Why In & Out Remas a Good-Hearted Gay Film

Contents:

• 25 YEARS LATER, 'IN & OUT' REMAS A GOOD-HEARTED GAY FILM AHEAD OF ITS TIME
• HOW IN & OUT “BLEW THE ROOF OFF THE THEATER” 20 YEARS AGOSCREENWRER PL RUDNICK ON HIS GROUNDBREAKG G-OUT EDY, OM S UNUAL ORIGS TO S LIGHTFUL LEGACY. (BARBRA’S A FAN!)BY GAR PIRNIASEPTEMBER 20, 2017PL RUDNICK SPEAKS WH DIRECTOR FRANK OZ AND PRODUCER STT RUD WHILE FILMG "IN & OUT" 1997.FROM PARAMOUNT PICTUR/EVERETT COLLECTN.SAVE THIS STORYSAVESAVE THIS STORYSAVEWHEN TOM HANKS WON THE BT-ACTOR OSR FOR PHILALPHIA 1994, HE GAVE AN IMPASSNED SPEECH ABOUT HIS HIGH-SCHOOL DRAMA TEACHER, RAWLEY FARNSWORTH—REFERRG TO FARNSWORTH AND A FORMER CLASSMATE AS “TWO OF THE FT GAY AMERINS.” PERHAPS HANKS DIDN’T REALIZE THE ATTENTN THAT WOULD BRG TO HIS MENTOR. THE SPEECH SPIRED PRODUCER STT RUD TO DREAM UP IN & OUT, RELEASED SEPTEMBER 1997. THE FILM STARS KEV KLE AS 40-SOMETHG HIGH-SCHOOL ENGLISH TEACHER HOWARD BRACKETT, WHO IS ENGAGED TO THE LONG-SUFFERG EY (JOAN CACK). WHEN ONE OF HIS NOW-FAMO STUNTS, CAMERON DRAKE (MATT DILLON), WS AN OSR, HE THANKS BRACKETT FOR BEG “A GREAT, GAY TEACHER”—ACCINTALLY OUTG HOWARD THE PROCS.RUD TAPPED SISTER ACT, ADDAMS FAY VALU, AND FIRST WIV CLUB SCRIBE/PLAYWRIGHT PL RUDNICK TO TRANSFORM HIS IA TO A SCREENPLAY. “AT FIRST I WAS A LTLE RISTANT,” RUDNICK, WHO’S OPENLY GAY, TELLS VANY FAIR. “THEN I ASKED STT: ‘WHAT IF THIS ALL HAPPENED TO A MAN WHO IS GETTG MARRIED?’ OH, SUDNLY I ULD SEE.“I WAS PECIALLY EAGER TO DO A G-OUT STORY THAT WAS NO WAY TRAGIC,” HE NTU. “I THOUGHT EVEN WHILE THERE ARE STORI ABOUT PEOPLE FACG TERRIBLE REJECTNS OM THEIR FAI AND MUNI—AND THOSE ARE ENTIRELY VALID—I WANTED TO TRY SOMETHG THAT WAS MORE ALONG THE L OF G G OUT AS A ROMANTIC-EDY VICE.”PL RUDNICK SPEAKS WH DIRECTOR FRANK OZ AND PRODUCER STT RUD WHILE FILMG "IN & OUT" 1997.FROM PARAMOUNT PICTUR/EVERETT COLLECTN.HE PURPOSELY SET THE MOVIE THE MIDWT, FICTNAL GREENLEAF, INDIANA—“A NSERVATIVE, FAY-ORIENTED SMALL TOWN—THAT SEEMED ALMOST MORE OF A CHALLENGE THAN ANOTHER STORY SET ON THE EAST COAST”—AND DIDN’T HOLD BACK ON S G-OUT NARRATIVE, EVEN THOUGH HE REALIZED THAT MIGHT E AS A SHOCK TO UNSPECTG DIENC. “I KNOW A LOT OF PEOPLE WHO SAW THE TRAILERS ASSUMED THAT WAS GOG BE A MISTAKE—THAT HE’D REALLY BE STRAIGHT, AND THAT WOULD BE THE SOURCE OF THE MOVIE’S EDY,” RUDNICK EXPLAS. “SO WHEN THEY WENT TO THE MOVIE AND REALIZED NO, NO, NO, THIS IS A MOVIE ABOUT A GAY MAN, THAT WAS A SURPRISE.”IT’S NOT QUE AS SURPRISG TO HOWARD’S FAY AND IENDS, WHO QUTN HIS HETEROSEXUALY AFTER THE SPEECH. AT HOWARD’S BACHELOR PARTY, HE WANTS TO WATCH QUEER IN BARBRA