Review: HBO's 'Lookg' an thentic glimpse si liv of gay men - Los Angel Tim

Contents:

• ‘LOOKG’ REVIEW: HBO’S NEW GAY SERI WILL MAKE YOU WORK (VIO)
• REVIEW: HBO’S ‘LOOKG’ AN THENTIC GLIMPSE SI LIV OF GAY MEN
• GOODBYE ‘LOOKG’: HOW HBO'S LGBT DRAMA WAS LOST, AND FALLY FOUNDFAREWELLTHE HBO GAY DRAMA SERI FACED S SHARE OF CRICS AT THE OUTSET—CLUDG THE THOR. BUT A BETIFULLY WRTEN AND DIRECTED FILM FORMED THE PERFECT FAREWELL TO S CHARACTERS. TIM TEEMANSENR EDOR AND WRERUPDATED APR. 13, 2017 3:26PM EDT / PUBLISHED JUL. 23, 2016 11:30PM EDT MELISSA MOSELEY/HBOWARNG: SPOILERS BELOWIT'S PROBABLY NO ACCINT THAT THE MOVIE OF 'LOOKG'—WHICH PREMIER ON HBO SATURDAY NIGHT—FEATUR AS S SOLE AGANT BRADY (CHRIS PERFETTI), A JOURNALIST AND MEAN DNK (WHO KNOWS ANY OF THOSE? I MEAN, REALLY…), WHOSE PURPOSE, AS WELL AS BEG A GENERALLY NEGATIVE PRENCE, IS TO BE FALLY SHOT DOWN VERBAL FLAM BY WSOME HERO PATRICK (JONATHAN GROFF).JOURNALISTS (NFSN, LIKE ME) HAVE BEEN 'LOOKG'S' BêTE NOIRE, AND SO BRADY PERHAPS IS THE CREATOR'S REVENGE: WE ARE THE SNEERG, ARCH BADDIE ON SCREEN, SPOILG ALL THE CHARMG, SELF-DULGENT NVERSATNS OF PATRICK AND HIS BUDDI.THE MI-NONTATN BETWEEN PATRICK AND BRADY OCCURS TOWARDS OF THE END OF THE MOVIE BEE OF A FOGGY MIX OF JEALOY—BRADY IS WH RICHIE (RAúL CASTILLO), PATRICK'S EX—AND BEE BRADY, SAYS PATRICK, ACTS AS IF HE IS A MEMBER OF THE "GAY THOUGHT POLICE," AND HE IS FED UP OF BEG TOLD BY BRADY THAT HE IS A BAD GAY OF SOME KD. PATRICK'S FIGHTBACK MIRRORS PRUMABLY THE IRRATN 'LOOKG'S' OWN PRODUCERS FEEL FOR CRICISM OF THEIR SHOW, AND THE REPRENTATN OF A GROUP OF GAY MEN LIVG SAN FRANCIS—WHICH CENTERED ON THE MEN'S TEDLY MEANRG NVERSATNS (EQUENTLY DIBLE SEASON ONE) ABOUT THEMSELV, WHICH TEND TO LEAD NOWHERE, AND A LISTLS, DREAMY LACK OF ACTN THAT BEME THE SHOW'S HALLMARK.THE GROUP SEEMED POLILLY UNENGAGED, WHOLLY SELF-OBSSED, AND JT DREARY. AFTER A TIROME EARLY STRETCH OF SEASON ONE, 'LOOKG' LIVENED UP, AND SEASON TWO WAS GENUELY VOLVG AND WATCHABLE. BUT BY THEN WAS A TOO LATE. THE SHOW WAS NCELED, AND THE MOVIE WAS S FAREWELL.AND A LOVELY, FTG FAREWELL IS TOO—WRTEN BY SERI CREATOR MICHAEL LANNAN, AND DIRECTED BY THE MASTERLY ANDREW HAIGH, MOST FAMO FOR THE MOVIE 'WEEKEND', WHICH FOLLOWED THE TENR AND TENSE TRAJECTORY OF A UPLE'S TEMPORALLY PRSED LOVE AFFAIR.IN THE LOOKG MOVIE, PATRICK IS RETURNG TO SAN FRANCIS, AFTER NE MONTHS AWAY DENVER WHERE HE LIV NOW. THE OCSN FOR HIS RETURN IS AGTíN (FRANKIE J. ALVAREZ) AND EDDIE'S (DANIEL FRANZE) WEDDG. DOM'S (MURRAY BARTLETT) IED CHICKEN STAND IS THRIVG—HE EVEN HAS A 'PARKLET' PATCH OF GREEN OUTSI—ALTHOUGH HE HAS SWORN OFF SEX. DORIS (LREN WEEDMAN) IS NOW HAPPILY SETTLED TO UPLED LIFE WH MALIK (BASHIR SALAHUDD)—MUCH TO HER OWN DISGT. THIS NEW WORLD OF WE TOURS, THE CONTAER STORE, AND