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article-groups leadg-100 mb-8"><li class="le font-polysans-mono text-12 font-medium upperse trackg-12 text-blurple"><a class="hover:shadow-unrle-her" href="/culture">Culture</a><span class="px-6">/</span></li><li class="le font-polysans-mono text-12 font-medium upperse trackg-12 text-blurple"><a class="hover:shadow-unrle-her" href="/entertament">Entertament</a><span class="px-6">/</span></li><li class="le font-polysans-mono text-12 font-medium upperse trackg-12 text-blurple"><a class="hover:shadow-unrle-her" href="/film">Film</a></li></ul><h1 class="mb-28 hidn max-w-[900px] font-polysans text-45 font-bold leadg-100 selectn:bg-ankl-20 lg:block">The Bety and the Beast remake is a long seri of wasted opportuni</h1><span class="sticky-nav-trigger"></span><div class="flex flex-l lg:flex-row-reverse lg:jtify-end"><div class="flex-l lg:flex lg:ml-40"><div class="mb-24 grow"><h1 class="le font-polysans text-22 font-bold leadg-110 md:text-33 lg:hidn">The Bety and the Beast remake is a long seri of wasted opportuni</h1><span class="font-polysans text-22 font-light leadg-110 md:text-30 lg:block"><span class="text-blurple"> / </span><h2 class="le selectn:bg-ankl-20">The film mak some perfunctory efforts at cludg new ias, then abandons them</h2></span></div><div><div class="mb-16 w-[200px] borr-t borr-gray-bd lg:hidn"></div><div class="mb-2 text-blurple [&>p>span:first-child]:text-gray-13 [&]:text-gray-13"><p class="duet--article--article-byle max-w-[550px] font-polysans text-12 leadg-120"><span>By</span> <span><span class="duet--article-byle-and"></span> <span class="font-medium"><a class="hover:shadow-unrle-her" href="/thors/tasha-robson">Tasha Robson</a></span></span></p></div><div class="duet--article--date-and-ments mb-12 le-block font-polysans text-12 text-gray-5a"><time dateTime="2017-03-17T20:31:02.000Z" class="duet--article--timtamp font-polysans text-12"> <!-- -->Mar 17, 2017, 8:31 PM UTC</time><span class="mx-8">|</span><button tle="Go to ments" 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(2808x1872:2809x1873):format(webp)/ 480w, (2808x1872:2809x1873):format(webp)/ 540w, (2808x1872:2809x1873):format(webp)/ 640w, (2808x1872:2809x1873):format(webp)/ 750w, (2808x1872:2809x1873):format(webp)/ 828w, (2808x1872:2809x1873):format(webp)/ 1080w, (2808x1872:2809x1873):format(webp)/ 1200w, (2808x1872:2809x1873):format(webp)/ 1440w, (2808x1872:2809x1873):format(webp)/ 1920w, (2808x1872:2809x1873):format(webp)/ 2048w, (2808x1872:2809x1873):format(webp)/ 2400w" src="(2808x1872:2809x1873):format(webp)/" dg="async" data-nimg="rponsive" style="posn:absolute;top:0;left:0;bottom:0;right:0;box-sizg:borr-box;paddg:0;borr:none;marg:to;display:block;width:0;height:0;m-width:100%;max-width:100%;m-height:100%;max-height:100%;object-f:ver"/></span><div class="duet--media--ptn pt-6 font-polysans-mono text-12 font-light leadg-130 trackg-1"> <ce class="duet--article--dangeroly-set-cms-markup le not-alic text-gray-63 dark:text-gray-bd [&>a:hover]:text-gray-63 [&>a:hover]:shadow-unrle-black dark:[&>a:hover]:text-gray-bd dark:[&>a:hover]:shadow-unrle-gray [&>a]:shadow-unrle-gray-63 dark:[&>a]:text-gray-bd dark:[&>a]:shadow-unrle-gray">Walt Disney Pictur</ce></div></figure></div></div></div></div><div class="relative md:mx-to md:flex md:max-w-ntaer-md lg:max-w-none"><div class="duet--article--article-body-ponent-ntaer clearfix sm:ml-to md:ml-100 md:max-w-article-body lg:mx-100"><div><div class="duet--article--article-body-ponent"><p class="duet--article--dangeroly-set-cms-markup duet--article--standard-paragraph mb-20 font-fkroman text-18 leadg-160 -trackg-1 selectn:bg-ankl-20 dark:text-whe dark:selectn:bg-blurple [&_a:hover]:shadow-highlight-ankl dark:[&_a:hover]:shadow-highlight-blurple [&_a]:shadow-unrle-black dark:[&_a]:shadow-unrle-whe"><strong><em>Warng: Spoilers ahead for the ty tails that differentiate the 2017 remake of </em>Bety and the Beast<em> om the 1991 animated versn.