STREISAND’S FUNNY GIRL; HE ALSO GETS TO A FIGHT WH A IEND WHO CLAIMS THAT YENTL “SUCKS.” EVEN 20 YEARS LATER, THE JOK STILL H: “I FOUND THAT EVEN AMONG VERY YOUNG GAY MEN, BARBRA ENDUR,” RUDNICK SAYS. “THERE ARE OTHER GAY INS WHO ARE NO LONGER AS FAIAR; I THK BARBRA DON’T GO OUT OF STYLE.” (WHILE RUDNICK HASN’T MET STREISAND HIMSELF, HE HEARS SHE WAS ENTERTAED BY THE FILM.)DIRECTOR FRANK OZ STACKED THE ST OF IN & OUT WH BABY-FACED, SOON-TO-BE-FAMO ACTORS—CLUDG LREN AMBROSE (SIX FEET UNR), ZAK ORTH (WET HOT AMERIN SUMMER), AND SELMA BLAIR (CEL INTENTNS)—AS WELL AS STAGE STALWARTS LIKE J. SMH-CAMERON (RECTIFY) AND BECKY ANN BAKER (GIRLS). SCREEN VETS DEBBIE REYNOLDS AND BOB NEWHART ROUND OUT THE ROSTER. “WHEREVER YOU LOOKED, THERE WAS SOMEONE LIC,” SAYS RUDNICK. “NO ONE DROPPED THE BALL.” RUD AND RUDNICK PAID BACK OZ, WHO IS STRAIGHT, BY GIFTG HIM WH A “STARTER GAY-MAN K”—WHICH CLUD “SOMETHG WH A RABOW ON ,” A V.H.S. PY OF BEACH, AND A ST RERDG OF GYPSY.THE MOVIE WAS RELEASED DURG A WATERSHED ERA L.G.B.T.Q. HISTORY. ELLEN DEGENER ME OUT HERSELF APRIL OF 1997; TWO MONTHS LATER, TRISTAR RELEASED MY BT FRIEND’S WEDDG, FEATURG RUPERT EVERETT A MAJOR GAY ROLE. A YEAR AFTER THAT, WILL & GRACE BUTED ON NBC. “REMEMBER, THIS WAS A MOVIE THAT WAS MA AFTER THE PEAK OF THE AIDS CRISIS,” RUDNICK SAYS. “IF THERE WAS ANY BENEF OM THE AIDS CRISIS, WHICH IS AWFUL TO SAY, THERE WAS AT LEAST THIS NEW SENSE OF VISIBILY, AND A SENSE THE LIV ULD NO LONGER BE HIDN. THERE WAS A CREATIVE TSUNAMI A WAY, THAT SENSE OF ‘NOW’S THE TIME.’”OF URSE, SPE ALL THAT, NOT EVERYONE WAS READY FOR THE FILM. RUDNICK SAYS A KISS BETWEEN KLE’S CHARACTER AND A GAY REPORTER PLAYED BY TOM SELLECK “BLEW THE ROOF OFF THE THEATER,” SPIRG PASSNATE RPONS BOTH NEGATIVE AND POSIVE; ONE SCREENG, HE WATCHED A TEENAGE BOY TRY TO CLIMB BEHD HIS GIRLIEND SO HE WOULDN’T HAVE TO WATCH . RUDNICK ALSO REMEMBERS A WOMAN WHO RAVED ABOUT THE MOVIE ON A TT-SCREENG RD, BUT SHE WOULDN’T REMEND THE FILM TO A IEND: “NO, AGAST GOD’S LAW,” SHE WROTE.“THAT’S THE KD OF THG YOU EHER FD TRAGIC, HEARTBREAKG, HATEFUL, OR HILAR, AND I THOUGHT ALL OF [THE] ABOVE,” RUDNICK SAYS NOW. “IF WE GAVE HER EVERYTHG A HOLLYWOOD MOVIE EDY ULD OFFER AND SHE STILL HAD THIS RIDUAL RISTANCE TO , THAT SEEMED, AMONG OTHER THGS, SANE. THAT’S WHAT THE MOVIE WAS GETTG AT.”TWO S LATER, MARRIAGE EQUALY IS THE LAW OF THE LAND AND G-OUT NARRATIV ARE NO LONGER SHOCKG—BUT MID-BUDGET HOLLYWOOD FILMS FEATURG THREE-DIMENSNAL GAY CHARACTERS ARE STILL SRCE. ONLY A SMALL ACTN OF 2016’S STUD FILMS FEATURED L.G.B.T.Q. CHARACTERS AT ALL, ACRDG TO A RECENT GLAAD STUDY; THE DIFFICULTI OF