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iRsSlw"><a class="RubricLk-gRWSOU fgWnkQ bric__lk" href="/culture/richard-brody"><span class="RubricName-fVtemz cLxcNi">Richard Brody</span></a></div></div></div><h1 data-ttid="ContentHearHed" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearHed-NCyCC iUEiRd NbxED hpJvIc">Silence Equals Death “Stranger By The Lake”</h1></div><div class="ContentHearAccredatn-lfctVB cKRKZx ntent-hear__accredatn" data-ttid="ContentHearAccredatn"><div class="ContentHearByle-kmPyCa gvUmxJ"><div class="ContentHearByleContent-dpPmNn DRFq"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl ContentHearByl-cZqgyJ bHLeKI"></div><time data-ttid="ContentHearPublishDate" dateTime="2014-01-24T11:11:20-05:00" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearPublishDate-eIBicG iUEiRd kYZrFA fkIMhs">January 24, 2014</time></div></div></div></div></div></hear></div><div data-attribute-verso-pattern="article-body" class="ArticlePageContentBackGround-cNiFNN kbAoLA article-body__ntent"><div class="ActnBarWrapperContent-lasBkU cAHp"><div class="ActnBarWrapperComponent-cjwxLS bEeSLb"><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh kNjTbQ viewport-monor-anchor"><button id="bookmark" aria-label="Save this story" class="ActnBarButton-dyFOZU hQrwCF bookmark large-screen"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Save this story</tle><path class="in-bookmark-fill" d="M20 23.9508L12.5 19.7312L5 23.9508V2.95081H14V3.93211H6V22.1845L12.5 18.5536L19 22.1845V8.83866H20V23.9508Z"></path><path class="in-bookmark-fill" d="M23 3H20V0H19V3H16V4H19V7H20V4H23V3Z"></path></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd bkefvo gkccfO">Save this story</span></button></div><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh kAEsuD viewport-monor-anchor"><button id="bookmark" aria-label="Save this 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grid-layout__ntent"><div class="BodyWrapper-kufPGa bDyAMU body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><div class="GenericCalloutWrapper-tojWn iHBnEl llout--has-top-borr set-embedd-le" data-ttid="GenericCallout"><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO KhjZz AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset rponsive-image rponsive-image--expandable"><noscript><img alt="Silence Equals Death “Stranger By The Lake”" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w, 1920w, 2240w" siz="100vw"/></noscript></picture></span></div></figure></div><p>Wh the talk France of the Print’s affair, and the qutn of whether his private life is fair game for the prs, ’s worth nsirg what a new French film that opens here today—“Stranger by the Lake,” directed by Ala Guirdie—shows and suggts about the tac boundari that are built to French society. The story tak place summertime, ral France, at a laki beach that’s a pickup spot for gay men, and the neighborg woods where they go to nsummate their pickups and where other men, shy of the beach, go to cise as well.</p><p class="paywall">The film is a Hchckian murr story which the Hchckian elements—style as well as ntent—are stood on their heads orr to realize a philosophil visn that’s no ls sophistited than Hchck’s own. As Hchck’s films, the movie jos sex and ath, pleasure and guilt, pleasure and pa—and the them are revealed through an trite web of symbols that bd the story together and are separable om the tellg. Guirdie, like Hchck, is a visual director; his imag are not mere realizatns of a story but rnatns of ner life, and the very qutn of wardns—of the privacy of ner experience and s nnectn to the wir world—is what the movie is about. Whout ever addrsg matters of op-ed bate, he evok tensns between nventn and law, and between private practice and public scty, that are trsilly polil.</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p class="paywall">The protagonist is a lhe young man who turns up at the laki beach claimg not to be an habué of the se. His name, Franck, isn’t revealed until midway through the film. Nor is the name of a somewhat olr man whom he beiends there—Henri, a man early middle age, who has man boobs and a bowlg-ball belly and ss apart om the younger, more nfint cisers. And neher is the name of an athletic, mtached man, Michel, whom Franck is attracted to, but who is volved wh another young man, Ramière (whose own name isn’t heard until late the film, after his ath).</p><p class="paywall">The first motor of the story is the rmal fn of the space which the movie is set: the part of the beach where men—only men—get together and hook up. (No woman is seen there, or anywhere, the urse of the film.) As for Henri, he had a girliend wh whom he ed to equent “the other si” of the lake—s hetero si—while seeg men on the down-low. The muny at large seems to accept that the beach and the lake are divid two. This very self-regulatn, the prospect and peril of lol popular le outsi the purview of higher thori, is the re of the drama.</p><p class="paywall">It’s all the more signifint that this muny is one that is stripped of the marks of muny. It is largely anonymo (there’s even a sort of joke embedd there: the French term for “rporatn” is <em>société anonyme</em>), and many of the men there are naked most of the time. In effect, all the men at the lake are strangers, regardls of their gree of physil timacy. They leave society at large for a natural paradise of physil light, an Enic erotic garn wh no clothg and no shame.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-1 viewport-monor-anchor"></div><p class="paywall">Spoiler alert: Then vlence ts on this closed muny. Michel kills Ramière, and nobody knows but Franck, who keeps the rmatn to himself—at his own risk, and that of the muny at large—bee, soon after Ramière’s ath, he be sexually volved wh Michel.</p><p class="paywall">The murr sequence has a cematic brilliance that’s all the more outstandg for s simplicy. Franck is the woods wh an unnamed man. Guirdie films the tryst explicly, culmatg a close-up of Franck’s erect penis beg stroked to asm. Afterwards, Franck, alone aga, looks through the foliage toward the beach; he hears cri that sound like lt, and he se Michel and Ramière olickg the lake the goln near-sunset light, playg a dunkg game that quickly turns ser: Ramière lls on Michel to stop, and Michel don’t stop. He submerg the other man and out of the water alone.</p><div class="Contaer-bkChBi byNLHx"></div><p class="paywall">The murr scene is filmed a sgle very wi shot om Franck’s pot of view— is a four-mute-long tour force that shows the killg the distance, Michel’s return to the beach, and his parture om , uneasily close to the hidg Franck. The sequence offers an extraordary matched ntrast of sle, puttg the close-up of Franck’s ejaculatn at the same level as that of the entire lake and the killg that tak place there. It pairs pleasure and vlence, sex and ath—as if the events the lake were the natural nsequence of the volnic thst that preced .