BOOK CLUBS IS FAR AWAY OM HER OLD LIFE OF BAR-HOPPG AND BCHG WH DOM AND THE BOYS. YOU'D THK PATRICK HAD BEEN AWAY FOR YEARS, GIVEN THE GZY GAZG HE DO OM THE B WDOW, AND THE REACTN OF HIS BUDDI, BUT SUCH IS 'LOOKG'S' UNAPOLOGETIC NAVEL-GAZG—AND SOON SETTL TO S DREAMY GROOVE, THE TWKLG LIGHTS AND CY-SPE OF SAN FRANCIS BLURRED AND BLEACHED OF LOR BEHD THE MEN, AS THEY BEG TO TALK. AND TALK. AND TALK.AS PATRICK'S THIRTI DAWN, HE TOASTS CELEBRATG ADULTHOOD—ALTHOUGH THIS SEEMS MORE ASPIRATN THAN AMBN MET. DOM HAS A BEARD AND IS MUTED; THE RTLS, SLUTTY AGTíN IS SETTLG DOWN FOR MARRIAGE (AND, LIKE DORIS, DRILY ASKS HIMSELF AND THE GROUP WHY), AND PATRICK HIMSELF IS STILL STGGLG TO GET BEYOND WHAT HAPPENED WH BOTH RICHIE AND KEV (RSELL TOVEY—HE OF THE BIG EARS AND PERFECT ASS), A RELATNSHIP WH THE LATTER FORMED AND FLED OM SEASON TWO. THE CHANG AND NON-CHANG WH THEM ARE MARKED BY THE IENDS MOSTLY JOSHG, SARSTIC EXCHANG OVER DRKS AND ON THE DANCE FLOOR. LOOKG ALWAYS FEELS AS IF WE ARE EAVDROPPG ON SNATCH OF NVERSATN, RATHER THAN ACTUAL DRAMA. NOTHG BIG HAPPENS, BUT LIFE PH ON— CREMENTS, RATHER THAN GRAND EXPLOSNS AND PROCLAMATNS. AGTíN'S EX, FRANK (O.T. FAGBENLE)'S ADVICE—BORNE OF BTER EXPERIENCE—IS FOR HIS ONE-TIME BOYIEND TO STAY AWAY OM RENT BOYS. RICHIE TELLS PATRICK THAT SOMETIM YOU HAVE TO LEAVE THGS BEHD TO MOVE FORWARD. SOME OF THE SWEETT MOMENTS DURG THE MOVIE HAPPEN ON THE DANCE FLOOR, AND ONCE OR TWICE AWAY OM , WH PATRICK SWAYG TO MIC. THIS MI MIL ODYSSEY BEGS WH BRNEY'S 'PIECE OF ME,' WHICH LEADS TO HIM GOG HOME WH A 22-YEAR-OLD. JIM (MICHAEL ROSEN) ALSO WORKS TECH, AND AFTER THEY HAVE FUCKED, THE MEN TALK AND PATRICK FEELS A STAB OF ENVY THAT JIM ME OUT SO YOUNG, AT 16. "HE'S NOT SO BUTCH WHEN HE HAS HIS LEGS THE AIR," PATRICK SAYS OF HIS EX KEV, WHOM JIM HAS A CSH ON. ON A WALK THE NEXT DAY, AGTíN ETS TO PATRICK THAT HE HAS SOLD OUT, AND BEE "NEIL PATRICK HARRIS, ALTHOUGH I N'T TAP DANCE." HIS DREAMS OF BEG AN ARTIST HAVE BEEN TRAD FOR A SHOP JOB. HE HAS MORE LIFE LEFT TO LIVE, SAYS PATRICK, BUT LATER HE TOO M ABOUT TIME PASSG TO DOM. IN A GREAT SCENE, PATRICK WONRS—AS MANY IENDS DO—WHY SHOULDN'T THEY, PATRICK AND DOM, GET TOGETHER. THEY KNOW EACH OTHER, THEY UNRSTAND EACH OTHER, AND SO, A LTLE HIGH, THEY KISS—AND LGH, AND REALIZE WOULD NEVER WORK. THE NEXT DAY, PATRICK GO TO SEE KEV, OSTENSIBLY TO CLEAR UP SOME BS ABOUT THE VIO GAME THEY -OWN. IT BEGS GENTLY, BUT— SOME BRILLIANTLY WRTEN SCEN—KEV'S UPSET ABOUT PATRICK BAILG ON THEIR RELATNSHIP SURFAC, AND ANGRILY. PATRICK, NS OM THGS, KEV SAYS; PATRICK SAYS HE WASN'T SURE KEV WOULD REMA MONOGAMO. KEV SAYS PATRICK DIDN'T EVEN GIVE THE RELATNSHIP A CHANCE. IT'S A BETIFULLY WRTEN, TTY, MOVG EXCHANGE. BUT THE TWO MEN PART ON GOOD TERMS (ED THEIR FAL EMBRACE AND KISS, IATED