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Here, we reunt, 13 of the most tertg Whisper posts about people, or their iends gog ‘gay for pay’.

Contents:

GAY FOR PAY JOBS

754 gay for pay jobs available. See salari, pare reviews, easily apply, and get hired. New gay for pay reers are add daily on The low-strs way to fd your next gay for pay job opportuny is on SimplyHired. There are over 754 gay for pay reer wag for you to apply! * gay for pay auditions *

Every day, and every role, our staff ntribute to our cril missn of endg suici among lbian, gay, bisexual, transgenr, queer & qutng young people, while fosterg an clive approach our direct work and engagement wh Trevor lleagu across the anizatn while fosterg an clive approach to your direct work and engagement wh Trevor lleagu across the anizatn, while ntually growg our LGBTQ petency and awarens.

Max Greenfield — Ronnie Halston, Amerin Crime Story: The Assassatn of Gianni Versace / Gabriel?, Amerin Horror Story: Hotel I don’t know if he specifilly played gay wh the flashy hero-addict who gets drilled to ath and sown to a mattrs AHS: Hotel, but he fely gave a ltle b ACS: Versace. Fn Wtrock — Albert, The Normal Heart / Dandy Mott?, Amerin Horror Story / Tristan Duffy and Rodolfo Valento?, Amerin Horror Story, Hotel Fn Wtrock is part of Murphy’s five gay-for-pay try (Wtrock, Peters, and Darren Criss, specifilly), but he seems strongly dited to playg MLM that ually won’t adm to beg such.

I don’t know if I pletely believe that, given some of his history sce the role (stg his Normal Heart -star Matt Bomer as a trans woman Anythg (2017) and fendg MCU -star Chris Pratt over his anti-gay church ti, specifilly). That said, the strength of his performance as Ned Weeks has rved out his place among gay-for-pay greats like Trevante Rhos, Jake Gyllenhaal, and Johnny Rapid, and earned him the top spot Ryan Murphy’s wretched roster.

RYAN MURPHY’S GAY-FOR-PAY ACTORS, RANKED

Insi the world of gay-for-pay smut. * gay for pay auditions *

End they go home to their wiv and male adult performers who go "gay for pay, " a term ed to scribe gay porn which two (or more) otherwise straight dus have sex on mera, the above scenar is jt another day at the Male Porn Stars Are Straight — But They Have Sex Wh Men for a LivgSource: YouTubeThis week, MTV is airg an episo of Te Life explorg the liv of two such performers, and their stggl to balance the seemgly nflictg mands of their profsnal and personal liv. In straight porn, the pay for men is notorly lower than the pay for women, so "gay porn [actors] general make a lot more than straight porn, " Damian McKnight, the CEO and producer of the succsful gay-for-pay se Broke Straight Boys, told the Daily Dot last year.

Ultimate Fightg Champnship has e unr fire recent months for s homophobic past, wh LGBT groups llg on Anhser Bch to drop s sponsorship of UFC over the anizatn's failure to addrs homophobic behavr by s lears and athlet.

THREAD: MY GAY FOR PAY EXPERIENCE, AMA

* gay for pay auditions *

Kyle Dean, the adult film actor who had worked wh studs like Corb Fisher and GayHoopla, has died at e of ath has not been released yet for the actor, whose real name is Brandon Chrisan, but a memorial entry on the Toale Brothers Funeral Home webse reads that he "loved to play football and physilly tra his body. Through this reflectn, I arrive at the ncln that the time was right for an agg twk performer to be hened-up by a transn to bareback—siar transns of which have bee wispread across the gay porn landspe the terveng years between the 2015 Johnny Rapid Go Bareback event and the prent day, thanks no small part to advancements HIV preventn technologi. Keywords: Agg, Bareback, Cultural studi, Gay-for-pay, Gay pornography, Johnny RapidIntroductnJohnny Rapid began his porn reer at the start of the 2010s as a h-faced 18-year-old, shootg scen wh Boys First Time and Bkake Boys before signg wh Men as an exclive and releasg his first scene November 2011.

‘ULTIMATE FIGHTER’ CONTTANT SAYS ‘GAY FOR PAY’ PAST WAS MISTAKE

The gay-for-pay genre of gay pornography often utiliz thentic narrativ, suatns, or settgs to dite s male performers are heterosexual an * gay for pay auditions *

1 He was also named as the send most searched for gay porn star Pornhub’s 2017 “Year Review” annual analytics report (beaten to the top spot by relative new-er William Seed, also a Men exclive)2 and was the 2017 recipient of Str8UpGayPorn’s Bt Gay-4-Pay Performer award. Through reflectn, I arrive at the ncln that the time was right for an agg twk performer to be hened-up by a transn to bareback; siar transns of which have bee wispread across the gay porn landspe the years that have ticked over sce the 2015 Johnny Rapid Go Bareback event and our prent day (see Brennan, 2020a)—due to the wispread mastreamg of bareback mercial gay porn, which has been buoyed no small part by advancements HIV preventn Rapid Go BarebackJohnny Rapid’s bareback but served as the lnch event for Bromo; a se that shared a parent pany (MdGeek) wh Sean Cody and Men, the latter two s that 2018 held the distctn of beg the first and send most equented sourc of gay porn on the web, rpectively (Brennan, 2018). I observe that while Rapid’s first-time bareback performance is marketed as a up for viewers, the general nsens among Str8UpGayPorn’s rearship is more my readg of the disurse will show, the largt proportn of those mentg on the mpaign exprsed a cidly negative viewpot.

Especially as this trend relat to the Johnny Rapid Go Bareback Barebackg CoupAnalysis of viewer receptivens to the Johnny Rapid Go Bareback mpaign offers particular sights to the functn of ‘bareback event marketg, ’ and wh the impact that the movement towards a “state of ndomlsns” (Brennan, 2020a, 131) gay porn has had on dience expectatns around what nstut a newsworthy performance—together wh dience views on the ethics of ndomls promotn self.

GOG BAREBACK: TIME AND AGG A GAY-FOR-PAY PORN CAREER

Jt as the 2010s hered the equent prentatns of acts that would have been nsired extreme pornography a earlier—such as anal creampi—on s that are generally nsired “vanilla” gay porn (Kiss Nielsen & Kiss, 2015, 132), Morris has himself been forced to gravate towards more extreme portrayals orr to mata his radil reputatn. The novelty of the Johnny Rapid Go Bareback mpaign, therefore, through the prentatn of a sue of scen pictg a prolific, yet still young, gay-for-pay performer beg perated ‘raw, ’ and perhaps ‘seed’ for the first time on screen. ” (see Florênc, 2018) Also, as John Mercer (2017) not, the “first time” vice is “one of the key disurs of youth that is summoned up gay porn, ” (89) which is an unrstandg of the genre that helps expla the stg of Rapid for this particular re of passage.

Consirg first the reactns to the news of Rapid’s bareback performance, the failure of Bromo to stir up tert—and for s tend msage to land wh Str8UpGayPorn rears—is surmised by two them; namely: bareback as self now mundane, and Rapid’s bareback but as dangero. ’” (C55) The more plited of the two them that emerged the wake of the announcement is the healthism 2: As DangeroOf urse, bareback sex was once the norm gay pornography—before the HIV/AIDS era—, and was mpaigns of another kd—namely for safer sex—that have created the opportuni for harsh judgement, even censure, here and more broadly. Weeks wr that sexual inti are “necsary fictns” (1995, 98) shaped by historil circumstanc: the spread of HIV wh Wtern gay and queer male muni of which is a se pot, and a circumstance om which we vised a “grammar for safer sex.

21 We turn now to viewer asssment of the scen of Rapid’s barebackg but, such asssments that were thored the ments sectns of Str8UpGayPorn’s of the Johnny Rapid Go Bareback CampaignFour scen were released as part of the Johnny Rapid Go Bareback mpaign—one per week begng on Augt 6, 2015. It is a view that regniz the potential of the ter promotg certa sexual practic (see Rosenberger et al., 2011); but also, pots to the “risky bs” of a regrsive trajectory followg a perceived cle the threat of HIV—whereby “agast all good medil advice, ” the porn dtry is puttg profs ahead of muny health by “showg healthy lookg people engagg unhealthy behavr, ” and “sendg a bad msage, pecially to young gay men, ” for many of whom porn, is assumed, plays an important role their inty formatn.

13 GUYS WHO GO GAY FOR PAY REVEAL THEIR SECRETS

Not only do nfirm abundant e of pornography by gay men (also see Duggan & McCreary, 2004), but also, of the 20 participants who took part the study, three quarters of those terviewed attributed gay pornography as their primary means of learng about gay sex durg adolcence (Elr et al., 2015, 951) foregog viewer ment is ak to what Alex Carballo-Diéguez and José Bermeister (2004) found their paratively early ntent analysis of ments for and agast barebackg. Mercer mak the pot that while a theme of homophobia may be seen to unrsre certa scenars—such as sex prison (and perhaps hazg and gay-for-pay narrative settgs as well)—, to label such scenars as homophobic is “far too simplistic and rctive to acunt for the relatively plex range of disurs at play.