</em></strong></p></div><div class="duet--article--article-body-ponent"><p class="duet--article--dangeroly-set-cms-markup duet--article--standard-paragraph mb-20 font-fkroman text-18 leadg-160 -trackg-1 selectn:bg-ankl-20 dark:text-whe dark:selectn:bg-blurple [&_a:hover]:shadow-highlight-ankl dark:[&_a:hover]:shadow-highlight-blurple [&_a]:shadow-unrle-black dark:[&_a]:shadow-unrle-whe">There’s been a fair b of ntroversy over Bill Condon’s live-actn remake of Disney’s animated 1991 classic <em>Bety and the Beast</em>, mostly centered over Condon’s proclamatn that he’s given Disney s first nonilly, openly gay character. In an terview wh <a href="><em>Attu</em></a>, Condon scribed that character, the villa’s syphantic sikick LeFou, as if his sexualy was a signifint, foreground part of the plot, and as if ultimately arrived at some major moment of tth:</p></div><div class="duet--article--article-body-ponent"><blockquote class="duet--article--blockquote ewrhy30"><p class="duet--article--dangeroly-set-cms-markup ewrhy37 _1xwtict0">“He’s nfed about what he wants. It’s somebody who’s jt realisg that he has the feelgs. And [actor Josh Gad] mak somethg really subtle and lic out of . And that’s what has s payoff at the end, which I don’t want to give away. But is a nice, exclively gay moment a Disney movie.”</p></blockquote></div><div class="duet--article--article-body-ponent"><p class="duet--article--dangeroly-set-cms-markup duet--article--standard-paragraph mb-20 font-fkroman text-18 leadg-160 -trackg-1 selectn:bg-ankl-20 dark:text-whe dark:selectn:bg-blurple [&_a:hover]:shadow-highlight-ankl dark:[&_a:hover]:shadow-highlight-blurple [&_a]:shadow-unrle-black dark:[&_a]:shadow-unrle-whe">But when arriv, that “nice, exclively gay” moment is a one-send shot of LeFou a fancy ballroom-dance fale, accintally shoved to the arms of a namels man who’s wearg drag bee of an earlier sight gag. It isn’t an “exclively gay moment,” ’s about a dozen vaguely mpy am. Much like<a href="> <em>Fdg Dory</em></a>’s <a href=">ntroversial, much-ballyhooed “lbian uple”</a> — two women who appeared a extremely brief, silent reactn shot the film — LeFou is all PR blz and no actual payoff. But the tepidns of this built-up moment hasn’t stopped the predictable backlash, om onle plats to an Alabama theater <a href=">noisily pullg the film</a> om s lp (provg the bigoted old chtnut “why are they phg their views on ” is still alive and well the world) to Malaysia banng the film. To Disney’s cred, the pany has <a href=">refed to recut the film</a> to appease Malaysian censors, which is an admirably prcipled stand to take over a sgle send of footage.</p></div><div class="duet--article--article-body-ponent clear-both block"><div class="my-9"><div class="transn-all duratn-300 ease--out"><div class="fixed set-0 h-[110vh] w-full bg-whe transn-all duratn-300 ease--out z-[-1] cursor-flt opacy-0"></div><div role="button" aria-label="Zoom" tabx="0" class="visible z-30 w-full orig-center transn-all duratn-300 ease--out cursor-zoom-"><figure class="transn-all duratn-300 ease--out lg:mx-0"><div><div class="duet--media--ntent-warng relative" style="paddg-top:66.34768740031897%"><span style="box-sizg:borr-box;display:block;overflow:hidn;width:ial;height:ial;background:none;opacy:1;borr:0;marg:0;paddg:0;posn:absolute;top:0;left:0;bottom:0;right:0"><img alt="" src="data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7" dg="async" data-nimg="fill" style="posn:absolute;top:0;left:0;bottom:0;right:0;box-sizg:borr-box;paddg:0;borr:none;marg:to;display:block;width:0;height:0;m-width:100%;max-width:100%;m-height:100%;max-height:100%;object-f:ver"/><noscript><img alt="" loadg="lazy" dg="async" data-nimg="fill" style="posn:absolute;top:0;left:0;bottom:0;right:0;box-sizg:borr-box;paddg:0;borr:none;marg:to;display:block;width:0;height:0;m-width:100%;max-width:100%;m-height:100%;max-height:100%;object-f:ver" siz="(max-width: 1023px) 100vw, 744px" srcSet="(2508x1664:2509x1665):format(webp)/ 376w, (2508x1664:2509x1665):format(webp)/ 384w, (2508x1664:2509x1665):format(webp)/ 415w, (2508x1664:2509x1665):format(webp)/ 480w, (2508x1664:2509x1665):format(webp)/ 540w, (2508x1664:2509x1665):format(webp)/ 640w, (2508x1664:2509x1665):format(webp)/ 750w, (2508x1664:2509x1665):format(webp)/ 