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Explore Dwight Yoakam's bgraphy, wiki, worth & salary 2023. Learn about his age, height, weight, datg, wife, girliend, kids and more. Is he gay?

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IS DWIGHT YOAKAM GAY?

Is Dwight Yoakam Gay? Come and disver what has been stated lately about this and what is Dwight Yoakam sayg about this. * dwight yoakum gay *

He was also award an honorary doctorate by Oh Valley Universy has an timated worth of around $45M as of, ControversyThere was a mor among the media that Dwight is gay and the mors were spread all among the tall is Dwight Yoakam?

Dwight Yoakam has never ma any public statement about this, so all mors about if Dwight Yoakam is gay rema pletely unfound and unproven. However, there are people that say Dwight Yoakam is gay, but their ments have no nsistency or accuracy of any kd. The g out of Dwight Yoakam would greatly benef untls homosexuals around the world who are still the closet.

In any se, celebri too often refe to talk about their private liv, so we n't predict which celebs are gay or straight.

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class="nsumer-marketg-un__slot nsumer-marketg-un__slot--cm-riser"></div><div class="journey-un"></div></div></div><div class="SpaceHolr-oayp fXtswJ ad-height-hold"></div><div class="StickyHeroAdWrapper-eNLJUc gStsdY ad-stickyhero ad-stickyhero--standard ad-stickyhero-enable-mobile should-hold-space"><div class="AdWrapper-dQtivb fZrssQ ad ad--hero"><div class="ad__slot ad__slot--hero" data-no-id="tq6y88"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-hero" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-hero"></div><div class="journey-un"></div></div></div><div class="SpaceHolr-oayp fXtswJ ad-height-hold"></div><ma id="ma-ntent" tabx="-1" class="BasePageMaContent-kFvAuh ewPCZH page__ma-ntent"><article class="article ma-ntent" lang="en-US"><div class="ArticlePageLeBackground-EufvU tFsh"><hear class="ContentHearWrapper-clujbs kaZCaf ntent-hear article__ntent-hear"><div data-ttid="ContentHearContaer" class="ContentHearContaer-cGKRbE knDxNq"><div class="ContentHearHedAccredatnWrapper-GFiQf cDNVlV"><div data-ttid="ContentHearTleBlockWrapper" class="ContentHearTleBlockWrapper-cjmSKp cCntXd"><div data-ttid="ContentHearRubric" class="ContentHearRubricBlock-LmpbT eRFpQc"><div data-ttid="ContentHearRubricDateBlock" class="ContentHearRubricDateBlock-kAQcZP fTFWxD"><div class="RubricWrapper-dKmCNX kpuNXj bric ContentHearRubricContaer-eTudtt iRsSlw"><a class="RubricLk-gRWSOU fTtYjx bric__lk" href="/gqstyle"><span class="RubricName-fVtemz cLxcNi">GQ Style</span></a></div></div></div><h1 data-ttid="ContentHearHed" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearHed-NCyCC iUEiRd jPOabC BjYFU">Tall Tal Wh Dwight Yoakam</h1></div><div class="ContentHearAccredatn-lfctVB etVsnJ ntent-hear__accredatn" data-ttid="ContentHearAccredatn"><div class="ContentHearDek-bIqFFZ eASNBN">An timate night of nversatn and tun wh the hard-chargg, e-a-mute pneer of honky-tonk himself.</div><div class="ContentHearByle-kmPyCa emiglw"><div class="ContentHearByleContent-dpPmNn DRFq"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl ContentHearByl-cZqgyJ bHLeKI"><p class="ByleWrapper-jWHrLH gtxxjM byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd dlWgVJ gnILss byle__preamble">By </span><a class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM ByleLk-gEnFiw iUEiRd fhQbnq dzFUnH eErqIx byle__name-lk button" href="/ntributor/alex-pappamas">Alex Pappamas</a></span></span></p><p class="ByleWrapper-jWHrLH gtxxjM byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd dlWgVJ gnILss byle__preamble">Photography by </span><a class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM ByleLk-gEnFiw iUEiRd fhQbnq dzFUnH eErqIx byle__name-lk button" href="/ntributor/andreas-laszlo-konrath">Andreas Laszlo