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BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span><a class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM ByleLk-gEnFiw iUEiRd ggMZaT cXqSTL eErqIx byle__name-lk button" href="/ntributors/roxana-robson">Roxana Robson</a></span></span></p></div><time data-ttid="ContentHearPublishDate" dateTime="2020-10-01T16:21:57-04:00" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearPublishDate-eIBicG iUEiRd kYZrFA kEBrdf">October 1, 2020</time></div></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ContentHearLeadAsset-hGbumP iWPCcH lead-asset ContentHearLeadAssetWrapper-hfXHEc fTrSlG lead-asset--width-smallle" data-ttid="ContentHearLeadAsset"><figure class="ContentHearLeadAssetContent-kOfYSG dRGWbI"><div class="ContentHearLeadAssetContentMedia-bLEIpi jjhWdS lead-asset__ntent__photo"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset ContentHearRponsiveAsset-bREgIb khLUzS"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz izhWUD"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO KhjZz ContentHearRponsiveAsset-bREgIb khLUzS rponsive-image rponsive-image--expandable"><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w, 960w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w, 1920w, 2240w" siz="100vw"/><img alt="Geia OKeeffe New Mexi." class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></div></div></span><div class="CaptnWrapper-jSZdqE iTuhkZ ptn ContentHearLeadAssetCaptn-hPWmSN kuCzGS"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo iXWezO ptn__text">Geia O’Keeffe lived a small village ral New Mexi and rarely gave terviews. Secln and whholdg were part of her persona.</span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd iicloT jbIJNS ptn__cred">Photograph by Allan Grant / The LIFE Picture Collectn / Getty</span></div></div></figure><div data-ttid="ContentHearLeadRailAnchor" class="ContentHearLeadRailAnchor-jYVcDc djtEof"></div></div></div></div></hear></div><div data-attribute-verso-pattern="article-body" class="ArticlePageContentBackGround-cNiFNN kbAoLA article-body__ntent"><div class="ActnBarWrapperContent-lasBkU cAHp"><div class="ActnBarWrapperComponent-cjwxLS bEeSLb"><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh kNjTbQ viewport-monor-anchor"><button id="bookmark" aria-label="Save this story" class="ActnBarButton-dyFOZU hQrwCF bookmark large-screen"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Save this story</tle><path class="in-bookmark-fill" d="M20 23.9508L12.5 19.7312L5 23.9508V2.95081H14V3.93211H6V22.1845L12.5 18.5536L19 22.1845V8.83866H20V23.9508Z"></path><path class="in-bookmark-fill" d="M23 3H20V0H19V3H16V4H19V7H20V4H23V3Z"></path></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd bkefvo gkccfO">Save this story</span></button></div><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh kAEsuD viewport-monor-anchor"><button id="bookmark" aria-label="Save this story" class="ActnBarButton-dyFOZU cjjxgx bookmark mobile"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Save this story</tle><path class="in-bookmark-fill" d="M20 23.9508L12.5 19.7312L5 23.9508V2.95081H14V3.93211H6V22.1845L12.5 18.5536L19 22.1845V8.83866H20V23.9508Z"></path><path class="in-bookmark-fill" d="M23 3H20V0H19V3H16V4H19V7H20V4H23V3Z"></path></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd bkefvo gkccfO">Save this story</span></button></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ArticlePageChunksContent-etcMtP bwyLBj"><div data-ttid="ArticlePageChunks" class="ArticlePageChunks-fLyCVG Uozmo"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa EOneK body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="has-dropp has-dropp__lead-standard-headg">I once met <a href=">Geia O’Keeffe</a>. This was not easy to do, and I nsired an achievement.</p><p class="paywall">It was the early neteen-seventi, when I was my early twenti. I was workg at Sotheby’s, New York, the Amerin patgs partment. One of the thgs I did there was talogue the works that we sold. I held each picture my hands, felt s shape and weight. I measured and scribed , rerdg the medium, ndn, signature. The date. The provenance and exhibn history. I me to know the works very well.