Ten Bt Gay Broadway Mils of All Time

Contents:

• THE HIDN GAY LIV FALLY BEG UNVERED
• A BRIEF HISTORY OF GAY THEATER, THREE ACTS
• GAY THEATER NEWS, REVIEWS AND HEADL
• THE 10 BT GAY MILS OF ALL TIME
• 1964: THE BIRTH OF GAY THEATER
• IS THEATRE FALLY GLAD TO BE GAY?
• NEW GAY THEATER HAS MORE LOVE THAN POLICS

THE HIDN GAY LIV FALLY BEG UNVERED

For a long time, the mastream public didn't want to hear our Ca's The Secret Life of Albert Entwistle tells the story of a secretly gay postman searchg for a lost love om his youth (Cred: Headle Review)"I would venture to say that the public were disgted and outraged, " says thor Crystal Jeans. It's about a lonely, socially awkward and secretly gay postman livg a fictnal town the north of England who hs retirement, realisg he wants to turn his life around and fally be happy – but to do this, he needs to fd the love of his life, a man he hasn’t seen for nearly 50 years. That same year, the so-lled "Alan Turg law" offered pardons to 49, 000 Brish gay men who’d been nvicted of homosexual acts – followg a mpaign arguably bolstered by the greater awarens brought about by The Imatn Game, the h film that picted the nvictn and chemil stratn of the Enigma-breakg puter scientist.

A BRIEF HISTORY OF GAY THEATER, THREE ACTS

Over the last five years, a tr of Irish wrers have livered stunng gay-themed novels set predomantly perds of history that didn't wele them – John Boyne (The Heart’s Invisible Furi), Graham Norton (Home Stretch), and Sebastian Barry (the Costa Award-wng Days Whout End). In the theatre, Matthew Lopez's exploratn of gay male history The Inherance triumphed London before transferrg to New York, where opened the year after a well-received revival of Mart Crowley's semal 1968 play Boys the Band.

Most recently, the ter explod wh behd-the-scen photos of Harry Styl om the shoot of new film My Policeman, an adaptatn of Bethan Roberts's 2012 novel starrg the pop superstar as a closeted gay man the 1950s. This was another reason I wrote The Secret Life of Albert Entwistle; I wanted to tell the story of one ordary young gay man tryg to exprs his love for another at a time when this would not have been accepted.

GAY THEATER NEWS, REVIEWS AND HEADL

But I also wanted to ntrast this disturbg, sometim horrifyg picture wh what life n be like for a gay man wh today’s much more acceptg society the UK – and celebrate how much progrs we’ve ma. Pop star Harry Styl is starrg new film My Policeman as a closeted gay officer the 1950s (Cred: Getty Imag)"What we see all through history is that people are nied their past as part of a way to ntrol them, " says Hornby. In wrg , Crowley had liberately taken up the challenge tossed down by the theater cric Stanley Kffmann, who a 1966 New York Tim say headled “Homosexual Drama and Its Disguis” asked why that era’s most famo gay playwrights — meang Edward Albee, Tennsee Williams and William Inge — didn’t wre about themselv and leave straights alone.

Nor do homosexuals suffer om an “emotnal-psychologil illns, ” as he sually mentns — for this was an era which such public slurs were chic and permissible, pecially the guise of lerary cricism. ”) Still, there was no nyg that ank plays about gay male life had never reached the mastream, never perated the circl which Kffmanns and Roths and social Crowley wrote the bt and funnit and gayt play he uld, about ne gay men (or maybe eight and a half) at a birthday party. Though some of the men fse the ambient homophobia of the time better than others, almost all of them suffer om the self-hatred that seemed then, and maybe now, to filtrate even the bt-fend personaly.

At a time when many of the classic gay plays are returng to the Broadway stage — “Boys the Band, ” “Angels Ameri” and “Torch Song Trilogy” among them — almost no new on are on the horizon to jo them.

THE 10 BT GAY MILS OF ALL TIME

I wre that admirg many of s spirual forebears, om Tennsee Williams’s “The Glass Menagerie” 1945 to Robert Anrson’s “Tea and Sympathy” 1953 to the early works of Doric Wilson, Lanford Wilson, Robert Patrick and many others who helped spark an efflorcence of downtown gay drama centered at Caffe Co, wh s makhift k-crate stage, startg while buildg on those — and, Crowley says, on Arthur Lrents’s screenplay for Aled Hchck’s 1948 film, “Rope, ” which two gay men murr a classmate for sport — “The Boys the Band” has had the more nsequential gay trajectory. They and the rt of the starry st are succsful, openly gay men, as are the producers, Ryan Murphy and David Stone, and the director, Joe was a liberate statement, meant to acknowledge how far the world has e sce 1968. In the aftermath of the Stonewall rts of 1969, while the play still ran, s portrayal of gay male life me to be seen as unterrevolutnary, which was exactly backward, if unrstandable light of the rebrandg unrway.