GETTG GAY-THEMED MOVI MA ARE WELL DOCUMENTED, EVEN WHEN THOSE MOV HAVE TY BUDGETS AND ROBT BOX-OFFICE NUMBERS. (IN 2005, BROKEBACK MOUNTA GROSSED $178 LN WORLDWI; MOONLIGHT, AGAST A $4 LN BUDGET, GROSSED $65 LN WORLDWI.)MOST POPULARVANY FAIR’S “IT’S RAG TEENS” COVER AT 20: WHERE ARE THEY NOW?BY SAVANNAH WALSHZENDAYA PAYS TRIBUTE TO “BROTHER” ANG CLOUD: “I’LL CHERISH EVERY MOMENT”BY SAVANNAH WALSHFRAN DRCHER PREDICTS 6 MORE MONTHS OF ACTORS STRIKE: “WE’RE REALLY IT TO W IT”BY SAVANNAH WALSH“IT’S BEEN PROVEN TIME AND AGA THAT MOVI ABOUT GAY LIV AND GAY CHARACTERS N BE SUCCSFUL EVERYWHERE, AND NOT JT ON THE AST,” RUDNICK SAYS, “YET THE STUDS N BE VERY RISTANT. IT’S STILL NSIRED A TOUGH BET, AND I THK THAT’S WHY A LOT OF PEOPLE TAKE THAT MATERIAL TO TELEVISN, PECIALLY TO BLE—THE NORMAL HEART WAS FILMED BETIFULLY BY RYAN MURPHY FOR HBO. BUT YOU THK, WHY HADN’T THAT BEEN MA SOONER? YOU’LL TAKE A CHANCE ON THE 5 LNTH SUPERHERO FILM, BUT YOU WON’T TAKE A CHANCE ON A GREAT GAY FILM LIKE MOONLIGHT? YOU WONR, HOW MANY HS DO YOU NEED?”AT S RE, THOUGH, IN & OUT IS REALLY ABOUT ACCEPTANCE—OF ONELF AND OF OTHERS. “I WANTED TO MAKE SURE BY THE END OF THE FILM, HOWARD BRACKETT WAS SURROUND BY LOVE AND ACCEPTANCE, PECIALLY OM HIMSELF,” RUDNICK SAYS. “IT’S WHY ENDS WH THAT DANCE. WE PLAYED AROUND WH MULTIPLE ENDGS: DID HOWARD NEED A BOYIEND AT THE END? DID HOWARD NEED TO GET MARRIED? NO. WHAT HOWARD NEEDS IS TO BE HAPPY AND TO LOVE WHO HE IS AND TO REALIZE EVERYONE AROUND HIM LOV HIM AS WELL AND CHERISH HIM.” RUDNICK IS PROUD THAT HIS FILM ALLOWS DIENC “TO LGH WH GAY CHARACTERS STEAD OF AT THEM.” AND HE’S RIGHT—EVERYTHG OM KLE STTTG TO “MACHO MAN” TO JOAN CACK BAWLG HER WEDDG DRS AND SAYG, “FUCK BARBRA STREISAND,” IS GAY EDY GOLD.“WHENEVER I SEE ON HBO, I GET UGHT UP,” RUDNICK SAYS. “I WA FOR KEV TO DANCE, AND I WA FOR JOAN HER WEDDG GOWN. I LOVED WORKG ON THAT MOVIE.”8 MOVIE STARS WH UNBELIEVABLE CONTRACT CLS1 / 8CHEVRONCHEVRONFROM SCREEN GEMS/EVERETT COLLECTN.SAMUEL L. JACKSONWHEN YOU’RE ONE OF THE HIGHT-GROSSG ACTORS THE WORLD, YOU’RE ALLOWED TO TAKE A GOLF BREAK. SAMUEL L. JACKSON LOV THE SPORT SO MUCH THAT ALL HIS NTRACTS, HE HAS A CLSE THAT ALLOWS HIM TO GOLF TWICE A WEEK DURG MOVIE SHOOTS.GAR PIRNIA
• KEV MAXEN BE FIRST MALE ACH A US MEN’S PROFSNAL SPORTS LEAGUE TO PUBLICLY E OUT AS GAY
• JACKSONVILLE JAGUARS' KEV MAXEN BE FIRST MALE COACH TO COME OUT AS GAY MAJOR U.S. SPORTS
• JAGS' MAXEN IS FIRST MALE AMERIN PRO SPORTS ACH TO E OUT AS GAY
• JAGUARS ASSISTANT KEV MAXEN IS FIRST MALE NFL ACH TO E OUT AS GAY
• NFL ACH BE FIRST MALE ACH MAJOR U.S. MEN’S PRO SPORTS TO E OUT AS GAY