</p><p class="paywall">Durg this time I had begun to wre about Amerin art. I was particularly terted the mornists, those early-twentieth-century artists who were part of the risg ti of abstractn. I wrote about different members of this group—Marsn Hartley, Arthur Dove. I wanted to wre about O’Keeffe, but this was difficult. She held the pyright to many of her patgs, so was necsary to ask permissn om her orr to reproduce them. This was one reason that relatively ltle scholarship had appeared on her: How uld you wre a book about art whout g imag? Another reason was the nfn that permeated cril rponse to her work until well to the sixti. All those flowers! Was she a great artist or a cheap sentimentalist? The work was so easy to like—uld be important? She was srned by the guys, and, if you wanted to be taken serly as a scholar, seemed risky to wre about her.</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p class="paywall">Another reason for the pcy of wrg about O’Keeffe was her own accsibily. She lived a small village ral New Mexi and rarely gave terviews. Secln and whholdg were part of her persona. She was not terted publicy, and is said that she once refed a requt for a one-person show at the Louvre. Here was a paradox: the work, so timate and engagg, even accsible, and the artist, so remote and self-ntrolled, clothed severe black and whe. The mystery gave O’Keeffe a kd of charged glamour. A sightg was a signifint event.</p><p class="paywall">That season, Sotheby’s had received an O’Keeffe patg of Canadian barns. It had been done the early neteen-thirti: two dark gray buildgs a wtry landspe. I talogued , and asked Doris Bry—O’Keeffe’s private agent, who had once been the assistant to Aled Stieglz, O’Keeffe’s former hband—for rmatn on . Later she lled me.</p><p class="paywall">“Mrs. Alger,” she said (for that was my name then), “this is Doris Bry.” Of urse I knew who was. She had a dry, gravelly voice, very distctive, wh a Waspy drawl. “I’m llg about the patg of Canadian barns.”</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-1 viewport-monor-anchor"></div><p class="paywall">“Y, Miss Bry.” I ed my formal, fluty, profsnal tone. “How may I help you?”</p><p class="paywall">“I’d like to have the patg brought over to my apartment.”</p><p class="paywall">Doris Bry lived an apartment the Pulzer mansn. This was a grand Bex-Arts buildg, only a few blocks away om our offic on Madison Avenue. But didn’t matter how close she was. “I’m so sorry, Miss Bry,” I said, “but our surance polici don’t perm the works to leave the premis until they have legally changed hands. If you’d like to brg someone to see the patg, I’ll be happy to have brought out to the viewg room and put up on the easel. But I n’t allow the patg to leave our property.”</p><p class="paywall">“Mrs. Alger,” Miss Bry said, “the artist is here. She would like to see the patg.”</p><p class="paywall">“I’ll be there ten mut,” I said, my normal voice.</p><p class="paywall">I lled storage to have the patg brought out. I had unr my arm and was walkg down the hall on my way to the ont door when I ran to my boss.</p><div class="Contaer-bkChBi byNLHx"></div><p class="paywall">“What are you rryg?” he asked.</p><p class="paywall">“Canadian barns,” I said, puttg a hand over the ame protectively.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-2 viewport-monor-anchor"></div><p class="paywall">“Where are you gog?” he asked. “It n’t leave the premis.”</p><p class="paywall">“The artist wants to see ,” I said.</p><p class="paywall">My boss put out his hand. “I’ll take .”</p><p class="paywall">“I answered the phone,” I said. “I’m takg .”</p><p class="paywall">Wh the patg unr my arm, I walked down Madison Avenue to the Pulzer mansn. Doris Bry hered me to her apartment. She was a tall, stately woman, rather ponro. She had dark ey, pale, lightls sk, and a mass of short gray curls. She brought me to the livg room, where there were three other people—two lawyers dark sus and an olr woman. Bry troduced me.</p><p class="paywall">“This is Mrs. Alger, om Sotheby’s.” The woman nodd pleasantly but said nothg. She was much smaller than I, which surprised me. She had a led face, dark, hood ey, and long silvery hair iled to a low bun. She wore a gray tton hoedrs wh a whe llar and a narrow self-belt. On her feet, she wore flat black Che slippers, wh straps across the steps.</p><p class="paywall">Everyone watched as I rried the patg across the room and set on the easel. The small woman me wh me, but Bry and the lawyers stood at the back of the room, talkg. Geia O’Keeffe and I stood ont of the patg. She looked quietly at the nvas, as though were part of her, as if she were alone wh .</p><p class="paywall">I stood silently bi her. But that wasn’t enough. When people meet someone famo, often they want to flect themselv upon the moment, to impose their own inti upon that of the famo person. They say, “I grew up your town,” or, “I have that same srf,” or, “I met you once a tra statn.” It’s a hopels venture.