The Washgton Post</tle><path d="M39.2 32v36.6c4.7-2.8 7-6.8 8.7-12.1l1.2.6c-1.1 13.2-10.3 26-24.3 26S0 72.6 0 55.8C0 43 7.7 35.1 18.7 28.2a16.11 16.11 0 00-4.4-.6c-7.2 0-11.4 4.9-11.4 9.9H1.5a14.77 14.77 0 01-.1-2.1c0-9.3 5.5-19.7 16.9-19.7 7.3 0 12.9 6.7 21.4 6.7 4.3 0 6.7-1.6 8.4-5.3h1.2c-.1 6.5-2 12.8-10.1 14.9zm-19-3.3C15.1 34 10.1 39.6 10.1 50.9c0 6.2 1.9 12.4 6.6 16.4l3.1-1.7V40.3L16.6 42l-1-1.6 15-8.4c-3.8-.8-6.9-2.3-10.4-3.3zm17.1 3.7a17 17 0 01-2.3.1 17.52 17.52 0 01-4-.4v29.5l-12.8 7a15.57 15.57 0 009.9 3 22.58 22.58 0 009.2-2zm44 9.2v34.3c0 9.6-8.51 16.11-18 18l-.6-1c4.7-2.3 7.8-6.41 7.8-11.41V45.7l-4.9-4.5-2.6 2.6v27.1l3 2.8v.4l-8.1 8.61-9.3-8.51v-.4l3.6-3.8V25.8l10.6-11.3.2.1v26.6l8.7-9.2 8.7 7.9 2.7-2.6 1.31 1.3zM97.91 62v4.5l9 7.1 7-7.3 1.3 1.3L101 82.8 88.21 72.6l-2.8 2.8-1.2-1.3 3.1-3.2V45.8l18.9-13.8 10.5 16.3zm.2-22.6l-.2.1v20.1l8.7-6.4zM180 82.71l-13.9-12-10.6 12-14.4-12.41V50.7h-2.8a3.89 3.89 0 00-4.1 3.5h-1a15.87 15.87 0 01-.5-3.8c0-2.6 1.1-9.4 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data-qa="name-wh-optnal-lk" data-cy="name-wh-optnal-lk"><span data-qa="attributn-text" class="wpds-c-cNdzuP">Perspective by <!-- --> </span><span data-qa="thor-name" rel="thor" class="wpds-c-cNdzuP wpds-c-cNdzuP-cIdiJW-isLk-false"> Aled L. Mart, Jr.</span></div></div><span class="wpds-c-ewNrgJ thor-scriptn" data-qa="thor-scriptn"> Aled L. Mart, Jr., is assistant profsor of media studi at the Universy of Iowa and thor of "The Generic Closet: Black Gayns and the Black-Cast S."</span></span></div></span></div></div><div data-ttid="timtamp" class="wpds-c-kgabfe wpds-c-kgabfe-ieEDlgV-css"><span data-ttid="display-date" class="wpds-c-iKQyrV">June 23, 2021 at 6:00 a.m. EDT</span></div></div></div></hear></div><article class="grid-article mb-xxl-ns" data-qa="ma"><div data-ttid="le-art" data-qa="le-art" class=""><figure class="overflow-hidn relative hi-for-prt center center mb-sm mb-md-ns ml-to-ns mr-to-ns grid-mobile-full-bleed"><div style="filter:blur(10px);transn:filter .1s;le-height:0" class="w-100 mw-100 h-to" width="600" height="400"><img style="background-size:ver;max-width:1600px;background-image:url('data:image/svg+xml;charset=utf-8,%3Csvg xmlns='http%3A//; xmlns%3Axlk='http%3A//; viewBox='0 0 1280 853'%3E%3Cfilter id='b' lor-terpolatn-filters='sRGB'%3E%3CfeGssianBlur stdDeviatn='.5'%3E%3C/feGssianBlur%3E%3CfeComponentTransfer%3E%3CfeFuncA type='discrete' tableValu='1 1'%3E%3C/feFuncA%3E%3C/feComponentTransfer%3E%3C/filter%3E%3Cimage filter='url(%23b)' x='0' y='0' height='100%25' width='100%25' xlk%3Ahref='data%3Aimage/png;base64,iVBORw0KGgoAAAANSUhEUgAAAAkAAAAGCAIAAACepSOSAAAACXBIWXMAAC4jAAAuIwF4pT92AAAAs0lEQVQI1wGoAFf/AImSoJSer5yjs52ktp2luJuluKOpuJefsoCNowB+kKaOm66grL+krsCnsMGrt8m1u8mzt8OVoLIAhJqzjZ2tnLLLnLHJp7fNmpyjqbPCqLrRjqO7AIeUn5ultaWtt56msaSnroZyY4mBgLq7wY6TmwCRfk2Pf1uzm2WulV+xmV6rmGyQfFm3nWSBcEIAfm46jX1FkH5Djn5AmodGo49MopBLlIRBfG8yj/dfjF5TUAAAAASUVORK5CYII='%3E%3C/image%3E%3C/svg%3E')" alt="" class="w-100 mw-100 h-to" width="600" height="400" srcSet=" 400w, 540w, 691w, 767w, 916w, 1200w" siz="(max-width: 440px) 440px,(max-width: 600px) 691px,(max-width: 768px) 691px,(m-width: 769px) and (max-width: 1023px) 960px,(m-width: 1024px) and (max-width: 1299px) 530px,(m-width: 1300px) and (max-width: 1439px) 691px,(m-width: 1440px) 916px,440px" dg="async"/></div><figptn class="ml-gutter mr-gutter mr-to-ns ml-to-ns font--subhead font-xxxs mt-xs left gray-dark">Billy Porter plays Pray Tell a scene om Netflix's "Pose" 2019. (Chris Sorensen for The Washgton Post) </figptn></figure></div><div class="grid-body"><div class="wpds-c-PJLV wpds-c-PJLV-hSmMVC-isLuf2-false"><div class="wpds-c-jUMcim wpds-c-jUMcim-ibVGacg-css hi-for-prt mb-sm"><div class="PJLV PJLV-ieDMgMI-css flex ems-center" nfig="[object Object]" data-qa="article-actns"><div class="wpds-c-mfMEg"><div class="wpds-c-kSOqLF wpds-c-hnjNCH wpds-c-kSOqLF-bywHgD-variant-primary wpds-c-kSOqLF-biynoz-nsy-pact wpds-c-kSOqLF-hZSyid-isOutle-te wpds-c-kSOqLF-ejCoEP-in-left wpds-c-kSOqLF-futx-cv wpds-c-hnjNCH-eNNUQD-cv wpds-c-hnjNCH-jGqLyO-cv"><div id="gift-share" data-ttid="gift-share" class="PJLV PJLV-ieGzigK-css hi-for-prt"><button aria-haspopup="dialog" aria-expand="false" aria-ntrols="gift-share-drawer" role="button" tabx="0" aria-label="Share this article" id="gift-share-drawer-ntrol" data-ttid="gift-share-drawer-ntrol" class="wpds-c-PJLV wpds-c-gsmDXe wpds-c-gsmDXe-dTGBTO-placement-ActnBar foc-highlight"><svg xmlns=" fill="currentColor" viewBox="0 0 16 16" class="wpds-c-fBqPWp wpds-c-fBqPWp-idCxsxc-css " aria-hidn="te" focable="false" role="img"><path fill="currentColor" d="M8 .6v3.8h.1c-4.4 0-7.3 4.5-6.9 8.8.1.8.2 1.2.2 1.2l.2 1 .4-1.3c.8-2 2-4 6.2-3.9H8v4l7-6.9L8 .6Zm1 11.3V9.3h-.9c-3 0-4.8.5-6.2 2.9.5-3.3 2.7-6.8 6.2-6.8H9V3l4.5 4.4L9 11.9Z"></path></svg></button></div><span aria-hidn="te" class="wpds-c-fBEbFG">Share</span></div></div><div class="wpds-c-mfMEg"><div class="wpds-c-kSOqLF wpds-c-hnjNCH wpds-c-kSOqLF-bywHgD-variant-primary wpds-c-kSOqLF-biynoz-nsy-pact wpds-c-kSOqLF-hZSyid-isOutle-te wpds-c-kSOqLF-ejCoEP-in-left wpds-c-kSOqLF-futx-cv wpds-c-hnjNCH-eNNUQD-cv wpds-c-hnjNCH-jGqLyO-cv"><button aria-label="Comment" class="wpds-c-gPbxFP"><svg xmlns=" viewBox="0 0 16 16" fill="var(--wpds-lors-primary)" aria-hidn="te" focable="false" role="img" class="wpds-c-kKAfCG wpds-c-efqEZa flex ems-center jtify-center brad-lg poter transn-400 ease--out transn-lors" aria-label="Comment on this story"><tle>Comment on this story</tle><path d="M14 14V2H2v9.47h8.18L12.43 13ZM3 10.52V3h10v9.23l-2.5-1.66Z"></path></svg></button><span aria-hidn="te" class="wpds-c-fBEbFG">Comment</span><span class="wpds-c-fOvfhP wpds-c-fOvfhP-kshkDy-isCommentType-te none" aria-hidn="te"><span class="ment-unt font-xxxxs sc-ral-unt"><span></span></span></span></div></div></div></div></div><div class="teaser-ntent grid-center"><div class="article-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">As June’s annual celebratn of LGBTQ pri to an end, so, too, do “Pose,” the hight-profile seri to feature the stori of Black and Lato queer and trans characters and actors.</p></div><div class="article-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">“Pose” would have been unimagable even a few s ago. Tradnally, most LGBTQ characters on televisn were Whe, and the few Black gay characters were distorted stereotyp — feme, stuck tradnally female jobs, the source of humor about genr and genr rol or sequtered otherwise Whe televisual worlds. Progrs has been slow. It has taken over three s and dramatic chang televisn’s bs mol to create opportuni for new characters and shows that have fally begun to dispt the lk between Whens and LGBTQ sexualy popular culture.</p></div></div><div></div><div class="article-body" data-qa="article-body"><div class="db dn-ns mr-neg-gutter ml-neg-gutter mb-md hi-for-prt" data-qa="subscribe-promo"><div data-orientatn="horizontal" role="separator" class="wpds-c-dbVHzF wpds-c-dbVHzF-hDkAcj-variant-flt"></div><a class="pt-sm pb-sm flex ems-center bold font-xxxs font-xxs-ns jtify-center" href=" target="_blank" rel="noreferrer noopener" style="lor:#166dfc;borr:none"><svg class="ntent-box" width="24" height="24" viewBox="0 0 24 24" xmlns=" aria-hidn="te" focable="false" role="img"><tle>Wp</tle><path d="M11.055 8.728l-1.018-1.019-.782.782v6.292l1.782 1.564.018-.019v-7.6zm-4.11.236L5.674 7.71l-.836.855v6.237l1.545 1.327.564-.636V8.964zm2.656 9.074l-2.528-2.182-1.927 2.182-2.619-2.255v-3.564h-.509c-.454 0-.672.273-.745.636H1.09a2.89 2.89 0 0 1-.091-.69c0-.473.2-1.71 1.527-1.71V7.691c0-1.073-.709-1.127-.709-2.054 0-1.037.982-2 2.782-2.637l.164.145c-.6.291-1.09.655-1.09 1.437 0 1.2 1.163.89 1.163 2.782v.727l2.127-2.236 2.237 2.2 2.109-2.2 2.036 2v6.728l-3.745 3.455zm11.108-9.625l-1.073-.982-.964 1.018v6.6c.855.11 1.491.4 2.019.964l.018-.018V8.413zm-2.382.418l-.528.545v10.237l.528.492V8.83zm1.49 9.055c-.308-.382-.69-.709-1.145-.836v3.782l-.036.018-1-.927-2.11 1.945-.036-.018V16.96c-.636.145-1.327.545-1.854 1.2l-.146-.091c.127-1.4.818-2.436 2-2.837v-3.545h-.382c-.527 0-.89.363-.963.763h-.219c-.054-.145-.127-.381-.127-.836 0-.891.6-1.564 1.582-1.564h.11V8.085l-.655-.582-.51.51-.254-.237 2.018-2.073 1.71 1.564V9.05l.527-.564v-2.09h.345v1.727l2.273-2.419L23 7.576v7.91l-3.182 2.4z" fill-le="evenodd"></path></svg><span class="mr-xs ml-xs gray-darkt flex ems-center">Get the full experience.