25 YEARS LATER, 'IN & OUT' REMAS A GOOD-HEARTED GAY FILM AHEAD OF ITS TIME

Reboundg om the cultural nservatism of the 80s and reactg to the burgeong acceptance of gay liftyl, the Hollywood stud system dipped a toe the realm of queer diversy wh a seri of films centered around nocuo gay leads. Even if the films have aged poorly a number of regards, they were groundbreakg at the time and orr to fully appreciate their impact and shortgs, 's tertg to look at them the light of how the matter of homosexualy  film was handled up to that pot. That's not to say homosexualy was openly weled on film, but the stigma toward on-screen affectn between two members of the same genr was ls stigmatized than pictns of men and women who acted whout the nf of their genr rol.

Followg the great prsn, studs turned up the sex and sndal factor to sell more tickets, cludg salac (for the time) portrayals of homosexualy -- a cisn that pissed off a whole lot of relig groups, who boytted the morally bankpt stutn of Hollywood and their sndalo, sful films. The pot of the Productn Co was to enforce tradnal valu, so along wh thgs you’d expect like nudy, there were a bounty of other rtrictns like ridicule of the clergy, terracial marriage, and of urse, homosexualy. Queer narrativ were famoly erased om a number of film adaptatns durg this era, cludg The Children’s Hour and The Malte Faln, and if LGBT hero were wrten out of the actn, homosexual characters were almost universally portrayed as villas, and they pretty much always died.