Konrath</a></span></span></p></div><time data-ttid="ContentHearPublishDate" dateTime="2020-03-17T08:00:00-04:00" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearPublishDate-eIBicG iUEiRd ivrQAn cZpOSL">March 17, 2020</time></div></div><div class="SocialInsWrapper-hKMEXV ffgPVr social-ins social-ins--standard ContentHearAccredatnSocialIns-jorO fPzfaa ntent-hear__social-share"><ul data-ttid="socialInslist" class="SocialInsList-cHVTIA ivmblD social-ins__list"></ul></div></div></div><div class="ContentHearLeadAsset-hGbumP fEknXh lead-asset ContentHearLeadAssetWrapper-hfXHEc Grck lead-asset--width-fullbleed" data-ttid="ContentHearLeadAsset"><figure class="ContentHearLeadAssetContent-kOfYSG dRGWbI"><div class="ContentHearLeadAssetContentMedia-bLEIpi jjhWdS lead-asset__ntent__photo"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset ContentHearRponsiveAsset-bREgIb hONbnm"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz ccdiSo"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa ContentHearRponsiveAsset-bREgIb hONbnm rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w, 960w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w, 1920w, 2240w" siz="100vw"/><img alt="Image may nta Clothg Apparel Human Person Hat Sleeve Pants Long Sleeve and Coat" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></div></div></span><div class="CaptnWrapper-jSZdqE dVZQpq ptn ContentHearLeadAssetCaptn-hPWmSN XczIg"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd cdsJgg fNaHcW ptn__cred"><strong>ALL CLOTHES, DWIGHT’S OWN</strong> | <em>Left:</em> Shirt, by DY Ranchwear / Jeans, by Levi’s / Hat (throughout), by Stetson | <em>Right:</em> Jacket, by Manuel Cuevas / Shirt, by Luigi Borrelli / Jeans, by Levi’s / Boots, by Rs of Merces</span></div></div></figure></div></div><asi class="PersistentAsiWrapper-VGrR oEIBz persistent-asi persistent-asi--align-left" style="posn:absolute;top:to;height:to" data-ttid="PersistentAsiWrapper"><div class="StickyBoxWrapper-jfYB jNgrSF sticky-box ContentHearPersistentAsi-fsnAmQ dFzKzm"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="SocialInsWrapper-hKMEXV ffgPVr social-ins social-ins--has-background ContentHearSocialIns-jzJiyg ctaZl social-ins--share"><ul data-ttid="socialInslist" class="SocialInsList-cHVTIA ivmblD social-ins__list"></ul></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></asi></hear></div><div data-attribute-verso-pattern="article-body" class="ArticlePageContentBackGround-cNiFNN kJkLmH article-body__ntent"><div class="ArticlePageChunksContent-etcMtP eRxRjL"><div data-ttid="ArticlePageChunks" class="ArticlePageChunks-fLyCVG eSsnKa"><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0 ArticlePageChunksGrid-hfxa bDFJoo"><div class="GridItem-buujkM kHPPIF grid--em"><div class="BodyWrapper-kufPGa edvONh body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p><strong>Late afternoon on a Wednday</strong> December, and I'm a glass-walled nference room a Hollywood office buildg, wag for an dience wh Dwight Yoakam. This is his office. The plan was we'd meet at 4:30, but then 4:30 and go, and then a Los Angel wter sunset strip the sky outsi the wdow blazg chemil-sorbet lors, throwg orange light on Dwight's gold and platum albums, his amed certifit of achievement om this or that songwrers' associatn, the posters om films he's appeared , his neatly stacked ffee-table books on art and sign, his Philippe Starck Louis Ghost chair, his ltle Jeff Koons balloon-dog sculpture. Then night falls, and jt as I'm begng to n out of thgs to say to the reprentative om Dwight's management pany who's wag wh me, here's Dwight, walkg the door wh an eveng iced tea a giant rsable plastic cup, sighg apologi. Before duckg to a back room to wrap up a phone ll, he nducts a quick spectn of the space and ps by the nference-room door, at whose base a small birch-bark reer wh a red-ribbon tie has been doorstoppishly posned. “Hey, Kyle?” Dwight says to Kyle, who works for him, and Kyle pops out of his office, and they sibar about the reer, and by the time Dwight has fished his ll, Rudolph has been disappeared.