</p><p class="paywall">If sex seems to brg ath, that ath, turn, brgs sex: soon after the killg, Franck and Michel beg an affair. Franck even thks he’s fallg love, and he v Michel to his home. Michel ref, claimg that would dimish the mystique of their romance. Sex the woods is one thg, a dner at home is another. In the terms, the genals are ls private than the bedroom, the body ls personal than the apartment, and erotic pleasure ls timate than domtic route.</p><p class="paywall">Meanwhile, a police spector begs pokg around, and Franck—who is (unbeknownst to Michel) apparently the only wns to the crime—li to the officer and claims ignorance. In Guirdie’s view, the muny fac eper and more cisive threats than the act of vlence self: on the one hand, the prospect of disclosure, and the loss of privacy through the tsn of the law; on the other, the loss of anonymy as a rult of emotnal attachments—the replacement of terchangeable bodi wh personal characteristics, and the pable tsn of life lived on the outsi.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><asi class="PersistentAsiWrapper-VGrR daRVRt persistent-asi" style="posn:absolute;top:to;height:to" data-ttid="PersistentAsiWrapper"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssS ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="7l6vda"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></asi></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssS ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="eaqw53"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bDyAMU body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="paywall">Guirdie fills the movie wh remarkable pot-of-view shots, which are both the visual and the psychologil re of the film. (I <a href=">mentned them here</a> when the film was shown, last fall, at the New York Film Ftival.) They njure the ntrast between wardns and privacy, between the unspoken and the unspeakable, and between the physil and the subjective aspects of sex—those that aren’t the body but the md.</p><p class="paywall">Franck keeps quiet about the murr; he matas his privacy extremis, keeps his greatt subjective experienc for himself, and thereby brgs disaster upon the muny as surely and swiftly as if he himself were an acplice to a killer—as if Franck himself had unleashed that killer the very form of his own sire. The very munibily of Franck’s sire is adly. The very privacy that separat the gay men of ral France om the rt of the muny—the tac acrd that divis the beach to two sis—is a sort of livg proof that silence equals ath. In the wake of that ath, Guirdie offers what may be the strangt cematic beam of sunlight sce the last scene of Eric Rohmer’s “<a href=">Summer</a>”; ’s as if light self were bent to a primal pury of natural pleasure and natural stctn.</p><p class="paywall">Guirdie lks nature, eros, solu, the ept subjectivy, and ath. The ecstasy of sex is fundamentally at odds wh good admistratn. The foundg act of muny, and the re civic rponsibily—the disclosure of secrets, or, this se, talkg to the police—would be the ultimate ckblocker. That nflict is sentially and eply tragic. For Guirdie, the transparency of the well-n society may foster love but not sex, nstctive and endurg relatnships but not necsarily the unfathomabl of pleasure. That’s where fantasi of art e to play.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-2 viewport-monor-anchor"></div><p class="paywall">P.S. A plete retrospective of Guirdie’s films opens at Film Society of Lln Center today. A uple of remendatns: “<a href=">That Old Dream That Mov</a>,” a featurette om 2001; and his featur “No Rt for the Brave,” om 2003, and “<a href=">The Kg of Espe</a>,” om 2009.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssS ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="vn8xmu"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 PaywallInleBarrierWhWrapperGrid-fyrGfS kLQIUk grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__le-barrier article__body"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"><asi class="PaywallInleBarrierWrapper-iBnuqk lfXXa-D" data-ttid="PaywallInleBarrierWrapper"><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--paywall-le-barrier" role="prentatn" aria-live="pole" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--paywall-le-barrier"></div><div class="journey-un"></div></div></asi></div></div></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ContentWrapperGrid-fvkmBv brYtrA grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__ntaer"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"></div></div></div></div></div></div></article><div class="ContentFooterWrapper-jVNdRG dTJkpP ArticlePageContentFooterGrid-ccsXYy eMZRHU article-body__footer"><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div data-ttid="TagCloudWrapper" class="TagCloudWrapper-gGgndx ctyZyK ContentFooterTagCloud-krQmRG ZLGh"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudSectnHear-cOforY iUEiRd bPyAoD kQQRmu">More:</span><a href="/tag/movi" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Movi</span></a></div></div></div></div><div data-ttid="ContentFooterBottom" class="ContentFooterBottom-jwWZfC kcbyiW"><div class="ContentFooterNewsletterContentWrapper-bmjtna kixtae"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div data-ttid="NewsletterSubscribeFormWrapper" class="NewsletterSubscribeFormWrapper-fCqqkN jKSBhE newsletter-subscribe-form ContentFooterNewsletterForm-hKeYwa liPqcf"><div data-ttid="NewsletterSubscribeFormHedDekWrapper" class="NewsletterSubscribeFormHedDekWrapper-fpMElW eglIBL"><h3 class="NewsletterSubscribeFormDangeroHed-kRwWjt kbxOa-D newsletter-subscribe-form__hed ContentFooterNewsletterForm-hKeYwa liPqcf">Gogs On</h3><div class="NewsletterSubscribeFormDek-kXonvc cKOhTM newsletter-subscribe-form__k">What we’re watchg, listeng to, and dog this week, onle, N.Y.C., and beyond. 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summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-1" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Iphigenia Fort Hills" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN 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SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Iphigenia Fort Hills" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">Anatomy of a murr trial.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Ja Mallm</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hlYhBH summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm eamwqR" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Transn" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Annals of History</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-2" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">The Transn</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Transn" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">Lyndon Johnson and the events Dallas.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Robert A. 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All the years later, why has the se bee a e?</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Nathan Heller</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hlYhBH summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center 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stranger by the lake gay movie