HOW IN & OUT “BLEW THE ROOF OFF THE THEATER” 20 YEARS AGOSCREENWRER PL RUDNICK ON HIS GROUNDBREAKG G-OUT EDY, OM S UNUAL ORIGS TO S LIGHTFUL LEGACY. (BARBRA’S A FAN!)BY GAR PIRNIASEPTEMBER 20, 2017PL RUDNICK SPEAKS WH DIRECTOR FRANK OZ AND PRODUCER STT RUD WHILE FILMG "IN & OUT" 1997.FROM PARAMOUNT PICTUR/EVERETT COLLECTN.SAVE THIS STORYSAVESAVE THIS STORYSAVEWHEN TOM HANKS WON THE BT-ACTOR OSR FOR PHILALPHIA 1994, HE GAVE AN IMPASSNED SPEECH ABOUT HIS HIGH-SCHOOL DRAMA TEACHER, RAWLEY FARNSWORTH—REFERRG TO FARNSWORTH AND A FORMER CLASSMATE AS “TWO OF THE FT GAY AMERINS.” PERHAPS HANKS DIDN’T REALIZE THE ATTENTN THAT WOULD BRG TO HIS MENTOR. THE SPEECH SPIRED PRODUCER STT RUD TO DREAM UP IN & OUT, RELEASED SEPTEMBER 1997. THE FILM STARS KEV KLE AS 40-SOMETHG HIGH-SCHOOL ENGLISH TEACHER HOWARD BRACKETT, WHO IS ENGAGED TO THE LONG-SUFFERG EY (JOAN CACK). WHEN ONE OF HIS NOW-FAMO STUNTS, CAMERON DRAKE (MATT DILLON), WS AN OSR, HE THANKS BRACKETT FOR BEG “A GREAT, GAY TEACHER”—ACCINTALLY OUTG HOWARD THE PROCS.RUD TAPPED SISTER ACT, ADDAMS FAY VALU, AND FIRST WIV CLUB SCRIBE/PLAYWRIGHT PL RUDNICK TO TRANSFORM HIS IA TO A SCREENPLAY. “AT FIRST I WAS A LTLE RISTANT,” RUDNICK, WHO’S OPENLY GAY, TELLS VANY FAIR. “THEN I ASKED STT: ‘WHAT IF THIS ALL HAPPENED TO A MAN WHO IS GETTG MARRIED?’ OH, SUDNLY I ULD SEE.“I WAS PECIALLY EAGER TO DO A G-OUT STORY THAT WAS NO WAY TRAGIC,” HE NTU. “I THOUGHT EVEN WHILE THERE ARE STORI ABOUT PEOPLE FACG TERRIBLE REJECTNS OM THEIR FAI AND MUNI—AND THOSE ARE ENTIRELY VALID—I WANTED TO TRY SOMETHG THAT WAS MORE ALONG THE L OF G G OUT AS A ROMANTIC-EDY VICE.”PL RUDNICK SPEAKS WH DIRECTOR FRANK OZ AND PRODUCER STT RUD WHILE FILMG "IN & OUT" 1997.FROM PARAMOUNT PICTUR/EVERETT COLLECTN.HE PURPOSELY SET THE MOVIE THE MIDWT, FICTNAL GREENLEAF, INDIANA—“A NSERVATIVE, FAY-ORIENTED SMALL TOWN—THAT SEEMED ALMOST MORE OF A CHALLENGE THAN ANOTHER STORY SET ON THE EAST COAST”—AND DIDN’T HOLD BACK ON S G-OUT NARRATIVE, EVEN THOUGH HE REALIZED THAT MIGHT E AS A SHOCK TO UNSPECTG DIENC. “I KNOW A LOT OF PEOPLE WHO SAW THE TRAILERS ASSUMED THAT WAS GOG BE A MISTAKE—THAT HE’D REALLY BE STRAIGHT, AND THAT WOULD BE THE SOURCE OF THE MOVIE’S EDY,” RUDNICK EXPLAS. “SO WHEN THEY WENT TO THE MOVIE AND REALIZED NO, NO, NO, THIS IS A MOVIE ABOUT A GAY MAN, THAT WAS A SURPRISE.”IT’S NOT QUE AS SURPRISG TO HOWARD’S FAY AND IENDS, WHO QUTN HIS HETEROSEXUALY AFTER THE SPEECH. AT HOWARD’S BACHELOR PARTY, HE