828w, (2508x1664:2509x1665):format(webp)/ 1080w, (2508x1664:2509x1665):format(webp)/ 1200w, (2508x1664:2509x1665):format(webp)/ 1440w, (2508x1664:2509x1665):format(webp)/ 1920w, (2508x1664:2509x1665):format(webp)/ 2048w, (2508x1664:2509x1665):format(webp)/ 2400w" src="(2508x1664:2509x1665):format(webp)/"/></noscript></span></div></div></figure></div><div class="z-1 w-full hidn"><figure class="transn-all duratn-300 ease--out lg:mx-0"><div><div class="duet--media--ntent-warng relative" style="paddg-top:66.34768740031897%"><span style="box-sizg:borr-box;display:block;overflow:hidn;width:ial;height:ial;background:none;opacy:1;borr:0;marg:0;paddg:0;posn:absolute;top:0;left:0;bottom:0;right:0"><img alt="" src="data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7" dg="async" data-nimg="fill" style="posn:absolute;top:0;left:0;bottom:0;right:0;box-sizg:borr-box;paddg:0;borr:none;marg:to;display:block;width:0;height:0;m-width:100%;max-width:100%;m-height:100%;max-height:100%;object-f:ver"/><noscript><img alt="" loadg="lazy" dg="async" data-nimg="fill" style="posn:absolute;top:0;left:0;bottom:0;right:0;box-sizg:borr-box;paddg:0;borr:none;marg:to;display:block;width:0;height:0;m-width:100%;max-width:100%;m-height:100%;max-height:100%;object-f:ver" siz="(max-width: 1023px) 100vw, 744px" srcSet="(2508x1664:2509x1665):format(webp)/ 376w, (2508x1664:2509x1665):format(webp)/ 384w, (2508x1664:2509x1665):format(webp)/ 415w, (2508x1664:2509x1665):format(webp)/ 480w, (2508x1664:2509x1665):format(webp)/ 540w, (2508x1664:2509x1665):format(webp)/ 640w, (2508x1664:2509x1665):format(webp)/ 750w, (2508x1664:2509x1665):format(webp)/ 828w, (2508x1664:2509x1665):format(webp)/ 1080w, (2508x1664:2509x1665):format(webp)/ 1200w, (2508x1664:2509x1665):format(webp)/ 1440w, (2508x1664:2509x1665):format(webp)/ 1920w, (2508x1664:2509x1665):format(webp)/ 2048w, (2508x1664:2509x1665):format(webp)/ 2400w" src="(2508x1664:2509x1665):format(webp)/"/></noscript></span></div></div></figure></div></div><div class="duet--media--ptn pt-6 font-polysans-mono text-12 font-light leadg-130 trackg-1"> <ce class="duet--article--dangeroly-set-cms-markup le not-alic text-gray-63 dark:text-gray-bd [&>a:hover]:text-gray-63 [&>a:hover]:shadow-unrle-black dark:[&>a:hover]:text-gray-bd dark:[&>a:hover]:shadow-unrle-gray [&>a]:shadow-unrle-gray-63 dark:[&>a]:text-gray-bd dark:[&>a]:shadow-unrle-gray">Walt Disney Pictur</ce></div></div></div><div class="duet--article--article-body-ponent"><p class="duet--article--dangeroly-set-cms-markup duet--article--standard-paragraph mb-20 font-fkroman text-18 leadg-160 -trackg-1 selectn:bg-ankl-20 dark:text-whe dark:selectn:bg-blurple [&_a:hover]:shadow-highlight-ankl dark:[&_a:hover]:shadow-highlight-blurple [&_a]:shadow-unrle-black dark:[&_a]:shadow-unrle-whe">The LeFou imbrogl is an immense wasted opportuny. Promotg <em>Bety and the Beast </em>by toutg s darg clivy (or, grotquely, s <a href=">“tribute” to lyricist Howard Ashman</a>), mak for a lot of attentn-grabbg articl. But the actual executn is dull — or dly offensive, given that Disney’s first “official” gay character (ignorg s <a href=">d on and fan-non on</a>) is a tty, clgy, regrsive, “nfed” stereotype. <em>Bety and the Beast</em> isn’t necsarily the right fom to explore the nuanc of the gay experience. But given how much virtual k the character has gotten, ’s bafflg how ltle there is to him, not jt as a gay man, but as a veloped figure of any kd.</p></div><div class="duet--article--article-body-ponent clear-both block md:float-left md:mr-30 md:w-[320px] lg:-ml-100"><div class="duet--article--article-pullquote mb-20"><div class="mb-10 h-[22px] w-[65px] bg-ankl"></div><p class="duet--article--dangeroly-set-cms-markup relative bg-repeatg-l-dark bg-[length:1px_1.2em] pb-8 font-polysans text-28 font-medium leadg-120 trackg-1 selectn:bg-ankl-20 dark:bg-repeatg-l-light dark:text-whe dark:selectn:bg-blurple">It’s largely a tratg clone of the origal movie</p></div></div><div class="duet--article--article-body-ponent"><p class="duet--article--dangeroly-set-cms-markup duet--article--standard-paragraph mb-20 font-fkroman text-18 leadg-160 -trackg-1 selectn:bg-ankl-20 dark:text-whe dark:selectn:bg-blurple [&_a:hover]:shadow-highlight-ankl dark:[&_a:hover]:shadow-highlight-blurple [&_a]:shadow-unrle-black dark:[&_a]:shadow-unrle-whe">And he isn’t the only wasted opportuny Condon’s remake. It’s largely a tratg clone of the origal movie — same songs, same script, often even the exact same shot choic — but replac every moment of thentic or movg emotn wh bombast and hyperbolic overemphasis. It slows down the flow of the faiar mic by jammg extra phras, and builds up the energy by jammg nonstop, by actn onto the screen. It’s a garish, strint film, as well as a profoundly unnecsary one. And wherever s creators e up wh h subplots or new character tails, they tend to be poorly tegrated, slapped erratilly over the existg narrative like a half-assed at of pat. Among the other thgs the film throws out and stantly disrds:</p></div><div class="duet--article--article-body-ponent clear-both block"><div class="my-9"><div class="transn-all duratn-300 ease--out"><div class="fixed set-0 h-[110vh] w-full bg-whe transn-all duratn-300 ease--out z-[-1] cursor-flt opacy-0"></div><div role="button" aria-label="Zoom" tabx="0" class="visible z-30 w-full orig-center transn-all duratn-300 ease--out cursor-zoom-"><figure class="transn-all duratn-300 ease--out lg:mx-0"><div><div class="duet--media--ntent-warng relative" style="paddg-top:66.66666666666666%"><span style="box-sizg:borr-box;display:block;overflow:hidn;width:ial;height:ial;background:none;opacy:1;borr:0;marg:0;paddg:0;posn:absolute;top:0;left:0;bottom:0;right:0"><img alt="" src="data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7" dg="async" data-nimg="fill" style="posn:absolute;top:0;left:0;bottom:0;right:0;box-sizg:borr-box;paddg:0;borr:none;marg:to;display:block;width:0;height:0;m-width:100%;max-width:100%;m-height:100%;max-height:100%;object-f:ver"/><noscript><img alt="" loadg="lazy" dg="async" data-nimg="fill" style="posn:absolute;top:0;left:0;bottom:0;right:0;box-sizg:borr-box;paddg:0;borr:none;marg:to;display:block;width:0;height:0;m-width:100%;max-width:100%;m-height:100%;max-height:100%;object-f:ver" siz="(max-width: 1023px) 100vw, 744px" srcSet="(2808x1872:2809x1873):format(webp)/ 376w, (2808x1872:2809x1873):format(webp)/ 384w, (2808x1872:2809x1873):format(webp)/ 415w, (2808x1872:2809x1873):format(webp)/ 480w, (2808x1872:2809x1873):format(webp)/ 540w, (2808x1872:2809x1873):format(webp)/ 640w, (2808x1872:2809x1873):format(webp)/ 750w, (2808x1872:2809x1873):format(webp)/ 828w, (2808x1872:2809x1873):format(webp)/ 1080w, (2808x1872:2809x1873):format(webp)/ 1200w, (2808x1872:2809x1873):format(webp)/ 1440w, (2808x1872:2809x1873):format(webp)/ 1920w, (2808x1872:2809x1873):format(webp)/ 2048w, (2808x1872:2809x1873):format(webp)/ 2400w" src="(2808x1872:2809x1873):format(webp)/"/></noscript></span></div></div></figure></div><div class="z-1 w-full hidn"><figure class="transn-all duratn-300 ease--out lg:mx-0"><div><div class="duet--media--ntent-warng relative" style="paddg-top:66.66666666666666%"><span style="box-sizg:borr-box;display:block;overflow:hidn;width:ial;height:ial;background:none;opacy:1;borr:0;marg:0;paddg:0;posn:absolute;top:0;left:0;bottom:0;right:0"><img alt="" src="data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7" dg="async" data-nimg="fill" style="posn:absolute;top:0;left:0;bottom:0;right:0;box-sizg:borr-box;paddg:0;borr:none;marg:to;display:block;width:0;height:0;m-width:100%;max-width:100%;m-height:100%;max-height:100%;object-f:ver"/><noscript><img alt="" loadg="lazy" dg="async" data-nimg="fill" style="posn:absolute;top:0;left:0;bottom:0;right:0;box-sizg:borr-box;paddg:0;borr:none;marg:to;display:block;width:0;height:0;m-width:100%;max-width:100%;m-height:100%;max-height:100%;object-f:ver" siz="(max-width: 1023px) 100vw, 744px" srcSet="(2808x1872:2809x1873):format(webp)/ 376w, (2808x1872:2809x1873):format(webp)/ 384w, (2808x1872:2809x1873):format(webp)/ 415w, (2808x1872:2809x1873):format(webp)/ 480w, (2808x1872:2809x1873):format(webp)/ 540w, (2808x1872:2809x1873):format(webp)/ 640w, (2808x1872:2809x1873):format(webp)/ 750w, (2808x1872:2809x1873):format(webp)/ 