The Philalphia Phenomenon - The Gay & Lbian Review

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• HOW HOLLYWOOD BETRAYED JONATHAN DEMME’S ‘PHILALPHIA’ LGBT LEGACYRADICALIN 1993, MANY CRICIZED THE LANDMARK HOLLYWOOD MOVIE ‘PHILALPHIA’ WH TOM HANKS AS A GAY LAWYER WH AIDS AS NOT RADIL ENOUGH. BUT TIME HAS PROVED DEMME AN ERA-FG FILM-MAKER.TIM TEEMANSENR EDOR AND WRERUPDATED MAY 05, 2017 2:31PM EDT / PUBLISHED APR. 26, 2017 3:42PM EDT EVERETT COLLECTON WHEN WAS RELEASED, JONATHAN DEMME’S PHILALPHIA WAS HAILED AS A LANDMARK MOVIE. THAT WAS RRECT, BUT WAS A TOTEM THAT ME TO BE BOTH BLSG AND BURN. THE MOVIE FEATURED A MAJOR STRAIGHT HOLLYWOOD STAR, TOM HANKS, PLAYG GAY. IT WAS THE FIRST MAJOR HOLLYWOOD FILM—THREE YEARS AFTER THE DIE MOVIE LONGTIME COMPANN AND SEVEN YEARS AFTER PARTG GLANC—TO AL WH THE IMPACT OF HIV AND AIDS ON GAY PEOPLE.AT THE TIME, THERE WAS SUCH IMPATIENCE FOR POLIL AND CULTURAL CHANGE, FOR MASTREAM REPRENTATNS OF LGBT LIV AND LOV ON SCREEN, AND FOR REGNN OF THE VASTATG IMPACT THAT AIDS HAD WROUGHT, THAT DEMME—WHOSE ATH, AGED 73, OM PLITNS OF NCER WAS ANNOUNCED WEDNDAY—HAD A MUCH BIGGER TASK TO FULFILL THAN TO SIMPLY ENTERTA.DEMME HAD ALREADY DIRECTED THE SILENCE OF THE LAMBS, WHICH FEATURED A MUCH-CRICIZED TRANSGENR PSYCHOPATH. PHILALPHIA, BY NTRAST, WAS EXPECTED TO TE. IT WAS EXPECTED TO RPECT. IT WAS EXPECTED TO BRG ‘GAY’ AND ‘AIDS’ TO THE MASTREAM. IT WAS EXPECTED TO FALLY SHOW THE REALY OF A GAY RELATNSHIP. THIS SHOULDN’T SOUND RADIL. IN 1993, CERTALY WAS. RARELY DO MOVI HAVE TO RRY SUCH ‘FIRST EVER’ BAGGAGE. RARELY, DO THEY HAVE SUCH EXPECTATNS PLACED UPON THEM. COULD PHILALPHIA PERFORM ALL THAT WAS EXPECTED OF SOCIALLY AND POLILLY, AS WELL AS ENTERTA? IT WAS ALSO HOPED THAT PHILALPHIA WOULD BE A STANDARD-BEARER. SUCH WAS THE LEVEL OF GAY VISIBILY MASTREAM MOVI, PHILALPHIA, WAS HOPED, WOULD PROVI AT LEAST A MORATE RRECTIVE AND LEAD TO OTHER MOVI TREADG A SIAR THEMATIC PATH. PHILALPHIA, WAS HOPED, REPRENTED CHANGE.IF YOU WERE AROUND AT THAT TIME, GAY, AND POLILLY ENGAGED, YOU WENT TO SEE PHILALPHIA AT YOUR LOL CEMA WH BAED BREATH. LGBT CHARACTERS AND STORI WERE BADLY TREATED MASTREAM FILM; PENNT CEMA WAS WHERE YOU WENT TO LOTE MORE NUANCED AND DIVERSE STORI. GAY SIRE WAS RARELY IF EVER SEEN ON THE MASTREAM CEMA SCREEN, STILL LS EVERYDAY GAY TIMACY, AND EVERYDAY RELATNSHIPS. TTH BE TOLD, MANY THOUGHT THE FILM ME UP SHORT. PHILALPHIA SEEMED LS ABOUT TOM HANKS AND ANTON BANRAS’ RELATNSHIP THAN WAS ABOUT DENZEL WASHGTON’S CHARACTER, ANOTHER LAWYER, SURMOUNTG HIS OWN HOMOPHOBIA TO REPRENT HANKS’S CHARACTER THE DISCRIMATN SE HE