WANTS TO WATCH QUEER IN BARBRA STREISAND’S FUNNY GIRL; HE ALSO GETS TO A FIGHT WH A IEND WHO CLAIMS THAT YENTL “SUCKS.” EVEN 20 YEARS LATER, THE JOK STILL H: “I FOUND THAT EVEN AMONG VERY YOUNG GAY MEN, BARBRA ENDUR,” RUDNICK SAYS. “THERE ARE OTHER GAY INS WHO ARE NO LONGER AS FAIAR; I THK BARBRA DON’T GO OUT OF STYLE.” (WHILE RUDNICK HASN’T MET STREISAND HIMSELF, HE HEARS SHE WAS ENTERTAED BY THE FILM.)DIRECTOR FRANK OZ STACKED THE ST OF IN & OUT WH BABY-FACED, SOON-TO-BE-FAMO ACTORS—CLUDG LREN AMBROSE (SIX FEET UNR), ZAK ORTH (WET HOT AMERIN SUMMER), AND SELMA BLAIR (CEL INTENTNS)—AS WELL AS STAGE STALWARTS LIKE J. SMH-CAMERON (RECTIFY) AND BECKY ANN BAKER (GIRLS). SCREEN VETS DEBBIE REYNOLDS AND BOB NEWHART ROUND OUT THE ROSTER. “WHEREVER YOU LOOKED, THERE WAS SOMEONE LIC,” SAYS RUDNICK. “NO ONE DROPPED THE BALL.” RUD AND RUDNICK PAID BACK OZ, WHO IS STRAIGHT, BY GIFTG HIM WH A “STARTER GAY-MAN K”—WHICH CLUD “SOMETHG WH A RABOW ON ,” A V.H.S. PY OF BEACH, AND A ST RERDG OF GYPSY.THE MOVIE WAS RELEASED DURG A WATERSHED ERA L.G.B.T.Q. HISTORY. ELLEN DEGENER ME OUT HERSELF APRIL OF 1997; TWO MONTHS LATER, TRISTAR RELEASED MY BT FRIEND’S WEDDG, FEATURG RUPERT EVERETT A MAJOR GAY ROLE. A YEAR AFTER THAT, WILL & GRACE BUTED ON NBC. “REMEMBER, THIS WAS A MOVIE THAT WAS MA AFTER THE PEAK OF THE AIDS CRISIS,” RUDNICK SAYS. “IF THERE WAS ANY BENEF OM THE AIDS CRISIS, WHICH IS AWFUL TO SAY, THERE WAS AT LEAST THIS NEW SENSE OF VISIBILY, AND A SENSE THE LIV ULD NO LONGER BE HIDN. THERE WAS A CREATIVE TSUNAMI A WAY, THAT SENSE OF ‘NOW’S THE TIME.’”OF URSE, SPE ALL THAT, NOT EVERYONE WAS READY FOR THE FILM. RUDNICK SAYS A KISS BETWEEN KLE’S CHARACTER AND A GAY REPORTER PLAYED BY TOM SELLECK “BLEW THE ROOF OFF THE THEATER,” SPIRG PASSNATE RPONS BOTH NEGATIVE AND POSIVE; ONE SCREENG, HE WATCHED A TEENAGE BOY TRY TO CLIMB BEHD HIS GIRLIEND SO HE WOULDN’T HAVE TO WATCH . RUDNICK ALSO REMEMBERS A WOMAN WHO RAVED ABOUT THE MOVIE ON A TT-SCREENG RD, BUT SHE WOULDN’T REMEND THE FILM TO A IEND: “NO, AGAST GOD’S LAW,” SHE WROTE.“THAT’S THE KD OF THG YOU EHER FD TRAGIC, HEARTBREAKG, HATEFUL, OR HILAR, AND I THOUGHT ALL OF [THE] ABOVE,” RUDNICK SAYS NOW. “IF WE GAVE HER EVERYTHG A HOLLYWOOD MOVIE EDY ULD OFFER AND SHE STILL HAD THIS RIDUAL RISTANCE TO , THAT SEEMED, AMONG OTHER THGS, SANE. THAT’S WHAT THE MOVIE WAS GETTG AT.”TWO S LATER, MARRIAGE EQUALY IS THE LAW OF THE LAND AND G-OUT NARRATIV ARE NO LONGER SHOCKG—BUT