENSUAL SEX.)BOURDA RPOND BY POSTG A PHOTO OF ARGENTO GIVG A MERA THE MIDDLE FGER. “PROUD AS HELL,” HE WROTE.INSTAGRAM NTENTTHIS NTENT N ALSO BE VIEWED ON THE SE ORIGAT OM.THE TV PERSONALY SPOKE ABOUT ARGENTO AND HER STRENGTH DURG MULTIPLE TV TERVIEWS, CLUDG APPEARANC ON LATE NIGHT WH SETH MEYERS AND THE DAILY SHOW WH TREVOR NOAH. ON THE LATTER, BOURDA EXPLAED HOW ARGENTO SPIRED HIM TO BEE A #METOO SPOKPERSON.“I STARTED SPEAKG ABOUT OUT OF A SENSE OF REAL RAGE,” HE EXPLAED. “I’D LIKE TO SAY THAT I WAS ONLY ENLIGHTENED SOME WAY OR I’M AN ACTIVIST OR VIRTUO, BUT FACT, I HAVE TO BE HONT WH MYSELF. I MET ONE EXTRAORDARY WOMAN WH AN EXTRAORDARY AND PAFUL STORY, WHO TRODUCED ME TO A LOT OF OTHER WOMEN WH EXTRAORDARY STORI. AND SUDNLY WAS PERSONAL.”IN DECEMBER 2017, HE EVEN WROTE AN SAY FOR MEDIUM, TAKG RPONSIBILY FOR HIS OWN ACTNS OR ACTN OVER THE YEARS.“TO THE EXTENT WHICH MY WORK KCHEN CONFINTIAL CELEBRATED OR PROLONGED A CULTURE THAT ALLOWED THE KD OF GROTQUE BEHAVRS WE’RE HEARG ABOUT ALL TOO EQUENTLY IS SOMETHG I THK ABOUT DAILY, WH REAL REMORSE.”THE FOLLOWG YEAR, ARGENTO LIVERED A POWERFUL SPEECH AT THE CANN FILM FTIVAL ABOUT THE ALLEGED TOXIC BEHAVR PERMTED AT THE EVENT OVER THE YEARS.MOST POPULARVANY FAIR’S “IT’S RAG TEENS” COVER AT 20: WHERE ARE THEY NOW?BY SAVANNAH WALSHZENDAYA PAYS TRIBUTE TO “BROTHER” ANG CLOUD: “I’LL CHERISH EVERY MOMENT”BY SAVANNAH WALSHSOUND OF FREEDOM: THE WILD TE STORY BEHD 2023’S MOST CONTROVERSIAL FILMBY EVE BATEY“IN 1997, I WAS RAPED BY HARVEY WESTE HERE AT CANN. I WAS 21 YEARS OLD,” ARGENTO SAID ONSTAGE DURG THE CLOSG CEREMONY. “THIS FTIVAL WAS HIS HUNTG GROUND.”AFTERWARD, BOURDA TOLD INDIEWIRE, “FROM THE SEND SHE SAID SHE’D BEEN VED TO PRENT AN AWARD, I KNEW WOULD BE A NUCLEAR BOMB. I WAS SO PROUD OF HER. IT WAS ABSOLUTELY FEARLS TO WALK RIGHT TO THE LN’S N AND SAY WHAT SHE SAID, THE WAY SHE SAID . IT WAS AN CREDIBLY POWERFUL MOMENT, I THOUGHT. I AM HONORED TO KNOW SOMEONE WHO HAS THE STRENGTH AND FEARLSNS TO DO SOMETHG LIKE THAT.”IN ROADNNER, A LLEAGUE OF BOURDA’S SAYS, “HIS LOVE FOR HER WAS PLETELY PURE AND SAFE AND HELPFUL AND SUPPORTIVE. WHICH IS SENTIALLY WHAT HE WAS LOOKG FOR OM HER. AND I THK THAT TONY THOUGHT THAT THE WAY TO EARN HER TST WAS TO GO WH HIS WHOLE HEART.”BOURDA NTUED TO SPEAK PUBLICLY—TAKG RPONSIBILY FOR TOXIC MASCULY AND SPEAKG ANKLY ABOUT ALLEGATNS AGAST HIS IENDS. HE ALSO TOOK CELEBRI TO TASK ON TWTER FOR REMAG