Scene 3 b an alleged misogynist (Rapid) wh a perceived homophobe (Black) a pairg that those mentg regnize as a meetg of ntroversi:One asshole gettg FUCKED by another how origal (C20)The only upg scene I’d be terted watchg featurg Vadim Black (don’t that make him sound like some chey vampire? (C29)32In addn to offensive signifieds that adjo the performers’ off-screen liv, one mentator also labels the men as probable racists, prumably le wh the whe-washed nature of much of gay porn:33 “As much as I dislike both of their personali, and that they both might be potentially racist as well, I’m watchg this maly for Vadim. However, what n be gleamed om the disurse regardg class is that Rapid’s gay-for-pay porn inty, bed wh his reputed treatment of women, merg wh his “power bottom” performanc to create a distctly workg-class nstctn that was central to his narrative at the time.

EROTICIZG DPERATN: POVERTY GAY-FOR-PAY PORN

” (C5) Yet the nsens seems to be that Rapid’s bareback but as an ‘event’ is the scene self together wh the promotnal imag that acpany are cricized as overly staged—“There’s some[thg] cidly unsexy about a group of guys stoppg to pose for the mera mid-fuck” (C14)—, unr erotic—“he’s the most borg and passnls gay porn performer I’ve ever seen, no matter how many dicks he n take at the same time. For Mark Kiss ( Nielsen & Kiss, 2015) the performance of “double anal peratns, ” and even “graphic cream pi, ” while once an ditor of “‘extreme’ gay pornography” and “relegated to shady, dim backrooms studs” such as TIM, “are now somewhat mon place; perhaps even yawn worthy to pecially jad gay porn nnoissrs.

” ( Nielsen & Kiss, 2015, 126) In other words, for many there is a sire for specific and personally-practised gay sex acts to be exaggerated follows that if bareback is sirable, or perhaps practised as part of a nsumer’s sex life—as recent advanc HIV preventative technologi have ma possible whout beg necsarily acts of ristance—then there is an expectatn that pornography will take this portrayal further. In fact, Mercer (2017) nomat Rapid as one of three performers who typify “the specific physily and athetic of the boy-next-door and the sexy kid” (85) his monograph on gay porn, which serv to illtrate how Rapid, aged c25 at time of Mercer’s monograph, ntu to enjoy “kid”-oriented appreciatns, spe his age.