MID-BUDGET HOLLYWOOD FILMS FEATURG THREE-DIMENSNAL GAY CHARACTERS ARE STILL SRCE. ONLY A SMALL ACTN OF 2016’S STUD FILMS FEATURED L.G.B.T.Q. CHARACTERS AT ALL, ACRDG TO A RECENT GLAAD STUDY; THE DIFFICULTI OF GETTG GAY-THEMED MOVI MA ARE WELL DOCUMENTED, EVEN WHEN THOSE MOV HAVE TY BUDGETS AND ROBT BOX-OFFICE NUMBERS. (IN 2005, BROKEBACK MOUNTA GROSSED $178 LN WORLDWI; MOONLIGHT, AGAST A $4 LN BUDGET, GROSSED $65 LN WORLDWI.)MOST POPULARVANY FAIR’S “IT’S RAG TEENS” COVER AT 20: WHERE ARE THEY NOW?BY SAVANNAH WALSHZENDAYA PAYS TRIBUTE TO “BROTHER” ANG CLOUD: “I’LL CHERISH EVERY MOMENT”BY SAVANNAH WALSHFRAN DRCHER PREDICTS 6 MORE MONTHS OF ACTORS STRIKE: “WE’RE REALLY IT TO W IT”BY SAVANNAH WALSH“IT’S BEEN PROVEN TIME AND AGA THAT MOVI ABOUT GAY LIV AND GAY CHARACTERS N BE SUCCSFUL EVERYWHERE, AND NOT JT ON THE AST,” RUDNICK SAYS, “YET THE STUDS N BE VERY RISTANT. IT’S STILL NSIRED A TOUGH BET, AND I THK THAT’S WHY A LOT OF PEOPLE TAKE THAT MATERIAL TO TELEVISN, PECIALLY TO BLE—THE NORMAL HEART WAS FILMED BETIFULLY BY RYAN MURPHY FOR HBO. BUT YOU THK, WHY HADN’T THAT BEEN MA SOONER? YOU’LL TAKE A CHANCE ON THE 5 LNTH SUPERHERO FILM, BUT YOU WON’T TAKE A CHANCE ON A GREAT GAY FILM LIKE MOONLIGHT? YOU WONR, HOW MANY HS DO YOU NEED?”AT S RE, THOUGH, IN & OUT IS REALLY ABOUT ACCEPTANCE—OF ONELF AND OF OTHERS. “I WANTED TO MAKE SURE BY THE END OF THE FILM, HOWARD BRACKETT WAS SURROUND BY LOVE AND ACCEPTANCE, PECIALLY OM HIMSELF,” RUDNICK SAYS. “IT’S WHY ENDS WH THAT DANCE. WE PLAYED AROUND WH MULTIPLE ENDGS: DID HOWARD NEED A BOYIEND AT THE END? DID HOWARD NEED TO GET MARRIED? NO. WHAT HOWARD NEEDS IS TO BE HAPPY AND TO LOVE WHO HE IS AND TO REALIZE EVERYONE AROUND HIM LOV HIM AS WELL AND CHERISH HIM.” RUDNICK IS PROUD THAT HIS FILM ALLOWS DIENC “TO LGH WH GAY CHARACTERS STEAD OF AT THEM.” AND HE’S RIGHT—EVERYTHG OM KLE STTTG TO “MACHO MAN” TO JOAN CACK BAWLG HER WEDDG DRS AND SAYG, “FUCK BARBRA STREISAND,” IS GAY EDY GOLD.“WHENEVER I SEE ON HBO, I GET UGHT UP,” RUDNICK SAYS. “I WA FOR KEV TO DANCE, AND I WA FOR JOAN HER WEDDG GOWN. I LOVED WORKG ON THAT MOVIE.”8 MOVIE STARS WH UNBELIEVABLE CONTRACT CLS1 / 8CHEVRONCHEVRONFROM SCREEN GEMS/EVERETT COLLECTN.SAMUEL L. JACKSONWHEN YOU’RE ONE OF THE HIGHT-GROSSG ACTORS THE WORLD, YOU’RE ALLOWED TO TAKE A GOLF BREAK. SAMUEL L. JACKSON LOV THE SPORT SO MUCH THAT ALL HIS NTRACTS, HE HAS A CLSE THAT ALLOWS HIM TO GOLF TWICE A WEEK DURG MOVIE SHOOTS.GAR PIRNIA