<span class="ml-xs subs-theme blue">Choose your plan</span></span><svg class="ntent-box" width="16" height="16" viewBox="0 0 16 16" xmlns=" style="fill:#166dfc" aria-hidn="te" focable="false" role="img"><tle>ArrowRight</tle><path d="M7.664 1.25l6 6a1 1 0 010 1.414l-6 6L6.25 13.25 10.499 9H2V7h8.585L6.25 2.664 7.664 1.25z" fill-le="nonzero"></path></svg></a><div data-orientatn="horizontal" role="separator" class="wpds-c-dbVHzF wpds-c-dbVHzF-hDkAcj-variant-flt"></div></div></div><div class="article-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">In the 1950s and 1960s, televisn mostly attempted to be offensive to a mass dience. When lbian and gay characters were clud (there was virtually no discsn of bisexualy or trans people), they were stereotyped ritur: Gay men were “feme” and often had “women’s” reers such as hairdrser and terr signer, and lbians were “butch” bee they, prumably, wanted to be “men.” One goal of the portrayals was to make lbian and gay inty visible to viewers, siar ways that race n often be read onto the body.</p></div><div class="article-body" data-qa="article-body"><div class="cb dn db-ns" data-qa="article-body-ad" data-ttid="article-body-ad-sktop"><div aria-hidn="te" class="hi-for-prt relative flex jtify-center ntent-box ems-center b bh mb-md mt-none pt-lg pb-lg" style="m-height:250px;borr-top-lor:;borr-bottom-lor:"><div class="center absolute w-100 borr-box" style="top:"><div class="dib gray-dark pl-xs pr-xs font-sans-serif light font-xxxxs lh-md" style="--primary-borr-lor:"></div></div><div data-ttid="placeholr-box" class="w-100 h-100 absolute flex flex-lumn jtify-center borr-box bg-offwhe" style="width:300px;height:250px"><div class="flex flex-lumn jtify-center font-sans-serif center font-xxs light gray-dark lh-md"><div>Advertisement</div></div></div></div></div></div><div class="article-body" data-qa="article-body"><div class="cb db dn-ns" data-qa="article-body-ad" data-ttid="article-body-ad-mobile"><div aria-hidn="te" class="hi-for-prt relative flex jtify-center ntent-box ems-center b bh mb-md mt-sm pt-sm pb-sm" style="m-height:250px;borr-top-lor:;borr-bottom-lor:"><div class="center absolute w-100 borr-box" style="top:"><div class="dib gray-dark pl-xs pr-xs font-sans-serif light font-xxxxs lh-md" style="--primary-borr-lor:"></div></div><div data-ttid="placeholr-box" class="w-100 h-100 absolute flex flex-lumn jtify-center borr-box bg-offwhe" style="width:300px;height:250px"><div class="flex flex-lumn jtify-center font-sans-serif center font-xxs light gray-dark lh-md"></div></div></div></div></div><div class="article-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">In the 1970s, the growg sophistitn of televisn ratgs systems dramatilly changed TV programmg. Networks uld more clearly and quickly unrstand who was watchg a particular seri, makg easier to target 18-to-34-year-olds, whom advertisers veted. And so, works (mostly CBS and NBC) began buyg “hip” programmg om pennt producers such as Tanm (owned by Norman Lear and Bud York) and MTM Enterpris (owned by Grant Tker and Mary Tyler Moore). This shift rulted pathbreakg programs such as “All the Fay,” “Sanford and Son” and “The Mary Tyler Moore Show” that tackled issu such as class, race and genr, topics prevly nsired too difficult for TV.</p></div><div class="article-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">On ocsn, the “hip” programs clud episodic discsns of sexualy. And unlike earlier lbian and gay portrayals, the characters the shows were often dissociated om historil stereotyp, part reflectg a change public nscns after the 1969 Stonewall uprisg. For example, a 1977 episo of the “Sanford and Son” spoff “Sanford Arms” featured Travis, a Black gay civil rights attorney who was a iend of one of the seri’ characters. In the episo “Phil’s Assertn School,” Travis monstrated that (Black) gay men weren’t all effemate and, wh his job as an attorney (who ultimately end up helpg a seri star get out of a legal bd), that gay men uld have reers outsi the nf of “feme” pursus.</p></div><div class="article-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">Yet, as nservative wds swept through the untry the 1980s and as AIDS (ially lled GRID: gay related immune ficiency) began to cimate gay muni, this progrs erod. Black gay characters, when they appeared on televisn at all, returned to beg more effemate. For example, on “Saturday Night Live,” Eddie Murphy portrayed Dn. While he never said Dn was gay, the clu were ample for viewers who unrstood stereotyp of gay men — Dn was a hairdrser, equently discsed his “roommate” Carlos and had a tramark giggle.</p></div><div class="article-body" data-qa="article-body"><div class="cb dn db-ns" data-qa="article-body-ad" data-ttid="article-body-ad-sktop"><div aria-hidn="te" class="hi-for-prt relative flex jtify-center ntent-box ems-center b bh mb-md mt-none pt-lg pb-lg" style="m-height:250px;borr-top-lor:;borr-bottom-lor:"><div class="center absolute w-100 borr-box" style="top:"><div class="dib gray-dark pl-xs pr-xs font-sans-serif light font-xxxxs lh-md" style="--primary-borr-lor:"></div></div><div data-ttid="placeholr-box" class="w-100 h-100 absolute flex flex-lumn jtify-center borr-box bg-offwhe" style="width:300px;height:250px"><div class="flex flex-lumn jtify-center font-sans-serif center font-xxs light gray-dark lh-md"><div>Advertisement</div></div></div></div></div></div><div class="article-body" data-qa="article-body"><div class="cb db dn-ns" data-qa="article-body-ad" data-ttid="article-body-ad-mobile"><div aria-hidn="te" class="hi-for-prt relative flex jtify-center ntent-box ems-center b bh mb-md mt-sm pt-sm pb-sm" style="m-height:250px;borr-top-lor:;borr-bottom-lor:"><div class="center absolute w-100 borr-box" style="top:"><div class="dib gray-dark pl-xs pr-xs font-sans-serif light font-xxxxs lh-md" style="--primary-borr-lor:"></div></div><div data-ttid="placeholr-box" class="w-100 h-100 absolute flex flex-lumn jtify-center borr-box bg-offwhe" style="width:300px;height:250px"><div class="flex flex-lumn jtify-center font-sans-serif center font-xxs light gray-dark lh-md"></div></div></div></div></div><div class="article-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">The portrayal of Black gay men on televisn started to change the 1990s for three reasons. The works — which now clud broadst and ble — realized that the young adult children of the Whe dienc they targeted the 1970s were more willg to nsume ntent wh gay characters than their parents had been. Send, the expansn of ble televisn allowed for narrower dience targetg. Third, lifavg medil advanc shifted AIDS om a ath sentence to a manageable chronic illns, erasg some of the stigma attached to .</p></div><div class="article-body" data-qa="article-body"><div id="gift-share-le" data-ttid="gift-share-le" class="PJLV PJLV-ilotWTr-css hi-for-prt"><button aria-haspopup="dialog" aria-expand="false" aria-ntrols="gift-share-drawer" role="button" tabx="0" aria-label="Share this article" id="gift-share-drawer-ntrol-le" data-ttid="gift-share-drawer-ntrol-le" class="wpds-c-PJLV wpds-c-gsmDXe wpds-c-gsmDXe-goNocI-placement-Inle foc-highlight"><div data-ttid="gift-share-terstial-trigger" class="wpds-c-kPqOkS wpds-c-kPqOkS-jtSXsT-hasSubsText-false"><span class="wpds-c-hBJqc"><span class="wpds-c-dzSncg">Share this article</span></span><span class="wpds-c-eCvK"><span class="wpds-c-enedHQ wpds-c-enedHQ-cCdK-isShown-false">Share</span><svg xmlns=" fill="currentColor" viewBox="0 0 16 16" aria-hidn="te" focable="false" role="img" class="wpds-c-fBqPWp wpds-c-fDHGth"><path fill="currentColor" d="M8 .6v3.8h.1c-4.4 0-7.3 4.5-6.9 8.8.1.8.2 1.2.2 1.2l.2 1 .4-1.3c.8-2 2-4 6.2-3.9H8v4l7-6.9L8 .6Zm1 11.3V9.3h-.9c-3 0-4.8.5-6.2 2.9.5-3.3 2.7-6.8 6.2-6.8H9V3l4.5 4.4L9 11.9Z"></path></svg></span></div></button></div></div><div class="article-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">The rult: an crease Black gay reprentatn. The began wh “In Livg Color’s” “Men On …” sketch featurg Antoe Merriweather and Blae Edwards as two cultural crics who viewers were supposed to assume were gay based on their disda for all thgs female and the lisps wh which they spoke. But by 1991, the remnants of the past were left behd. From 1991 to 1993, for example, “Roc” clud four episos wh Rsell, Roc’s uncle, played by “Shaft” star Richard Roundtree — known for exudg hyper manls. Roundtree’s first appearance as Rsell, on the 1991 episo “Can’t Help Lovg the Man,” also marked the first time the word “marriage” was ed to scribe a ceremony between two same-sex dividuals. (“The Goln Girls” episo “Sister of the Bri” aired earlier 1991 but lled Clayton (Blanche’s brother) and Doug’s vows a “mment ceremony.”)