BRGS AGAST THE LAW FIRM AFTER THEY FIRE HIM FOR HAVG AIDS.THE FOC THIS LANDMARK GAY MOVIE SEEMED ODDLY STRAIGHT: WAS THIS SIMPLY TO SUGAR THE PILL OF A GAY MOVIE, A WAY TO LURE AS MASS A STRAIGHT DIENCE TO SEE WHOUT SRG THEM OFF? WHAT PHILALPHIA SEEMED TO SUGGT THAT A GAY-THEMED MOVIE STILL NEED CENTRAL HETEROSEXUAL CHARACTERS TO ACT AS PATH-FRS FOR THE HETERO-DIENCE.LONGTIME COMPANN, NTRAST FOR EXAMPLE—FOR ALL S OWN FLTS—PRENTED A GAY WORLD WHOUT APOLOGY AND HAND-HOLDG. IT EXPECTED THE DIENCE WATCHG , GAY AND STRAIGHT, TO SIMPLY GET WH THE NTEXT. IT HAD STRAIGHT CHARACTERS, BUT THEY WEREN’T THERE FOR THE DIENCE WATCHG; THEY WERE IENDS AND ALLI OF THE CHARACTERS, LIVG OR ADJACENT TO THE GAY WORLD.LONGTIME COMPANN WAS RADIL THAT, LIKE PARTG GLANC, THE NORMAL HEART AND ANGELS AMERI, PRENTED A GAY WORLD OF SEX AND IENDSHIP, AND OF THE PA AND TRAGEDY AND JTICE OF AIDS THE 1980S AFFECTG GAY PEOPLE.THE TIMIDY OF PHILALPHIA—HOWEVER SATISFYG THE JTICE EVENTUALLY SERV UP AS A URTROOM DRAMA FOR HANKS’S CHARACTER—SEEMED DISAPPOTG. IT MARKED A SERI OF LANDMARKS, FOR SURE, BUT THE WAY THAT APPROACHED THOSE LANDMARKS SEEMED ALSO MEEK, AND THAT MEEKNS SEEMED JT AS SULTG TO MANY GAY PEOPLE AS BEG IGNORED. READ LARRY KRAMER'S BRILLIANTLY FUR SAY OF THE TIME TAILG WHAT HE SAW AS THE FILM'S MANY FLTS, OVERSIGHTS, IGNORANC, AND ERRORS.WHY, A MOVIE ABOUT A GAY MAN DYG OF AIDS, WAS THAT MAN NOT SEEN SHARG A KISS OR LYG BED WH HIS PARTNER, PLAYED BY ANTON BANRAS? (THE LATTER WAS ACTUALLY SHOT, BUT LETED.)THE FAMO SCENE FEATURG HANKS AND BANRAS DANCG TENRLY CHEEK-TO-CHEEK IS NOTABLE FOR WASHGTON’S CHARACTER LOOKG AT THEM RPECTFULLY AS HE DANC WH HIS OWN WIFE: A SIMPLE MOMENT THAT UNRSRED THE FILM’S BIGGER MSAGE THAT ALL LOVG RELATNSHIPS ARE MA EQUAL.THE CRICISM THAT GREETED PHILALPHIA WAS UNRSTANDABLE AND VALID, BUT WATCHG NOW—OLR AND A LTLE MORE FIVG—EVERYTHG THAT SEEMED REMISS ABOUT DO SEEM RADIL, ALBE TENTATIVELY SO: THE CHALLENGG OF BOTH STUTNAL AND PERSONAL HOMOPHOBIA, THE SKETCHG OF A GAY RELATNSHIP UNRSRED BY LOVE (HOWEVER AEDQUATELY AND UTLY THAT RELATNSHIP IS EVOKED), AND TOM HANKS AT THE HEART OF THIS, DYG ONT OF YOU: MR. DECENCY, MASTREAM AMERI GUY HIMSELF. JT HANKS’S PRENCE THE FILM AS S CENTRAL CHARACTER GIV THE MOVIE A WEIGHT, ANCHOR, AND REACH TO HEARTS AND MDS NO OTHER ACTOR AT THAT MOMENT ULD.HIS SUBSEQUENT BT ACTOR OSRS SPEECH, PAYG TRIBUTE TO HIS GAY TEACHERS, “TWO OF THE FT GAY AMERINS” (PROVIDG SPIRATN FOR THE MOVIE IN AND OUT, STARRG KEV KLE AND TOM SELLECK A FEW YEARS LATER) AND—HIS VOICE CRACKG WH EMOTN—THOSE WHO HAD DIED OF AIDS, WAS WILY LD. HANKS