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-3 viewport-monor-anchor"></div><p class="paywall">“I hope you like the ame,” I said. I had orred myself. It was a simple silver half clamshell, the kd that Arthur Dove had ed. I knew O’Keeffe had liked Dove and had admired his work. I knew she’d like the ame. She’d be grateful. This was my moment.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><asi class="PersistentAsiWrapper-VGrR daRVRt persistent-asi" style="posn:absolute;top:to;height:to" data-ttid="PersistentAsiWrapper"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="cprcls"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></asi></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="ql6qph"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa EOneK body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="paywall">She answered whout turng. “I like them bt whout am.”</p><p class="paywall">I said nothg more. She stood lookg at the patg, lm and utterly self-posssed. I thk she was wearg a black sweater, a th ltle rdigan, not buttoned up.</p><p class="paywall">She’d have been her early eighti then.</p><p class="has-dropp has-dropp__lead-standard-headg paywall">Nearly twenty years later, the sprg of 1986, I was livg northern Wtchter County. We had moved there ten years earlier, my fay and I. We were out the untry, an old farmhoe wh a big barn and some fields. Livg wh were four or five hors, two or three dogs, and some large ts. My dghter was fourteen. I had left the art world.</p><p class="paywall">One eveng, my hband, Tony, me home om the cy and found me the kchen. He was his bs su, still rryg his briefse.</p><p class="paywall">“I have somethg to tell you,” he said. On the tra g out, he’d sat next to a iend of ours, Edward Burlgame, who was the edor--chief and publisher at Harper & Row. Edward had said, “Geia O’Keeffe has jt died, and there isn’t a big bgraphy of her. Who do you thk we should ask to wre ?”</p><p class="paywall">Tony mentned me. Edward said that he knew I wrote fictn, but he need someone who knew about Amerin art. Tony told him that I did. Edward said he’d keep md.</p><p class="paywall">When Tony fished the story, I shook my head. “Thanks for suggtg me, but he’s beg pole. This is Harper & Row, and ’s a big al. They’ll want a mm curator, or anyway someone wh a graduate gree. Not someone who’s jt published a few articl and talogue says. So he won’t ask me. And, if he did, I’d say no. I was wrg about art bee my fictn wasn’t beg published, but now is. I have a novel g out, and I’m done wh art. So, thank you for suggtg me, but, first, he won’t ask me, and, send, if he did I’d say no.”</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-4 viewport-monor-anchor"></div><p class="paywall">Tony said, “Well, I wanted to tell you.”</p><p class="paywall">“Thank you,” I said aga.</p><p class="paywall">That was on Friday. On Monday, Edward lled and asked if I’d be terted wrg the bgraphy of Geia O’Keeffe, and I said y.</p><p class="has-dropp has-dropp__lead-standard-headg paywall">That was the begng. After many nversatns, and a wrten proposal, Harper & Row offered me a ntract. Several other wrers had begun wrg books about O’Keeffe, and timg was key. “Your book mt be the first one to e out,” Edward told me, “or wh six months of the first, or won’t be reviewed.”</p><p class="paywall">And so I began the project. I did much of the archival rearch at the Beecke Library, at Yale, which holds the vast O’Keeffe-Stieglz archive. There, I worked tranquil silence wh the alabaster walls, leafg through papers and photographs; readg long, chatty, private, ser, funny, heartfelt, and thoughtful letters; learng a plited work of kship, iendships, and profsnal relatnships. I enjoyed those tim enormoly. The other kd of rearch—terviews—was far more strsful, as meant meetg wh strangers. There were lawsus unr way, regardg O’Keeffe’s will and her herance, and feelgs the O’Keeffe muny ran high. Some people took sis, and when they learned that I had spoken to someone on the opposg si, they refed to speak to me. Other iends and lleagu were loyal to O’Keeffe’s long tradn of silence toward strangers and refed to speak to me.</p><p class="paywall">But her fay, after they had met me and read other thgs I’d wrten, agreed to talk. I met var members, and then I was given the great honor of three days of terviews wh O’Keeffe’s one remag sister, Cathere O’Keeffe Klenert. Klenert was then her neti, ail and whe-haired, but utterly gent.