BY KEV, WAS VERY MOVG). THEY PART SURVIVORS LEAVG THE BATTLEFIELD, AND KEV—BACK WH HIS EX, AND SOON TO LEAVE FOR LONDON—BTOWS UPON PATRICK A PROFSNAL OPPORTUNY TO ALLOW HIM TO RETURN TO SAN FRANCIS. AT CY HALL, PATRICK'S QUT TO FD THE MEANG OF PARTNERSHIP AND LOVE NTU AT AGTíN AND EDDIE'S CEREMONY, WHICH IS PRID OVER AN OFFICIANT PLAYED BY TYNE DALY. AN ABILY TO ADAPT, RATHER THAN CHANGE, MARKS A GOOD PARTICIPANT UPLEDOM, SHE SUGGTS TO PATRICK—ALTHOUGH SHE ISN'T MARRIED HERSELF. WHAT ABOUT THE RG SHE WEARS, ASKS PATRICK. WELL, SHE SAYS, YOU WOULDN'T CHOOSE A FAT FNS TRAER. LATER DORIS, OPG THAT BABI ARE HARR TO FLH DOWN TOILETS THAN WEDDG RGS, REVEALS SHE IS THKG ABOUT HAVG A CHILD, THOUGH HADN'T TOLD DOM BEE SHE ALWAYS THOUGHT THEY WOULD DO THAT TOGETHER. WHEN BRADY AND PATRICK SET-TO, SHE POSSIBLY HAS THE BT LE OF THE MOVIE, DRILY NOTG HOW GREAT IS WHEN GAYS ARGUE WH OTHER GAYS ABOUT WHAT BEG GAY MEANS—WTILY NAILG THE MEDIA TEMPT 'LOOKG' SELF FOUND SELF AT THE CENTER OF, AND ULTIMATELY NQUERED, HOWEVER SUCCSFULLY IS UP TO YOU THE VIEWER.AFTER BRADY ACC PATRICK OF TRYG TO STEAL RICHIE AWAY OM HIM RICHIE BREAKS UP WH HIM (BLOODY ANNOYG JOURNALISTS!), AND THE FAL SCEN OF LOOKG, RICHIE AND PATRICK TERROGATE WHETHER THEY ULD BE TOGETHER AND WHAT THAT WOULD MEAN, AND WHOSE SIR WOULD BE MET AND WHAT PROMIS WOULD NEED TO BE MA. THE NVERSATN, AS ANY RINT OR VISOR TO GAY SAN FRANCIS WILL KNOW, TAK PLACE ON THE HISTORIC CASTRO SELF, AND THEN FALLY—WHEN A ROLUTN OF SORTS IS REACHED—THE PAIR JO THE OTHERS ORPHAN ANDY'S, THE 24-HOUR DER ON THE RNER OF MARKET AND CASTRO.THE LAST SHOT OF 'LOOKG' PANS AWAY OM THE GROUP, EATG AND CHATTG TO THE LATE NIGHT, ON TO THE MAJTIC L-UP SIGN OF THE CASTRO CEMA SELF—AN EMPHATIC FAL VISUAL MSAGE WHERE 'LOOKG'S' VERY GAY HEART BELONGS.IN ACRDANCE WH THE RT OF THE SERI, THERE WERE NO GRAND NCLNS REACHED ON LOVE, OR RELATNSHIPS. POLICS AGA WENT PLETELY UNMENTNED. THE MOOD OF 'LOOKG: THE MOVIE' WAS THE SAME AS THE SHOW—NATURAL, EE-FLOWG NVERSATNS ABOUT LOVE, MMENT, PERSONAL GROWTH, AND IENDSHIP.THIS IS FE, BUT WH SUCH LTLE LGBT DRAMA ON TELEVISN, A SHOW WHERE WE ARE THE HEART STILL, TO THIS VIEWER, FEELS LIKE SHOULD HAVE MORE TO SAY (AND MAYBE WE WILL FD THAT LARGER, MORE AMB FOC DT LANCE BLACK'S FORTHG, LGBT HISTORY-CENTERED DRAMA, WHEN WE RISE).'LOOKG: THE MOVIE' LEFT OUR MOTLEY GROUP AS WE HAD FOUND THEM— BLURRY, UNMOORED PROCS, AND STILL YAPPG AWAY. BUT NOW THEY ARE A LTLE, OLR, WISER AND HOPEFULLY KR TO THEMSELV. AND FALLY, Y, THIS JOURNALIST—ONCE A DISSENTER—WILL MISS THEM. TIM TEEMAN
• RSELL TOVEY: GAY MALE BACKLASH TO ‘LOOKG’ ‘BROKE ME, HONTLY’
• HBO’S LOOKG IS ‘VERY DIFFERENT’ OM QUEER AS FOLK, PROMIS ‘CONTEMPORARY’ EYE ON GAY LIV
• LOOKG SEASON TWO: TV'S ONLY GAY SHOW IS GROWG TOWARDS GREATNS