</p><p>Everythg s right place. When people e to vis, Dwight lik to s the swivel chair at the head of the nference table. Behd that chair there's a cht of drawers, and the top drawer there's a llectn of asters ma om the punched-out centers of old vyl rerds, and before he fally drops to his seat, Dwight tak some time lookg through that drawer for a aster to replace the pla peppermt-striped one I've been provid wh, passg over Glen Campbell and Crystal Gayle, briefly ntemplatg Charlie Rich—“You don't do much better than that, c'mon now”—before lotg the perfect aster, formerly the center of a Sun Rerds Johnny Cash LP. “I mean, this one was good,” he says, holdg up the Charlie Rich. “ ‘Lonely Weekends.’ But 's not Johnny Cash.”</p><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO dUOtEa AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset rponsive-image"><noscript><img alt="Image may nta Clothg Apparel Hat Human Person Su Coat Overat and Man" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" siz="100vw"/></noscript></picture></span></div><div class="CaptnWrapper-jSZdqE dVZQpq ptn AssetEmbedCaptn-fNQBPI cugSjO asset-embed__ptn"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd cdsJgg fNaHcW ptn__cred">Su and shirt, by Brni / Watch (throughout), by Long</span></div></figure></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="1rz76k"></div></div></div></div><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0 ArticlePageChunksGrid-hfxa bDFJoo"><div class="GridItem-buujkM kHPPIF grid--em"><div class="BodyWrapper-kufPGa edvONh body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p>He turned 63 this fall. Still fs to boot-cut Levi's he bought the '80s whout too much trouble. In the foyer of Dwight's office there's a rdboard cutout of Dwight cir 1987's <em>Hillbilly Deluxe,</em> crossg one leg over the other at the ankle, and at one pot Dwight stands across om the cutout and do the same thg wh his 63-year-old legs—not on purpose; I'm pretty sure 's jt how he stands—and 's like he's ont of a mirror. Tonight he's wearg a pstripe drs shirt wh a banker's llar; a tcker p tamps down the gray Ebenezer Scrooge flyaways that rim his bald head. He's spent the past few weeks bouncg back and forth between L.A. and a six-night rincy at the Wynn Las Vegas, which he scrib as both a profoundly rewardg experience and “kd of a Msa head of snak that I'm wrtlg every night.” Yoakam uld easily have built a standard greatt-hs victory-lap show surveyg his 35-year reer—17 stud albums sce 1986, most recently 2016's bluegrass rker <em>Swimm' Pools, Movie Stars</em>—but when he was approached by the Wynn, he cid to mount somethg more amb. The show is lled <em>An Eveng Wh Dwight Yoakam and the Bakersfield Beat,</em> and 's a loosely chronologil survey of California untry mic history as shaped by wav of newers—Oki travelg what Dwight lik to ll “that Tom Joad road” out of Stebeckian privatn, ary transplants, migratg blue-llar workers, aspirant creativ chasg Hollywood light, that sort of thg. (Yoakam is iends wh Ed Rcha, another transplant who beme an inic California artist; one time Dwight asked Rcha why he'd left Oklahoma Cy for Los Angel at the end of the '50s, and Rcha poted at the sky and said, <em>The light, man, the light!</em>)</p><div class="Contaer-bkChBi byNLHx"></div><p>The Vegas show tells the same story that he's been tellg sce 2018 on his SiriXM statn, also lled Dwight Yoakam and the Bakersfield Beat, where he opens the mic once a week to kick wh Beck or Post Malone or Bob Weir and curat selectns om a playlist whose athetic motto is “From the Dt Bowl to the Hollywood Bowl, om Buck to the Byrds.” That'd be untry legend Buck Owens, who pneered the hard-edged “Bakersfield sound” the mid-1960s, racked up a strg of untry hs at a time when Nashville was creasgly turng out gentrified untrypolan rn syp, and occupi a place the personal smos of Dwight Yoakam as central as the sun's.