SILENT ABOUT WESTE, CLUDG DONNA KARAN AND MATT DAMON, AND, AN TERVIEW, SCRIBED HIS ATH FANTASY FOR WESTE.TWTER NTENTTHIS NTENT N ALSO BE VIEWED ON THE SE ORIGAT OM.TWTER NTENTTHIS NTENT N ALSO BE VIEWED ON THE SE ORIGAT OM.MOST POPULARVANY FAIR’S “IT’S RAG TEENS” COVER AT 20: WHERE ARE THEY NOW?BY SAVANNAH WALSHZENDAYA PAYS TRIBUTE TO “BROTHER” ANG CLOUD: “I’LL CHERISH EVERY MOMENT”BY SAVANNAH WALSHSOUND OF FREEDOM: THE WILD TE STORY BEHD 2023’S MOST CONTROVERSIAL FILMBY EVE BATEYIN ROADNNER, BOURDA’S SEND WIFE, OTTAVIA BIA, REVEALS THAT SHE IALLY THOUGHT BOURDA’S PUBLIC CSA “WAS VERY NOBLE, BUT TURNED TO THE POT THAT HE BEME OBSSED WH .”MERGG WORK WH PERSONAL LIFEIN ROADNNER, SEVERAL PARTS UNKNOWN CREW MEMBERS POT TO THE FILMG OF THE SHOW’S 2018 HONG KONG EPISO AS A BREAKG POT. UNEXPECTEDLY, THE SHOW’S LONGTIME DIRECTOR FELL ILL—AND BOURDA PHED FOR ARGENTO TO TAKE OVER DIRECTG DUTI. IN THE DOCUMENTARY, BEHD-THE-SCEN FOOTAGE OM THE EPISO SHOWS BOURDA SEEMGLY THRILLED AS ARGENTO TAK FILMG TO A NEW DIRECTN—TREATG THE EPISO AS IF IS A SCRIPTED PROJECT AND LLG CUT ON AN EMOTNAL NVERSATN BOURDA IS HAVG WH ASYLUM SEEKERS. THE PARTS UNKNOWN CREW, MEANWHILE, WAS STUNNED THAT BOURDA WOULD SO QUICKLY TURN ON THE METHOD AND RHYTHM THE TEAM HAD PERFECTED.BOURDA ALSO FIRED HIS LONGTIME CEMATOGRAPHER ZACH ZAMBONI AFTER THE EMMY-WNG PARTS UNKNOWN TEAM MEMBER DISAGREED WH ARGENTO. AS PARTS UNKNOWN PRODUCER HELEN CHO TOLD NEVILLE, “WHEN TONY FIRED ZACH, WAS A HUGE RED FLAG. BEE IF HE’S GOG TO DO THAT TO SOMEONE LIKE HIM, ANYONE THE NER CIRCLE IS SENTIALLY DISPOSABLE.”DEEPENG THE WOUNDS WH HIS PARTS UNKNOWN TEAM, BOURDA POSTED A PHOTO OF HIMSELF WH ARGENTO AND ZAMBONI’S REPLACEMENT, CEMATOGRAPHER CHRISTOPHER DOYLE, ON INSTAGRAM. IN THE PTN, HE REFERRED TO THE GROUP AS “THE DREAM TEAM.”INSTAGRAM NTENTTHIS NTENT N ALSO BE VIEWED ON THE SE ORIGAT OM.BY THAT POT, BOURDA HAD MA 11 SEASONS OF PARTS UNKNOWN WH A TIGHT-KN CREW. BUT HE RHAPSODIZED THE MAKG OF THE HONG KONG EPISO AS “THE MOST TENSELY SATISFYG EXPERIENCE OF MY PROFSNAL LIFE AND A SHOW THAT I AM GIDDILY, ECSTATILLY PROUD OF” AN SAY FOR THE HOLLYWOOD REPORTER THAT WAS PUBLISHED DAYS BEFORE HIS SUICI. “I PLAN TO GET A DU KEFENG TATTOO, THE ORIGAL MANDAR, AS SOON AS POSSIBLE,” BOURDA SAID, REFERRG TO THE MANDAR NAME FOR DOYLE. “AS YOU MIGHT HAVE GUSED, I ALREADY HAVE AN ASIA ARGENTO TATTOO.”MOST POPULARVANY FAIR’S “IT’S RAG TEENS” COVER