‘LOOKG’ REVIEW: HBO’S NEW GAY SERI WILL MAKE YOU WORK (VIO)

2 Seasons | 18 Episos | TV-MAWATCH NOWMAXMeet Patrick, Agt and Dom: three 30-somethg iends livg San Francis explorg the excg, sometim overwhelmg, optns available to a new generatn of gay men. TV Seri2014–2015TV-MA30mThree bt iends livg San Francis share the nuanc and plexi of ntemporary gay relatnships as they explore a variety of optns, both love and bt iends livg San Francis share the nuanc and plexi of ntemporary gay relatnships as they explore a variety of optns, both love and bt iends livg San Francis share the nuanc and plexi of ntemporary gay relatnships as they explore a variety of optns, both love and productn, box office & pany Episos18Vios2More like thisReview Watch out for the mt-see Lookg!

REVIEW: HBO’S ‘LOOKG’ AN THENTIC GLIMPSE SI LIV OF GAY MEN

The first season nsists of jt eight, 30-mute episos – which sucks, bee this seri is great and people have lled Lookg the gay(er) versn of Sex and the Cy, although that don't do the newer jtice. An entire, sweet and sexy episo simply follows Richie and Patrick on their first 's great to see a group of characters who are reprentative of gay life whout tryg too hard. They aren't ritur and the seri don't stra somethg tryg to check all the box of all the sub-scen wh the gay scene.

The Big Gay Issu have yet to take center stage – marriage, adoptn, discrimatn – the show beg ls ant than somethg like Queer as Folk.