</p></div><div class="article-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">The emergence of new channels and the growth of ble works such as Lifetime and HBO (both of which began producg origal programs) rulted a para of firsts for Black gay televisn reprentatn. Black-st ss, cludg “Moha” (1997) and “Good News” (1997), featured Black gay characters, wh “Moha” pictg the first Black gay teenager and the episo “Labels” beg the first by a Black gay wrer, Demetri Bady. Multicultural ss such as “Cutters” and “Sp Cy” clud Black gay men as part of the fabric of the seri, wh “Cutters” (1993) beg the first show to feature a Black gay character a -starrg role. RuPl also hosted “The RuPl Show” on VH1, the first time a Black gay man (and drag queen) hosted a talk/variety show. The show weled big-name celebri such as Diana Ross and Patti LaBelle alongsi performanc om Broadway shows.</p></div><div class="article-body" data-qa="article-body"><div class="cb dn db-ns" data-qa="article-body-ad" data-ttid="article-body-ad-sktop"><div aria-hidn="te" class="hi-for-prt relative flex jtify-center ntent-box ems-center b bh mb-md mt-none pt-lg pb-lg" style="m-height:250px;borr-top-lor:;borr-bottom-lor:"><div class="center absolute w-100 borr-box" style="top:"><div class="dib gray-dark pl-xs pr-xs font-sans-serif light font-xxxxs lh-md" style="--primary-borr-lor:"></div></div><div data-ttid="placeholr-box" class="w-100 h-100 absolute flex flex-lumn jtify-center borr-box bg-offwhe" style="width:300px;height:250px"><div class="flex flex-lumn jtify-center font-sans-serif center font-xxs light gray-dark lh-md"><div>Advertisement</div></div></div></div></div></div><div class="article-body" data-qa="article-body"><div class="cb db dn-ns" data-qa="article-body-ad" data-ttid="article-body-ad-mobile"><div aria-hidn="te" class="hi-for-prt relative flex jtify-center ntent-box ems-center b bh mb-md mt-sm pt-sm pb-sm" style="m-height:250px;borr-top-lor:;borr-bottom-lor:"><div class="center absolute w-100 borr-box" style="top:"><div class="dib gray-dark pl-xs pr-xs font-sans-serif light font-xxxxs lh-md" style="--primary-borr-lor:"></div></div><div data-ttid="placeholr-box" class="w-100 h-100 absolute flex flex-lumn jtify-center borr-box bg-offwhe" style="width:300px;height:250px"><div class="flex flex-lumn jtify-center font-sans-serif center font-xxs light gray-dark lh-md"></div></div></div></div></div><div class="article-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">Televisn shows the 2000s built on the gas, wh “The Wire,” “Te Blood” and “Noah’s Arc” all featurg Black gay characters. Not only were more Black gay characters appearg shows, but the portrayal of Black gay men was also changg. “The Wire” featured Omar, a character who not only fied old stereotyp, but also was the first Black gay character whose sexualy was sendary to his inty — which foced more on the fear and rpect he mand om Baltimoreans. “Te Blood’s” Lafayette was a short-orr ok and dg aler. Demonstratg how far thgs had e, 2006, “Noah’s Arc” premiered, beg the first seri to clu a primary st posed entirely of Black gay men and executive produced by a Black gay man, Patrik-Ian Polk.</p></div><div class="article-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">Together, the programs and characters monstrated that Black gay men uld be multifaceted dividuals who uld remix stereotyped tras to create characters who were ls easily tegorized as “good” or “bad.”</p></div><div class="article-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">And wasn’t only ble that offered a more nuanced portrayal of Black gay men. Network ss, “All of Us,” “The Game” and “Will and Grace,” all clud episos wh Black gay characters relatnships. The characters reprented an attempt by wrers and producers to offer more nuanced reprentatns of Black LGBTQ characters.</p></div><div class="article-body" data-qa="article-body"><div class="cb dn db-ns" data-qa="article-body-ad" data-ttid="article-body-ad-sktop"><div aria-hidn="te" class="hi-for-prt relative flex jtify-center ntent-box ems-center b bh mb-md mt-none pt-lg pb-lg" style="m-height:250px;borr-top-lor:;borr-bottom-lor:"><div class="center absolute w-100 borr-box" style="top:"><div class="dib gray-dark pl-xs pr-xs font-sans-serif light font-xxxxs lh-md" style="--primary-borr-lor:"></div></div><div data-ttid="placeholr-box" class="w-100 h-100 absolute flex flex-lumn jtify-center borr-box bg-offwhe" style="width:300px;height:250px"><div class="flex flex-lumn jtify-center font-sans-serif center font-xxs light gray-dark lh-md"><div>Advertisement</div></div></div></div></div></div><div class="article-body" data-qa="article-body"><div class="cb db dn-ns" data-qa="article-body-ad" data-ttid="article-body-ad-mobile"><div aria-hidn="te" class="hi-for-prt relative flex jtify-center ntent-box ems-center b bh mb-md mt-sm pt-sm pb-sm" style="m-height:250px;borr-top-lor:;borr-bottom-lor:"><div class="center absolute w-100 borr-box" style="top:"><div class="dib gray-dark pl-xs pr-xs font-sans-serif light font-xxxxs lh-md" style="--primary-borr-lor:"></div></div><div data-ttid="placeholr-box" class="w-100 h-100 absolute flex flex-lumn jtify-center borr-box bg-offwhe" style="width:300px;height:250px"><div class="flex flex-lumn jtify-center font-sans-serif center font-xxs light gray-dark lh-md"></div></div></div></div></div><div class="article-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">In the years sce the breakthroughs, numero seri, cludg “Are We There Yet?,” “Dear Whe People” and “Brooklyn Ne-Ne,” have had Black gay characters, monstratg perhaps that the old lkage between Whens and LGBTQ sexualy on TV is fadg.</p></div><div class="article-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">The chang matter. Reprentatn n signal acceptance and normalcy that n be important for Black queer boys and men. Yet the battle do not end wh more — or more nuanced — reprentatn. For entertament dtri to tly make progrs reprentg Black LGBTQ characters, they need to hire more LGBTQ people of lor to work ont of and behd the meras while creatg programmg that don’t force sgle LGBTQ characters to reprent all LGBTQ experienc. Only then n nversatns about LGBTQ stereotyp be firmly left the past.</p></div><div class="wpds-c-ipATMk wpds-c-ipATMk-hCiGAB-removeMobileStyl-te"><div class="wpds-c-dhzjXW wpds-c-dhzjXW-iPJLV-css overriStyl mt-md tt"><div id="gift-share-end" data-ttid="gift-share-end" class="PJLV PJLV-idiqKOk-css hi-for-prt"><button aria-haspopup="dialog" aria-expand="false" aria-ntrols="gift-share-drawer" role="button" tabx="0" aria-label="Share this article" id="gift-share-drawer-ntrol-end" data-ttid="gift-share-drawer-ntrol-end" class="wpds-c-PJLV wpds-c-gsmDXe wpds-c-gsmDXe-iIVoLq-placement-Shortcut foc-highlight"><div class="wpds-c-UazGY" id="gift-share-shortcut" data-ttid="gift-share-shortcut"><svg xmlns=" fill="var(--wpds-lors-primary)" viewBox="0 0 16 16" aria-hidn="te" focable="false" role="img" class="wpds-c-fVfumU "><path fill="currentColor" d="M8 .6v3.8h.1c-4.4 0-7.3 4.5-6.9 8.8.1.8.2 1.2.2 1.2l.2 1 .4-1.3c.8-2 2-4 6.2-3.9H8v4l7-6.9L8 .6Zm1 11.3V9.3h-.9c-3 0-4.8.5-6.2 2.9.5-3.3 2.7-6.8 6.2-6.8H9V3l4.5 4.4L9 11.9Z"></path></svg><div class="PJLV wpds-c-kwcHlj">Share</div></div></button></div><div class="wpds-c-hcekgi"><div class="mb-lg-mod" data-qa="ments-btn-div"><button aria-label="Scroll to the ments sectn" data-qa="ments-btn" class="wpds-c-kSOqLF wpds-c-kSOqLF-SQjOY-variant-sendary wpds-c-kSOqLF-eHdizY-nsy-flt wpds-c-kSOqLF-ejCoEP-in-left wpds-c-kSOqLF-igqYgPb-css ments hi-for-prt"><svg xmlns=" viewBox="0 0 16 16" fill="currentColor" aria-hidn="te" focable="false" role="img" class="wpds-c-fBqPWp "><path d="M14 14V2H2v9.47h8.18L12.43 13ZM3 10.52V3h10v9.23l-2.5-1.66Z"></path></svg><span></span> Comments</button></div></div></div><div class="PJLV PJLV-iipsdti-css"><div></div></div><div class="PJLV PJLV-iipsdti-css"><div></div></div><sectn class="PJLV PJLV-iipsdti-css dn-ns hi-for-prt" data-ttid="mostRead" subscriptns-sectn="ntent"><div data-ttid="lazy-most-read-parent" class=""><div style="m-height:800px"></div></div></sectn><div class="PJLV PJLV-ickXkbz-css"><div data-qa="newsletter" class="hi-for-prt relative"><div class="dib w-100"><div><div class="flex jtify-center align self-center center transn-all duratn-400 ease--out" data-qa="sc-newsletter-signup" aria-label=""><svg aria-labelledby="react-aria-1-aria" role="img" viewBox="0 0 100 80"><tle id="react-aria-1-aria">Loadg...