AT 20: WHERE ARE THEY NOW?BY SAVANNAH WALSHZENDAYA PAYS TRIBUTE TO “BROTHER” ANG CLOUD: “I’LL CHERISH EVERY MOMENT”BY SAVANNAH WALSHSOUND OF FREEDOM: THE WILD TE STORY BEHD 2023’S MOST CONTROVERSIAL FILMBY EVE BATEYTHE FAL ACTIN JUNE 2018, BOURDA WAS FILMG AN EPISO OF PARTS UNKNOWN STRASBOURG, FRANCE WHEN A TABLOID PRTED PHOTOS SUGGTG THAT ARGENTO WAS CHEATG ON HIM WH A FRENCH REPORTER. TWO SETS OF PHOTOS CIRCULATED—ONE SHOWG ARGENTO DANCG A ROMAN RTRANT WH THE JOURNALIST. (AFTER BOURDA’S SUICI, THE PAPARAZZO WHO TOOK THE PHOTOS, RO BARILLARI, SAID HE REGRETTED TAKG THE PICTUR AND SELLG THEM TO THE ITALIAN MAGAZE CHI. “A PICTURE IS NOT WORTH A LIFE,” BARILLARI SAID 2018. “IF THAT SHOT TRIGGERED SUICI…THIS WOULD MAKE ME SUFFER.”)ANOTHER SET OF PHOTOS, TAKEN BY AGOSTO FAB, SHOW ARGENTO AND THE REPORTER HOLDG HANDS AND HUGGG ON THE STREETS OF ROME. PER PAGE SIX, FAB TOOK THE PHOTOS OFF THE MARKET SHORTLY AFTER BOURDA’S SUICI.IN ROADNNER, ONE PARTS UNKNOWN WORKER RELLS BOURDA BEG FUR ABOUT THE PICTUR. HIS LAST MUNITN WH THE OUTSI WORLD WAS SEEMGLY AN INSTAGRAM STORY BOURDA PUBLISHED SHOWG THE TLE SEQUENCE OM THE 1970 FILM VLENT CY, A REVENGE FILM THAT BEGS WH PAPARAZZI PHOTOS OF A WOMAN CHEATG ON HER HBAND.IN ROADNNER, PARTS UNKNOWN PRODUCER CHO THEORIZ THAT THE STORY WAS HIS FAL MSAGE: “I MEAN, ’S ALL THERE.”BOURDA’S BROTHER CHRIS BOURDA TELLS NEVILLE, “MY BROTHER MTED SUICI. I THK IF SOMEONE ELSE HAD BEEN HIS ROOM, MIGHT HAVE BEEN A MURR AND NOT A SUICI. I THK HE WAS JT HAVG EXPLOSIVE ANGER AND THIS WAS THE ONLY WAY OUT.”IN AN TERVIEW WH ROLLG STONE, NEVILLE SAID BOURDA’S CISN TO TAKE HIS OWN LIFE WAS “A VERY UNPREMEDATED ACT. HE WAS GIVG NOT ON EDS THAT AFTERNOON. HE WAS MAKG LUNCH RERVATNS WH A IEND FOR THE NEXT WEEK. PEOPLE SAY THAT WHEN PEOPLE GO TO A SUICIDAL EPISO, THEY LAST ABOUT 90 MUT. I JT THK HE WAS A REMOTE PART OF THE WORLD, BY HIMSELF, AND HE HAD A PRSIVE MOMENT AND JT DID SOMETHG THAT…I KNOW HE HAD THOSE THOUGHTS BEFORE. HE WROTE ABOUT . HE HAD BEEN TALKG ABOUT [KILLG HIMSELF] FOREVER. I JT DON’T THK ANYBODY EVER THOUGHT HE WOULD ACTUALLY DO .”THE AFTERMATHTWO MONTHS AFTER BOURDA’S SUICI, THE NEW YORK TIM REPORTED THAT ARGENTO ORDATED A PAYMENT OF $380,000 TO AN ACTOR, JIMMY BENT, ACCG HER OF SEXUAL ASSLT. ARGENTO RPOND BY NYG ANY SEXUAL NTACT WH HER ACCER, BUT SAID THAT HER LATE BOYIEND BOURDA HAD PAID OFF HER ACCER.