WAS THE BT KD OF POP CULTURE AMBASSADOR AND CSAR, FORTHRIGHT BUT NOT THREATENG. IF DIDN’T SEEM RADIL ENOUGH FOR SOME OF S GAY VIEWERS, PHILALPHIA PERFORMED THE WIR SOCIAL AND CULTURAL TASK EXPECTED OF .EVEN TODAY RETAS S POWER. UNR HANKS’S OSRS SPEECH ON YOUTUBE, OM FAIRLY RECENTLY, IS THIS MENT OM ONE VIEWER: “I'M A GAY 16-YEAR-OLD BOY AND I SAW PHILALPHIA FOR THE FIRST TIME EARLIER THIS YEAR. THE FILM SPIRED ME TO E OUT PUBLICLY AT SCHOOL, AND I'VE BEEN SO MUCH HAPPIER SCE. REGARDLS OF THE NOW OLD AGE OF THIS FILM, CHANGED MY LIFE DRASTILLY FOR THE BETTER. IT HOLDS A VERY AR PLACE MY HEART AND I KNOW THAT HOLDS TE FOR MANY OTHERS LIKE ME.”TWENTY-FOUR YEARS IS A BLIP REAL-TIME, BUT A LONG TIME LGBT POP CULTURE—AND YET, SURVEYG THE FS AND STARTS SCE PHILALPHIA, PERHAPS NOT THAT LONG AT ALL. AFTER ME MANY GAY-THEMED MOVI, BUT THE MASTREAM ONLY THE TRAGIC LOVE STORY BROKEBACK MOUNTA, STARRG HEATH LEDGER AND JAKE GYLLENHAAL, APPROACHED PHILALPHIA’S LEVEL OF SOC-CULTURAL IMPACT. STTERED YEARS BRG STTERED STANDOUTS—A SGLE MAN, BOUND, BETIFUL THG, AND THE BAND PLAYED ON, MOONLIGHT—BUT RARE IS THE CULTURE QUAKE ED BY MOVI LIKE PHILALPHIA, AND THAT IS A HUGE PART OF DEMME’S IMPRSIVE LEGACY. THERE SHOULD HAVE BEEN MORE "PHILALPHIAS" PHILALPHIA’S WAKE, BUT HOLLYWOOD DID NOT MAKE GOOD ON THE CHALLENGE SET BY DEMME. (THE SUCCS OF OSR-WNG MOONLIGHT THIS YEAR IS A SIAR CHALLENGE.)OF URSE, LGBT PEOPLE AND LGBT CHARACTERS HAVE SURFACED MORE AND MORE FILMS—MILK IS ANOTHER OSR-WNG STANDOUT—AND TV SHOWS: THE VARIETY OF REPRENTATN HAS ONLY CREASED SCE 1993, AND THAT IS TO BE WELED.BUT, WH DEMME’S ATH AND NSIRG THE SIGNIFINCE OF PHILALPHIA, ONE NOT THAT IS STILL TOO RARE FOR A MAJOR HOLLYWOOD STAR TO PLAY GAY A MAJOR, MASTREAM HOLLYWOOD MOVIE. BUT THEN IS EVEN RARER FOR MASTREAM HOLLYWOOD MOVI TO HAVE A CENTRAL GAY THEME. IT IS EVEN RARER TO SEE EXPRSNS OF SAME-SEX SIRE MASTREAM HOLLYWOOD FILMS. AND STILL, WHERE ARE THE MASTREAM HOLLYWOOD A-LIST ACTORS WHO ARE OUT?HOLLYWOOD, SPE THE NUMBER OF LGBT PEOPLE WHO WORK WH , REMAS A TOWN OF UNFATHOMABLE CLOSETS AND CLOSETRY. IT’S NOT AS OPPRSIVE AS WAS 1993 WHEN PHILALPHIA SOUGHT, FOR THE FIRST TIME, TO SHATTER NOT JT A SILENCE AND OMISSN ON SCREEN BUT A SILENCE AND OMISSN OFF . FOR ALL THE CRICISM ONE N LEVEL AT THE QUIETNS OF THE MOVIE--AND HOW UNRWRTEN S GAY CHARACTERS ARE--S WELL-MEANG ACPLISHMENT REMAS. DEMME SET A NEW LGBT STANDARD FOR THE HOLLYWOOD MASTREAM. IT IS HOLLYWOOD’S FAILURE, THE TERVENG YEARS, NOT TO HAVE SUBSTANTIALLY GROWN OM . TIM TEEMAN