TWELVE STRAIGHT ACTORS WHO WENT GAY-FOR-PAY ... AND HAD US DEMANDG {FONT:NORMAL 800 1.2REM/1.2 "D BOLD",SANS-SERIF;TEXT-TRANSFORM:NORMAL;LOR:HER;DISPLAY:LE-BLOCK;PADDG-BOTTOM:6PX;POSN:RELATIVE;TEXT-TRANSFORM:UPPERSE;}{BACKGROUND:#89308A;BOTTOM:0;NTENT:'';DISPLAY:BLOCK;HEIGHT:2PX;LEFT:0;POSN:ABSOLUTE;RIGHT:0;-WEBK-TRANSN:ALL 0.2S EASE;TRANSN:ALL 0.2S EASE;WIDTH:100%;}{LEFT:51%;RIGHT:51%;WIDTH:0;}{FONT:NORMAL 800 1.2REM/1.2 "D BOLD",SANS-SERIF;TEXT-TRANSFORM:NORMAL;LOR:HER;DISPLAY:LE-BLOCK;PADDG-BOTTOM:6PX;POSN:RELATIVE;TEXT-TRANSFORM:UPPERSE;}{BACKGROUND:#89308A;BOTTOM:0;NTENT:'';DISPLAY:BLOCK;HEIGHT:2PX;LEFT:0;POSN:ABSOLUTE;RIGHT:0;-WEBK-TRANSN:ALL 0.2S EASE;TRANSN:ALL 0.2S EASE;WIDTH:100%;}{LEFT:51%;RIGHT:51%;WIDTH:0;}MOVIBY SNICKSMAY 16, 2011/4:54 PMBY SNICKSMAY 16, 2011 / 4:54 PM{"@NTEXT":","@TYPE":"NEWSARTICLE","HEADLE":"TWELVE STRAIGHT ACTORS WHO WENT GAY-FOR-PAY ... AND HAD US DEMANDG REFUNDS","DATEPUBLISHED":"2011-05-16T20:54:35.000+0000","DATEMODIFIED":"2011-05-16T20:54:35.000+0000","IMAGE":{"@NTEXT":","@TYPE":"IMAGEOBJECT","WIDTH":1920,"HEIGHT":1080},"URL":","THOR":{"@TYPE":"ORGANIZATN","NAME":"LOGO TV"},"MAENTYOFPAGE":{"@TYPE":"WEBPAGE","@ID":"},"PUBLISHER":{"@TYPE":"ORGANIZATN","@ID":","NAME":"LOGO TV","URL":","LOGO":{"@TYPE":"IMAGEOBJECT"}},"CREATOR":"SNICKS","KEYWORDS":"THE BACKLOT","ARTICLESECTN":"MOVI"}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}OUR POST ABOUT GAY ACTORS PLAYG STRAIGHT CHARACTERS GOT THKG ABOUT THE FLIPSI, STRAIGHT ACTORS PLAYG GAY {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}BUT A LIST OF STRAIGHT ACTORS SUCCSFULLY PLAYG GAY WOULD BE OBV (TOM HANKS, HEATH LEDGER, PHILLIP SEYMOUR HOFFMAN) AND ANKLY DULL. SO WE CID STEAD TO SHARPEN OUR KNIV AND MAKE A LIST THAT'S A HELL OF A LOT MORE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}STRAIGHT ACTORS WHO CRASHED AND BURNED ATTEMPTG TO PLAY {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}MOST OF THE PERFORMANC RELY ON CLICHE AND STEREOTYPE, AND TO BE FAIR, A LOT OF OUR FAVORE GAY PERFORMANC OM STRAIGHT ACTORS DO LEAN HEAVILY ON THE FLAMBOYANT. BUT ACTORS SUCH AS ERIC STONTREET (MORN FAY) MANAGE TO JECT WARMTH, HEART, AND SCERY TO THE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE ACTORS, ON THE OTHER HAND, EHER TRY WAY TOO HARD, OR NOT HARD ENOUGH, AND EMBARRASS THEMSELV ... AND {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}MARK ADAIR-RS AND PETER OLDRG, LOVE THAT {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}IF YOU'VE NEVER SEEN TV-ONE'S BUT S LOVE THAT GIRL, YOU SHOULD FELY CHECK OUT, IF ONLY SO YOU N SAY YOU WERE WNS TO ONE ONE OF THE WORST SHOWS THE HISTORY OF TV (AND G OM SOMEONE WHO MANAGED TO SEE THE GOOD SMALL WONR, SHE'S THE SHERIFF, AND WOOPS!, THAT'S SAYG SOMETHG).{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}APPALLG EVERY REGARD (THIS SHOW IS SO LAZY THAT THE SAME LGHTRACK IS APPLIED TO EVERY SGLE JOKE), LOVE THAT GIRL MANAG TO UP THE ANTE BY FEATURG A PAIR OF NOSY GAY NEIGHBORS NAMED ADONIS (MARK ADAIR-RS) AND FABIAN (PETER OLDRG), WHO ARE LENNY & SQUIGGY CIR IN LIVG {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}LEERG AND LEWD , THEY WOULD NEED TO TONE DOWN JT TO GET TO {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}// {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}VAR SO = NEW SWFOBJECT('','MPL','480','360','9');SO.ADDPARAM('ALLOWFULLSCREEN','TE');SO.ADDPARAM('ALLOWSCRIPTACCS','ALWAYS');SO.ADDPARAM('WMO','OPAQUE');SO.ADDVARIABLE('ONTLOR','FFFFFF');SO.ADDVARIABLE('IMAGE','');SO.ADDVARIABLE('FILE',"");SO.ADDVARIABLE('SK','');SO.ADDVARIABLE('STREAMER','RTMP://');('LOVETHATGIRL_EP208_1');{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}// ]]>{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}JOHN C. MCGLEY WAGONS EAST AND WILD {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}IT'S NOT OFTEN AN ACTOR N LAY CLAIM TO PLAYG BOTH ENDS OF THE GAY CLICHE SPECTM, BUT SCBS STAR JOHN C. MCGLEY MANAGED THAT ... {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}IN THE ABYSMAL 1994 EDY WAGONS EAST (WHICH WAS SO BAD JOHN CANDY DIED DURG FILMG), HE PLAYED JULIAN, A BLATANT RITURE WHOSE CRGEWORTHS MAY HAVE STOOD OUT MORE S OFFENSIVENS IF THE MOVIE SELF WEREN'T SO OFFENSIVELY {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}EVEN WORSE WAS HIS PERFORMANCE WILD HOGS, WHICH HE PLAYED THAT OTHER CHTNUT, THE PREDATORY GAY. EACH TIME HIS P CHARACTER MET UP WH THE LEAD FOURSOME (TIM ALLEN, MART LAWRENCE, JOHN TRAVOLTA, AND WILLIAM MACY), CREEPS ENSUED, THANKS TO HIS MERA MUGGG AND BIZARRE LE READGS. I DON'T KNOW WHAT THE HELL HE WAS GOG FOR, BUT IF WAS "SK CRAWL EXPERT," HE SUCCEED {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}KEV BISHOP FOOD OF {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}KEV BISHOP PLAYED PL THIS 2002 G-OF-AGE DRAMA, A TALENTED MIC STUNT WORKG AS THE PAGE TURNER FOR A NCERT PIANIST. HE AND THE PIANIST EMBARK ON A RELATNSHIP, WHICH LEADS TO PLITNS, OF URSE, PECIALLY WHEN PL'S NUTTY MOTHER (JULIET STEVENSON A ENTERTAGLY OVER-THE-TOP PERFORMANCE) FDS {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}UNFORTUNATELY, KEV IS WOON AND BLAND, AND PLAYS THE GAY LOVE SCEN AS IF HE'S HOLDG HIS BREATH WAG FOR TO BE OVER. EVEN THE OCSNAL BUTT SHOTS LOSE THEIR TERT, AS WE'RE TOO BY LOOKG FOR THE STICK UP HIS ASS TO REALLY APPRECIATE {BOX-SIZG:BORR-BOX;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;} .TWTER-TWEET-RENRED, {M-WIDTH:65%;WIDTH:TO !IMPORTANT;} {WIDTH:100%;} {MARG-LEFT:TO !IMPORTANT;MARG-RIGHT:TO !IMPORTANT;} IMG{MAX-WIDTH:100%;WIDTH:100%;} > IAME{BORR:NONE;MAX-WIDTH:100%;} > *{MAX-WIDTH:NONE !IMPORTANT;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}KEIR O'DONNELL WEDDG {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}LOOK, ANOTHER PREDATORY GAY! BUT THE CHARACTER OF TODD THE EXPLIBLY POPULAR 2005 EDY WEDDG CRASHERS ALSO ADD MENTAL ILLNS TO THE MIX. IN ONE OF THE LOW POTS OF FILM EDY RECENT YEARS, HIS ATTEMPTED RAPE OF THE VCE VGHN CHARACTER WAS TREATED AS A IC SET {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}MAKG MATTERS WORSE IS THE PERFORMANCE OM KEIR O'DONNELL, WHOSE MOTTO SEEMS TO BE, "WHEN DOUBT, TWCH." INED, HIS TICS AND TENSE MUGGG BRG ANOTHER DIMENSN OF CREEPY TO THE CHARACTER. HE MT HAVE MISSED THE LSON AT THE JIM CARREY SCHOOL FOR COMEDIC ACTG THAT VERED, "WHEN TO TURN DOWN A NOTCH."{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}REX HARRISON AND RICHARD BURTON {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THIS 1969 MM CUR PIECE FEATUR TWO LEGENDARY ACTORS THOROUGHLY EMBARRASSG THEMSELV AS GAY HAIRDRSERS CHARLIE AND HARRY, A BICKERG BRISH UPLE WHO TRY TO OUT-SHRILL EACH OTHER. ESPECIALLY BAD IS BURTON, WHO WALKS AROUND WH HIS HEAD BANDAGED, LIKE A LOBOTOMIZED NORMA DMOND LOOKG FOR HER CLOSP. I THK ROGER EBERT SUMMED UP BT:{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}"WE'RE NOT ASKED TO WATCH A MOVIE ABOUT HOMOSEXUALS, BUT A MOVIE ABOUT HARRISON AND BURTON PLAYG HOMOSEXUALS. THEY PLAY THEM WH EMBARRASSG CLUMSS. I WONR IF THAT WAS LIBERATE. HARRISON MC ABOUT A PARODY OF HOMOSEXUAL MANNERISMS -- NOT THAT MANY (OR PERHAPS ANY) HOMOSEXUALS EVER ACTED AS HE PORTRAYS THEM. MAYBE HE'S TRYG TO TELL HE'S SO STRAIGHT HE N'T EVEN PLAY A HOMOSEXUAL. BUT HE DON'T EVEN PLAY A CHARACTER. NEHER HE NOR BURTON IS BELIEVABLE FOR MORE THAN SENDS."{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}JASON ALEXANR LOVE, VALOUR, {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}HIS HEART WAS THE RIGHT PLACE, BUT JASON ALEXANR'S PERFORMANCE AS BUZZ WAS THE WEAKT LK 1997'S LOVE, VALOUR, COMPASSN. ALL SURFACE MANNERISMS, JASON WOULD HAVE BEEN BETTER OFF TRYG TO DIG A LTLE EPER STEAD OF TRYG TO APE NATHAN LANE (WHO ORIGATED THE ROLE ON STAGE).{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}TRACY MAN THE LONGT {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WELL, DUH. WHEN YOU THK, "TRACY MAN AS A GAY PRISON MATE," THIS IS PROBABLY WHAT YOU PICTURE, AND HE CERTALY DIDN'T {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THERE WAS ABSOLUTELY NOTHG TO HIS MS. TUCKER THAT WAS ORIGAL, CREATIVE, OR AMG. THE SCRIPT HAD, "TRACY MAN AS A GAY PRISON MATE," AND THEY DIDN'T BOTHER WRG ANYTHG AFTER THAT BEE HEY, THAT'S ALL YOU NEED TO {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}IF HE HAD PUT A MUTE OF EFFORT TO THE PERFORMANCE, MAY HAVE RISEN TO OFFENSIVE, BUT HE ULDN'T EVEN MANAGE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}GREG KNEAR AS GOOD AS IT GETS AND TOMMY LEE JON {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AND NOW WE E TO A TEGORY WE'RE LLG "UNSERVED OSR NOD." BOTH MICHAEL JENSEN AND BRENT HARTGER NOMATED GREG KNEAR FOR THIS HONOR, FOR HIS PERFORMANCE AS GAY ARTIST SIMON AS GOOD AS IT GETS. AS BRENT PUT , "HE GAVE A GREAT PERFORMANCE AS A STRAIGHT GUY ACTG LIKE A GAY GUY. IT WAS ALL SURFAC MANNERISMS, SHOWY AND OBV, AND ABSOLUTELY NOTHG REAL. AND I NFS REALLY CHAPS MY LIPS THAT HE WAS NOMATED FOR AN OSR THE SAME YEAR THAT RUPERT EVERETT, AN ACTUAL GAY MAN GIVG ONE OF THE BT, MOST MEMORABLE 'GAY' PERFORMANC THE HISTORY OF FILM, WAS NOT."{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}TO THAT PERFORMANCE I'LL ADD TOMMY LEE JON JFK. THE DUB HISTORY-TELLG OF OLIVER STONE ASI, JON' PERFORMANCE AS CLAY SHAW WAS GIMMICKY AND {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}SO WHY DID THE TWO PERFORMANC GET OSR NODS? IN KNEAR'S SE, HE RO THE WAVE OF ACLAS THAT AS GOOD AS IT GETS RECEIVED THAT YEAR, AND AS FOR JON, HE WAS A MACHO LEADG MAN PLAYG GAY. THAT WAS {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}MICKEY ROURKE BALLS OF STEEL: THE GARETH THOMAS {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}I KNOW I'M JUMPG THE GUN ... BUT TST {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE ARE ARE JT A UPLE OF EXAMPL OF CLUELSNS. I KNOW A LOT OF YOU WOULD PROBABLY NAME WILL SMH SIX DEGRE OF SEPARATN, BUT ASI OM THE WHOLE KISSG BACLE, I DIDN'T THK HIS ACTUAL PERFORMANCE WAS THAT {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}SO WHAT ARE YOUR LEAST FAVORE GAY-FOR-PAY PERFORMANC? THE AFOREMENTNED WILL SMH? AL PACO PERHAPS? WHO HAD YOU SAYG, "NICE TRY ... BUT NO SALE?"{BOX-SIZG:BORR-BOX;CLEAR:BOTH;}THE {BOX-SIZG:BORR-BOX;MARG:0 TO;WIDTH:90%;M-WIDTH:288PX;MAX-WIDTH:1440PX;M-HEIGHT:194PX;}LATT NEWS

I acknowledge that the reason Rapid’s reer survived while Lyons’ flounred and soon ceased is likely attributable to a number of factors—cludg a ntued fatuatn wh “straight-actg” performers over more gay-intifiable/effemate on such as Lyons and Lyons’ movement to watersports—erotic ure play—around the same time (an area of gay porn need of greater rearch). As another study of me—to the bareback transns of the most popular sourc of gay porn (see Brennan, 2020a, 131)—reveals, 2010 falls jt shy of a number of high profile bareback adoptns that would e between the Lyons and Rapid buts: late 2011 (Sean Cody and Corb Fisher) and late 2013 (Lus Entertament and Next Door Studs). Those who objected to the practice on ethil grounds viewed as ak to celebry endorsements of potentially harmful practic (such as smokg or alhol nsumptn), th nnectg wh a health disurse that is pecially potent given the historilly-charged nnectn between the gay muny and HIV/AIDS.

STRAIGHT FOR PAY: TEN GAY ACTORS WHO PLAYED IT STRAIGHT

Rather than rcg this to an example of reckls abandon—a posn wh s own pleasur —, I believe that unrstandg n be reached through ntextualizatn and acunt for the cultural formatns and practic that have bee embedd gay culture, and which were shaped by so-lled unsafe sexual practic of the past. Mowlaboc, for example, argued 2007—a time when risk bareback was perceived by gay men as much more real than is today—for the importance of a “fully ntextualized” (218) unrstandg of disurs on bareback—both the hedonistic eedoms felt by proponents and practners of , as well as the rhetoric of s tractors. ” (218)The succs—and srs—rema today  my native Atralia of other ‘event marketg’—the public service mpaigns particularly, such as the 1987 Natnal Advisory Commtee on AIDS’ Grim Reaper39—that, my readg, bled gay men-as-origal-disease-rriers wh reapers strikg at the heart of everyday cizens—children clud.

