Drift movie reviews & Metacric sre: A story about a gay romantic triangle....
Contents:
- 'PASSAG' DIRECTOR NOUNC 'DANGERO' NC-17 RATG ON A FILM PICTG A GAY LOVE STORY
- KEV MAXEN BE FIRST MALE ACH A US MEN’S PROFSNAL SPORTS LEAGUE TO PUBLICLY E OUT AS GAY
- ACTIVISTS NMN VLENCE AGAST LGBTQ MUNY ST. VCENT, WHERE GAY SEX IS ILLEGAL
'PASSAG' DIRECTOR NOUNC 'DANGERO' NC-17 RATG ON A FILM PICTG A GAY LOVE STORY
* drift gay movie *
A story about a gay romantic triangle. Overall I thk 's worth seeg, if for no other reason than, well, how many gay Dogma movi are there?
Unlike any other gay film I've seen, 's about the breakup of a relatnship, and the tentative start of a new one.
Ultimately, seems, Ryan mt feel plete on his 's wonrful about the movie is the timacy of the actg, realistic gay men (not macho, a ltle b fem, but enargly so).
KEV MAXEN BE FIRST MALE ACH A US MEN’S PROFSNAL SPORTS LEAGUE TO PUBLICLY E OUT AS GAY
A gay man (R.T. Lee) breaks up wh his lover (Greyson Dayne) after meetg a llege stunt (Jonathon Rosler) at a party. * drift gay movie *
As an olr gay male a long-term mted relatnship, I particularly appreciated Lee's mature take on the terplay between every young gay man's ep sire for a "perfect" relatnship and the (maturer) realizatn that (perhaps) perfectn li workg on one's existg relatnship. Lee) uld very well be the current "gay everyman" - happy, but not happy; settled, but unsettled; ntent, but ntent. Another dull, self-nsc, angst-filled gay movie.
Do gay-themed movi get any more self-nscly awful than this garbage?
ACTIVISTS NMN VLENCE AGAST LGBTQ MUNY ST. VCENT, WHERE GAY SEX IS ILLEGAL
A thoughtful and touchg film, DRIFT tells a simple break-up story wh a narrative twist midway about a young gay man, a screenwrer Los Angel, embarkg on three different scenars of a love triangle and romantic entanglements.
I attend the film's world premiere at the San Francis Gay Film Ftival whout a great al of expectatn (as you know... And I believe that the film beg personal really add to the emotnal impact of the aren't a lot of gay films about relatnships, and this is certaly a well-ma one. It feels raw, but the entirely wrong kd of rawns; the script's llege-sophomore dialectic feels more like a long one-sid nversatn wh someone who dron on and on an csant monologue which has long lost both emotnal ronance and entertament value but the performer is nvced that he's disvered somethg new and meangful, so every word mt be cherished protracted and repeated csantly.