HOW HOLLYWOOD BETRAYED JONATHAN DEMME’S ‘PHILALPHIA’ LGBT LEGACYRADICALIN 1993, MANY CRICIZED THE LANDMARK HOLLYWOOD MOVIE ‘PHILALPHIA’ WH TOM HANKS AS A GAY LAWYER WH AIDS AS NOT RADIL ENOUGH. BUT TIME HAS PROVED DEMME AN ERA-FG FILM-MAKER.TIM TEEMANSENR EDOR AND WRERUPDATED MAY 05, 2017 2:31PM EDT / PUBLISHED APR. 26, 2017 3:42PM EDT EVERETT COLLECTON WHEN WAS RELEASED, JONATHAN DEMME’S PHILALPHIA WAS HAILED AS A LANDMARK MOVIE. THAT WAS RRECT, BUT WAS A TOTEM THAT ME TO BE BOTH BLSG AND BURN. THE MOVIE FEATURED A MAJOR STRAIGHT HOLLYWOOD STAR, TOM HANKS, PLAYG GAY. IT WAS THE FIRST MAJOR HOLLYWOOD FILM—THREE YEARS AFTER THE DIE MOVIE LONGTIME COMPANN AND SEVEN YEARS AFTER PARTG GLANC—TO AL WH THE IMPACT OF HIV AND AIDS ON GAY PEOPLE.AT THE TIME, THERE WAS SUCH IMPATIENCE FOR POLIL AND CULTURAL CHANGE, FOR MASTREAM REPRENTATNS OF LGBT LIV AND LOV ON SCREEN, AND FOR REGNN OF THE VASTATG IMPACT THAT AIDS HAD WROUGHT, THAT DEMME—WHOSE ATH, AGED 73, OM PLITNS OF NCER WAS ANNOUNCED WEDNDAY—HAD A MUCH BIGGER TASK TO FULFILL THAN TO SIMPLY ENTERTA.DEMME HAD ALREADY DIRECTED THE SILENCE OF THE LAMBS, WHICH FEATURED A MUCH-CRICIZED TRANSGENR PSYCHOPATH. PHILALPHIA, BY NTRAST, WAS EXPECTED TO TE. IT WAS EXPECTED TO RPECT. IT WAS EXPECTED TO BRG ‘GAY’ AND ‘AIDS’ TO THE MASTREAM. IT WAS EXPECTED TO FALLY SHOW THE REALY OF A GAY RELATNSHIP. THIS SHOULDN’T SOUND RADIL. IN 1993, CERTALY WAS. RARELY DO MOVI HAVE TO RRY SUCH ‘FIRST EVER’ BAGGAGE. RARELY, DO THEY HAVE SUCH EXPECTATNS PLACED UPON THEM. COULD PHILALPHIA PERFORM ALL THAT WAS EXPECTED OF SOCIALLY AND POLILLY, AS WELL AS ENTERTA? IT WAS ALSO HOPED THAT PHILALPHIA WOULD BE A STANDARD-BEARER. SUCH WAS THE LEVEL OF GAY VISIBILY MASTREAM MOVI, PHILALPHIA, WAS HOPED, WOULD PROVI AT LEAST A MORATE RRECTIVE AND LEAD TO OTHER MOVI TREADG A SIAR THEMATIC PATH. PHILALPHIA, WAS HOPED, REPRENTED CHANGE.IF YOU WERE AROUND AT THAT TIME, GAY, AND POLILLY ENGAGED, YOU WENT TO SEE PHILALPHIA AT YOUR LOL CEMA WH BAED BREATH. LGBT CHARACTERS AND STORI WERE BADLY TREATED MASTREAM FILM; PENNT CEMA WAS WHERE YOU WENT TO LOTE MORE NUANCED AND DIVERSE STORI. GAY SIRE WAS RARELY IF EVER SEEN ON THE MASTREAM CEMA SCREEN, STILL LS EVERYDAY GAY TIMACY, AND EVERYDAY RELATNSHIPS. TTH BE TOLD, MANY THOUGHT THE FILM ME UP SHORT. PHILALPHIA SEEMED LS ABOUT TOM HANKS AND ANTON BANRAS’ RELATNSHIP THAN WAS ABOUT DENZEL WASHGTON’S CHARACTER, ANOTHER LAWYER, SURMOUNTG HIS OWN HOMOPHOBIA TO REPRENT HANKS’S CHARACTER THE DISCRIMATN SE HE BRGS AGAST THE LAW FIRM AFTER THEY FIRE HIM FOR HAVG AIDS.THE FOC THIS LANDMARK GAY MOVIE SEEMED ODDLY STRAIGHT: WAS THIS SIMPLY TO SUGAR THE PILL OF A GAY MOVIE, A WAY TO LURE AS