</p><div class="GenericCalloutWrapper-tojWn dxKJjl llout--has-top-borr" data-ttid="GenericCallout"><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO dUOtEa AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset rponsive-image"><noscript><img alt="Image may nta Clothg Apparel Shoe Footwear Furnure and Boot" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" siz="100vw"/></noscript></picture></span></div><div class="CaptnWrapper-jSZdqE dVZQpq ptn AssetEmbedCaptn-fNQBPI cugSjO asset-embed__ptn"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd cdsJgg fNaHcW ptn__cred">Boots, by Rs of Merces</span></div></figure></div><p>Jt explag that whole nceptual amework, Yoakam says wh a lgh, tak “an hour and a half.” But 's also an unscripted, highly nversatnal productn, so over the urse of the n the Vegas shows actually got longer—Dwight would remember somethg he fot to say about Buck or Merle Haggard or Tommy Colls or the Byrds, or he'd start talkg about, say, Lda Ronstadt, who vered two songs by Yoakam's old iend Warren Zevon on 1977's <em>Simple Dreams,</em> and then he'd have no choice but to stop and play Zevon's “Poor Poor Piful Me” before gettg back on track. Dwight grew up the church, abstas om everythg—the thor of “This Drk' Will Kill Me” has never touched a drop—but you've never had a nversatn this digrsive wh someone who do not get high. You ask a qutn, then he's off, parkourg om subject to subject, and before you know Dwight Yoakam is sayg thgs like “I would even pot to the Spanish-Amerin War” or “And that begs, to my way of thkg, wh Northern and Wtern Europe throwg off the yoke of theocracy, and the wrgs of John Calv, and Mart Luther, gog back centuri earlier, and that's what leads …” rponse to a qutn along the l of “So how long have you had this office space?”</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p>At one pot our nversatn spirals om Merle Haggard to the Maddox Brothers and Rose to a particular shot om the Amazon Prime seri <em>Patrt</em> to the unrdiscsed formal impact of Sherwood Anrson's <em>Wburg, Oh</em> on the morn novel to David Bowie. Dwight met Bowie the '90s and asked him about Elvis Prley, bee Bowie and Elvis share a birthday—which is the kd of thg Dwight knows—and Bowie told him that six months before Elvis's ath, the Kg had lled Bowie and asked him to produce his next rerd, bee apparently Elvis loved “Goln Years.” Bowie said he'd do ; then every time he tried to ll Elvis after that, some Memphis Mafia guy would pick up and say, “He n't e to the phone right now, man.” Dwight's never fotten anythg and everythg remds him of somethg, is the pot. Sometim 's like talkg to Doctor Manhattan.</p></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="htejre"></div></div></div></div><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0 ArticlePageChunksGrid-hfxa bDFJoo"><div class="GridItem-buujkM kHPPIF grid--em"><div class="BodyWrapper-kufPGa edvONh body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p>Whether this is tentnal or not, 's a good way of avoidg givg too much away. Yoakam spends a big chunk of our first few hours together enthiastic disc jockey mo, illtratg fe pots about AM-rad pop and the outward rippl of the Bakersfield sound by blastg the Monke' “Last Tra to Clarksville” and Ricky Nelson's “Stood Up” and David Essex's “Rock On” and the Bee Ge' “Jive Talk’ ” (“That's as bber as the Gap Band! That's badass street R&B!”) to my rerr. By the end of the night he's left the room, returned wh a guar se, and pulled out an old Mart atic, so he n punctuate the rt of the terview wh agments of other songs, sgg his own “Please, Please Baby” to monstrate the paed hiccup-sob that ma him hear mounta mic David Essex and teasg out the lks between “Wake Up Ltle Sie” and “Street Fightg Man.” Like the Vegas show, 's an tobgraphil nversatn—Dwight's mappg his idsyncratic personal non and implicly suatg his own work a rebant tradn of late-20th-century pop mic, a postmorn Bakersfield of the md—but not a particularly personal one. It's not until the transcript back that I realize how many of his stori are about other people's stori, how guard he's been able to rema while talkg a e a mute.