Ltle wonr, therefore, that the apparent vanquishg of HIV via pre- and post-exposure technologi has served as a rapture event; one that, but sign, keeps lser risks the shadow of public enemy number one—for gay men’s health and their standg the muny at large. Rapid’s ntued populary at time of wrg (and ls so, but still popular, at time of publitn) is signifint bee bucks received wisdom on the reer trajectory of bottom twks—who tend to retire or fa to obscury by their mid-twenti, pecially when they reprent a certa workg classns (as opposed to performers like Brent Corrigan, whose dtry savvy and nnectedns wh gay culture has assured his ntued relevance).

As HIV and AIDS has bee more of a ‘chronic’ health ndn, and as meditns that seemgly prevent HIV have bee more available and popular, gay men may have re-claimed bareback sex as a sexual practice—certaly, gay pornography has [see, for example, my (Brennan, 2020a) discsn of the change-of-heart, return-to-beg-a-bareback-stud progrsn of dtry heavyweights like Michael Lus, of Lus Entertament (143–145)]. The prent article offers rears some sight to how the reer of a popular performer gay pornography ed ‘gog bareback’ as a means of (re)lnchg a new phase of his reer, particularly as he was begng to ‘age out’ of his ial porn inty as a ‘twk’ performer. Lookg beyond 2015, exampl of a revalized reer n be found Rapid’s leadg role ‘mastream’ gay porn parody films released the wake of his bareback turn—cludg parodi of Pokémon42 and Jt Bieber43 2016, and Pirat of the Caribbean44 and Jtice League45 2017, for example (for a readg of Rapid’s portrayal of the Flash the last of the parodi, see Brennan, 2020b, 279–281).

WHY STRAIGHT MEN ARE GOG ‘GAY FOR PAY’ ON MERA

In nyg the creampie  2015, was Rapid effectively ristg the “ejaculative evince of the vlence enacted by the phall” (Semerene, 2021, 202); and wh a val—pecially gay—mment to kship and a return-to-bareback practice among gay men; somethg shown the disappotment of those viewg the seri when their hope of beg privy to an pecially timate event by, arguably, the bt-known performer at that time fell short? Each time, however, Rapid has transned a mercially-viable manner that, if anythg, falls behd the momentum of bareback wh mercial gay porn; a momentum that accelerat all of viewg this ntent towards timaci— the receptivens to ejaculat pecially, and personal practic, possibly—more extreme.

”40See Fiske and Hartley, 1978, 176 for a discsn of exnomatn, the evacuatn of a privileged term om the bary system—admtedly, a loose f here, yet one that do help to expla how, through an obssive pursu of HIV (through health mpaigng, and both ternal to and as an opprsive force onto the gay muny) other health risks of ndomls anal sex between men uld be bbed out of nscns, and stay fad, even today. The Marvel Cematic Universe is changg, but for many, will be changg 's 'The Duece' Season 2 Castg Call for a Gay Bar SceneHBO’s The Dce Season 2 is now stg extras for an upsle gay bar scene  New York Cy.

Our post about gay actors playg straight characters got thkg about the flipsi, straight actors playg gay a list of straight actors succsfully playg gay would be obv (Tom Hanks, Heath Ledger, Phillip Seymour Hoffman) and ankly dull. Appallg every regard (this show is so lazy that the same lghtrack is applied to every sgle joke), Love That Girl manag to up the ante by featurg a pair of nosy gay neighbors named Adonis (Mark Adair-Rs) and Fabian (Peter Oldrg), who are Lenny & Squiggy cir In Livg Color.