MASS A STRAIGHT DIENCE TO SEE WHOUT SRG THEM OFF? WHAT PHILALPHIA SEEMED TO SUGGT THAT A GAY-THEMED MOVIE STILL NEED CENTRAL HETEROSEXUAL CHARACTERS TO ACT AS PATH-FRS FOR THE HETERO-DIENCE.LONGTIME COMPANN, NTRAST FOR EXAMPLE—FOR ALL S OWN FLTS—PRENTED A GAY WORLD WHOUT APOLOGY AND HAND-HOLDG. IT EXPECTED THE DIENCE WATCHG , GAY AND STRAIGHT, TO SIMPLY GET WH THE NTEXT. IT HAD STRAIGHT CHARACTERS, BUT THEY WEREN’T THERE FOR THE DIENCE WATCHG; THEY WERE IENDS AND ALLI OF THE CHARACTERS, LIVG OR ADJACENT TO THE GAY WORLD.LONGTIME COMPANN WAS RADIL THAT, LIKE PARTG GLANC, THE NORMAL HEART AND ANGELS AMERI, PRENTED A GAY WORLD OF SEX AND IENDSHIP, AND OF THE PA AND TRAGEDY AND JTICE OF AIDS THE 1980S AFFECTG GAY PEOPLE.THE TIMIDY OF PHILALPHIA—HOWEVER SATISFYG THE JTICE EVENTUALLY SERV UP AS A URTROOM DRAMA FOR HANKS’S CHARACTER—SEEMED DISAPPOTG. IT MARKED A SERI OF LANDMARKS, FOR SURE, BUT THE WAY THAT APPROACHED THOSE LANDMARKS SEEMED ALSO MEEK, AND THAT MEEKNS SEEMED JT AS SULTG TO MANY GAY PEOPLE AS BEG IGNORED. READ LARRY KRAMER'S BRILLIANTLY FUR SAY OF THE TIME TAILG WHAT HE SAW AS THE FILM'S MANY FLTS, OVERSIGHTS, IGNORANC, AND ERRORS.WHY, A MOVIE ABOUT A GAY MAN DYG OF AIDS, WAS THAT MAN NOT SEEN SHARG A KISS OR LYG BED WH HIS PARTNER, PLAYED BY ANTON BANRAS? (THE LATTER WAS ACTUALLY SHOT, BUT LETED.)THE FAMO SCENE FEATURG HANKS AND BANRAS DANCG TENRLY CHEEK-TO-CHEEK IS NOTABLE FOR WASHGTON’S CHARACTER LOOKG AT THEM RPECTFULLY AS HE DANC WH HIS OWN WIFE: A SIMPLE MOMENT THAT UNRSRED THE FILM’S BIGGER MSAGE THAT ALL LOVG RELATNSHIPS ARE MA EQUAL.THE CRICISM THAT GREETED PHILALPHIA WAS UNRSTANDABLE AND VALID, BUT WATCHG NOW—OLR AND A LTLE MORE FIVG—EVERYTHG THAT SEEMED REMISS ABOUT DO SEEM RADIL, ALBE TENTATIVELY SO: THE CHALLENGG OF BOTH STUTNAL AND PERSONAL HOMOPHOBIA, THE SKETCHG OF A GAY RELATNSHIP UNRSRED BY LOVE (HOWEVER AEDQUATELY AND UTLY THAT RELATNSHIP IS EVOKED), AND TOM HANKS AT THE HEART OF THIS, DYG ONT OF YOU: MR. DECENCY, MASTREAM AMERI GUY HIMSELF. JT HANKS’S PRENCE THE FILM AS S CENTRAL CHARACTER GIV THE MOVIE A WEIGHT, ANCHOR, AND REACH TO HEARTS AND MDS NO OTHER ACTOR AT THAT MOMENT ULD.HIS SUBSEQUENT BT ACTOR OSRS SPEECH, PAYG TRIBUTE TO HIS GAY TEACHERS, “TWO OF THE FT GAY AMERINS” (PROVIDG SPIRATN FOR THE MOVIE IN AND OUT, STARRG KEV KLE AND TOM SELLECK A FEW YEARS LATER) AND—HIS VOICE CRACKG WH EMOTN—THOSE WHO HAD DIED OF AIDS, WAS WILY LD. HANKS WAS THE BT KD OF POP CULTURE AMBASSADOR AND CSAR, FORTHRIGHT BUT NOT THREATENG. IF DIDN’T SEEM RADIL ENOUGH FOR SOME OF S GAY VIEWERS, PHILALPHIA PERFORMED THE WIR SOCIAL AND CULTURAL