828w, (2808x1872:2809x1873):format(webp)/ 1080w, (2808x1872:2809x1873):format(webp)/ 1200w, (2808x1872:2809x1873):format(webp)/ 1440w, (2808x1872:2809x1873):format(webp)/ 1920w, (2808x1872:2809x1873):format(webp)/ 2048w, (2808x1872:2809x1873):format(webp)/ 2400w" src="(2808x1872:2809x1873):format(webp)/"/></noscript></span></div></div></figure></div></div><div class="duet--media--ptn pt-6 font-polysans-mono text-12 font-light leadg-130 trackg-1"> <ce class="duet--article--dangeroly-set-cms-markup le not-alic text-gray-63 dark:text-gray-bd [&>a:hover]:text-gray-63 [&>a:hover]:shadow-unrle-black dark:[&>a:hover]:text-gray-bd dark:[&>a:hover]:shadow-unrle-gray [&>a]:shadow-unrle-gray-63 dark:[&>a]:text-gray-bd dark:[&>a]:shadow-unrle-gray">Walt Disney Pictur</ce></div></div></div><div class="duet--article--article-body-ponent"><h4 class="duet--article--dangeroly-set-cms-markup duet--article--standard-headg my-20 font-polysans text-24 font-light leadg-110 selectn:bg-ankl-20 dark:text-whe dark:selectn:bg-blurple md:text-26 [&>a:hover]:shadow-highlight-ankl dark:[&>a:hover]:shadow-highlight-ankl [&>a]:shadow-unrle-black dark:[&>a]:shadow-unrle-whe"><strong>Belle as ventor and outst</strong></h4></div><div class="duet--article--article-body-ponent"><p class="duet--article--dangeroly-set-cms-markup duet--article--standard-paragraph mb-20 font-fkroman text-18 leadg-160 -trackg-1 selectn:bg-ankl-20 dark:text-whe dark:selectn:bg-blurple [&_a:hover]:shadow-highlight-ankl dark:[&_a:hover]:shadow-highlight-blurple [&_a]:shadow-unrle-black dark:[&_a]:shadow-unrle-whe">The prerelease hype around LeFou was mirrored by the prerelease hype around Belle, wh Emma Watson, who plays her the film, <a href=">tellg <em>EW</em></a> that Belle is now the talented ventor, rather than her father Mrice. The ia was to give Belle more of a background, and more of a purpose life than wanrg around sgg about how her muny disappots her. In practice, though, her big background velopment nsists entirely of a scene where she a barrel and a donkey to do her lndry so she has more time to read. She don’t actually e her newfound ventg skills to any meangful narrative purpose. When she needs to pe a ge, Beast’s servants help her; when she needs to pick a lock, Mrice handl . Any ambns she has as an ventor are never verbalized, and her theoretil skills never bee eful. Past the brief lndry sequence, ventg never up aga. It’s not part of the story, ’s a random, unattached moment. </p></div><div class="duet--article--article-body-ponent"><p class="duet--article--dangeroly-set-cms-markup duet--article--standard-paragraph mb-20 font-fkroman text-18 leadg-160 -trackg-1 selectn:bg-ankl-20 dark:text-whe dark:selectn:bg-blurple [&_a:hover]:shadow-highlight-ankl dark:[&_a:hover]:shadow-highlight-blurple [&_a]:shadow-unrle-black dark:[&_a]:shadow-unrle-whe">In the same way, there’s a quick shot of Belle teachg a young girl to read, and angerg the lol peasants, who quickly stop her. Apparently female leracy is anathema a fantasy villa where only the boys are seen gog to school. This is meant to expla why the entire town is so obssed wh Belle beg, as the openg song says, “very different om the rt of ” and “a bety but a funny girl.” The ia of Belle tryg to overe stutnalized sexism a provcial town is a pretty heady one. But aga, the film do nothg wh , apart om a sgle le om Belle, late the film, plag about how she don’t f wh the lols.</p></div><div class="duet--article--article-body-ponent clear-both block"><div class="my-9"><div class="transn-all duratn-300 ease--out"><div class="fixed set-0 h-[110vh] w-full bg-whe transn-all duratn-300 ease--out z-[-1] cursor-flt opacy-0"></div><div role="button" aria-label="Zoom" tabx="0" class="visible z-30 w-full orig-center transn-all duratn-300 ease--out cursor-zoom-"><figure class="transn-all duratn-300 ease--out lg:mx-0"><div><div class="duet--media--ntent-warng relative" style="paddg-top:66.66666666666666%"><span style="box-sizg:borr-box;display:block;overflow:hidn;width:ial;height:ial;background:none;opacy:1;borr:0;marg:0;paddg:0;posn:absolute;top:0;left:0;bottom:0;right:0"><img