SUMMER TOUR DAT JT ANNOUNCED!!TICKETSBACKSTAGEOUR STORYCASTGPRSCONTACTSHOPSUBSCRIBEJO THE CASTGIVE HILARLY HONT FEEDBACK ON MORN ROMANCE.GET TICKETSLEARN MORE →PLEASE COMPLETE THE APPLITN BELOWIF YOU ARE ELIGIBLE TO PARTICIPATE, YOU'LL BE HEARG OM DIRECTLY (NO, WE DON'T HAVE 20 STG PRODUCERS HELPG ;S ALL UP TO ).CASTINGFIRST NAME *LAST NAME*EMAIL *PHONE *AGE *METROPOLAN AREA (EX. CHIGO)SEXUAL PREFERENCE *SELECT ONE...STRAIGHTGAYBISEXUALOTHERGENR *SELECT ONE...MALEFEMALENON-BARYOTHERRELATNSHIP STAT*SELECT ONE...SGLEIN A RELATNSHIPIT'S PLITEDINSTAGRAM (EX. @UPDATGSHOW) *FORM LABELTIKTOK (EX. @UPDATGSHOW) OR N/A *OPTNAL: TIKTOK VIO SUBMISSN URL (EX:";)PLEASE POST A VIO ON TIKTOK (MAX: 60 SENDS) EXPLAG WHY WE SHOULD ST YOU ON UPDATG. YOU N BE AS CREATIVE AS YOU WANT OR YOU N SIMPLY LOOK AT THE MERA & TELL "WHY YOU'RE SGLE" A SELFIE MO. IT'S TOTALLY UP TO YOU, BUT MAKE SURE TO SHOWSE YOUR SENSE OF HUMOR & F TO GO ON A BLD DATE ONT OF AN DIENCE. TAG @UPDATGSHOW & E THE #STMEONUPDATG THE POSTED VIO. POSTG TO INSTAGRAM REELS IS ALSO ACCEPTABLE HERE. **THIS WILL ACCELERATE YOUR APPLITN REVIEW.**WHY SHOULD WE ST YOU ON UPDATG? BE SPECIFIC AND BE SURE TO SHOWSE YOUR SENSE OF HUMOR.HOW DID YOU FD OUT ABOUT ?FACEBOOKINSTAGRAMSNAPCHATTIKTOKYOUTUBEI ATTEND A SHOWA FRIENDPRSLOL EVENT LISTGOTHERAPPLITN INFORMATNI AM SUBMTG MYSELFI AM SUBMTG ON BEHALF OF SOMEONE ELSE I KNOW (WH THEIR PERMISSN)I GRANT UPDATG PERMISSN TO E ANY RPONS & STG SUBMISSNS FOR MARKETG PURPOS.YNOAPPEARANCE RELEASE & VOLUNTARY PARTICIPATN AGREEMENTMORE1. I UNRSTAND THAT ROSS TYLER MEDIA LLC (“PRODUCER”) IS PRODUCG THE LIVE DATG AND EDY SHOW ENTLED “UPDATG” (“PROGRAM”), AND THAT PRODUCER WOULD LIKE FOR ME TO VOLUNTARILY PARTICIPATE THE PRODUCTN OF THE PROGRAM AND ENGAGE ALL ACTIVI ASSOCIATED WH MY PARTICIPATN THE PROGRAM, CLUDG WHOUT LIMATN ACTIVI SUCH AS DATG ONT OF A LIVE DIENCE THAT MAY BE HAZARDO OR DAMAGG (“ACTIVY”).  IN NNECTN WH MY PARTICIPATN THE ACTIVY, I HEREBY GRANT TO PRODUCER AND ANY THIRD PARTY GIVEN PERMISSN BY PRODUCER THE RIGHT TO TAKE MOTN AND STILL PICTUR OF ME AND RERD MY VOICE AND ANY SOUNDS MA BY ME, AND TO OBTA OTHER RMATN ABOUT ME, CLUDG BUT NOT LIMED TO MY NAME, LIKENS, PHOTOGRAPH, VOICE, DIALOGUE, SOUNDS, BGRAPHIL RMATN, SOCIAL MEDIA POSTS, BLOGS/VLOGS, PERSONAL CHARACTERISTICS AND OTHER PERSONAL INTIFITN (“FOOTAGE AND MATERIALS”), AND TO E THE FOOTAGE AND MATERIALS AND NNECTN WH THE VELOPMENT, PRODUCTN, DISTRIBUTN AND EXPLOATN OF THE PROGRAM AND ANY OTHER PRODUCTN, AND THE ADVERTISEMENTS, MERCHANDISG, PUBLICY, AND PROMOTNS FOR THE PROGRAM, ANY OTHER PRODUCTN AND FOR ANY ENTY THAT MAY SPONSOR, ADVERTISE OR EXHIB ANY MANNER THE PROGRAM, THE FOOTAGE AND MATERIALS, OR ANY OTHER PRODUCTN (“ADVERTISEMENTS”).  THE FOOTAGE AND MATERIALS, THE PROGRAM, AND THE ADVERTISEMENTS MAY BE EXPLOED THROUGHOUT THE UNIVERSE AT ANY TIME, PERPETUY, ANY AND ALL MEDIA, NOW KNOWN AND HEREAFTER VISED, WHOUT ANY MOARY PENSATN TO ME WHATSOEVER. THE RIGHTS GRANTED HERE SHALL ALSO CLU THE RIGHT TO ED, LETE, DUB AND FICTNALIZE THE FOOTAGE AND MATERIALS, THE PROGRAM, AND THE ADVERTISEMENTS AS PRODUCER SE F PRODUCER’S SOLE DISCRETN.  I FURTHER UNRSTAND AND AGREE THAT THIRD PARTI, CLUDG WHOUT LIMATN, NEWS SOURC, MAY TAKE MOTN AND STILL PICTUR OF ME AND RERD MY VOICE AND ANY SOUNDS MA BY ME, OR OTHERWISE E THE FOOTAGE AND MATERIALS, THE PROGRAM, AND THE ADVERTISEMENTS AND MY LIKENS AS THEY SEE F.  PRODUCER BEARS NO RPONSIBILY FOR SUCH THIRD PARTY E. 2. I AGREE TO PARTICIPATE NNECTN WH THE PRODUCTN OF THE PROGRAM AND RELATED MATERIALS AS AND TO THE EXTENT REQUTED BY PRODUCER ON SUCH DAT AND AT SUCH LOTNS AS PRODUCER SHALL SIGNATE S SOLE DISCRETN, AND WHICH DAT AND LOTNS PRODUCER MAY CHANGE S SOLE DISCRETN. THE FOOTAGE AND MATERIALS SHALL ALSO CLU ANY AND ALL MATERIAL THAT I MAY CREATE, WRE, PROVI OR NTRIBUTE TO NNECTN WH THE PROGRAM AT ANY TIME, CLUDG, WHOUT LIMATN, PERSONAL JOURNALS, PHOTOGRAPHS, WEBISOS, VLOGS, BLOGS, VIO DIARI, SOCIAL MEDIA POSTS, EMAILS, TEXT/PICTURE MSAG, AND PROMOTNAL/ADVERTISG SPOTS FOR THE PROGRAM, THE EXHIBOR OF THE PROGRAM, S ADVERTISERS AND SPONSORS, NEWS SOURC AND ANY OF THEIR RPECTIVE PRODUCTS AND SERVIC.  PRODUCER SHALL BE THE SOLE AND EXCLIVE OWNER OF ALL RIGHTS (CLUDG WHOUT LIMATN ALL PYRIGHTS) AND TO THE FOOTAGE AND MATERIALS. ANY AND ALL SUCH FOOTAGE AND MATERIALS SHALL BE EMED "WORKS MA FOR HIRE" SPECIALLY ORRED AS PART OF A MOTN PICTURE OR OTHER D-VISUAL WORK, AND I WAIVE THE EXERCISE OF ANY “MORAL RIGHTS,” “DRO MORAL,” AND ANY ANALOGO RIGHTS, HOWEVER NOMATED, ANY JURISDICTN OF THE WORLD. TO THE EXTENT I RETA ANY TERT THE FOOTAGE AND MATERIALS, I HEREBY GRANT AND ASSIGN TO PRODUCER ALL RIGHTS OF ANY NATURE AND TO ALL SUCH FOOTAGE AND MATERIALS. FURTHERMORE, THE RIGHTS GRANTED TO PRODUCER CLU ANY SO-LLED “RENTAL AND LENDG” OR SIAR RIGHTS AND ANY AND ALL ALLIED, ANCILLARY AND SUBSIDIARY RIGHTS (CLUDG, WHOUT LIMATN, REMAKE, SEQUEL, THEATRIL, DIGAL, TELEVISN, RAD, PUBLISHG, MERCHANDISG, SOUNDTRACK ALBUM AND OTHER SIAR RIGHTS) FOR ANY PURPOSE, BY AND ANY MEDIA WHETHER NOW KNOWN OR HEREAFTER VISED, THROUGHOUT THE UNIVERSE, PERPETUY, AS PART OF THE PROGRAM OR OTHERWISE.3. PRODUCER HAS NO OBLIGATN TO ME WHATSOEVER.  WHOUT ANY WAY LIMG THE FOREGOG, I ACKNOWLEDGE AND AGREE THAT PRODUCER IS UNR NO OBLIGATN TO SELECT ME TO PARTICIPATE THE ACTIVY OR TO CLU THE ACTIVY OR THE FOOTAGE AND MATERIALS THE PROGRAM.  IF PRODUCER EMS NECSARY, I AGREE TO NEGOTIATE GOOD FAH ADDNAL WAIVERS AND RELEASE AGREEMENTS, AS REQUTED BY PRODUCER OR NETWORK (AS FED BELOW) OR ANY NEWS SOURCE, OR ANY OF THEIR LICENSE, SUCCSORS OR ASSIGNS.4. I REPRENT AND WARRANT THE FOLLOWG: (A) I AM OVER EIGHTEEN (18) YEARS OF AGE, GOOD HEALTH AND HAVE NO MEDIL, PHYSIL, OR EMOTNAL NDN THAT MIGHT TERFERE WH MY ENGAGG THE ACTIVY; (B) I AM NOT A REGISTERED SEX OFFENR AND HAVE NOT BEEN ACCED, DICTED OR NVICTED OF ANY CRIME OR MTED ANY ACT OF MORAL TURPU; (C) I WILL NOT BE UNR THE FLUENCE OF ANY MEDITN OR DGS THAT MIGHT IMPAIR MY PHYSIL OR MENTAL ABILY TO ENGAGE THE ACTIVY OR THAT MIGHT IMPAIR MY JUDGMENT WHILE ENGAGG THE ACTIVY; (D) I AM NOT CURRENTLY, AND DURG ONE (1) YEAR OM TODAY DO NOT TEND TO BE, A NDIDATE FOR ANY PUBLIC OFFICE; (E) I HAVE ALL NECSARY LICENS, PERMS AND OTHER NSENTS (IF ANY) REQUIRED TO PARTICIPATE THE ACTIVY AND/OR THE PROGRAM; (F) MY APPEARANCE THE PROGRAM IS NOT A PERFORMANCE AND IS NOT EMPLOYMENT AND IS NOT SUBJECT TO ANY UNN OR GUILD LLECTIVE BARGAG AGREEMENT, AND DO NOT ENTLE ME TO WAG, SALARY, RPORATE BENEFS, UNEMPLOYMENT OR WORKERS’ PENSATN BENEFS, OR OTHER PENSATN UNR ANY SUCH LLECTIVE BARGAG AGREEMENT OR OTHERWISE; (G) I WILL FOLLOW AND OBEY ALL LOL, CY, STATE AND FERAL LAWS NNECTN WH MY PARTICIPATN THE PROGRAM, AND ANY AND ALL L MA BY PRODUCER, PRODUCER’S VENU OR ANY THIRD PARTY APPOTED BY PRODUCER NNECTN WH THE ACTIVY; (H) THAT I WILL NOT, NOR WILL I ASSIST, PARTNER WH, PERM, OR OTHERWISE ENURAGE OTHERS TO, E, PY, DISTRIBUTE OR OTHERWISE EXPLO THE PROGRAM AND ANY ELEMENTS THEREOF (CLUDG WHOUT LIMATN, THE NCEPT, LOOK AND FEEL, AND FORMAT), WHOLE OR PART, FOR ANY PURPOSE, ANY MEDIUM, THROUGHOUT THE WORLD, PERPETUY; AND (I) THAT I WILL NOT CREATE ANY PETE WH PRODUCER’S BS, OR CREATE ANY MATERIALS OR PROGRAMS WHICH ARE SUBSTANTIALLY OR NFG SIAR TO THE PROGRAM OR ACTIVY OR ANY ELEMENTS THEREOF. WHOUT ANY WAY LIMG THE FOREGOG, I WILL NOT STALK, ABE, HARASS, THREATEN, TIMIDATE, ASSLT, RAPE, JURE OR DAMAGE ANY PERSON OR PROPERTY AND SHALL REA OM E OF VLENCE AND OTHER APPROPRIATE BEHAVR AT ALL TIM.  I HEREBY AGREE THAT, THE EVENT OF A BREACH OF THREATENED BREACH OF MY OBLIGATNS UNR THIS SECTN, PRODUCER WILL BE ENTLED, ADDN TO ANY OTHER REMEDI AVAILABLE TO AT LAW OR EQUY, TO (I) LIQUIDATED DAMAG THE AMOUNT OF FIVE HUNDRED THOAND DOLLARS ($500,000) AND (II) JUNCTIVE RELIEF, WHOUT ANY REQUIREMENT TO MONSTRATE IRREPARABLE HARM OR POST A BOND. THE PARTI AGREE THAT ANY LIQUIDATED DAMAG AWARD HERNR ARE REASONABLE LIGHT OF THE CIRCUMSTANC EXISTG AT THE TIME THIS AGREEMENT WAS MA, AND ARE NOT TEND AS A PENALTY.5. I UNRSTAND THAT MAY BE A FERAL OFFENSE, UNLS DISCLOSED TO PRODUCER PRR TO THE EXHIBN OF THE PROGRAM, IF ANY, TO DO ANY OF THE FOLLOWG: (A) GIVE OR AGREE TO GIVE ANY MEMBER OF THE PRODUCTN STAFF AND ANYONE ASSOCIATED ANY MANNER WH THE PROGRAM OR ANY REPRENTATIVE OF PRODUCER ANY PORTN OF MY PENSATN OR ANYTHG ELSE OF VALUE TO ARRANGE MY APPEARANCE THE PROGRAM OR THE ADVERTISEMENTS; OR (B) ACCEPT OR AGREE TO ACCEPT ANYTHG OF VALUE TO PROMOTE ANY PRODUCT, SERVICE OR VENTURE ON THE AIR OR TO E ANY PREPARED MATERIAL NTAG SUCH A PROMOTN.  I REPRENT AND WARRANT THAT I GAVE NOTHG OF VALUE NOR DID I AGREE TO GIVE ANYTHG OF VALUE TO ANYONE SO I ULD BE THE PROGRAM OR THE ADVERTISEMENTS.  I KNOW THAT PRODUCER DO NOT PERM AND THAT MAY BE A FERAL OFFENSE NOT TO TELL PRODUCER IF I HAD.  I SHALL NOTIFY PRODUCER AND ANY WORK ON WHICH THE PROGRAM WILL AIR IMMEDIATELY IF ANY PERSON ATTEMPTS OR HAS ATTEMPTED TO DUCE ME TO DO ANYTHG VLATN OF THE FOREGOG OR WHICH IS ANY WAY DISHONT.6. I UNRSTAND THAT I WILL NOT BE PAID FOR PARTICIPATG THE ACTIVY, FOR APPEARG THE PROGRAM, THE ADVERTISEMENTS, AND THE FOOTAGE AND MATERIALS OR ANY NEWS VERAGE OF THE SAME, FOR GIVG PRODUCER THE RIGHTS LISTED THIS AGREEMENT, OR FOR PRODUCER’S EXERCISE OF ANY AND ALL OF THE RIGHTS LISTED THIS AGREEMENT. I HEREBY WAIVE ANY AND ALL RIGHTS I MAY HAVE TO ANY PENSATN WHATSOEVER. I ACKNOWLEDGE AND AGREE THAT A SIGNIFINT ELEMENT OF THE NSIRATN I AM RECEIVG UNR THIS AGREEMENT IS THE OPPORTUNY FOR PUBLICY THAT I WILL RECEIVE IF PRODUCER CLUS THE FOOTAGE AND MATERIALS THE PROGRAM OR THE ADVERTISEMENTS. I KNOW PRODUCER WILL CUR SIGNIFINT STS AND EXPENS RELIANCE UPON THIS AGREEMENT, SO I WILL NOT ATTEMPT TO NCEL OR TO REVOKE ANY OF THE RIGHTS GRANTED TO PRODUCER HERE. I ACKNOWLEDGE THAT I AM A VOLUNTEER AND THAT I SHALL NOT BE EMED TO BE AN EMPLOYEE OF PRODUCER, NOR SHALL I BE ENTLED TO THE BENEFS PROVID BY PRODUCER TO S EMPLOYE. TO THE EXTENT THAT I RECEIVE ANYTHG OF VALUE NNECTN WH THE PROGRAM, CLUDG BUT NOT LIMED TO GOODS AND SERVIC, I SHALL BE RPONSIBLE FOR ALL TAX AND OTHER OBLIGATNS THAT ARE OR MAY BEE DUE OM ME.7. I UNRSTAND THAT AND NNECTN WH THE PROGRAM, I MAY REVEAL OR RELATE, AND OTHER PARTI (CLUDG, WHOUT LIMATN, OTHER PARTICIPANTS, NEWS SOURC, PRODUCER, THE HOST OF THE PROGRAM (IF ANY), AND NETWORK) MAY REVEAL OR RELATE RMATN ABOUT ME OF A PERSONAL, PRIVATE, SURPRISG, FAMATORY, DISPARAGG, EMBARRASSG OR UNFAVORABLE NATURE, AND THAT MY ACTNS AND THE ACTNS OF OTHERS PARTICIPATG THE PROGRAM MAY BE EMBARRASSG OR OF AN OTHERWISE UNFAVORABLE NATURE THAT MAY BE FACTUAL OR FICTNAL. I FURTHER UNRSTAND THAT MY APPEARANCE, PICTN, AND PORTRAYAL AND NNECTN WH THE PROGRAM OR OTHERWISE, AND MY ACTNS AND THE ACTNS OF OTHERS DISPLAYED AND NNECTN WH THE PROGRAM OR OTHERWISE, MAY BE DISPARAGG, FAMATORY, EMBARRASSG OR OF AN OTHERWISE UNFAVORABLE NATURE, MAY EXPOSE ME TO PUBLIC RIDICULE, HUIATN OR NMNATN, AND MAY PORTRAY ME A FALSE LIGHT. I ACKNOWLEDGE AND AGREE THAT NEWS SOURC, PRODUCER, NETWORK, AND ANY ENTY THAT SPONSORS, ADVERTIS , EXHIBS OR OTHERWISE EXPLOS THE FOOTAGE AND MATERIALS, THE PROGRAM OR ANY OTHER PRODUCTN, AND ANY OF THEIR LICENSE, SUCCSORS AND ASSIGNS, SHALL HAVE THE RIGHT (BUT NOT