</p><p class="paywall">One afternoon, when I was askg her about the fay’s early days, she looked up at me, baffled. “I don’t know why you’re askg me. Anyone uld tell you about this. Everyone knows .”</p><p class="paywall">I sed at her. “No one else uld tell me. You’re the only one left.” She was the only one who uld tell me about gettg up the dark durg the wter neteenth-century Wisns, what was like walkg to school, celebratg a birthday, gog to church. What the evengs were like that hoehold. Klenert was an valuable source, and a eply sympathetic prence.</p><p class="paywall">Of urse, I was sorry not to be able to terview my subject, Geia O’Keeffe. But after I me to know some of her relativ, after I’d listened to their stori and heard their thoughts, I unrstood that I was absorbg the culture that had produced her. Courage, termatn, and self-reliance were all part of the fay culture. O’Keeffe drew on the rourc, which enabled her to lead the life she wanted. And place was important to the book. I went to Sun Prairie, Wisns, to see the long swell of the dark-earth fields. I went to Amarillo and Canyon, Santa Fe and Abiquiu, to see what felt like to stand beneath the wheelg sky, to watch the sun risg on the roseate cliffs.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-5 viewport-monor-anchor"></div><p class="paywall">Edward had told me that the book had to be first, and I was termed that would be. I had already pleted some of the scholarly rearch when I wrote about other members of the Stieglz circle, but there was a lot more to learn, and then there was the wrg. Toward the end, I thought of nothg else. One day, I was drivg through our ltle village when I approached an old, black r. The driver was an olr man wh a bristly whe mtache and round rimls glass. I knew that I knew him, but I uldn’t place him until we had passed each other. Then I realized that my md had turned him to Aled Stieglz, who had died before I was born. The book had taken me over.</p><p class="paywall">My dghter was boardg school by then, and we had sold the hors. I took over the gut room and laid my folrs out on the bed. I put a tall file bet the upstairs hall. I wrote the book on a sktop puter on a rd table, set agast the closet door. We uldn’t get to that closet for three years.</p><p class="paywall">My book me out the fall of 1989. It was the first bgraphy to appear after her ath.</p><p class="has-dropp has-dropp__lead-standard-headg paywall">O’Keeffe’s work has always evoked a mixture of praise and exasperatn—praise om people who unrstand what her work do, exasperatn om people who thk should do somethg else. She has been acced of beg too accsible (though so is Mo), too obv about genr (though so is Pisso), too arne (though so is Braque), and too obv (though so is Hieronym Bosch.)</p><p class="paywall">After O’Keeffe settled Stieglz’s tate, 1949, she left New York and moved full time to New Mexi. Whout a hort and whout a gallery, her reputatn cled, even as she ntued to work. In the late fifti, she appeared a <em>Newsweek</em> lumn lled “Where Are They Now?” O’Keeffe was featured as a formerly famo artist, now fotten, livg among the mas of the Southwt.</p><p class="paywall">But, jt as her cle preced her ath, so did her rurgence. In 1970, the scholar Lloyd Goodrich mounted a large and thorative retrospective exhibn at the Whney Mm of Amerin Art, New York. The show troduced O’Keeffe to a new generatn, and the rult was a reflorcence of tert her work. O’Keeffe’s most accsible imag—the magnified flowers, the dreamg antlers and skulls, as well as the vast, myster cloudsp—beme hugely popular among the public. Her subjects, of urse, were not only elogil, and forty years after the Goodrich retrospective, 2009, Barbara Haskell, a curator at the Whney Mm, produced another groundbreakg show, “Geia O’Keeffe: Abstractn.” Instead of the faiar imag of flowers, bon, and mountas, Haskell prented over a hundred abstract imag. The show began wh the radil charal drawgs of 1915 that clared O’Keeffe’s mment to purely nonobjective art, and posed an effective challenge to charg of sentimentaly. As Haskell poted out, abstractn was always a source for O’Keeffe; she saw the natural world, patterns of light and sha, of shape and sign. Her posns me om both terr ias and the distillatn of what she saw before her.