GOODBYE ‘LOOKG’: HOW HBO'S LGBT DRAMA WAS LOST, AND FALLY FOUNDFAREWELLTHE HBO GAY DRAMA SERI FACED S SHARE OF CRICS AT THE OUTSET—CLUDG THE THOR. BUT A BETIFULLY WRTEN AND DIRECTED FILM FORMED THE PERFECT FAREWELL TO S CHARACTERS. TIM TEEMANSENR EDOR AND WRERUPDATED APR. 13, 2017 3:26PM EDT / PUBLISHED JUL. 23, 2016 11:30PM EDT MELISSA MOSELEY/HBOWARNG: SPOILERS BELOWIT'S PROBABLY NO ACCINT THAT THE MOVIE OF 'LOOKG'—WHICH PREMIER ON HBO SATURDAY NIGHT—FEATUR AS S SOLE AGANT BRADY (CHRIS PERFETTI), A JOURNALIST AND MEAN DNK (WHO KNOWS ANY OF THOSE? I MEAN, REALLY…), WHOSE PURPOSE, AS WELL AS BEG A GENERALLY NEGATIVE PRENCE, IS TO BE FALLY SHOT DOWN VERBAL FLAM BY WSOME HERO PATRICK (JONATHAN GROFF).JOURNALISTS (NFSN, LIKE ME) HAVE BEEN 'LOOKG'S' BêTE NOIRE, AND SO BRADY PERHAPS IS THE CREATOR'S REVENGE: WE ARE THE SNEERG, ARCH BADDIE ON SCREEN, SPOILG ALL THE CHARMG, SELF-DULGENT NVERSATNS OF PATRICK AND HIS BUDDI.THE MI-NONTATN BETWEEN PATRICK AND BRADY OCCURS TOWARDS OF THE END OF THE MOVIE BEE OF A FOGGY MIX OF JEALOY—BRADY IS WH RICHIE (RAúL CASTILLO), PATRICK'S EX—AND BEE BRADY, SAYS PATRICK, ACTS AS IF HE IS A MEMBER OF THE "GAY THOUGHT POLICE," AND HE IS FED UP OF BEG TOLD BY BRADY THAT HE IS A BAD GAY OF SOME KD. PATRICK'S FIGHTBACK MIRRORS PRUMABLY THE IRRATN 'LOOKG'S' OWN PRODUCERS FEEL FOR CRICISM OF THEIR SHOW, AND THE REPRENTATN OF A GROUP OF GAY MEN LIVG SAN FRANCIS—WHICH CENTERED ON THE MEN'S TEDLY MEANRG NVERSATNS (EQUENTLY DIBLE SEASON ONE) ABOUT THEMSELV, WHICH TEND TO LEAD NOWHERE, AND A LISTLS, DREAMY LACK OF ACTN THAT BEME THE SHOW'S HALLMARK.THE GROUP SEEMED POLILLY UNENGAGED, WHOLLY SELF-OBSSED, AND JT DREARY. AFTER A TIROME EARLY STRETCH OF SEASON ONE, 'LOOKG' LIVENED UP, AND SEASON TWO WAS GENUELY VOLVG AND WATCHABLE. BUT BY THEN WAS A TOO LATE. THE SHOW WAS NCELED, AND THE MOVIE WAS S FAREWELL.AND A LOVELY, FTG FAREWELL IS TOO—WRTEN BY SERI CREATOR MICHAEL LANNAN, AND DIRECTED BY THE MASTERLY ANDREW HAIGH, MOST FAMO FOR THE MOVIE 'WEEKEND', WHICH FOLLOWED THE TENR AND TENSE TRAJECTORY OF A UPLE'S TEMPORALLY PRSED LOVE AFFAIR.IN THE LOOKG MOVIE, PATRICK IS RETURNG TO SAN FRANCIS, AFTER NE MONTHS AWAY DENVER WHERE HE LIV NOW. THE OCSN FOR HIS RETURN IS AGTíN (FRANKIE J. ALVAREZ) AND EDDIE'S (DANIEL FRANZE) WEDDG. DOM'S (MURRAY BARTLETT) IED CHICKEN STAND IS THRIVG—HE EVEN HAS A 'PARKLET' PATCH OF GREEN OUTSI—ALTHOUGH HE HAS SWORN OFF SEX. DORIS (LREN WEEDMAN) IS NOW HAPPILY SETTLED TO UPLED LIFE WH MALIK (BASHIR SALAHUDD)—MUCH TO HER OWN DISGT. THIS NEW WORLD OF WE TOURS, THE CONTAER STORE, AND BOOK CLUBS IS FAR AWAY OM HER OLD LIFE OF BAR-HOPPG AND BCHG WH DOM