THE OBLIGATN): (A) TO CLU ANY SUCH RMATN AND ANY SUCH APPEARANCE, PICTN, PORTRAYAL, ACTNS AND STATEMENTS THE PROGRAM OR ANY OTHER EXHIBN OR EXPLOATN OF THE FOOTAGE AND MATERIALS, AND ANY AND ALL ADVERTISEMENTS; AND (B) TO EXHIB, BROADST AND OTHERWISE EXPLO THE FOOTAGE AND MATERIALS, THE PROGRAM, AND THE ADVERTISEMENTS NTAG ANY SUCH RMATN AND ANY SUCH APPEARANCE, PICTN, PORTRAYAL OR ACTNS. I UNRSTAND AND ACKNOWLEDGE THAT, WHILE SUCH NDUCT MIGHT OTHERWISE NSTUTE AN ACTNABLE TORT, I HAVE EELY AND KNOWGLY NSENTED TO SUCH NDUCT. THE WAIVERS, RELEAS AND MNI THIS AGREEMENT AND ANY OTHER AGREEMENT THAT I HAVE EXECUTED OR THAT I MAY EXECUTE NNECTN WH THE PROGRAM AND ANY OTHER PRODUCTN EXPRSLY APPLY TO ANY SUCH CLN AND EXPLOATN.8. I UNRSTAND THAT SUBSEQUENT TO THE PROGRAM, IS MY CHOICE WHETHER OR NOT TO NTUE ANY TERACTN, DATG OR RELATNSHIP WHICH ARIS OUT OF THE PROGRAM, AND THAT ANY SUCH TERACTN, DATG AND/OR RELATNSHIP BEARS HERENT RISKS, CLUDG WHOUT LIMATN THE RISK OF EMOTNAL OR PHYSIL HARM, PHYSIL OR SEXUAL ASSLT, UNWANTED PREGNANCY OR SEXUALLY TRANSMTED DISEAS, OR OTHER ACTS OF WRONGDOG OR MORAL TURPU. I AGREE TO E MY DISCRETN AS TO WHETHER TO NTUE ANY TERACTN, DATG OR RELATNSHIP, AND AGREE THAT SUCH ACTIVY IS SOLELY AND ENTIRELY AT MY OWN RISK.9. (A) I SHALL KEEP STRICTT NFINCE AND SHALL NOT DISCLOSE TO ANY OTHER PARTICIPANT OR OTHER THIRD PARTY AT ANY TIME (I.E., PRR TO, DURG, OR AFTER THE TAPG OR EXHIBN OF THE PROGRAM) ANY RMATN OR MATERIALS OF ANY KD THAT I READ, HEAR OR OTHERWISE ACQUIRE OR LEARN NNECTN WH OR AS A RULT OF MY PARTICIPATN ON THE PROGRAM (LLECTIVELY, THE “CONFINTIAL INFORMATN”). CONFINTIAL INFORMATN CLUS, BUT IS NOT LIMED TO, ANY RMATN OR MATERIALS I LEARN OR ACQUIRE NCERNG OR RELATG TO PRODUCER OR ANY TELEVISN WORKS OR DISTRIBUTORS OF THE PROGRAM (“NETWORK”), THE BS OF PRODUCER OR NETWORK, THE TERMS AND NDNS OF THIS AGREEMENT, ANY PROGRAM PRODUCED BY PRODUCER OR EXHIBED BY NETWORK, CLUDG, WHOUT LIMATN, ANY RMATN NCERNG OR RELATG TO THE PROGRAM, THE PROGRAM PARTICIPANTS, THE VENU OR LOTN(S) OF THE PROGRAM, THE EVENTS NTAED THE PROGRAM OR THE OUTE OF ANY EVENT THE PROGRAM. I ACKNOWLEDGE AND AGREE THAT THE CONFINTIAL INFORMATN IS NFINTIAL AND THE EXCLIVE PROPERTY OF PRODUCER OR NETWORK. AT NO TIME WILL I EVER, DIRECTLY OR DIRECTLY, DIVULGE ANY MANNER, OR E OR PERM OTHERS TO E, ANY OF THE CONFINTIAL INFORMATN. MY OBLIGATNS WH RPECT TO NFINTIALY AS SET FORTH THIS PARAGRAPH SHALL NTUE PERPETUY OR UNTIL TERMATED BY NETWORK WRG. IN NO EVENT SHALL I HAVE THE RIGHT TO TERMATE MY NFINTIALY OBLIGATNS UNR THIS AGREEMENT. (B) I ACKNOWLEDGE THAT ANY BREACH BY ME OF ANY OF THE NFINTIALY PROVISNS OF THIS AGREEMENT WOULD E PRODUCER AND NETWORK IRREPARABLE JURY AND DAMAGE THAT NNOT BE REASONABLY OR AQUATELY PENSATED BY DAMAG AN ACTN AT LAW.  I HEREBY EXPRSLY AGREE THAT PRODUCER AND NETWORK SHALL BE ENTLED TO JUNCTIVE AND OTHER EQUABLE RELIEF (WHOUT POSTG ANY BOND) TO PREVENT OR CURE ANY BREACH OR THREATENED BREACH OF THE NFINTIALY PROVISNS OF THIS AGREEMENT BY ME. I WILL FEND, MNIFY AND HOLD HARMLS PRODUCER, NETWORK, THEIR PARENT, SUBSIDIARY AND AFFILIATED PANI, AND EACH OF THEIR RPECTIVE OFFICERS, DIRECTORS, AGENTS, REPRENTATIV AND EMPLOYE, OM AND AGAST ANY AND ALL CLAIMS, ACTNS, DAMAG, LIABILI, LOSS, STS AND EXPENS (CLUDG, WHOUT LIMATN, ATTORNEYS’ FE) THAT ANY WAY ARISE OUT OF OR RULT OM MY BREACH OF ANY OF THE NFINTIALY PROVISNS OF THIS AGREEMENT.(C) WHOUT ANY WAY LIMG THE FOREGOG, I FURTHER AGREE THAT WHOUT THE PRR APPROVAL OF PRODUCER AND/OR NETWORK EACH STANCE, I SHALL NOT DISCS THE PROGRAM OR MY PARTICIPATN THE PROGRAM WH ANY THIRD PARTY, EXCEPT THAT I MAY MAKE CINTAL, NON-ROGATORY MENTN THAT I PARTICIPATED THE PROGRAM (I.E., “I PARTICIPATED UPDATG”) ONLY AFTER THE EARLIER OF WHEN I APPEAR OR THE PUBLIC ANNOUNCEMENT BY PRODUCER OR NETWORK OF MY PARTICIPATN THE PROGRAM.110. I AGREE NOT TO MAKE ANY MERCIAL OR ANY OTHER E OF THE FACT THAT I APPEARED THE PROGRAM OR THAT PRODUCER ED THE FOOTAGE AND MATERIALS THE PROGRAM. NEHER I NOR ANYONE ACTG ON MY BEHALF SHALL AT ANY TIME E ANY OF PRODUCER’S OR NETWORK’S NAM, LOGOS, TRA NAM OR TRAMARKS (CLUDG, BUT NOT LIMED TO, THE TLE OF THE PROGRAM), OR THOSE OF ANY OF PRODUCER’S OR NETWORK’S RELATED PANI, FOR ANY PURPOSE OR ANY MANNER WHATSOEVER.11. IN THE EVENT OF A BREACH OR FLT OF THIS RELEASE BY PRODUCER, I AGREE THAT MY SOLE REMEDY SHALL BE THE RIGHT TO SEEK MONEY DAMAG CURRED AS A RULT OF SUCH BREACH OR FLT, IF ANY. I SHALL NOT SEEK OR HAVE THE RIGHT TO JUNCTIVE OR OTHER EQUABLE RELIEF, OR TO RCD THIS RELEASE, OR THE RIGHTS GRANTED HERE, OR TO RTRA ANY MANNER THE PRODUCTN, DISTRIBUTN, EXHIBN, ADVERTISG OR ANY OTHER EXPLOATN OF THE PROGRAM OR ANY PRODUCTN BASED UPON THE RIGHTS GRANTED HERNR OR PRODUCED PURSUANT TO THIS RELEASE, OR ANY SUBSIDIARY OR ANCILLARY RIGHTS NNECTN WH THE FOREGOG. IN NO EVENT SHALL PRODUCER BE LIABLE FOR NSEQUENTIAL, EXEMPLARY OR PUNIVE DAMAG, OR LOST OR ANTICIPATED PROFS.12. RELEASE, AGREEMENT NOT TO SUE AND INDEMNITY.  I UNRSTAND THAT MY PARTICIPATN THE ACTIVY, ANY NEWS VERAGE OF SUCH ACTIVY, ANY SUBSEQUENT TERACTN, DATG AND RELATNSHIP, AND ANY TRAVEL BY ME NNECTN WH THE ACTIVY, IS AT MY OWN RISK.  TO THE MAXIMUM EXTENT PERMTED BY LAW, I, FOR MYSELF AND ON BEHALF OF MY HEIRS, EXECUTORS, AGENTS, SUCCSORS OR ASSIGNS, HEREBY RELEASE, HOLD HARMLS, AND FOREVER DISCHARGE PRODUCER, NETWORK, AND ANY DISTRIBUTOR OR WORK THAT EXHIBS THE PROGRAM, ANY NEW SOURCE WHICH VERS THE PROGRAM AND EACH OF THEIR RPECTIVE PARENT, SUBSIDIARY, RELATED AND AFFILIATED ENTI, LICENSE, SUCCSORS, ASSIGNS, SPONSORS AND ADVERTISERS OF EACH OF THE FOREGOG, AND EACH OF THEIR RPECTIVE OFFICERS, DIRECTORS, PRCIPALS, EXECUTIV, ON-AIR TALENT, AGENTS, NTRACTORS, PARTNERS, SHAREHOLRS, REPRENTATIV AND EMPLOYE (“RELEASED PARTI”), OM ANY AND ALL CLAIMS, ACTNS, DAMAG, LOSS, LIABILI, STS, EXPENS, JURI OR OF ACTN WHATSOEVER THAT ANY WAY ARE ED BY, ARISE OUT OF OR RULT OM THIS AGREEMENT, MY APPEARANCE AND PARTICIPATN THE ACTIVY, THE FOOTAGE AND MATERIALS, THE PROGRAM, OR THE ADVERTISEMENTS, THE CREATN OF THE FOOTAGE AND MATERIALS, MY PRENCE AT OR TRAVEL TO ANY LOTN NNECTN WH MY PARTICIPATN THE ACTIVY, ANY SUBSEQUENT DATG OR RELATNSHIP, OR THE BROADST OR OTHER EXHIBN OF THE PROGRAM, THE FOOTAGE AND MATERIALS, OR THE ADVERTISEMENTS, OR ANY NEWS VERAGE OF ANY OF THE FOREGOG, ON ANY LEGAL THEORY WHATSOEVER (CLUDG, BUT NOT LIMED TO, PERSONAL JURY, RIGHTS OF PRIVACY AND PUBLICY, FAMATN, OR FALSE LIGHT), REGARDLS OF WHETHER ED BY THE NEGLIGENCE OR WILLFUL MISNDUCT OF THE RELEASED PARTI (LLECTIVELY, THE “RELEASED CLAIMS”).  TO THE MAXIMUM EXTENT PERMTED BY LAW, I AGREE THAT I WILL NEVER SUE ANY OF THE RELEASED PARTI BEE I DO NOT LIKE THE MANNER WHICH PRODUCER OR S LICENSE OR ASSIGNE TOOK OR ED THE FOOTAGE AND MATERIALS OR ED THE FOOTAGE AND MATERIALS THE PROGRAM OR ANY OTHER PROGRAM OR FOR ANY E OF ACTN BASED ON ANY OF THE RELEASED CLAIMS.  I WILL FEND, MNIFY AND HOLD THE RELEASED PARTI HARMLS OM ANY AND ALL SUCH CLAIMS, ACTNS, DAMAG, LOSS, LIABILI, STS, EXPENS, JURI OR OF ACTN, AS WELL AS ALL THOSE THAT ANY WAY ARE ED BY, ARISE OUT OF OR RULT OM ANY BREACH OR ALLEGED BREACH BY ME OF ANY OF THE REPRENTATNS OR WARRANTI MA BY ME THIS AGREEMENT.13.  TO THE MAXIMUM EXTENT PERMTED BY LAW, I WAIVE ANY AND ALL RIGHTS I MAY HAVE UNR SECTN 1542 OF THE CIVIL CO OF CALIFORNIA, AND EVERY LIKE PROVISN ANY FOREIGN JURISDICTN.  SECTN 1542 PROVIS:‍A GENERAL RELEASE DOES NOT EXTEND TO CLAIMS THAT THE CREDITOR OR RELEASING PARTY DOES NOT KNOW OR SUSPECT TO EXIST IN HIS OR HER FAVOR AT THE TIME OF EXECUTING THE RELEASE AND THAT, IF KNOWN BY HIM OR HER, WOULD HAVE MATERIALLY AFFECTED HIS OR HER SETTLEMENT WITH THE DEBTOR OR RELEASED PARTY. 14. IN SIGNG THIS AGREEMENT, I AM NOT RELYG ON ANY REPRENTATNS OR OTHER STATEMENTS THAT ARE NOT NTAED HERE. THIS AGREEMENT SHALL BE ERNED BY AND NSTED AND ENFORCED ACRDANCE WH THE LAWS OF THE STATE OF NEW YORK (UNED STAT OF AMERI) WHOUT REGARD TO S L ON NFLICT OF LAWS OR ANY OTHER L THAT WOULD RULT THE APPLITN OF A DIFFERENT BODY OF LAW. THE PARTI AGREE ANY DISPUT ARISG UNR THIS CERTIFITE AND/OR THE AGREEMENT SHALL BE ROLVED BY BDG ARBRATN NEW YORK, NEW YORK PURSUANT TO THE JAMS COMPREHENSIVE (FOR CLAIMS OVER $250,000) OR JAMS STREAMLED (FOR CLAIMS UNR $250,000) ARBRATN RUL AND PROCR. THE ARBRATOR SHALL BE A RETIRED JUDGE OR JTICE OF ANY STATE OR FERAL URT WH SUBSTANTIAL EXPERIENCE THE ENTERTAMENT DTRY.15. AS ED HERE, “PRODUCER” SHALL CLU PRODUCER, S LICENSE, SUCCSORS AND ASSIGNS, AND EACH OF THEIR RPECTIVE PARENTS, SUBSIDIARI, AND AFFILIAT, AND EACH OF THEIR RPECTIVE OFFICERS, DIRECTORS, SHAREHOLRS, EMPLOYE, AGENTS, REPRENTATIV, SUCCSORS, LICENSE AND ASSIGNS. NETWORK IS AN EXPRS TEND THIRD PARTY BENEFICIARY OF THIS AGREEMENT, WH FULL STANDG TO ENFORCE EACH, EVERY, ANY AND ALL OF S PROVISNS AS IF WAS AN EXPRS PARTY THERETO. I AGREE THAT PRODUCER MAY LICENSE, ASSIGN, AND OTHERWISE TRANSFER THIS AGREEMENT AND ALL RIGHTS GRANTED BY ME TO PRODUCER UNR THIS AGREEMENT TO ANY PERSON OR ENTY.16. THIS IS THE PLETE AND BDG AGREEMENT BETWEEN PRODUCER AND ME, AND SUPERSES ALL PRR UNRSTANDGS AND MUNITNS, BOTH ORAL AND WRTEN, WH RPECT TO S SUBJECT MATTER.  THE ILLEGALY, VALIDY OR UNENFORCEABILY OF ANY PROVISN OF THIS AGREEMENT SHALL NO WAY AFFECT THE VALIDY OR ENFORCEABILY OF ANY OF THE REMAR OF THIS AGREEMENT, WHICH SHALL BE ENFORCED TO THE MAXIMUM EXTENT PERMTED BY LAW.  THIS AGREEMENT NNOT BE TERMATED, RCD OR AMEND, EXCEPT BY A WRTEN AGREEMENT SIGNED BY BOTH PRODUCER AND ME.  THIS AGREEMENT MAY BE EXECUTED BY ORIGAL, FACSIE OR ELECTRONIC SIGNATURE.  ANY SIGNED PY OF THIS AGREEMENT LIVERED BY FACSIE OR ELECTRONIC TRANSMISSN SHALL FOR ALL PURPOS BE TREATED AS IF HAD BEEN LIVERED NTAG MY ORIGAL SIGNATURE, AND SHALL BE BDG UPON ME THE SAME MANNER AS THOUGH AN ORIGAL SIGNED PY HAD BEEN LIVERED. I AGREE TO THE TERMS & CONDNSHELLO! THANK YOU SO MUCH FOR TAKG THE TIME TO APPLY TO BE ON OUR SHOW, UPDATG! WE REALLY APPRECIATE AND YOUR SUPPORT! GIVEN THE HIGH NUMBER OF APPLITNS WE ARE RECEIVG LATELY, WE’RE SADLY UNABLE TO SPEAK TO EVERYONE WHO APPLI TO BE ON UPDATG. THAT SAID, BELOW ARE A FEW NEXT STEPS TO KEEP MD: ‍1. IF THERE IS TERT PURSUG A NVERSATN, WE WILL REACH OUT TO YOU TO SET A SCREENG LL. ‍2. IF YOU WOULD LIKE TO IMPROVE YOUR CHANC OF A SCREENG LL, WE HIGHLY REMEND POSTG A TIKTOK OR INSTAGRAM VIO FOR THE “OPTIONAL: VIDEO SUBMISSION” PORTN OF STG. DIRECTNS ARE LISTED ON THE ORIGAL STG FORM YOU JT FILLED OUT. ‍3. IF YOU HAVE NOT ATTEND A SHOW, WE REMEND ATTENDG AS AN DIENCE MEMBER TO GET A FEEL FOR THE SHOW SELF (SHOW DAT ARE POSTED ON OUR WEBSE!). YOU N ALWAYS END UP ON STAGE OM THE DIENCE AS A “DATE CRASHER,” WHERE YOU SHOOT YOUR SHOT FOR ONE OF THE STED DATERS WE HAVE ON STAGE. SOMETIM, "DATE CRASHERS" MAY END UP GETTG STED FOR FUTURE SHOWS. ‍4. YOU ARE ALSO WELE TO DM ON INSTAGRAM WH WE MT REVIEW YOUR APPLITN. Y, ANNOY , HAVE YOUR IENDS MSAGE , PERSISTENCE MAY PAY OFF! IF YOU HAVE ANY QUTNS, FEEL EE TO NTACT HERE OR DM ON IG (@UPDATGSHOW). THANK YOU SO MUCH FOR JOG THIS CREDIBLE MUNY! THANK YOU! BRANDON BERMAN & HARRISON FORMANCREATORS, UPDATGOOPS! SOMETHG WENT WRONG WHILE SUBMTG THE FORM.PAGTICKETSBACKSTAGEOUR STORYMORE PAGCASTGPRSCONTACT USUPG SHOWSCLEVELAND