Nonton Film Stranger by the Lake (2013) Franck, a f gay man, seeks love at a laki gay cisg beach. Among the mostly pudgy nu sunbathers, he

Contents:

    * stranger by the lake gay movie *

    What starts as a gay idyll--naked men lyg languidly around a sparklg lake unr a hot summer sun--quickly turns dark and clstrophobic when Franck (Pierre Deladonchamps) wns mtached hottie Michel (Christophe Paou) drowng his trick late one eveng. It's very much like the world of the 1970s, where the ia of a separate gay culture and gay life seemed very promisg. The seem to be the qutns at the center of "Stranger by the Lake, " a quiet film that sts an unsettlg is a young gay man who mak daily viss to an idyllic lakeont beach that serv as a popular gay cisg spot.

    <p>Ala Guirdie's gay art-cema spense story is pellg and dacly ndid s erotic charge, wr <strong>Jonathan Romney</strong></p> * stranger by the lake gay movie *

    In this movie we enter the world of an isolated gay beach and cisg spot southern France (filmed at Lac Ste-Croix). Another moral (one that all gay men should pay heed to) is that problems often arise when two men start off their relatnship wh hot sex, before gettg to know each other at all.

    Gay relatnships are hard, and this is one reason why. Dpe s msage, this world is shown too much tail for the film to be an dictment of gay cisg or gay public sex.

    This is an hont gay film wh profound tths about gay life and the human heart – for those willg to watch.

    *BEAR-MAGAZINE.COM* STRANGER BY THE LAKE GAY MOVIE

    Still Waters Run Deep: Watch Gay French Thriller 'Stranger by the Lake' .

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