alt="" src="data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7" dg="async" data-nimg="fill" style="posn:absolute;top:0;left:0;bottom:0;right:0;box-sizg:borr-box;paddg:0;borr:none;marg:to;display:block;width:0;height:0;m-width:100%;max-width:100%;m-height:100%;max-height:100%;object-f:ver"/><noscript><img alt="" loadg="lazy" dg="async" data-nimg="fill" style="posn:absolute;top:0;left:0;bottom:0;right:0;box-sizg:borr-box;paddg:0;borr:none;marg:to;display:block;width:0;height:0;m-width:100%;max-width:100%;m-height:100%;max-height:100%;object-f:ver" siz="(max-width: 1023px) 100vw, 744px" srcSet="(2808x1872:2809x1873):format(webp)/ 376w, (2808x1872:2809x1873):format(webp)/ 384w, (2808x1872:2809x1873):format(webp)/ 415w, (2808x1872:2809x1873):format(webp)/ 480w, (2808x1872:2809x1873):format(webp)/ 540w, (2808x1872:2809x1873):format(webp)/ 640w, (2808x1872:2809x1873):format(webp)/ 750w, (2808x1872:2809x1873):format(webp)/ 828w, (2808x1872:2809x1873):format(webp)/ 1080w, (2808x1872:2809x1873):format(webp)/ 1200w, (2808x1872:2809x1873):format(webp)/ 1440w, (2808x1872:2809x1873):format(webp)/ 1920w, (2808x1872:2809x1873):format(webp)/ 2048w, (2808x1872:2809x1873):format(webp)/ 2400w" src="(2808x1872:2809x1873):format(webp)/"/></noscript></span></div></div></figure></div><div class="z-1 w-full hidn"><figure class="transn-all duratn-300 ease--out lg:mx-0"><div><div class="duet--media--ntent-warng relative" style="paddg-top:66.66666666666666%"><span style="box-sizg:borr-box;display:block;overflow:hidn;width:ial;height:ial;background:none;opacy:1;borr:0;marg:0;paddg:0;posn:absolute;top:0;left:0;bottom:0;right:0"><img alt="" src="data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7" dg="async" data-nimg="fill" style="posn:absolute;top:0;left:0;bottom:0;right:0;box-sizg:borr-box;paddg:0;borr:none;marg:to;display:block;width:0;height:0;m-width:100%;max-width:100%;m-height:100%;max-height:100%;object-f:ver"/><noscript><img alt="" loadg="lazy" dg="async" data-nimg="fill" style="posn:absolute;top:0;left:0;bottom:0;right:0;box-sizg:borr-box;paddg:0;borr:none;marg:to;display:block;width:0;height:0;m-width:100%;max-width:100%;m-height:100%;max-height:100%;object-f:ver" siz="(max-width: 1023px) 100vw, 744px" srcSet="(2808x1872:2809x1873):format(webp)/ 376w, (2808x1872:2809x1873):format(webp)/ 384w, (2808x1872:2809x1873):format(webp)/ 415w, (2808x1872:2809x1873):format(webp)/ 480w, (2808x1872:2809x1873):format(webp)/ 540w, (2808x1872:2809x1873):format(webp)/ 640w, (2808x1872:2809x1873):format(webp)/ 750w, (2808x1872:2809x1873):format(webp)/ 828w, (2808x1872:2809x1873):format(webp)/ 1080w, (2808x1872:2809x1873):format(webp)/ 1200w, (2808x1872:2809x1873):format(webp)/ 1440w, (2808x1872:2809x1873):format(webp)/ 1920w, (2808x1872:2809x1873):format(webp)/ 2048w, (2808x1872:2809x1873):format(webp)/ 2400w" src="(2808x1872:2809x1873):format(webp)/"/></noscript></span></div></div></figure></div></div><div class="duet--media--ptn pt-6 font-polysans-mono text-12 font-light leadg-130 trackg-1"> <ce class="duet--article--dangeroly-set-cms-markup le not-alic text-gray-63 dark:text-gray-bd [&>a:hover]:text-gray-63 [&>a:hover]:shadow-unrle-black dark:[&>a:hover]:text-gray-bd dark:[&>a:hover]:shadow-unrle-gray [&>a]:shadow-unrle-gray-63 dark:[&>a]:text-gray-bd dark:[&>a]:shadow-unrle-gray">Walt Disney Pictur</ce></div></div></div><div class="duet--article--article-body-ponent"><h4 class="duet--article--dangeroly-set-cms-markup duet--article--standard-headg my-20 font-polysans text-24 font-light leadg-110 selectn:bg-ankl-20 dark:text-whe dark:selectn:bg-blurple md:text-26 [&>a:hover]:shadow-highlight-ankl dark:[&>a:hover]:shadow-highlight-ankl [&>a]:shadow-unrle-black dark:[&>a]:shadow-unrle-whe"><strong>Gaston as a troubled war veteran</strong></h4></div><div class="duet--article--article-body-ponent"><p class="duet--article--dangeroly-set-cms-markup duet--article--standard-paragraph mb-20 font-fkroman text-18 leadg-160 -trackg-1 selectn:bg-ankl-20 dark:text-whe dark:selectn:bg-blurple [&_a:hover]:shadow-highlight-ankl dark:[&_a:hover]:shadow-highlight-blurple [&_a]:shadow-unrle-black