lgbt stereotypes in tv

Longtime TV cric Dan Avery charts the history of gay, queer, and transgenr reprentatn popular Amerin seri om 1971 to today, om Ellen to Pose.

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    *BEAR-MAGAZINE.COM* LGBT STEREOTYPES IN TV

    The 15 Most Inic LGBTQ Characters TV History</tle><meta name="tle" ntent="The 15 Most Inic LGBTQ Characters TV History" /><meta name="scriptn" ntent="Longtime TV cric Dan Avery charts the history of gay, queer, and transgenr reprentatn popular Amerin seri om 1971 to today, om Ellen to Pose." /><meta name="keywords" ntent /><meta property="og:type" ntent="webse" /><meta name="theme-lor" ntent="#000000" /><lk href="/_assets/sign-tokens/oprahdaily/static/imag/" rel="in" /><meta property="og:se_name" ntent="Oprah Daily" /><meta name="fb:app_id" ntent="557569598006399" property="fb:app_id" /><meta name="article:publisher" ntent=" property="article:publisher" /><meta name="twter:se" ntent="@OprahDaily" /><meta name="google-se-verifitn" ntent="82jYkYSOEZ5GE7V8m8gSrd7kxTtY-J37c6dvl60N8" /><meta property="og:tle" ntent="The Most Impactful LGBTQ+ Characters TV History" /><meta property="og:scriptn" ntent="Longtime televisn cric Dan Avery charts the history of queer reprentatn popular Amerin seri—and how they changed our untry for the better" /><meta name="robots" ntent="max-image-preview:large,max-snippet:-1,max-vio-preview:30" /><lk rel="apple-touch-in" href="/_assets/sign-tokens/oprahdaily/static/imag/" /><meta property="og:image" ntent="" /><meta property="og:image:width" ntent="1200" /><meta property="og:image:height" ntent="600" /><meta name="thumbnail" ntent="" /><meta name="" ntent="" /><meta name="" ntent=" /><meta name="twter:image" ntent="" /><meta ntent=" property="og:url" /><meta name="to-publish" ntent="timely" /><meta property="og:type" ntent="article" /><meta name="twter:rd" ntent="summary_large_image" /><meta name="article:opn" property="article:opn" /><meta ntent="TV & Movi" property="article:sectn" /><meta ntent="2022-08-01T13:26:58Z" property="article:modified_time" /><meta ntent="2022-06-24T19:32:00Z" property="article:published_time" /><meta name="sailth.excerpt" ntent="Be work, ble, or streamg, televisn is the most powerful entertament medium for effectg cultural change. 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Nowhere is this ter than wh LGBTQ+ reprentatn televisn, which has shifted om nonexistent to nearly ubiquo " /><meta name="" ntent="entertament,Culture & News,tv-movi,TV & Movi" /><meta name="" ntent="2022-06-24 19:32:00" /><meta name="sailth.socialtle" ntent="The Most Impactful LGBTQ+ Characters TV History" /><meta name="ntenttype" ntent="longform-article" /><meta id="m1" name="m1" emProp="cssSelector " ntent=".ntent-hed" /><meta id="m2" name="m2" emProp="cssSelector" ntent=".ntent-k p" /><lk href="/" emSpe emType=" emRef="m1 m2" /><lk rel="prefetch" href="" as="image" /><lk rel="preload" as="image" image-src-set=" 640w, 980w, 1120w, 1200w, 1920w" image-siz="100vw" /><meta name="next-head-unt" ntent="46" /><meta name="next-font-prennect" /><script id="vice-tect" data-nscript="beforeInteractive">(()=>{nst o="ontouchstart" wdow||!!navigator.maxTouchPots||("__touch"),t=wdow.matchMedia("only screen and (max-width: 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href="/entertament/tv-movi/a40369021/inic-lgbtq-characters-televisn-history/" data-vars-ga-ux-element="Breadcmbs" data-vars-ga-ll-to-actn="The Most Impactful LGBTQ+ Characters TV History" data-vars-ga-outbound-lk=" class="e9l0kn00 css-10asp0m e1c1bym14"><span emProp="name">The Most Impactful LGBTQ+ Characters TV History</span></a><meta emProp="posn" ntent="3" /></li></ol></nav><style data-emotn="css nno972">{font-fay:Juana,Geia,Tim,Serif;font-weight:300;grid-lumn:1/-1;marg-bottom:0.9375rem;marg-top:0;}@media(max-width: 48rem){{font-size:2.5rem;le-height:1.1;}}@media(max-width: 64rem){{marg-bottom:0.9375rem;font-size:2.5rem;le-height:1.1;letter-spacg:-0.01em;}}@media(m-width: 48rem){{marg-bottom:1rem;font-size:3.25rem;le-height:1.1;letter-spacg:-0.02em;}}@media(m-width: 64rem){{font-size:3.875rem;le-height:1.05;}}@media(m-width: 73.75rem){{font-size:3.875rem;le-height:1.05;}} span:first-of-type:before{-webk-background-posn:center;background-posn:center;background-repeat:no-repeat;-webk-background-size:ver;background-size:ver;ntent:'';display:block;height:1.125rem;width:1.375rem;} span:first-of-type:before{background-image:url('/_assets/sign-tokens/oprahdaily/static/imag/');}@media(max-width: 73.75rem){ span:first-of-type:before{marg:1.25rem to;}}@media(m-width: 64rem){ span:first-of-type:before{marg:1.75rem to;}}</style><h1 class="css-nno972 exadjwu10"><span aria-hidn="te" class="css-0 eagam8p0"></span>The Most Impactful LGBTQ+ Characters TV History<span aria-hidn="te" class="css-0 eagam8p1"></span></h1><style data-emotn="css 157op6k">{font-fay:Juana,Geia,Tim,Serif;font-size:1.3125rem;font-weight:normal;letter-spacg:-0.01em;le-height:1.2;marg-bottom:0;}@media(max-width: 64rem){{paddg-left:1.25rem;paddg-right:1.25rem;}} p{marg:0rem;} a{-webk-text-ratn:unrle;text-ratn:unrle;text-ratn-thickns:0.0625rem;text-ratn-lor:her;text-unrle-offset:0.25rem;lor:her;-webk-transn:all 0.3s ease--out;transn:all 0.3s ease--out;} a:hover{lor:#595959;text-ratn-lor:borr-lk-body-hover;}</style><div class="css-157op6k exadjwu8"><p>Longtime televisn cric Dan Avery charts the history of queer reprentatn popular Amerin seri—and how they changed our untry for the better<br /></p></div><style data-emotn="css 1t9ufoh">{display:block;font-fay:Gilroy,Helveti,Arial,Sans-serif;font-size:0.8125rem;le-height:1.2;marg:0.625rem 0 0.3125rem;marg-bottom:0.625rem;paddg-right:0.3125rem;}@media(max-width: 64rem){{marg-top:1.35rem;}}@media(m-width: 48rem){{marg-top:1.75rem;}} addrs{marg:0rem;} span{le-height:1.6;display:le-block;marg:0rem;}</style><div class="css-1t9ufoh exadjwu7"><style data-emotn="css b9totx">{font-style:normal;paddg-right:0.3125rem;font-fay:Gilroy,Helveti,Arial,Sans-serif;display:block;font-size:0.8125rem;le-height:1.2;marg:0.625rem 0 0.3125rem;}</style><addrs class="css-b9totx ehvvd9m2"><style data-emotn="css 1gwutwq">{paddg-right:0.3125rem;font-fay:Gilroy,Helveti,Arial,Sans-serif;display:block;font-size:0.8125rem;le-height:1.2;marg:0.625rem 0 0.3125rem;}</style><span class="css-1gwutwq ehvvd9m1">By Dan Avery</span><style data-emotn="css 1gryrf1">{display:le-block;text-transform:unset;marg-left:0.625rem;}</style><time class="css-1gryrf1 exadjwu6">Published: Jun 24, 2022</time></addrs></div><style data-emotn="css wkpw2c">{display:-webk-box;display:-webk-flex;display:-ms-flexbox;display:flex;-webk-flex-directn:lumn;-ms-flex-directn:lumn;flex-directn:lumn;-webk-box-pack:center;-ms-flex-pack:center;-webk-jtify-ntent:center;jtify-ntent:center;-webk-align-ems:center;-webk-box-align:center;-ms-flex-align:center;align-ems:center;}</style><div class="no-prt css-wkpw2c exadjwu15"><style data-emotn="css 1hpjtwr">{display:-webk-box;display:-webk-flex;display:-ms-flexbox;display:flex;posn:relative;marg-top:0.9375rem;}</style><div class="ntent-hear-actns css-1hpjtwr exadjwu14"><style data-emotn="css 1x55pmg">{background-lor:#E61957;lor:#ffffff;borr:th solid transparent;display:-webk-box;display:-webk-flex;display:-ms-flexbox;display:flex;-webk-flex-directn:row;-ms-flex-directn:row;flex-directn:row;-webk-align-ems:center;-webk-box-align:center;-ms-flex-align:center;align-ems:center;paddg:0.625rem 1.25rem;marg-top:0rem;marg-bottom:0rem;-webk-text-ratn:none;text-ratn:none;text-transform:upperse;-webk-transn:all 0.3s ease--out;transn:all 0.3s ease--out;-webk-box-pack:center;-ms-flex-pack:center;-webk-jtify-ntent:center;jtify-ntent:center;font-fay:Gilroy,Helveti,Arial,Sans-serif;width:to;borr-radi:50rem;font-size:0.8125rem;le-height:1.2;font-weight:bold;letter-spacg:0.05em;}{background-lor:#9D002F;lor:#ffffff;cursor:poter;borr:th