AND THE BOYS. YOU'D THK PATRICK HAD BEEN AWAY FOR YEARS, GIVEN THE GZY GAZG HE DO OM THE B WDOW, AND THE REACTN OF HIS BUDDI, BUT SUCH IS 'LOOKG'S' UNAPOLOGETIC NAVEL-GAZG—AND SOON SETTL TO S DREAMY GROOVE, THE TWKLG LIGHTS AND CY-SPE OF SAN FRANCIS BLURRED AND BLEACHED OF LOR BEHD THE MEN, AS THEY BEG TO TALK. AND TALK. AND TALK.AS PATRICK'S THIRTI DAWN, HE TOASTS CELEBRATG ADULTHOOD—ALTHOUGH THIS SEEMS MORE ASPIRATN THAN AMBN MET. DOM HAS A BEARD AND IS MUTED; THE RTLS, SLUTTY AGTíN IS SETTLG DOWN FOR MARRIAGE (AND, LIKE DORIS, DRILY ASKS HIMSELF AND THE GROUP WHY), AND PATRICK HIMSELF IS STILL STGGLG TO GET BEYOND WHAT HAPPENED WH BOTH RICHIE AND KEV (RSELL TOVEY—HE OF THE BIG EARS AND PERFECT ASS), A RELATNSHIP WH THE LATTER FORMED AND FLED OM SEASON TWO. THE CHANG AND NON-CHANG WH THEM ARE MARKED BY THE IENDS MOSTLY JOSHG, SARSTIC EXCHANG OVER DRKS AND ON THE DANCE FLOOR. LOOKG ALWAYS FEELS AS IF WE ARE EAVDROPPG ON SNATCH OF NVERSATN, RATHER THAN ACTUAL DRAMA. NOTHG BIG HAPPENS, BUT LIFE PH ON— CREMENTS, RATHER THAN GRAND EXPLOSNS AND PROCLAMATNS. AGTíN'S EX, FRANK (O.T. FAGBENLE)'S ADVICE—BORNE OF BTER EXPERIENCE—IS FOR HIS ONE-TIME BOYIEND TO STAY AWAY OM RENT BOYS. RICHIE TELLS PATRICK THAT SOMETIM YOU HAVE TO LEAVE THGS BEHD TO MOVE FORWARD. SOME OF THE SWEETT MOMENTS DURG THE MOVIE HAPPEN ON THE DANCE FLOOR, AND ONCE OR TWICE AWAY OM , WH PATRICK SWAYG TO MIC. THIS MI MIL ODYSSEY BEGS WH BRNEY'S 'PIECE OF ME,' WHICH LEADS TO HIM GOG HOME WH A 22-YEAR-OLD. JIM (MICHAEL ROSEN) ALSO WORKS TECH, AND AFTER THEY HAVE FUCKED, THE MEN TALK AND PATRICK FEELS A STAB OF ENVY THAT JIM ME OUT SO YOUNG, AT 16. "HE'S NOT SO BUTCH WHEN HE HAS HIS LEGS THE AIR," PATRICK SAYS OF HIS EX KEV, WHOM JIM HAS A CSH ON. ON A WALK THE NEXT DAY, AGTíN ETS TO PATRICK THAT HE HAS SOLD OUT, AND BEE "NEIL PATRICK HARRIS, ALTHOUGH I N'T TAP DANCE." HIS DREAMS OF BEG AN ARTIST HAVE BEEN TRAD FOR A SHOP JOB. HE HAS MORE LIFE LEFT TO LIVE, SAYS PATRICK, BUT LATER HE TOO M ABOUT TIME PASSG TO DOM. IN A GREAT SCENE, PATRICK WONRS—AS MANY IENDS DO—WHY SHOULDN'T THEY, PATRICK AND DOM, GET TOGETHER. THEY KNOW EACH OTHER, THEY UNRSTAND EACH OTHER, AND SO, A LTLE HIGH, THEY KISS—AND LGH, AND REALIZE WOULD NEVER WORK. THE NEXT DAY, PATRICK GO TO SEE KEV, OSTENSIBLY TO CLEAR UP SOME BS ABOUT THE VIO GAME THEY -OWN. IT BEGS GENTLY, BUT— SOME BRILLIANTLY WRTEN SCEN—KEV'S UPSET ABOUT PATRICK BAILG ON THEIR RELATNSHIP SURFAC, AND ANGRILY. PATRICK, NS OM THGS, KEV SAYS; PATRICK SAYS HE WASN'T SURE KEV WOULD REMA MONOGAMO. KEV SAYS PATRICK DIDN'T EVEN GIVE THE RELATNSHIP A CHANCE. IT'S A BETIFULLY WRTEN, TTY, MOVG EXCHANGE. BUT