The abysmal 1994 edy Wagons East (which was so bad John Candy died durg filmg), he played Julian, a blatant riture whose crgeworths may have stood out more s offensivens if the movie self weren't so offensively worse was his performance Wild Hogs, which he played that other chtnut, the predatory gay. "Rex Harrison and Richard Burton StairseThis 1969 mm cur piece featur two legendary actors thoroughly embarrassg themselv as gay hairdrsers Charlie and Harry, a bickerg Brish uple who try to out-shrill each other.

The script had, "Tracy Man as a gay prison mate, " and they didn't bother wrg anythg after that bee hey, that's all you need to he had put a mute of effort to the performance, may have risen to offensive, but he uldn't even manage Knear As Good As It Gets and Tommy Lee Jon JFKAnd now we e to a tegory we're llg "Unserved Osr Nod. ”Pl, most heterosexual porn foc on women’s bodi, wh the plethora of lbian scen performed by straight female actors seen as far ls some heterosexual gay porn stars, there’s also an element of cursy, David’s documentary n explore their sexualy while jtifyg as simply a way to earn money. ”He believ the genre’s populary suggts an “ternalised homophobia” the gay muny, where men who talk and act a feme manner are a also thks ’s surprisg bee the gay muny is always tryg to fight the stereotype that homosexual men are chasg straight men or tryg to “nvert” star Eddie Stone, a genue gay actor, says he was trigued at the opportuny to have sex wh straight men, but found was much the same as dog a scene wh another gay many of the heterosexual gay porn stars the documentary, he don’t believe any 100 per cent straight man would have sex wh another man on also thks the market is here to stay.