</p><hr/><div class="GroupCalloutWrapper-bPWknp gjCHDP llout llout--group llout--group-2" data-ttid="GroupCalloutWrapper"><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed llout--group-em llout--group-em-1"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO dUOtEa AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset rponsive-image"><noscript><img alt="Image may nta Clothg Apparel Hat Human Person and Cowboy Hat" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" siz="100vw"/></noscript></picture></span></div></figure><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed llout--group-em llout--group-em-2"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO dUOtEa AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset rponsive-image"><noscript><img alt="Image may nta Clothg Apparel Human Person Hat Leisure Activi Mil Instment Guar and Mician" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" siz="100vw"/></noscript></picture></span></div><div class="CaptnWrapper-jSZdqE dVZQpq ptn AssetEmbedCaptn-fNQBPI cugSjO asset-embed__ptn"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd cdsJgg fNaHcW ptn__cred">Coat, by Turnbull & Asser / Jacket and jeans, by Levi’s / Shirt, by DY Ranchwear / Boots, by Rs of Merces / Srf, by Sat Lrent by Anthony Vacrello</span></div></figure></div><asi aria-hidn="te" class="PullQuoteEmbedWrapper-sc-EoVjf fQbAzo"><div class="PullQuoteDerativeBorr-sc-iUyOLj fAzNVP"></div><div class="PullQuoteEmbedContent-sc-kTcfhx eltaVW"><p>“AM rad was <em>effervcent.</em> It was the jet age llidg wh the space age. It was Saturn V rockets lnchg wh every sgle.”</p></div></asi><p><strong>His own story</strong> go somethg like this. He ends up beg as pure a California artist as Beck or Dr. Dre, but for what 's worth he's born, 1956, “hard-re Appalachia”—Pike County, Kentucky, where the actual Hatfields fought the actual McCoys. “Two unti up om me, along Route 23, is Johnson County, where Loretta Lynn was born,” Yoakam says. “Crystal Gayle, Ricky Skaggs, Keh Whley—they're all born wh a 50-e radi of that highway that ran up the river and went over to Oh and then up to Columb and then on to Detro.” Years later he'll wre the song “Read', Right', Route 23” about that road and about sons and dghters of the holler headg north search of “the good life that they had never seen.” Dwight's raised Columb, but his parents—his dad owns a gas statn, his mom's a keypunch operator—brg him back to Kentucky whenever they n. You n hear the mic, he tells me. “Those sounds, that mil DNA—the Bill Monroe, the Flatt & Scggs, the Stanley Brothers' mounta mic, the Carter Fay. Innately I wre that way.”</p><div class="AdWrapper-dQtivb fZrssQ ad ad---ntent"><div class="ad__slot ad__slot---ntent" data-no-id="oym6p"></div></div><p>But the Monke are formative too, bee they explo to the livg room every week lor, which even the Beatl don't do. AM rad is huge. “AM rad was <em>effervcent,</em>” Yoakam says. “It was the jet age llidg wh the space age. It was Saturn V rockets lnchg wh every sgle.” Dwight plays mic alone his room, bangs along wh “Last Tra to Clarksville” on a silver sparkle Ludwig snare dm his parents' basement, qus guar lsons after learng “enough chords to be dangero.” But the first time he's gnizant of his abily to hold people's attentn is when he's dog high school plays Columb; the send time is a few years later, when he performs a talent show ontg a Sha Na Na-style '50s-revival band lled Dwight and the Greasers. The qutn of what he's gog to bee is still wi open when he leav home his orange VW Super Beetle the late '70s. After he dns to perform at Opryland Nashville and gets slotted as an alternate, he keeps movg wt.