THE TWO MEN PART ON GOOD TERMS (ED THEIR FAL EMBRACE AND KISS, IATED BY KEV, WAS VERY MOVG). THEY PART SURVIVORS LEAVG THE BATTLEFIELD, AND KEV—BACK WH HIS EX, AND SOON TO LEAVE FOR LONDON—BTOWS UPON PATRICK A PROFSNAL OPPORTUNY TO ALLOW HIM TO RETURN TO SAN FRANCIS. AT CY HALL, PATRICK'S QUT TO FD THE MEANG OF PARTNERSHIP AND LOVE NTU AT AGTíN AND EDDIE'S CEREMONY, WHICH IS PRID OVER AN OFFICIANT PLAYED BY TYNE DALY. AN ABILY TO ADAPT, RATHER THAN CHANGE, MARKS A GOOD PARTICIPANT UPLEDOM, SHE SUGGTS TO PATRICK—ALTHOUGH SHE ISN'T MARRIED HERSELF. WHAT ABOUT THE RG SHE WEARS, ASKS PATRICK. WELL, SHE SAYS, YOU WOULDN'T CHOOSE A FAT FNS TRAER. LATER DORIS, OPG THAT BABI ARE HARR TO FLH DOWN TOILETS THAN WEDDG RGS, REVEALS SHE IS THKG ABOUT HAVG A CHILD, THOUGH HADN'T TOLD DOM BEE SHE ALWAYS THOUGHT THEY WOULD DO THAT TOGETHER. WHEN BRADY AND PATRICK SET-TO, SHE POSSIBLY HAS THE BT LE OF THE MOVIE, DRILY NOTG HOW GREAT IS WHEN GAYS ARGUE WH OTHER GAYS ABOUT WHAT BEG GAY MEANS—WTILY NAILG THE MEDIA TEMPT 'LOOKG' SELF FOUND SELF AT THE CENTER OF, AND ULTIMATELY NQUERED, HOWEVER SUCCSFULLY IS UP TO YOU THE VIEWER.AFTER BRADY ACC PATRICK OF TRYG TO STEAL RICHIE AWAY OM HIM RICHIE BREAKS UP WH HIM (BLOODY ANNOYG JOURNALISTS!), AND THE FAL SCEN OF LOOKG, RICHIE AND PATRICK TERROGATE WHETHER THEY ULD BE TOGETHER AND WHAT THAT WOULD MEAN, AND WHOSE SIR WOULD BE MET AND WHAT PROMIS WOULD NEED TO BE MA. THE NVERSATN, AS ANY RINT OR VISOR TO GAY SAN FRANCIS WILL KNOW, TAK PLACE ON THE HISTORIC CASTRO SELF, AND THEN FALLY—WHEN A ROLUTN OF SORTS IS REACHED—THE PAIR JO THE OTHERS ORPHAN ANDY'S, THE 24-HOUR DER ON THE RNER OF MARKET AND CASTRO.THE LAST SHOT OF 'LOOKG' PANS AWAY OM THE GROUP, EATG AND CHATTG TO THE LATE NIGHT, ON TO THE MAJTIC L-UP SIGN OF THE CASTRO CEMA SELF—AN EMPHATIC FAL VISUAL MSAGE WHERE 'LOOKG'S' VERY GAY HEART BELONGS.IN ACRDANCE WH THE RT OF THE SERI, THERE WERE NO GRAND NCLNS REACHED ON LOVE, OR RELATNSHIPS. POLICS AGA WENT PLETELY UNMENTNED. THE MOOD OF 'LOOKG: THE MOVIE' WAS THE SAME AS THE SHOW—NATURAL, EE-FLOWG NVERSATNS ABOUT LOVE, MMENT, PERSONAL GROWTH, AND IENDSHIP.THIS IS FE, BUT WH SUCH LTLE LGBT DRAMA ON TELEVISN, A SHOW WHERE WE ARE THE HEART STILL, TO THIS VIEWER, FEELS LIKE SHOULD HAVE MORE TO SAY (AND MAYBE WE WILL FD THAT LARGER, MORE AMB FOC DT LANCE BLACK'S FORTHG, LGBT HISTORY-CENTERED DRAMA, WHEN WE RISE).'LOOKG: THE MOVIE' LEFT OUR MOTLEY GROUP AS WE HAD FOUND THEM— BLURRY, UNMOORED PROCS, AND STILL YAPPG AWAY. BUT NOW THEY ARE A LTLE, OLR, WISER AND HOPEFULLY KR TO THEMSELV. AND FALLY, Y, THIS JOURNALIST—ONCE A DISSENTER—WILL MISS THEM. TIM TEEMAN