“BENT KNEW MY BOYIEND, ANTHONY BOURDA, WAS A MAN OF GREAT PERCEIVED WEALTH AND HAD HIS OWN REPUTATN AS A BELOVED PUBLIC FIGURE TO PROTECT,” ARGENTO SAID HER STATEMENT. “ANTONY [SIC] SISTED THE MATTER BE HANDLED PRIVATELY AND THIS WAS ALSO WHAT BENT WANTED. ANTHONY WAS AAID OF THE POSSIBLE NEGATIVE PUBLICY THAT SUCH PERSON, WHOM HE NSIRED DANGERO, ULD HAVE BROUGHT UPON . WE CID TO AL PASSNATELY WH BENT’S MAND FOR HELP AND GIVE TO HIM.”MOST POPULARVANY FAIR’S “IT’S RAG TEENS” COVER AT 20: WHERE ARE THEY NOW?BY SAVANNAH WALSHZENDAYA PAYS TRIBUTE TO “BROTHER” ANG CLOUD: “I’LL CHERISH EVERY MOMENT”BY SAVANNAH WALSHSOUND OF FREEDOM: THE WILD TE STORY BEHD 2023’S MOST CONTROVERSIAL FILMBY EVE BATEYSHORTLY AFTER THE NEW YORK TIM REPORT, ARGENTO WAS FIRED OM HER JOB AS A JUDGE ON X FACTOR ITALY.ARGENTO’S RPONSEARGENTO FIRST MENTED ON BOURDA’S SUICI VIA SOCIAL MEDIA. “ANTHONY GAVE ALL OF HIMSELF EVERYTHG THAT HE DID,” SHE WROTE. “HIS BRILLIANT, FEARLS SPIR TOUCHED AND SPIRED SO MANY, AND HIS GENEROSY KNEW NO BOUNDS. HE WAS MY LOVE, MY ROCK, MY PROTECTOR. I AM BEYOND VASTATED. MY THOUGHTS ARE WH HIS FAY. I WOULD ASK THAT YOU RPECT THEIR PRIVACY AND ME.”MONTHS AFTER THE SUICI, ARGENTO GAVE A TEARFUL TERVIEW ON-MERA TO THE DAILY MAIL: “PEOPLE SAY I MURRED HIM. THEY SAY I KILLED HIM,” ARGENTO SAID. “I UNRSTAND THAT THE WORLD NEEDS TO FD A REASON. I WOULD LIKE TO FD A REASON TOO. I DON’T HAVE . MAYBE I WOULD FEEL SOME SOLACE THKG THERE WAS SOMETHG THAT HAPPENED.… I UNRSTAND THAT PEOPLE WANTED TO BLAME ME BEE HE WAS SO EPLY LOVED AND HE ENTERED THE HEARTS OF SO MANY PEOPLE, TO THEIR LIV, TO THEIR HEARTS.“SO A WAY I UNRSTAND THAT THEY [WANT TO] SEE ME AS THE NEGATIVE PERSON, THE STROYER.”ARGENTO ADMTED THAT SHE CHEATED ON BOURDA, BUT ADD, “HE CHEATED ON ME TOO. IT WASN’T A PROBLEM FOR .… HE WAS A MAN WHO TRAVELED 265 DAYS A YEAR, WHEN WE SAW EACH OTHER, WE TOOK REALLY GREAT PLEASURE EACH OTHER’S PANY. BUT WE ARE NOT CHILDREN. WE ARE GROWN UPS.… ANTHONY WAS 62 [HIS SUICI WAS SHORTLY BEFORE HIS 62ND BIRTHDAY]. I WAS 42.… WE HAD LIV, WE HAD WIV AND HBANDS, WE HAD CHILDREN. I NNOT THK OF ANTHONY AS SOMEBODY WHO WOULD DO AN EXTREME GTURE LIKE THIS FOR SOMETHG LIKE THAT.”ABOUT THREE YEARS LATER, ARGENTO IS STILL THKG OF BOURDA. LAST MONTH, THE ACTOR POSTED AN INSTAGRAM HOMAGE TO HER LATE BOYIEND.INSTAGRAM NTENTTHIS NTENT N ALSO BE VIEWED ON THE SE ORIGAT OM.MOST POPULARVANY FAIR’S “IT’S RAG TEENS” COVER AT 20: WHERE ARE THEY