solid transparent;}{marg-left:1rem;}{outle:0.125rem dotted #000000;outle-offset:0.2rem;}</style><button data-tooltip-id="article-hear-save" class="ntentSaveButton css-1x55pmg e12nq69g1"><style data-emotn="css 7g4d0s">{width:1rem;height:1rem;marg-right:0.625rem;} path{fill:#ffffff;} path{fill:#ffffff;}</style><svg xmlns=" fill="none" viewBox="0 0 48 62" class="css-7g4d0s e10k4xbi2"><path fill="#000" fill-le="evenodd" d="M24 46.52 48 61V0H0v61.44l24-14.92ZM5.67 50.9 24 39.5l18.33 11.4V5.7H5.67v45.2Z" clip-le="evenodd"></path></svg>Save Article</button><style data-emotn="css 3s1l0y">{width:160px;text-align:left;lor:#595959;font-fay:Gilroy,Helveti,Arial,Sans-serif;font-size:0.70284rem;le-height:1.1;letter-spacg:0.045rem;}</style></div></div></div></div></hear><style data-emotn="css 149neno">{marg-left:to;marg-right:to;marg-bottom:0.9375rem;max-width:m(lc(20.625rem * 2 - 1rem), lc(100vw - 1rem * 2));} .e152u5os0{marg-left:lc((100vw - m(lc(20.625rem * 2 - 1rem), lc(100vw - 1rem * 2)))/-2);width:100vw;}@media(m-width: 48rem) and (max-width: 61.25rem){ .e152u5os0{marg-left:lc(lc((100vw - m(lc(20.625rem * 2 - 1rem), lc(100vw - 1rem * 2)))/-2) - 3.5rem);}}@media(m-width: 90rem){ .e152u5os0{paddg-left:0.1rem;paddg-right:0.1rem;marg-left:lc(lc((100vw - m(lc(20.625rem * 2 - 1rem), lc(100vw - 1rem * 2)))/-2));}}</style><div class="longform-ntaer ntent-ntaer article-ntaer css-149neno ewisyje2"><style data-emotn="css woto36">{font-fay:Charter,Geia,Tim,Serif;font-size:1.1875rem;le-height:1.6;paddg-left:0rem;paddg-right:0rem;posn:relative;}@media(m-width: 48rem){{paddg-left:3.5rem;paddg-right:3.5rem;}}@media(m-width: 48rem) and (max-width: 61.25rem){{max-width:45.25rem;marg-left:to;marg-right:to;}}@media(m-width: 61.25rem){{paddg-left:0rem;paddg-right:0rem;}}@media(m-width: 73.75rem) and (max-width: 100rem){{paddg-left:0rem;paddg-right:0rem;}}@media(m-width: 90rem){{paddg-left:0rem;paddg-right:0rem;}} em{font-style:alic;font-fay:Charter,Geia,Tim,Serif;} strong{font-fay:Charter,Geia,Tim,Serif;font-weight:bold;}{clear:both;ntent:" ";display:block;font-size:0.7rem;le-height:1.5rem;height:0rem;visibily:hidn;}</style><div class="article-body-ntent article-body longform-body css-woto36 ewisyje7"><style data-emotn="css hxci">{font-fay:Charter,Geia,Tim,Serif;font-size:1.1875rem;le-height:1.6;}{float:left;text-transform:upperse;font-weight:bold;marg-right:0.9375rem;marg-bottom:-0.625rem;marg-top:0;}{font-fay:Juana,Geia,Tim,Serif;font-size:3.8431rem;font-weight:300;le-height:1;}@-moz-document url-prefix(){{marg-top:0.625rem;}}@media(max-width: 64rem){{font-size:6.25rem;le-height:0.9;}}@media(m-width: 48rem){{font-size:6.25rem;le-height:0.9;}}@media(m-width: 64rem){{font-size:7.87499rem;le-height:0.9;}} strong{font-fay:Charter,Geia,Tim,Serif;font-weight:bold;} em{font-style:alic;font-fay:Charter,Geia,Tim,Serif;}</style><p data-no-id="0" class="body-dropp css-hxci et3p2gv0">Be work, ble, or streamg, televisn is the most powerful entertament medium for effectg cultural change. Week after week, characters are brought onto our screens—and ero long-standg prejudic and misnceptns. Nowhere is this ter than wh LGBTQ+ reprentatn televisn, which has shifted om nonexistent to nearly ubiquo a matter of s. Acrdg to GLAAD, <style data-emotn="css 9cezh6">{-webk-text-ratn:unrle;text-ratn:unrle;text-ratn-thickns:0.0625rem;text-ratn-lor:her;text-unrle-offset:0.25rem;lor:#E61957;-webk-transn:all 0.3s ease--out;transn:all 0.3s ease--out;}{lor:#595959;text-ratn-lor:borr-lk-body-hover;}</style><a href=" target="_blank" data-vars-ga-outbound-lk=" data-vars-ga-ux-element="Hyperlk" data-vars-ga-ll-to-actn="LGBTQ+ characters are at a rerd high the 2021-2022 season" class="body-lk css-9cezh6 et3p2gv0"><u>LGBTQ+ characters are at a rerd high the 2021-2022 season</u></a>, reprentg more than one ne of all regular characters on Amerin televisn, <a href=" target="_blank" data-vars-ga-outbound-lk=" data-vars-ga-ux-element="Hyperlk" data-vars-ga-ll-to-actn="an crease of more than 20 percent om last season" class="body-lk css-9cezh6 et3p2gv0">an crease of more than 20 percent om last season</a>.<br /></p><style data-emotn="css 1736von">{--data-embed-display:flex;-webk-align-ems:center;-webk-box-align:center;-ms-flex-align:center;align-ems:center;clear:both;display:-webk-box;display:-webk-flex;display:-ms-flexbox;display:flex;marg-bottom:0.9375rem;marg-left:to;marg-right:to;width:100%;}@media(m-width: 20rem){{width:100%;marg:0 to 0.9375rem;}}@media(m-width: 30rem){{width:100%;marg:0 to 0.9375rem;}}@media(m-width: 40.625rem){{width:100%;marg:0 to 0.9375rem;}}@media(m-width: 48rem){{width:100%;marg:0 to 0.9375rem;}}@media(m-width: 64rem){{width:100%;marg:0 to 0.9375rem;}}@media(m-width: 73.75rem){{width:100%;marg:0 to 0.9375rem;}}@media(m-width: 75rem){{width:100%;marg:0 to 0.9375rem;}}@media(m-width: 90rem){{width:100%;marg:0 to 0.9375rem;}} a span{right:1rem;} img{width:to;height:85vh;} a{display:-webk-le-box;display:-webk-le-flex;display:-ms-le-flexbox;display:le-flex;posn:var(--posn, relative);} img:not(.ewcw41w1){display:block;width:100%;height:to;-webk-align-self:flex-start;-ms-flex-em-align:flex-start;align-self:flex-start;}</style><div size="medium" data-embed="body-image" data-no-id="1" class="align-center size-medium embed css-1736von e1xqj1sx4"><style data-emotn="css uwraif">{width:100%;display:-webk-le-box;display:-webk-le-flex;display:-ms-le-flexbox;display:le-flex;-webk-flex-directn:lumn;-ms-flex-directn:lumn;flex-directn:lumn;marg-left:to;marg-right:to;-webk-box-pack:center;-ms-flex-pack:center;-webk-jtify-ntent:center;jtify-ntent:center;}</style><div class="css-uwraif e1xqj1sx3"><img alt="queer characters pull quote" tle="queer characters pull quote" loadg="lazy" width="1332" height="800" dg="async" data-nimg="1" style="lor: transparent; width: 100%; height: to;" siz="100vw" srcSet=" 640w, 980w, 1120w, 1200w, 1920w" src="" class="css-0 exi4f7p0" /><style data-emotn="css swqnqv">@media(m-width: 20rem){{paddg-left:0rem;}}@media(m-width: 30rem){{paddg-left:0rem;}}@media(m-width: 40.625rem){{paddg-left:0rem;}}@media(m-width: 48rem){{paddg-left:0rem;}}@media(m-width: 64rem){{paddg-left:0rem;}}@media(m-width: 73.75rem){{paddg-left:0rem;}}@media(m-width: 75rem){{paddg-left:0rem;}}@media(m-width: 90rem){{paddg-left:0rem;}}</style><div class="css-swqnqv e1xqj1sx2"></div></div></div><style data-emotn="css aeyldl">{font-fay:Charter,Geia,Tim,Serif;font-size:1.1875rem;le-height:1.6;} strong{font-fay:Charter,Geia,Tim,Serif;font-weight:bold;} em{font-style:alic;font-fay:Charter,Geia,Tim,Serif;}</style><p data-no-id="2" class="css-aeyldl et3p2gv0">The portrayals are almost always hard-fought, as creators and performers face opposn om works, viewers, and nservativ. But reprentatn is val: Queer characters hold the power to change attus while providg a lifele to people stgglg wh their inty or orientatn.<br /><br />In celebratn of Pri Month, we’re revisg and honorg 15 of the most inic LGBTQ+ characters televisn history.