TASK EXPECTED OF .EVEN TODAY RETAS S POWER. UNR HANKS’S OSRS SPEECH ON YOUTUBE, OM FAIRLY RECENTLY, IS THIS MENT OM ONE VIEWER: “I'M A GAY 16-YEAR-OLD BOY AND I SAW PHILALPHIA FOR THE FIRST TIME EARLIER THIS YEAR. THE FILM SPIRED ME TO E OUT PUBLICLY AT SCHOOL, AND I'VE BEEN SO MUCH HAPPIER SCE. REGARDLS OF THE NOW OLD AGE OF THIS FILM, CHANGED MY LIFE DRASTILLY FOR THE BETTER. IT HOLDS A VERY AR PLACE MY HEART AND I KNOW THAT HOLDS TE FOR MANY OTHERS LIKE ME.”TWENTY-FOUR YEARS IS A BLIP REAL-TIME, BUT A LONG TIME LGBT POP CULTURE—AND YET, SURVEYG THE FS AND STARTS SCE PHILALPHIA, PERHAPS NOT THAT LONG AT ALL. AFTER ME MANY GAY-THEMED MOVI, BUT THE MASTREAM ONLY THE TRAGIC LOVE STORY BROKEBACK MOUNTA, STARRG HEATH LEDGER AND JAKE GYLLENHAAL, APPROACHED PHILALPHIA’S LEVEL OF SOC-CULTURAL IMPACT. STTERED YEARS BRG STTERED STANDOUTS—A SGLE MAN, BOUND, BETIFUL THG, AND THE BAND PLAYED ON, MOONLIGHT—BUT RARE IS THE CULTURE QUAKE ED BY MOVI LIKE PHILALPHIA, AND THAT IS A HUGE PART OF DEMME’S IMPRSIVE LEGACY. THERE SHOULD HAVE BEEN MORE "PHILALPHIAS" PHILALPHIA’S WAKE, BUT HOLLYWOOD DID NOT MAKE GOOD ON THE CHALLENGE SET BY DEMME. (THE SUCCS OF OSR-WNG MOONLIGHT THIS YEAR IS A SIAR CHALLENGE.)OF URSE, LGBT PEOPLE AND LGBT CHARACTERS HAVE SURFACED MORE AND MORE FILMS—MILK IS ANOTHER OSR-WNG STANDOUT—AND TV SHOWS: THE VARIETY OF REPRENTATN HAS ONLY CREASED SCE 1993, AND THAT IS TO BE WELED.BUT, WH DEMME’S ATH AND NSIRG THE SIGNIFINCE OF PHILALPHIA, ONE NOT THAT IS STILL TOO RARE FOR A MAJOR HOLLYWOOD STAR TO PLAY GAY A MAJOR, MASTREAM HOLLYWOOD MOVIE. BUT THEN IS EVEN RARER FOR MASTREAM HOLLYWOOD MOVI TO HAVE A CENTRAL GAY THEME. IT IS EVEN RARER TO SEE EXPRSNS OF SAME-SEX SIRE MASTREAM HOLLYWOOD FILMS. AND STILL, WHERE ARE THE MASTREAM HOLLYWOOD A-LIST ACTORS WHO ARE OUT?HOLLYWOOD, SPE THE NUMBER OF LGBT PEOPLE WHO WORK WH , REMAS A TOWN OF UNFATHOMABLE CLOSETS AND CLOSETRY. IT’S NOT AS OPPRSIVE AS WAS 1993 WHEN PHILALPHIA SOUGHT, FOR THE FIRST TIME, TO SHATTER NOT JT A SILENCE AND OMISSN ON SCREEN BUT A SILENCE AND OMISSN OFF . FOR ALL THE CRICISM ONE N LEVEL AT THE QUIETNS OF THE MOVIE--AND HOW UNRWRTEN S GAY CHARACTERS ARE--S WELL-MEANG ACPLISHMENT REMAS. DEMME SET A NEW LGBT STANDARD FOR THE HOLLYWOOD MASTREAM. IT IS HOLLYWOOD’S FAILURE, THE TERVENG YEARS, NOT TO HAVE SUBSTANTIALLY GROWN OM . TIM TEEMAN