</p></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="i8vyhl"></div></div></div></div><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0 ArticlePageChunksGrid-hfxa bDFJoo"><div class="GridItem-buujkM kHPPIF grid--em"><div class="BodyWrapper-kufPGa edvONh body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p>“There were no open doors on the Hollywood si of the hill '77, '78, '79, '80,” Yoakam says. Instead he works over the Valley, at untry bars like the Corral, playg to ps and bikers and meth alers and guys who'd ri their hors down om the San Gabriels. At the dawn of the '80s, untry-pop stars like Kenny Rogers and Ronnie Milsap are nng the untry charts, the smoothed-out <em>Urban Cowboy</em> soundtrack is about to sell a few ln pi, and the genre's about to ph up the sleev of s Members Only jacket to make self prentable for boot-sot' yuppi. But Yoakam played the Corral on off nights, when the l were looser. “They had a real top-notch ver band on Thursday, Friday, Saturday, but I would play Sunday, Monday, and Tuday,” he says. “I spent 12 months straight dog whatever I wanted to do.”</p><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO dUOtEa AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset rponsive-image"><noscript><img alt="Image may nta Mil Instment Mician Guar Guarist Human Performer Leisure Activi and Person" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" siz="100vw"/></noscript></picture></span></div><div class="CaptnWrapper-jSZdqE dVZQpq ptn AssetEmbedCaptn-fNQBPI cugSjO asset-embed__ptn"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd cdsJgg fNaHcW ptn__cred">Jacket, by Manuel Cuevas</span></div></figure><p>He cuts some mos at night while drivg an air-eight tck durg the day, mak an EP, starts sellg out of the tnk of his r jt like N.W.A would a few years later. He graduat to the Palomo North Hollywood, a legendary L.A. untry landmark at the tail end of s heyday. It's the early '80s and the tersectn of punk and roots is where the actn is—X, the Blasters, a former East L.A. weddg band lled Los Lobos l Este ( Los Angel). “Cowpunk” isn't que Dwight's vibe, but sudnly there's a space the scene for the kd of hard-drivg tradnal mic he and his band are startg to make. They open up for Hüsker Dü and the Vlent Femm and the crowds get . “There was a visceral release for onstage,” Dwight says. “It's not genre- or idm-specific. Emotnal exprsn is what we had mon wh any dience we played ont of. Human begs rpond to that, pennt of genre. So I was walkg out ont of Hüsker Dü's crowd, playg ‘Can't You Hear Me Call' ’ by Bill Monroe—raved up, 100 an hour!”</p></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="3asyup"></div></div></div></div><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0 ArticlePageChunksGrid-hfxa bDFJoo"><div class="GridItem-buujkM kHPPIF grid--em"><div class="BodyWrapper-kufPGa edvONh body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p>You n hear on the bon disc clud wh the reissue of Dwight's but album, <em>Guars, Cadillacs, Etc. Etc.,</em> released 1986—a live show om that same year, which clud fired-up ns through “My Bucket's Got a Hole It” and “Mystery Tra” rerd live at the Roxy, a stone's throw om the office buildg we're stg today. The energy that ma Yoakam read as a fellow traveler ont of punk crowds ma him nceivable as a untry star. He tells a story about a Nashville rerd executive who me to see him open for Nick Lowe at the Hollywood Palace and sniffed, “It's awfully rock and roll”—this, about a set full of Bill Monroe and Flatt & Scggs vers. When he gets a rerd al wh Warner