</p><div data-embed="embed-gallery" data-no-id="3" class="embed css-0 ebzsujn10"><style data-emotn="css 1wk7tug">{display:-webk-box;display:-webk-flex;display:-ms-flexbox;display:flex;-webk-flex-directn:row;-ms-flex-directn:row;flex-directn:row;-webk-box-flex-wrap:wrap;-webk-flex-wrap:wrap;-ms-flex-wrap:wrap;flex-wrap:wrap;grid-gap:1rem;-webk-box-pack:start;-ms-flex-pack:start;-webk-jtify-ntent:flex-start;jtify-ntent:flex-start;marg-bottom:0.875rem;}@media(max-width: 48rem){ .ebzsujn9{width:100%;}}@media(m-width: 40.625rem) and (max-width: 61.25rem){ .ebzsujn9{m-width:m(20.625rem, lc((100% - 1rem)/2));max-width:m(20.625rem, lc((100% - 1rem)/2));}}@media(m-width: 61.25rem) and (max-width: 73.75rem){ .ebzsujn9{width:100%;max-width:lc(50% - (1rem / 2));}}@media(m-width: 73.75rem){{marg-left:max(lc((100vw - lc(20.625rem * 2 - 1rem)) / -2 + 1rem), lc((1rem + 20.625rem) / -1));marg-right:max(lc((100vw - lc(20.625rem * 2 - 1rem)) / -2 + 1rem), lc((1rem + 20.625rem) / -1));-webk-box-pack:center;-ms-flex-pack:center;-webk-jtify-ntent:center;jtify-ntent:center;} .ebzsujn9{width:20.625rem;}}</style><div class="css-1wk7tug ebzsujn8"><style data-emotn="css 1khxyv7">@media(max-width: 64rem){{marg-bottom:0;paddg-bottom:1.4rem;}}@media(m-width: 48rem){{marg-bottom:0.625rem;paddg-bottom:0.3125rem;}}@media(max-width: 64rem){(:first-of-type){paddg-top:1.875rem;}}@media(m-width: 48rem){(:first-of-type){paddg-top:0;}}@media(max-width: 64rem){(:last-of-type){borr-bottom:th solid #CDCDCD;}}@media(m-width: 48rem){(:last-of-type){borr-bottom:0;}}</style><div class="css-1khxyv7 ebzsujn9"><style data-emotn="css pstvay">{marg:0 0 0.3125rem 0;m-width:5rem;} img:not(.ektooqb1):not(.ektooqb0){width:100%;height:to;} img{marg-bottom:0.625rem;}</style><div class="css-pstvay ebzsujn5"><style data-emotn="css 9xcc4r">{display:block;paddg-bottom:0rem;text-align:center;vertil-align:top;}</style><div class="css-9xcc4r ebzsujn4"><img src="" alt tle="This is an image" width="1121" height="1035" dg="async" loadg="lazy" /><style data-emotn="css mowjvu">{font-weight:bold;marg-top:0;marg-bottom:0.625rem;font-fay:Gilroy,Helveti,Arial,Sans-serif;font-size:1.0625rem;le-height:1.2;}</style><h6 class="css-mowjvu ebzsujn1">Beverly LaSalle, All the Fay (1971-1979)</h6><style data-emotn="css 21em1x"> p{marg-top:0.3125rem;marg-bottom:0.7rem;font-fay:Gilroy,Helveti,Arial,Sans-serif;font-size:0.9375rem;le-height:1.35;} {background-lor:#E61957;lor:#ffffff;display:le-block;} {background-lor:#9D002F;lor:#ffffff;}</style><div class="css-21em1x ebzsujn0"><p class="css-aeyldl et3p2gv0">Begng 1975, edian Lori Shannon appeared as Edh Bunker’s female impersonator iend, Beverly LaSalle, three episos of CBS’s <em>All the Fay</em>. That self was a watershed velopment: a drag queen prented a posive, affirmg light on one of Ameri’s top-rated TV shows. But was LaSalle’s fal appearance 1977’s Edh's Crisis of Fah episo that was the most poignant. In the season 8 episo, Beverly viss the Bunkers at Christmastime as she prepar for her Carnegie Hall but. The fay wel her warmly, but as Beverly (out of drag) and Archie’s son--law, Mike, walk to the subway, they are btally attacked by gay bashers, who beat Beverly to ath. The murr of her iend Edh to stggle over the existence of God and qutn how she uld move forward. Mike eventually enurag Edh to be strong for her fay, but ’s clear her crisis of fah isn’t rolved when the closg creds n.</p></div></div></div></div><div class="css-1khxyv7 ebzsujn9"><div class="css-pstvay ebzsujn5"><div class="css-9xcc4r ebzsujn4"><img src="" alt tle="This is an image" width="1121" height="1035" dg="async" loadg="lazy" /><h6 class="css-mowjvu ebzsujn1">Jodie Dallas, Soap (1977-1981)</h6><div class="css-21em1x ebzsujn0"><p class="css-aeyldl et3p2gv0">A young Billy Crystal played Jodie Dallas, one of the first recurrg gay characters on Amerin TV, this s send-up of daytime dramas. That mak Dallas noteworthy, even though gay groups at the time plaed that Dallas was a jumble of negative stereotyp about homosexualy. At var pots, Jodie attempts suici, ntemplat genr-reassignment surgery, and even fathers a child after a one-night-stand wh a woman. In fact, spe sistg he is gay, Jodie has more relatnships wh women than men. (He manag to have a sgle date wh a man one episo.) In the 1981 fale, Jodie unrgo hypnotherapy and wds up believg he is actually an elrly Jewish man named Juli Kassendorf. </p></div></div></div></div><div class="css-1khxyv7 ebzsujn9"><div class="css-pstvay ebzsujn5"><div class="css-9xcc4r ebzsujn4"><img src="" alt tle="This is an image" width="1121" height="1034" dg="async" loadg="lazy" /><h6 class="css-mowjvu ebzsujn1">Steven Carrgton, Dynasty (1981-1989)</h6><div class="css-21em1x ebzsujn0"><p class="css-aeyldl et3p2gv0"><em>Dynasty</em> helped lnch the glzy nighttime soap era of the 1980s, and Steve Carrgton was one of prime time’s first major gay characters as the son of tyon Blake Carrgton. First played by actor Al Corley and, later, Jack Coleman, Steven was blond and hunky, wh a stronger moral center than his nnivg fay. But like <em>Soap</em>’s Jodie Dallas, he was largely fed by his stggl wh his sexualy. Like Dallas, he had relatnships wh both men and women—most famoly Sammy Jo (Heather Locklear). Corley once told Interview he was eager to play a a gay character, but that Steven ”has no humor" and suffers om “ever-shiftg sexual preferenc.” In later years, <em>Dynasty</em>’s producers admted terference om ABC and protts by nservative relig groups ma nearly impossible to evolve the character. When the show was revived for the 1991 miseri Dynasty: The Rnn, Steven was portrayed as openly gay and a stable relatnship. The CW rebooted <em>Dynasty</em> 2017, and Jam Mackay took on the mantle of Steven Carrgton but was <a href=" target="_blank" data-vars-ga-outbound-lk=" data-vars-ga-ux-element="Hyperlk" data-vars-ga-ll-to-actn="abptly wrten out" class="body-lk css-9cezh6 et3p2gv0">abptly wrten out</a> season 2. </p></div></div></div></div></div></div><div data-embed="embed-gallery" data-no-id="4" class="embed css-0 ebzsujn10"><div class="css-1wk7tug ebzsujn8"><div class="css-1khxyv7 ebzsujn9"><div class="css-pstvay ebzsujn5"><div class="css-9xcc4r ebzsujn4"><img src="" alt tle="This is an image" width="1121" height="1034" dg="async" loadg="lazy" /><h6 class="css-mowjvu ebzsujn1">Rickie Vasquez, My So-Called Life (1994-1995)</h6><div class="css-21em1x ebzsujn0"><p class="css-aeyldl et3p2gv0">Though lasted jt one season, <em>My So-Called Life</em> has been hailed for s unvarnished pictn of adolcence. Queer characters had already started to pop up on adult dramas, cludg thirty-somethg, L.A. Law, and Roseanne. But Rickie, played by Wilson Cz, was a gay teen, who was unfortable at school, where he hid the girl’s bathroom. At home, his uncle abed him. Instead of a throwaway background character for protagonist Angela Chase (a young Claire Dan) to teract wh, Rickie was given his own storyl, as well as the chance to figure his inty out on his own terms. <em>My So-Called Life</em> also marked the first time an openly gay actor, Wilson Cz, played a gay character, givg Rickie a richer sense of thenticy. “LGBTQ stunts have been existence forever and we will be here forever,” <a href=" target="_blank" data-vars-ga-outbound-lk=" data-vars-ga-ux-element="Hyperlk" data-vars-ga-ll-to-actn="Cz told TODAY" class="body-lk css-9cezh6 et3p2gv0">Cz told TODAY</a> 2021. “Rickie Vasquez was jt the first person to say, ‘I serve to be loved too.’”</p></div></div></div></div><div class="css-1khxyv7 ebzsujn9"><div class="css-pstvay ebzsujn5"><div class="css-9xcc4r ebzsujn4"><img src="" alt tle="This is an image" width="1121" height="1034" dg="async" loadg="lazy" /><h6 class="css-mowjvu ebzsujn1">Ellen Man, Ellen (1994-1998)</h6><div class="css-21em1x ebzsujn0"><p class="css-aeyldl et3p2gv0">Every gay person of a certa age remembers where they were when <em>Ellen</em>’s “The Puppy Episo” aired 1997—the two-parter that saw Ellen DeGener’s character e out as a lbian, cidg wh the edian’s own real-life g out. Ellen Man was the first gay lead character a prime-time seri, and dienc followed her journey of self-acceptance, disclosure, and romantic relatnships. It’s a feat that’s never really been repeated sce. And though the storyle drew cril acclaim and awards, earned cricism om nservativ, as well. An ABC affiliate Alabama refed to air “The Puppy Episo” and several advertisers pulled out of the show. After flounrg through another season, <em>Ellen</em> was nceled. It didn’t help that began airg a parental warng after Ellen me out. “It was very offensive,” <a href=" target="_blank" data-vars-ga-outbound-lk=" data-vars-ga-ux-element="Hyperlk" data-vars-ga-ll-to-actn="DeGener told Entertament Weekly" class="body-lk css-9cezh6 et3p2gv0">DeGener told <em>Entertament Weekly</em></a>, “You don't thk that's gog to affect ratgs?” DeGener’s brave move st her reer-wise, and wasn’t until her 2003 talk show that she emerged back on top.