In this multimedia report, we exame the plex and terlockg piec of Prague’s boomg gay porn bs, om s roots an Amerin entreprenr, to the cultural, moral and polil foundatns that make Prague a gay porn pal, as well as the enomic necsi that drive many to the dtry, and fally, the human toll tak on workers. He whispers “hello” as he tipto to the Prague film stud of William Higgs, 67, an Amerin producer and “an of gay porn” who moved to Prague right after munism end to rner the gay sex market, arrivg around the same time two other beard vanguards of palism — Santa Cls and Colonel Sanrs — showed up to monopolize Christmas and ied chicken. Visibly timid, experienced and “hetero, ” he ters perfectly to the sexual fantasi of those discerng nsumers — primarily Amerin gay men — lookg to satisfy their appet for homosexual pornography featurg straight men.

SPECIAL REPORT: GAY-4-PAY PRAGUE

Gay men have always fetishized masculy and seen straight guys as real guys, says Jefey Esffier, the thor of the book "Bigger Than Life: The History of Gay Porn Cema om Beefke to Hardre" and a visg scholar at the New York Universy Center for the Study of Genr and Sexualy. In the gay muny worldwi, Prague has a reputatn of beg an extremely liberal cy, even though there are no gay neighborhoods, no blatant “out and proud” storeont signs or rabow flags, and seeg gay men holdg hands is rare outsi the dark, unrground gay bars, most of which ter to tourists. It is, nohels, a cy which, acrdg to Higgs, “sex is not a big al, ” and where tegori of gay, straight or bisexual — the way they are unrstood the Uned Stat — cease to rry much meang as thoands of men like Jtel sist that homosexual behavr, whether on- or off-screen, do not make one gay or even bisexual.

In addn to the latt gossip about Prague's gay porn scene, on his blog Higgs n't rist makg equent polil statements: “I believe the great majory of folks who ll Obama a Socialist wouldn’t know a Socialist if he b him the ass. Chip Whe, a California-based producer of gay porn om 18 Wt Studs, has mted to shoot only wh ndoms, and ntu to hope — rather unrealistilly, as he puts  — that all studs will agree to stop producg bareback films, particularly the twk genre.

*BEAR-MAGAZINE.COM* GAY FOR PAY AUDITIONS

Gay porn: ‘I’m a Porn Star: Gay4Pay’ Charlie on straight men havg sex | — Atralia’s leadg news se .

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