The characters’ promiscuo, boa-flgg, “Oh, Mary”-spoutg, drown-your-troubl--a-vodka-bottle histrnics were distctly off-msage durg the years when gay men were tryg to cultivate lawmakers and police wh their new imag as activists or pillars of the muny, not of Sodom. Even Albee, who Crowley spects vted secretly the origal productn, once tarred the play as “a highly skillful work that I spised” bee “did ser damage to a burgeong gay rpectabily movement. And bee I’m wrg about plays that have shaped gay male life, ’s not surprisg that all the playwrights I name are gay hardly needs argug that one of them is Tony Khner, whose play “Angels Ameri: A Gay Fantasia on Natnal Them, ” opened on Broadway 1993.

Emphasizg that, the set sign by Eugene Lee and Keh Raywood featured on the theater’s walls a nng list of the nam of the ad, along wh the mountg ath toll, subtotaled by by Martha Swope / the New York Public LibraryThe actn largely tracks Kramer’s fur battle to get the ernment, the medil tablishment and gay men themselv to pay attentn to the disaster that was jt begng to engulf them.

1964: THE BIRTH OF GAY THEATER

An ventory of my tongue yields nothg that looks like my mother the remblance stops at the mouth She is fluent a language I am only ever ugly she falls asleep ont of the tv her show muted I wonr if her dreams I n speakThe actor reads "Translatn" by Julian the efficy of the nonil gay plays did not pend, or pend only, on gay dienc.

Like other margalized groups — Jews of an earlier generatn who objected to the tenement soap operas of Clifford Ots; blacks who found Uncle Tomism Lorrae Hansberry’s “A Rais the Sun” — many gays saw betrayal hont, let alone exaggerated, portras. “Jefey, ” too, may be theater huntg; a recent readg starrg Urie and Rsell Tovey was part an experiment to see how lands eper reason this material holds up spe beg so tied to s tim is that gayns, even now, do not operate as other mory inti do.

Or to put more gaily, you are what we Murphy, such tellectual workarounds are unnecsary; he fds “The Boys the Band” forward-thkg whether or not you nsir that was wrten a time when “you uld lerally be arrted” for beg gay.

IS THEATRE FALLY GLAD TO BE GAY?

But issu like the are a b baggy for great drama, and plays that qutn the homonormative movement (like Drew Droege’s hilar 2016 anti-marriage screed “Bright Colors and Bold Patterns”) seem sted for a short shelf life. As if turng Kffmann’s 1966 say on s head, many of the bt young gay male playwrights — Stephen Karam, Jordan Harrison, Brann Jabs-Jenks — no longer wre about gay people anyway, or wre about them only peripherally.

” If “The Inherance” hews to the Forsterian theme of nostalgia for a purposeful past, as s tle suggts may, would be a very apt gay play for this particular among new works I’ve actually seen, the only gay — or, rather, queer — theater piece that ris to the level of those I’ve beatified is Taylor Mac’s “A 24-De History of Popular Mic, ” which premiered as a plete work at St. The play, often dismissed by mastream crics but hailed as "funny, sexy, and important" by the gay prs, ran for 140 performanc off-Broadway, then toured to eight ci over ne months, and returned to Broadway starrg the legendary adult film star Casey Donovan the lead role. Dpe s unprecented succs and acclaim, the play was not officially published until wh the but publitn of the script of the play, this edn clus a foreword by Jordan Schildcrout tled "Tubstrip and The Erotic Theatre of Gay Liberatn", which exam the signifince of the play as one of a wave of erotic gay plays (most of them fotten or lost) that emerged between 1969 and 1974.

He went on to have a major reer gay male pornography, directg numero award-wng films between 1989 and 2007, such as More of a Man, Flh & Blood, Dream Team, and Schildcrout is Associate Profsor of Theatre & Performance at SUNY Purchase. In 1964, spe a social climate of homophobia that pervad Amerin life for the send third of the 20th century, two one-act plays prented Off-Off-Broadway at the Caffe Co revolutnized how gay characters uld be reprented theatrilly. Satirized the trial of Osr Wil sympathetilly), the Wilson and Patrick one-acts were unique that both featured gay characters set the prent time who were not only open, but boisteroly fiant.

NEW GAY THEATER HAS MORE LOVE THAN POLICS

We uldn’t jt log on to the ter or turn on the televisn to fd reprentatns of ourselv, we had to triangulate and hypothize om half-hts and sual pretory remarks by New York wrers about Greenwich Village parti and ffeeho that wh an only half-discerned arty Bohemian environment there might possibly be a ltle more acceptance of homosexuals. In tanm wh the work of activist polil groups, which had begun anizg the late 1950s, the wrers at the Caffe Co—wh their wild talents for turng fantasy to theatril realy for their untercultural dienc—metaphorilly gave birth to the ncept of “gay liberatn.

LANFORD WILSON and Robert Patrick were not unaware that their impulse to wre plays about openly gay characters was chartg new terrory, as wns Wilson’s “thor not” to “The Madns of Lady Bright”: “I believe the ia of the play shocked me. Openg on December 6, 1964, only a few months after “The Madns of Lady Bright, ” “The Hnted Host” has as s protagonist one Jay, a wildly funny gay playwright who has recently lost his lover Ed to suici.