Of urse, the portrayals of homosexualy didn’t immediately right ship and new, harmful trop evolved wh the new eedoms, most notably the jected, often suicidal queer whose entire existence was based self-loathg.

KEV MAXEN BE FIRST MALE ACH A US MEN’S PROFSNAL SPORTS LEAGUE TO PUBLICLY E OUT AS GAY

As a part of an dtry-wi trend toward more provotive, challengg ntent, the 70s beme a momento turng pot for on-screen LGBT reprentatn wh films like Midnight Cowboy, Cabaret, and The Boys the Band, William Friedk's 1970 film that's regard as the first stud attempt to appeal to gay dienc. Gay characters uld take the lead, they uld be portrayed as good people, not jt as the villas or self-loathg figure, but their sexualy had to rema eher offscreen or the butt of the joke.

JACKSONVILLE JAGUARS' KEV MAXEN BE FIRST MALE COACH TO COME OUT AS GAY MAJOR U.S. SPORTS

When we meet Kle’s Howard Brackett, everyone around him, cludg his bri to be, are pletely and utterly unaware that he’s gay… and so is he. Howard don’t even realize he’s a homosexual until a former stunt announc on natnal televisn, and even then, he only to accept the tth after he endur a seri of what I n only scribe as gay tts, a sort of reverse nversn therapy; tryg to listen to the Village People whout dancg, listeng to someone sult Barbara Streisand whout gettg angry, and a groundbreakg on-screen kiss for the era, gettg smooched full-on by Tom Selleck.

JAGS' MAXEN IS FIRST MALE AMERIN PRO SPORTS ACH TO E OUT AS GAY

All of the tts revolve around flagrant gay stereotyp (except the kissg Tom Selleck thg, pretty sure that’s universal), and all of them make Howard’s sexualy somethg to lgh at. While pennt cema was rvg out a space for queer unterculture, where the LGBT muny uld live by s own l and fns, stud filmmakg was rvg out a very clear-cut space for homosexuals society, as long as they played by the l.

This was seen televisn as well, most notably  Will and Grace  which Eric McCormack’s Will — an analogo character to Howard Brackett — was long played as “My Pet Homosexual, ” Grace’s -hoe Gay BFF who was rarely afford the same level of signifint relatnship arcs or on-screen displays of affectn as his female unterpart. This type of on-screen pictn of homosexualy, addn to beg almost exclively whe and male, was more of a nstct of personaly quirks than a portra of romantilly viable sexual begs. There was also a strange reflectn of the tim the way that gay characters were treated wh sual celty the films, even by their loved on.

JAGUARS ASSISTANT KEV MAXEN IS FIRST MALE NFL ACH TO E OUT AS GAY

People would e around to their liftyle by the end of the film -- In & Out go so far as havg the town une behd Howard a Spartac moment as they all yell, "I'm gay! Will and Grace was a monumental steppg stone gay reprentatn on televisn and Kev Kle and Tom Selleck’s edic on-screen kiss  In & Out may have been played for lghs, but helped break ground and pave the way for Brokeback Mounta, the stud awards-ntenr that would change the l of queer reprentatn once aga.

While rare films the 90s like Philalphia and Boys Don't Cry treated LGBT subject matter wh honty and managed to break through to the awards scene, Brokeback Mounta reprented a seismic shift pictns of on-screen homosexualy and how was received. In the years sce, other queer films like Milk, A Sgle Man, and more recently, Carol all ntued to tablishg the legacy of awards regnized films, and last year, Moonlight, a film that is unapologetilly foced on the g-of-age experience of a gay black man, took home Bt Picture a surprise upset over La La Land. For example, GLAAD also found that the majory of characters reprented are whe male homosexuals, leavg lbians, bisexuals, LGBT people of lor, and the rt of the queer spectm drastilly unrreprented.

NFL ACH BE FIRST MALE ACH MAJOR U.S. MEN’S PRO SPORTS TO E OUT AS GAY

Fally, and most disappotg light of Moonlight's upliftg Osr victory, the 2016 Inx revealed that reprentatn is droppg back once aga, worse now that was a few years ago -- a particularly jarrg fact nsirg gay marriage has been legalized and broar cultural acceptance has historilly led to better reprentatn, which further leads to cultural acceptance.

The implitn here, of urse, is that Will and Grace are no more gay or Jewish than actors playg rol wh those intifiers, who are not those thgs real life. It’s a plat still lodged agast mastream queer films today—why do Hollywood still sist on nsirg straight actors for gay rol when there is an endls list of eligible queer actors? Box office succs, no doubt, but the mentaly that an creasg number of queer moviegoers tend to hold where they won’t support films starrg straight actors as gay characters n also cloud our visn of enjoyg gay films that hold up spe their flaws.