Rerds' newly reactivated Reprise imprt, he's technilly signg wh the label's Nashville divisn, but he views himself as answerable only to the Warner head office Burbank, where execs like Lenny Waronker have given unnventnal artists a long leash sce the mercially nowhere heydays of Randy Newman and Van Dyke Parks. Waronker brgs John Pre and Emmylou Harris to see the Roxy show, lls up Dwight the next day, and says, “None of my lleagu are ever gonna let me live this down if they fd out I'm tellg you this, but if anybody ever tells you to do anythg that go agast your stct or your tun, ever, here or any place this bs, don't do . Bee what I watched you do last night is tuive.”</p><hr/><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO dUOtEa AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset rponsive-image"><noscript><img alt="Image may nta Clothg Apparel Human Person Female Hat Woman and Sleeve" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" siz="100vw"/></noscript></picture></span></div><div class="CaptnWrapper-jSZdqE dVZQpq ptn AssetEmbedCaptn-fNQBPI cugSjO asset-embed__ptn"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd cdsJgg fNaHcW ptn__cred">Blazer, by Tom Ford / Shirt, by Stefano Ricci / Pants, by Jaime Castaneda Ctom Tailor and Wtern Wear / Boots, by Rs of Merces / Cuff lks, his own</span></div></figure><asi aria-hidn="te" class="PullQuoteEmbedWrapper-sc-EoVjf fQbAzo"><div class="PullQuoteDerativeBorr-sc-iUyOLj fAzNVP"></div><div class="PullQuoteEmbedContent-sc-kTcfhx eltaVW"><p>“I was walkg out ont of Hüsker Dü's crowd, playg ‘Can't You Hear Me Call' ’ by Bill Monroe—raved up, 100 an hour!”</p></div></asi><p><strong>Whether Yoakam actually</strong> need this permissn to do thgs exactly the way he wanted to is batable; his then manager, Sherman Halsey, had already strong-armed Reprise to lettg Yoakam choose his own songs and his own producer, an unheard-of mand for a new artist on a untry label to make.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-1 viewport-monor-anchor"></div><p><em>Guars, Cadillacs, Etc. Etc.</em> is sentially a rerelease of Yoakam's first EP pl four new songs, cludg the tle track, on which Dwight lists guars, Cadillacs, and “hillbilly mic” as “the only thgs that keep me hang' on.” When me time to release the song as a sgle, the label lled up Dwight's producer, askg if Dwight uld be persuad to recut whout the H-word. The producer didn't tell Dwight about this until later, Dwight says, “after was the send massive h off the album.”</p></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="5tvrjf"></div></div></div></div><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0 ArticlePageChunksGrid-hfxa bDFJoo"><div class="GridItem-buujkM kHPPIF grid--em"><div class="BodyWrapper-kufPGa edvONh body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p>So he got to make the rerds he wanted to make—Pikeville by way of the Palomo—and beme kd of a big al, for a mute. His ver of Johnny Horton's “Honky-Tonk Man” beme the first untry vio to air on MTV; peeved by Yoakam's omniprence, Steve Earle reportedly graffied “DWIGHT YOAKAM EATS SUSHI” on the wall of a Hollywood Palladium drsg room. (They were iendly then, Yoakam says, and still are; they spent the summer of 2018 on the road wh Lucda Williams, on a bill they lled the LSD Tour.) Sharon Stone brought him as her date to the 1992 Amy Awards; Dwight wore leather pants. Yoakam acted his first movie 1993, holdg his own oppose Dennis Hopper and Nilas Cage John Dahl's die noir <em>Red Rock Wt.</em> That same year, his third rerd, <em>This Time,</em> went platum; 's still the biggt-sellg album he's ever ma. He says he never felt like he was on track to be a untry megastar—a Garth, an Alan Jackson, a Gee Stra, a Tim McGraw—and that this has always been okay wh him. Somethg else might have been possible, if he'd ma different cisns, but like the great Tom T. Hall says a song Yoakam lov to quote, <em>That's how I got to Memphis.