NOW?BY SAVANNAH WALSHZENDAYA PAYS TRIBUTE TO “BROTHER” ANG CLOUD: “I’LL CHERISH EVERY MOMENT”BY SAVANNAH WALSHSOUND OF FREEDOM: THE WILD TE STORY BEHD 2023’S MOST CONTROVERSIAL FILMBY EVE BATEY“CELEBRATG THE MOST EXTRAORDARY MAN I HAVE EVER MET,” ARGENTO WROTE. “MISSG YOU EVERY DAY. CHERISHG EACH MOMENT WE SHARED OUR LIFE TOGETHER. I FEEL YOUR PRENCE AND YOUR STRENGTH. YOU SHE SO BRIGHT WH ME. I LOVE YOU MY A. HAPPY BIRTHDAY ❤️”ACRDG TO A REPRENTATIVE FOR ARGENTO, THE ACTOR HAS NOT YET SEEN ROADNNER.“A PRICE TO PAY”SPEAKG TO ROLLG STONE, NEVILLE FURTHER EXPLAED, “I DO THK I ACCURATELY PORTRAY WHAT HAPPENED. I WANT TO BE CLEAR: I DON’T THK ASIA MA TONY KILL HIMSELF—SOMEBODY EVEN SAYS THAT THE FILM. SHE WAS A FIERY CHARACTER, AND TONY WAS LOOKG FOR THAT. HE SAYS [TO SOMEONE] THE FILM, ‘I’M DATG A CRAZY ITALIAN ACTRS, AND ’S NOT GOG TO END WELL.’ THAT WAS SOMETHG HE TOLD A LOT OF PEOPLE.”NEVILLE SAID HE NSIRED CLUDG MORE ARGENTO. “I LOOKED AT EVERYTHG THAT SHE HAD SAID PUBLICLY THE WAKE OF HIS ATH, CLUDG AN TOBGRAPHY SHE PUBLISHED ITALY, AND TERVIEWS SHE GAVE ENGLAND,” NEVILLE EXPLAED. “IT’S ALL A VERSN OF THE SAME THG, WHICH IS KD OF, ‘PEOPLE DON’T UNRSTAND ME AND OUR RELATNSHIP. I LOVED HIM.’ I JT FELT LIKE I WAS GOG TO END UP THIS SHE-SAID/HE-SAID LIGATG WHAT HAPPENED AND WHO WAS RIGHT. IT WAS NARRATIVE QUICKSAND.”NEVILLE ALSO SAID THAT SPEAKG TO ARGENTO FOR THE FILM MIGHT HAVE RISKED THE TST HE HAD BUILT WH THE PEOPLE BOURDA’S NER CIRCLE WHO HAD ALREADY SPOKEN SO NDIDLY ABOUT THE LATE TV PERSONALY.“I PRETTY MUCH KNOW WHAT SHE’D SAY, WHICH IS THAT SHE LOVED HIM, AND FELT MISREPRENTED BY PEOPLE,” NEVILLE TOLD INDIEWIRE. “I ALSO KNEW, HONTLY, THAT TO TERVIEW HER, YOU WOULD CUR A LOT OF BAD BLOOD OM LOTS OF PEOPLE TONY’S LIFE. SO THERE WAS A PRICE TO PAY TOO.”MORE GREAT STORI FROM VANY FAIR— AN EXCLIVE DEEP DIVE INTO PETER JACKSON’S THE BEATL: GET BACK— JOSEPH FIENN ON HIS HANDMAID’S TALE FATE— THE 10 BT MOVI OF 2021 (SO FAR)— JANE LEVY ON THE ZOEY’S EXTRAORDARY PLAYLIST CANCELLATN— IS LU PIXAR’S FIRST GAY MOVIE?— HOW PHYSIL GOT UNR ROSE BYRNE’S SK— WHAT IS BO BURNHAM’S INSI REALLY TRYG TO SAY?— SIMU LIU IS READY TO TAKE ON MARVEL— FROM THE ARCHIVE: JACKIE AND JOAN COLLS, QUEENS OF THE ROAD— SIGN UP FOR THE “HWD DAILY” NEWSLETTER FOR MT-READ DTRY AND AWARDS VERAGE—PL A SPECIAL WEEKLY EDN OF “AWARDS INSIR.”JULIE MILLER

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