Cast & crewUser reviewsTrivia1993PG-132h 5mWhen a man wh HIV is fired by his law firm bee of his ndn, he hir a homophobic small time lawyer as the only willg advote for a wrongful dismissal a man wh HIV is fired by his law firm bee of his ndn, he hir a homophobic small time lawyer as the only willg advote for a wrongful dismissal a man wh HIV is fired by his law firm bee of his ndn, he hir a homophobic small time lawyer as the only willg advote for a wrongful dismissal productn, box office & pany Vios5More like this7. Gay activist and The Normal Heart playwright Larry Kramer spoke out agast the film, sayg, “Philalphia don't have anythg to do wh the AIDS I know, or wh the gay world I know.

”In Febary 1994, not long after the film was released, Print Bill Clton hered "Don’t ask, don’t tell" (DADT), a policy that prohibed gay ary members om disclosg their sexualy. In one of the most famo Osr speech of alltime, Hanks thanked his high school drama teacher, Rawley Farnsworth, and classmate John Gilkerson for beg “the two ft gay Amerins, two wonrful men, that I had the good fortune to be associated wh. At that time, AIDS had been ravagg the untry for seven years, vastatg an entire generatn of gay men and stokg a palpable and unshakable panic.

And one feature film, the penntly fanced Partg Glanc 1986, starred Steve Bcemi a lovely supportg performance as a gay man livg wh AIDS, but played jt a ty handful of prejudice had only jt started to ggerly thaw the 1970s, but the hysteria over AIDS the 1980s had leralized the lie that LGBT people were diseased and herently dangero. But as far as Hollywood studs and TV works were ncerned, an openly gay lead character still felt practilly impossible, let alone one wh a termal that hostile environment, makg the first mastream movie about a gay man wh AIDS uld have seemed exceptnally dntg. Tom Hanks won the Osr for Bt Actor for playg the film’s hero, Andrew Beckett, a gay lawyer wh AIDS, and Bce Sprgsteen won an Osr and multiple Grammys for his hntg song “Streets of Philalphia, ” which opens the years later, ’s abundantly clear that Philalphia is a landmark movie, signalg — and even talyzg — the untry’s progrsive evolutn wh LGBT equaly and the plight of those wh HIV/AIDS.

After Andrew (lled Andy by pretty much everyone) is sudnly fired om his prtig law firm, he spects ’s bee the managg partners realized he’s gay and has AIDS, two facts he’d hidn om them. He ially begs off workg wh Andy out of his fear of AIDS and loathg of gay people, and only agre to take the se after he wns Andy experiencg the kd of sual discrimatn a law library that Joe knows all too well as a black man tryg to build a reer as a lawyer.

But if I were to say, ‘Hey, I have this great police show, and ’s about this guy who unvers rptn, oh, and he’s gay, ’ I will be asked, ‘Why are you makg him gay?