</p><p class="paywall">The scholarship on O’Keeffe ntu to expand, focsg on every aspect of her work and life. Recently, an exhibn prented the work of <a href=">her sister Ida</a>; another prented O’Keeffe’s personal style. The art historian and O’Keeffe scholar Wanda Corn wr, “Today we have an expand unrstandg of O’Keeffe’s creativy outsi of the stud. She was a brilliant signer of her hom and garns . . . and an early proponent of farm-to-table okg. She created a personal style of drs and distctive ways of molg for the mera.” The <em>New Yorker</em> wrer Calv Tomks, one of the few journalists to have <a href=">terviewed O’Keeffe</a>, says, “I have a sense that, after a perd of beg more or ls dismissed, she has regaed her seat the historil pantheon, and is revered for a lot of new reasons.”</p><p class="paywall">Some of those reasons, one hop, have to do wh O’Keeffe’s termatn, bravery, and mment, as well as wh her extraordary body of work. It was an honor and a challenge to wre the story of her life, to lve so eply to the narrative of someone who has, through her art and her example, fluenced my own life and the liv of so many others.</p><p class="paywall">I still thk of her led face and iled silver hair, her fat, amed se, those flat black Che slippers.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-6 viewport-monor-anchor"></div><p class="paywall"><em>This say was drawn om “<a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Geia O’Keeffe: A Life</a>,” which is beg reissued, an expand edn, October, by Branis Universy Prs.</em></p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div 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class="nsumer-marketg-un__slot nsumer-marketg-un__slot--paywall-le-barrier"></div><div class="journey-un"></div></div></asi></div></div></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ContentWrapperGrid-fvkmBv brYtrA grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__ntaer"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"></div></div></div></div></div></div></article><div class="ContentFooterWrapper-jVNdRG dTJkpP ArticlePageContentFooterGrid-ccsXYy eMZRHU article-body__footer"><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="ContributorsWrapper-eNpWFu GWFsc ntributors" data-ttid="Contributors"></div></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div data-ttid="TagCloudWrapper" class="TagCloudWrapper-gGgndx ctyZyK ContentFooterTagCloud-krQmRG ZLGh"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudSectnHear-cOforY iUEiRd bPyAoD kQQRmu">More:</span><a href="/tag/geia-okeeffe" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Geia O’Keeffe</span></a><a href="/tag/art" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Art</span></a><a href="/tag/mornism" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Mornism</span></a><a href="/tag/aled-stieglz" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Aled Stieglz</span></a><a href="/tag/patg" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Patg</span></a><a href="/tag/flowers" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Flowers</span></a></div></div></div></div><div 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href="/culture/culture-sk/the-rivalry-between-geia-okeeffe-and-her-sister-ida" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-1" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz ktcjQn"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Rivalry Between Geia O’Keeffe and Her Sister Ida" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Culture Dk</span></div><a class="SummaryItemHedLk-civM dVrbhU summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-1" data-recirc-pattern="summary-em" href="/culture/culture-sk/the-rivalry-between-geia-okeeffe-and-her-sister-ida" target="_self"><div class="SummaryItemHedBase-hiFYpQ fzzTdh summary-em__hed" data-ttid="SummaryItemHed">The Rivalry Between Geia O’Keeffe and Her Sister Ida</div></a><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd kxnNhB jDyfzW summary-em__k">Ida O’Keeffe said that she uld have been famo, too, but Geia worked wh an urgency and disciple that her younger sister never had.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div 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kImuKS bric bric--disvery SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Kchen Not</span></div><a class="SummaryItemHedLk-civM dVrbhU summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-2" data-recirc-pattern="summary-em" href="/culture/kchen-not/okg-om-geia-okeeff-recip" target="_self"><div class="SummaryItemHedBase-hiFYpQ fzzTdh summary-em__hed" data-ttid="SummaryItemHed">Cookg om Geia O’Keeffe’s Recip</div></a><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd kxnNhB jDyfzW summary-em__k">When I started to ok like the artist, my diet stantly beme healthier.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" 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