dark:[&_a]:shadow-unrle-whe">Ls hyped, but still strangely unrled the new movie, is the ia that the villao blowhard Gaston (Le Evans) is such a jerk bee he’s a profsnal soldier wh no battl left to fight, and he longs to return to a simpler, more purposeful time his life. He and LeFou know each other om “the war,” where they were ras arms. It’s a potentially meangful relatnship that explas why Gaston blankly tolerat LeFou’s creepy handss, and why LeFou sticks wh a loudmouthed bully. It’s dly implied that Gaston’s temper and abily to ntrol his rage om his past, and that LeFou is an actual iend who shar Gaston’s history and hontly rpects and unrstands him. That’s another potentially powerful velopment, but mostly surfac via a uple of throwaway l, and one joke about LeFou’s Gaston-whisperg talents.<strong> </strong></p></div><div class="duet--article--article-body-ponent"><h4 class="duet--article--dangeroly-set-cms-markup duet--article--standard-headg my-20 font-polysans text-24 font-light leadg-110 selectn:bg-ankl-20 dark:text-whe dark:selectn:bg-blurple md:text-26 [&>a:hover]:shadow-highlight-ankl dark:[&>a:hover]:shadow-highlight-ankl [&>a]:shadow-unrle-black dark:[&>a]:shadow-unrle-whe"><strong>LeFou’s rehabilatn</strong></h4></div><div class="duet--article--article-body-ponent"><p class="duet--article--dangeroly-set-cms-markup duet--article--standard-paragraph mb-20 font-fkroman text-18 leadg-160 -trackg-1 selectn:bg-ankl-20 dark:text-whe dark:selectn:bg-blurple [&_a:hover]:shadow-highlight-ankl dark:[&_a:hover]:shadow-highlight-blurple [&_a]:shadow-unrle-black dark:[&_a]:shadow-unrle-whe">The heel-face turn is a great tradn stori about villas, and ’s given Amerin pop culture some of s most memorable story endgs — <em>Return of the Jedi</em>, Dr. Sss’ <em>How the Grch Stole Christmas!</em>, even most recently <a href="><em>Moana</em></a>. So the ia that LeFou might not play out entirely as a villa is potentially trigug — and certaly keepg wh Condon’s larger tentns for the character. Bad enough for Disney’s first supposed openly gay character to be swishy, obssive, and annoyg whout him also beg an irreemable villa. If only the character’s velopment had any meangful roots the earlier parts of the story. There are ty hts at him havg a personaly past “sikick” his emotnal support of Gaston, but as character velopment go, ’s a th soup. At most, he gets a uple of l to support the ia that he has his own morals and goals — the bt one is a new addn “The Mob Song,” as Gaston whips the villagers to a fury agast the Beast. His “Meh, I’ve cid to swch sis!” le is particularly offhand and silly. </p></div><div class="duet--article--article-body-ponent clear-both block"><div class="my-9"><div class="transn-all duratn-300 ease--out"><div class="fixed set-0 h-[110vh] w-full bg-whe transn-all duratn-300 ease--out z-[-1] cursor-flt opacy-0"></div><div role="button" aria-label="Zoom" tabx="0" class="visible z-30 w-full orig-center transn-all duratn-300 ease--out cursor-zoom-"><figure class="transn-all duratn-300 ease--out lg:mx-0"><div><div class="duet--media--ntent-warng relative" style="paddg-top:56.74418604651162%"><span style="box-sizg:borr-box;display:block;overflow:hidn;width:ial;height:ial;background:none;opacy:1;borr:0;marg:0;paddg:0;posn:absolute;top:0;left:0;bottom:0;right:0"><img alt="" src="data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7" dg="async" data-nimg="fill" style="posn:absolute;top:0;left:0;bottom:0;right:0;box-sizg:borr-box;paddg:0;borr:none;marg:to;display:block;width:0;height:0;m-width:100%;max-width:100%;m-height:100%;max-height:100%;object-f:ver"/><noscript><img alt="" loadg="lazy" dg="async" data-nimg="fill" style="posn:absolute;top:0;left:0;bottom:0;right:0;box-sizg:borr-box;paddg:0;borr:none;marg:to;display:block;width:0;height:0;m-width:100%;max-width:100%;m-height:100%;max-height:100%;object-f:ver" siz="(max-width: 1023px) 100vw, 744px" srcSet="(1075x610:1076x611):format(webp)/ 376w, (1075x610:1076x611):format(webp)/ 384w, (1075x610:1076x611):format(webp)/ 415w, (1075x610:1076x611):format(webp)/ 480w, (1075x610:1076x611):format(webp)/ 