HBO's edy-drama seri Lookg is one of the bt TV shows of the 21st century, and one of the bt shows about gay life ever. Created by Michael Lannan, Lookg only ran for two seasons and a movie, but left an lible mark on the TV seri followed the liv of a group of gay men San Fransis -- Patrick Murray (Jonathan Groff), Dom (Murray Bartlett), and Agt (Frankie J. He also was one of the stars of Rsell T Davi' drama seri Years and Years, where he played gay hog officer Daniel Lyons and was nomated for the Cric's Choice Award for Bt Supportg Actor a Movie/Miseri.

It’s both high tech, wh all the Silin Valley fluence, yet a throwback to s activist roots – om the hippi, to the environmentalists and the boomg gay muny. ” It don’t treat gay life like a lorful endls circu party like Showtime’s “Queer as Folk, ” which I felt was jt an unwatchable adaptatn of the amazg Brish seri anyway.

RSELL TOVEY: GAY MALE BACKLASH TO ‘LOOKG’ ‘BROKE ME, HONTLY’

And don’t view the characters’ liv as a journey to love, wh romantic edy roots, like HBO’s “Sex and the Cy, ” which gay men took ownership over, as well.

Also read: ‘Lookg’ Producers of Showg a Different Si of San Francis, and Other Sis of Gay. And Bartlett ems so much charm and pathos as Dom realiz that while he led San Fran’s gay neighborhood, Castro, everyone else had grown up.

A ntent may divi them, but HBO’s “Girls” will have to shove over and ce some of the Frank New Voice limelight to “Lookg, ” the work’s charmg and ceptively signifint new half-hour seri that premier Sunday about a tr of gay men livg San at first seems like your standard (if R-rated) banter-heavy, young-urban-seek-love/meang tale, this time told om a gay perspective, quickly prov to have a ter heart and loftier, creator Michael Lannan is clearly termed to pict and discs male homosexualy wh the same semi-erotic-realism that has bee monplace among heterosexual sex scen — We’re here, we’re queer, we’re pulatg on screen, get ed to . — more poted, and way more the s followg the Stonewall rts and then the AIDS crisis, gay men beme symbolic of society’s seawg fns of diversy and tolerance (see please the recent “Duck Dynasty” kerfuffle).

HBO’S LOOKG IS ‘VERY DIFFERENT’ OM QUEER AS FOLK, PROMIS ‘CONTEMPORARY’ EYE ON GAY LIV

Even shows like “Queer as Folk” and “The L-Word” often seemed to have “A Straight Person’s Gui to Unrstandg Gay People”, not so much.

The world has changed, is changg, jt as fast and radilly for gay men as is for everyone else and isn’t time a show alt wh that? If gay life is now supposed to end gay marriage, do the datg scene have to be as ghastly as is for straight people?

LOOKG SEASON TWO: TV'S ONLY GAY SHOW IS GROWG TOWARDS GREATNS

As s subject so often mands, “Lookg” is a walk’/talk’ show and most of s charm li amg banter om which wisdom ocsnally emerg; mercifully, Lannan keeps the “get the r, Mary” tics to a COVERAGE: Wter TV previewAt one pot the third episo, Patrick protts the lack of female characters vio gam, sayg he plays as a girl whenever he n bee as a gay man he unrstands what feels like to be an fact, “Lookg” probably ow more to “The Mary Tyler Moore Show” than do “Queer as Folk. ” Like the lead characters of so many “workg gal” shows of the 1970s, gay men young and old face a landspe for which there is no map. “Lookg” don’t make the mistake of argug that gay men are jt like straight women, or straight men, or gay women, or even each other.

Show a gay man on TV, and you immediately open yourself up to a gree of scty that other artists ually have the privilege of avoidg.

When I watched the first season of Lookg 2014, HBO’s origal seri about a group of young gay men ntemporary San Francis (season two is currently airg Atralia), I was keenly aware of the burn that such expectatns mt have posed for the show’s creators. I uld already tect a distct self-nscns about how to approach the “gay issue” when I listened to the st terviewed on CNN last year, where they each went at lengths to strs the universaly of the them that the seri addrs. The actors assured potential viewers that the pot of the show was not to enpsulate gay life per se, but rather, to explore the liv of characters who “happen to be gay”.

Those who have ed gay social workg vic will be faiar wh the term “lookg” as a shorthand exprsn for “lookg for sex”. Often, Lookg dramatis the extent to which s characters appear tranged om the history of gay culture.

Later, Patrick claims he is terted an OkCupid profile bee clus a Frank O’Hara quotatn, but then nfs that he actually had to google the famo gay poet. The scen play out a strange equivotn; there is regnn of a gay cultural legacy, but s ins are handled half-heartedly, as though they were ironic props. The show seems to be announcg that is alg wh a new generatn of gay men, who require a new mo of reprentatn that is distct om the tablished cultural narrativ.

Such rtraed and sober realism is not trailblazg and of self, but is te that we haven’t seen an enormo share of gay reprentatns on TV. In reprentatns of “gay” San Francis, we are acctomed to provotive lead characters who assume a path of rebelln or hab bohemia. Do this timid, whe-llar and geeky character reprent a mol of gay subjectivy that is pecially “thentic” our ntemporary tim?