</p></div></div></div></div><div class="css-1khxyv7 ebzsujn9"><div class="css-pstvay ebzsujn5"><div class="css-9xcc4r ebzsujn4"><img src="" alt tle="This is an image" width="1121" height="1034" dg="async" loadg="lazy" /><h6 class="css-mowjvu ebzsujn1">Willow Rosenberg, Buffy the Vampire Slayer (1997-2001)</h6><div class="css-21em1x ebzsujn0"><p class="css-aeyldl et3p2gv0">While Sarah Michelle Gellar was the undisputed star of this cult favore, Alyson Hannigan’s Willow was a te scene-stealer, g her bras, ws, and magic to get the Soby Gang out of numero jams. Inially straight-intified, Willow beme drawn to fellow spellster Tara (Amber Benson), and many ‘90s teens intified wh her stggl wh her sexualy. Eventually the two beme one of the first pictns of a stable lbian relatnship on prime time televisn. Unfortunately, Tara was abptly killed season six, which outraged many fans. Ultimately, the equent aths of LGBTQ characters on TV lead to anized cricism of what was dubbed the <a href=" target="_blank" data-vars-ga-outbound-lk=" data-vars-ga-ux-element="Hyperlk" data-vars-ga-ll-to-actn="“bury your gays” trope." class="body-lk css-9cezh6 et3p2gv0">“bury your gays” trope.</a></p></div></div></div></div></div></div><div size="medium" data-embed="body-image" data-no-id="5" class="align-center size-medium embed css-1736von e1xqj1sx4"><div class="css-uwraif e1xqj1sx3"><img alt="ellen man quote" tle="ellen man quote" loadg="lazy" width="1332" height="800" dg="async" data-nimg="1" style="lor: transparent; width: 100%; height: to;" siz="100vw" srcSet=" 640w, 980w, 1120w, 1200w, 1920w" src="" class="css-0 exi4f7p0" /><div class="css-swqnqv e1xqj1sx2"></div></div></div><div data-embed="embed-gallery" data-no-id="6" class="embed css-0 ebzsujn10"><div class="css-1wk7tug ebzsujn8"><div class="css-1khxyv7 ebzsujn9"><div class="css-pstvay ebzsujn5"><div class="css-9xcc4r ebzsujn4"><img src="" alt tle="This is an image" width="1121" height="1035" dg="async" loadg="lazy" /><h6 class="css-mowjvu ebzsujn1">Will Tman, Will & Grace (1998-2006)</h6><div class="css-21em1x ebzsujn0"><p class="css-aeyldl et3p2gv0">Jack McFarland (Sean Hay) got the big lghs on this top-rated NBC s, but Will Tman (Eric McCormack) was the ground unterpot to Jack’s flamboyance. Will’s ep, though platonic love for Grace (Debra Msg) ronated wh many viewers, and the show’s unapologetic pictn of a smart, succsful gay man searchg for love ted untls more. In the ‘90s, nservativ railed agast femism, multiculturalism, and gay acceptance. At the 1992 Republin Natnal Conventn, <a href=" target="_blank" data-vars-ga-outbound-lk=" data-vars-ga-ux-element="Hyperlk" data-vars-ga-ll-to-actn="mentator-turned-printial ndidate Pat Buchanan" class="body-lk css-9cezh6 et3p2gv0">mentator-turned-printial ndidate Pat Buchanan</a> warned of a “cultural war … for the soul of Ameri.” In the same era, <em>Will & Grace</em> tried to make peace through the power of humor. “I was very acutely aware that the larger part of the dience of <em>Will & Grace</em> was straight,” -creator Max Max Mutchnick <a href=" target="_blank" data-vars-ga-outbound-lk=" data-vars-ga-ux-element="Hyperlk" data-vars-ga-ll-to-actn="told Logo TV" class="body-lk css-9cezh6 et3p2gv0">told Logo TV</a> 2008. “[Co-creator David Kohan] and I said to each other, we’ll have won if by the time this show is over the dience wants Will to be love, wants him to be a relatnship.” </p></div></div></div></div><div class="css-1khxyv7 ebzsujn9"><div class="css-pstvay ebzsujn5"><div class="css-9xcc4r ebzsujn4"><img src="" alt tle="This is an image" width="1121" height="1035" dg="async" loadg="lazy" /><h6 class="css-mowjvu ebzsujn1">Brian Kney, Queer as Folk (2000-2005)</h6><div class="css-21em1x ebzsujn0"><p class="css-aeyldl et3p2gv0">If Will Tman showed Ameri that gay men uld be more than jt their sexualy, Gale Harold’s Brian Kney was a vorac sexual beg wh ltle e for social nventns. In a pre-Inter world, <em>Queer as Folk</em> was the first seri to show gay men havg sex, not jt a peck on the cheek, or the mera fadg to black. The seri opens wh 29-year-old Kney drivg Jt, his 17-year-old hookup om the night before, to school. Today that would probably be more problematic, but g at a time when HIV was sudnly longer a ath sentence, Kney embodied a rehgly raw eroticism.</p></div></div></div></div><div class="css-1khxyv7 ebzsujn9"><div class="css-pstvay ebzsujn5"><div class="css-9xcc4r ebzsujn4"><img src="" alt tle="This is an image" width="1121" height="1035" dg="async" loadg="lazy" /><h6 class="css-mowjvu ebzsujn1">Shane McCutcheon, The L Word (2004-2009)</h6><div class="css-21em1x ebzsujn0"><p class="css-aeyldl et3p2gv0">In <em>The L Word,</em> hairstylist Shane McCutcheon prented an unapoloogetilly queer character, who fied expectatns and tegorizatns. Played by Kate Moennig, Shane was neher fully butch nor femme, but an androgyno hearthrob wh leather pants, a Mick Jagger swagger, and a sardonic streak a e wi. “Shane was the only non-femme ma character, and seeg her have ternal stggl that weren’t jt about beg gay was so important to queer kids,” Jacquele Toboni, who -starred wh Moeng on the 2019 reboot <em>The L Word: Generatn Q</em>, <a href=" target="_blank" data-vars-ga-outbound-lk=" data-vars-ga-ux-element="Hyperlk" data-vars-ga-ll-to-actn="told Vogue" class="body-lk css-9cezh6 et3p2gv0">told <em>Vogue</em></a>. “There was this spl between, ‘Oh my God, I want to be her,’ and, ‘Oh my God, I’m love wh her.’”</p></div></div></div></div></div></div><div data-embed="embed-gallery" data-no-id="7" class="embed css-0 ebzsujn10"><div class="css-1wk7tug ebzsujn8"><div class="css-1khxyv7 ebzsujn9"><div class="css-pstvay ebzsujn5"><div class="css-9xcc4r ebzsujn4"><img src="" alt tle="This is an image" width="1121" height="1035" dg="async" loadg="lazy" /><h6 class="css-mowjvu ebzsujn1">Mchell Prchett, Morn Fay (2009-2020)</h6><div class="css-21em1x ebzsujn0"><p class="css-aeyldl et3p2gv0">At first glance, <em>Morn Fay</em> felt like a fairly nventnal work edy. But the show was groundbreakg for LGBTQ reprentatn, bee dienc were able to wns Mch’s (played by Jse Tyler Fergon) evolutn as a man, a partner, and a father over 11 imprsive seasons. While Mch’s relatnship wh his hband, Cam (Eric Stontreet) helped eradite stigma, the tensn wh his father, Jay (Ed O’Neill) mirrored the dynamic many LGBTQ people felt wh their fai of orig. (Mch once said he had to e out to his dad more than once bee Jay kept ignorg him.) But was always picted wh humor and heart—and helped normalize gay relatnships for many straight viewers.</p></div></div></div></div><div class="css-1khxyv7 ebzsujn9"><div class="css-pstvay ebzsujn5"><div class="css-9xcc4r ebzsujn4"><img src="" alt tle="This is an image" width="1121" height="1035" dg="async" loadg="lazy" /><h6 class="css-mowjvu ebzsujn1">Kurt Hummel, Glee (2009-2015)</h6><div class="css-21em1x ebzsujn0"><p class="css-aeyldl et3p2gv0">Chris Colfter was only 18 when <em>Glee</em> buted on Fox. But as gay untertenor Kurt Hummel, he brought a talent and w far beyond his years and earned several Emmy nomatns for . Kurt was a study ntrasts: feme and ivolo, often bchy, but still lovg to his iends and blue-llar dad. When <em>Glee </em>buted 2009, a gay teen was still a rary on televisn, pecially one allowed to get the guy, as Kurt was wh longtime flame Blae (Darren Criss).