Miss Manners: Nosy women at retirement muny ask rint ‘are you gay?’ durg dner

Contents:

• DAVIDMANNERS
• CHAPTER 4 – QUEERS AND DYK THE DARK: CLASSIC, NOIR & HORROR CEMA’S COD GAY CHARACTERS:
• MISS MANNERS: NOSY WOMEN AT RETIREMENT MUNY ASK RINT ‘ARE YOU GAY?’ DURG DNER

DAVIDMANNERS

Given what we know of Manners’ personaly, background, and telligence, the all sound accurate, but another factor may have been the fact that was gay. And GAY!!!! Looks super gay!

I had no ia he was gay. Attached is one that list the Classic Gays of the Monster Era. Has anyone on here heard about Karloff beg gay?

She was homophobic so she thought accg Boris of beg gay would tarnish his rep. Gay. Cohen, Jr., "The cunng, wiry Gee Arliss remov the monocle om Disraeli, the ffled exterr om Old English, and the turban om the Rajah of Rh, at the Wter Garn, and plays a sly old Amerin pta of dtry, whose doctor has told him that is time to retire, but who disobeys him and leads a gay double life by openg a small garage.

CHAPTER 4 – QUEERS AND DYK THE DARK: CLASSIC, NOIR & HORROR CEMA’S COD GAY CHARACTERS:

In 1927, Manners reloted to California and was soon disvered at a Hollywood party by gay film director Jam Whale.

I am gay artist, who received trag at the Rho Island School of Dign, and now, a retired high-end fe art amer livg Maryland, USA. He had been a regular visor to Gee Cor's gay Sunday salons at the director's Wt Hollywood mansn.

MISS MANNERS: NOSY WOMEN AT RETIREMENT MUNY ASK RINT ‘ARE YOU GAY?’ DURG DNER

The horror genre is perhaps the most inic d queer playground, which seems to have an affy wh homosexualy bee of s apparat of ‘otherizg’ and the herent reprentatn of difference. Benshoff explas his book Monsters the Closet: Homosexualy the Horror Film, “Immediately before and durg the years of World War II, Universal Stud’s horror films began to employ a more humanistic pictn of their monsters, ” and the films of Val Lewton, like Cat People, reflected “a growg awarens of homosexualy, homosexual muni, and the dynamics of homosexual opprsn as was played out society and the ary. Lewton drew on llective fears, and all his work had an unrcurrent of queer panic and a cipherable sign of homophobia.

Michael Curtiz’s mabre horror/fantasy experiment of homosocial ‘men dog science’, crossg over to profane terrori and embracg dreadful taboos!