</em></p><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO dUOtEa AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset rponsive-image"><noscript><img alt="Image may nta Clothg Apparel Human and Person" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" siz="100vw"/></noscript></picture></span></div><div class="CaptnWrapper-jSZdqE dVZQpq ptn AssetEmbedCaptn-fNQBPI cugSjO asset-embed__ptn"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd cdsJgg fNaHcW ptn__cred">Shirt, by DY Ranchwear</span></div></figure><p>At one pot that night we'd been talkg about—well, we'd been talkg about 15 thgs at once, as ual—but Dwight had mentned the multi-stmentalist David Mansfield, who played Dobro and mandol on <em>Guars, Cadillacs, Etc Etc.</em> Mansfield also wrote the sre to Michael Cimo's betiful, misunrstood, mercially disastro Amerin art-Wtern <em>Heaven's Gate</em> and appeared the movie as a roller-skatg fiddler. <em>Heaven's Gate</em> remd Dwight of <em>It's a Wonrful Life,</em> another box office disappotment, whose ial failure precipated director Frank Capra's early retirement om the bs, a movie that survived long enough to re-enter the Amerin cultural non bee was allowed to slip to the public doma, which meant TV statns uld rebroadst for ee.</p></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="mnwu5j"></div></div></div></div><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0 ArticlePageChunksGrid-hfxa bDFJoo"><div class="GridItem-buujkM kHPPIF grid--em"><div class="BodyWrapper-kufPGa edvONh body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p>“You know, art is a seed,” Yoakam said. “And some thgs are quick-growg, fast-bearg of u, and other plants are a slow growth, but they'll bee the redwood fort, the sequoias, or the aspen. The aspen fort—maybe the largt sgular livg anism on the pla. That's jt different. And that's not to dismiss bamboo. Bamboo has s own majty, you know? But don't dismiss the thg that tak longer to germate. Mountas are not, fact, grown overnight. But a ln and a half years later, <em>Wow,</em> y'know? That range is pretty spectacular to vis.”</p><p>So are you an aspen, or are you bamboo?</p><p>“Oh, I don't know,” Dwight says, and lghs. “I n be bamboo.” Pse. “I'm probably jt danlns. I go wh the wd.”</p><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO dUOtEa AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset rponsive-image"><noscript><img alt="Image may nta Clothg Apparel Hat Human Person and Sleeve" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" siz="100vw"/></noscript></picture></span></div></figure><p><strong>Alex Pappamas</strong> <em>is a wrer livg Los Angel.</em></p><p><em>A versn of this story appears the Sprg/Summer 2020 issue of GQ Style wh the tle “Tall Tal Wh Dwight Yoakam.” Due to a transcriptn mistake, Yoakam was briefly misquoted the prt edn. We regret the error.</em></p><hr/><p><strong>PRODUCTION CREDITS:</strong><br/><em>Photographs by <strong>Andreas Laszlo Konrath</strong></em><br/><em>Styled by <strong>Jon Tietz</strong></em><br/><em>Groomg by <strong>Ey Joyce</strong></em></p></div></div></div></div></div><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0 PaywallInleBarrierWhWrapperGrid-fyrGfS jyGBoi"><div class="GridItem-buujkM kHPPIF grid--em"><div class="body body__le-barrier article__body article__body--grid-margs"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"><asi class="PaywallInleBarrierWrapper-iBnuqk lfXXa-D" data-ttid="PaywallInleBarrierWrapper"><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--paywall-le-barrier" role="prentatn" aria-live="pole" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--paywall-le-barrier"></div><div class="journey-un"></div></div></asi></div></div></div></div></div></div><div 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