“When I found out that I got st as the gay character on <em>Glee</em>, I had thought my reer was gog to be over,” Colfer admted to <a href=" target="_blank" data-vars-ga-outbound-lk=" data-vars-ga-ux-element="Hyperlk" data-vars-ga-ll-to-actn="Enterament Weekly" class="body-lk css-9cezh6 et3p2gv0"><em>Enterament Weekly</em></a> 2015, when the show was endg. “At the time, was such a taboo for an actor of any age to play a gay character,” he said. “And now you look and there are multiple gay characters on every sgle show.” </p></div></div></div></div><div class="css-1khxyv7 ebzsujn9"><div class="css-pstvay ebzsujn5"><div class="css-9xcc4r ebzsujn4"><img src="" alt tle="This is an image" width="1121" height="1035" dg="async" loadg="lazy" /><h6 class="css-mowjvu ebzsujn1">Will Horton, Days of Our Liv (2010-Prent)</h6><div class="css-21em1x ebzsujn0"><p class="css-aeyldl et3p2gv0">Will wasn’t the first gay man on daytime TV, but he’s a legacy character on one of Ameri’s longt-nng soap operas. Audienc had been vted him lerally om birth and through numero over-the-top storyl. Will’s g out 2012, though, was more ground realy as he stggl wh nial, alhol abe, and other issu. Eventually, he and boyiend Sonny (Freddie Smh) beme the show’s first gay power uple. In 2014, they tied the knot daytime's first same-sex male weddg (officiated, no ls, by <em>Days of Our Liv</em>’s grand dame, Diedre Hall). Several actors have played Will over the years, but the current and bt known is Chandler Massey, who earned three back-to-back Daytime Emmys for the role. Will’s grisly murr 2015 outraged many voted fans, and, once aga, raised cricism of how often gay TV characters are killed off. The character was later rurrected, and Will has regularly appeared on <em>Days of Our Liv</em> and s spoff Peack seri, <em>Beyond Salem</em>.<em></em></p></div></div></div></div></div></div><div size="medium" data-embed="body-image" data-no-id="8" class="align-center size-medium embed css-1736von e1xqj1sx4"><div class="css-uwraif e1xqj1sx3"><img alt="laverne x pull quote" tle="laverne x pull quote" loadg="lazy" width="1332" height="800" dg="async" data-nimg="1" style="lor: transparent; width: 100%; height: to;" siz="100vw" srcSet=" 640w, 980w, 1120w, 1200w, 1920w" src="" class="css-0 exi4f7p0" /><div class="css-swqnqv e1xqj1sx2"></div></div></div><div data-embed="embed-gallery" data-no-id="9" class="embed css-0 ebzsujn10"><div class="css-1wk7tug ebzsujn8"><div class="css-1khxyv7 ebzsujn9"><div class="css-pstvay ebzsujn5"><div class="css-9xcc4r ebzsujn4"><img src="" alt tle="This is an image" width="1121" height="1035" dg="async" loadg="lazy" /><h6 class="css-mowjvu ebzsujn1">Sophia Burset, Orange Is the New Black (2013-2019)</h6><div class="css-21em1x ebzsujn0"><p class="css-aeyldl et3p2gv0">By the send of the 21st century, gay and lbian reprentatn was fairly entrenched on televisn, but trans people were still largely visible. Laverne Cox’s role on Netflix’s <em>Orange is the New Black</em> changed that. Sophia was the first recurrg trans character on an ongog seri. Sophia was harned by her surroundgs at the fictnal Lchfield prison, but she also had a agily that ptured the viewer’s attentn. In 2014, <a href=" target="_blank" data-vars-ga-outbound-lk=" data-vars-ga-ux-element="Hyperlk" data-vars-ga-ll-to-actn="Cox beme the first transgenr actor to be nomated for a Primetime Emmy" class="body-lk css-9cezh6 et3p2gv0">Cox beme the first transgenr actor to be nomated for a Primetime Emmy</a>. Though Sophia spent most of season four solary nfement, she won early release the seventh and fal season and was fally able to open her bety salon. “I thought, what n mean for dienc to see this and for a Black trans woman who’s formerly rcerated to get out of prison and w?” Cox <a href=" target="_blank" data-vars-ga-outbound-lk=" data-vars-ga-ux-element="Hyperlk" data-vars-ga-ll-to-actn="told TV Insir" class="body-lk css-9cezh6 et3p2gv0">told TV Insir</a> 2020. “We need to see that… I thk sometim, if we n see on screen, then we n beg to image .”</p></div></div></div></div><div class="css-1khxyv7 ebzsujn9"><div class="css-pstvay ebzsujn5"><div class="css-9xcc4r ebzsujn4"><img src="" alt tle="This is an image" width="1121" height="1035" dg="async" loadg="lazy" /><h6 class="css-mowjvu ebzsujn1">Ruby and Sapphire/Gar, Steven Universe (2013-2019)</h6><div class="css-21em1x ebzsujn0"><p class="css-aeyldl et3p2gv0">When <em>Steven Universe</em> buted on Cartoon Network, broke new ground LGBTQ+ reprentatn children’s televisn, pecially rtoons. The show’s creator, Rebec Sugar, peppered queer-d and nonbary characters throughout the seri, but was Gar who won fans’s hearts. The self-nfint warrr is one of three livg gems who guis Steve, but the season one fale revealed that Gar is really the fn of Ruby (Charlyne Yi) and Sapphire (Eri Luttrell), two female-prentg gems who merged out of their love for each other. As the show progrsed, Ruby and Sapphire’s bond is strengthened, and they ultimately ci to marry the channel’s first gay weddg 2018. Cartoon Network’s chief ntent officer, Rob Sorcher, <a href=" target="_blank" data-vars-ga-outbound-lk=" data-vars-ga-ux-element="Hyperlk" data-vars-ga-ll-to-actn="told the L.A. Tim" class="body-lk css-9cezh6 et3p2gv0">told the L.A. Tim</a> that the legacy of Steven Universe, which end 2019, is “that clud such a wi spectm of them that were not ever really addrsed a realistic way on children’s televisn.” </p></div></div></div></div><div class="css-1khxyv7 ebzsujn9"><div class="css-pstvay ebzsujn5"><div class="css-9xcc4r ebzsujn4"><img src="" alt tle="This is an image" width="1121" height="1035" dg="async" loadg="lazy" /><h6 class="css-mowjvu ebzsujn1">Blan Evangelista, Pose (2018-2021)</h6><div class="css-21em1x ebzsujn0"><p class="css-aeyldl et3p2gv0">Chosen fai are a large part of the LGBTQ experience, and <em>Pose</em>’s Blan gave viewers a strong maternal prence this Ryan Murphy-produced drama that explored New York Cy’s ballroom culture and queer life 1980s and ‘90s. Mother to the Hoe of Evangelista, Blan (Michaela Jaé Rodriguez) was a trans woman character, who was the protagonist of her own story, rather than a supportg character or, worse, a plot vice. In 2021, <a href=" target="_blank" data-vars-ga-outbound-lk=" data-vars-ga-ux-element="Hyperlk" data-vars-ga-ll-to-actn="Rodriguez was nomated for an Emmy" class="body-lk css-9cezh6 et3p2gv0">Rodriguez was nomated for an Emmy</a> for outstandg lead actrs a drama and <a href="'s%20low%2Dkey%20ceremony,to%20w%20a%20Goln%20Globe." target="_blank" data-vars-ga-outbound-lk="'s%20low%2Dkey%20ceremony,to%20w%20a%20Goln%20Globe." data-vars-ga-ux-element="Hyperlk" data-vars-ga-ll-to-actn="won a Goln Globe for bt actrs" class="body-lk css-9cezh6 et3p2gv0">won a Goln Globe for bt actrs</a>, a first for a transgenr performer. In the seri fale, Blan se her “children” reach their full potential and herself fally fdg te love. “She's gettg all of the love and aclas she serv om her muny,” Rodriguez <a href=" target="_blank" data-vars-ga-outbound-lk=" data-vars-ga-ux-element="Hyperlk" data-vars-ga-ll-to-actn="told Salon" class="body-lk css-9cezh6 et3p2gv0">told Salon</a>. “I'm so happy that end the way did and that we tied the knots and crossed the T's dotted those I's the right way.”</p></div></div></div></div></div></div><style data-emotn="css 18pb4rg">{borr:0;borr-bottom:th solid black;marg:1.875rem 0;clear:both;}</style><hr data-no-id="10" class="css-18pb4rg et3p2gv0" /><p data-no-id="11" class="css-aeyldl et3p2gv0"><em>Photo creds:</em></p><p data-no-id="12" class="css-aeyldl et3p2gv0"><em>Lorri Shannon: Getty Imag | Billy Crystal: Getty Imag | Jack Coleman: Getty Imag | Wilson Cz: Getty Imag | Ellen DeGener: Getty Imag | Willow Rosenberg: Getty Imag | Eric McCormack: Getty Imag | Gale Harold: Getty Imag | Kathere Moennig: Getty Imag | Tyler Fergon: Getty Imag | Chris Colfer: Getty Imag | Chandler Massey: Getty Imag | Laverne Cox: K.C. 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