540w, (1075x610:1076x611):format(webp)/ 640w, (1075x610:1076x611):format(webp)/ 750w, (1075x610:1076x611):format(webp)/ 828w, (1075x610:1076x611):format(webp)/ 1080w, (1075x610:1076x611):format(webp)/ 1200w, (1075x610:1076x611):format(webp)/ 1440w, (1075x610:1076x611):format(webp)/ 1920w, (1075x610:1076x611):format(webp)/ 2048w, (1075x610:1076x611):format(webp)/ 2400w" src="(1075x610:1076x611):format(webp)/"/></noscript></span></div></div></figure></div><div class="z-1 w-full hidn"><figure class="transn-all duratn-300 ease--out lg:mx-0"><div><div class="duet--media--ntent-warng relative" style="paddg-top:56.74418604651162%"><span style="box-sizg:borr-box;display:block;overflow:hidn;width:ial;height:ial;background:none;opacy:1;borr:0;marg:0;paddg:0;posn:absolute;top:0;left:0;bottom:0;right:0"><img alt="" src="data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7" dg="async" data-nimg="fill" style="posn:absolute;top:0;left:0;bottom:0;right:0;box-sizg:borr-box;paddg:0;borr:none;marg:to;display:block;width:0;height:0;m-width:100%;max-width:100%;m-height:100%;max-height:100%;object-f:ver"/><noscript><img alt="" loadg="lazy" dg="async" data-nimg="fill" style="posn:absolute;top:0;left:0;bottom:0;right:0;box-sizg:borr-box;paddg:0;borr:none;marg:to;display:block;width:0;height:0;m-width:100%;max-width:100%;m-height:100%;max-height:100%;object-f:ver" siz="(max-width: 1023px) 100vw, 744px" srcSet="(1075x610:1076x611):format(webp)/ 376w, (1075x610:1076x611):format(webp)/ 384w, (1075x610:1076x611):format(webp)/ 415w, (1075x610:1076x611):format(webp)/ 480w, (1075x610:1076x611):format(webp)/ 540w, (1075x610:1076x611):format(webp)/ 640w, (1075x610:1076x611):format(webp)/ 750w, (1075x610:1076x611):format(webp)/ 828w, (1075x610:1076x611):format(webp)/ 1080w, (1075x610:1076x611):format(webp)/ 1200w, (1075x610:1076x611):format(webp)/ 1440w, (1075x610:1076x611):format(webp)/ 1920w, (1075x610:1076x611):format(webp)/ 2048w, (1075x610:1076x611):format(webp)/ 2400w" src="(1075x610:1076x611):format(webp)/"/></noscript></span></div></div></figure></div></div><div class="duet--media--ptn pt-6 font-polysans-mono text-12 font-light leadg-130 trackg-1"> <ce class="duet--article--dangeroly-set-cms-markup le not-alic text-gray-63 dark:text-gray-bd [&>a:hover]:text-gray-63 [&>a:hover]:shadow-unrle-black dark:[&>a:hover]:text-gray-bd dark:[&>a:hover]:shadow-unrle-gray [&>a]:shadow-unrle-gray-63 dark:[&>a]:text-gray-bd dark:[&>a]:shadow-unrle-gray">Walt Disney Pictur</ce></div></div></div><div class="duet--article--article-body-ponent"><h4 class="duet--article--dangeroly-set-cms-markup duet--article--standard-headg my-20 font-polysans text-24 font-light leadg-110 selectn:bg-ankl-20 dark:text-whe dark:selectn:bg-blurple md:text-26 [&>a:hover]:shadow-highlight-ankl dark:[&>a:hover]:shadow-highlight-ankl [&>a]:shadow-unrle-black dark:[&>a]:shadow-unrle-whe"><strong>Beast’s backstory and the servants’ motiv</strong> </h4></div><div class="duet--article--article-body-ponent"><p class="duet--article--dangeroly-set-cms-markup duet--article--standard-paragraph mb-20 font-fkroman text-18 leadg-160 -trackg-1 selectn:bg-ankl-20 dark:text-whe dark:selectn:bg-blurple [&_a:hover]:shadow-highlight-ankl dark:[&_a:hover]:shadow-highlight-blurple [&_a]:shadow-unrle-black dark:[&_a]:shadow-unrle-whe">One of the mor problems viewers gmbled over the origal <em>Bety and the Beast </em>was the qutn of why Beast’s servants — Lumière, Cogsworth, Mrs. Potts, et al — stand by him and seem to re so much about him, when he brought a magil curse down on them by beg a selfish brat, and has subsequently turned to a temperamental, dangero tyrant. That isn’t actually much of a plot hole. Of urse they stand by him and serve him — he’s their only chance at gettg the curse lifted. Their “affectn” for him is largely crisis management and mollifitn. And where n an anthropomorphic ndltick, clock, and teapot expect to go if they leave the enchanted stle?</p></div><div class="duet--article--article-body-ponent clear-both block md:float-left md:mr-30 md:w-[320px]"><div class="duet--article--article-pullquote mb-20"><div class="mb-10 h-[22px] w-[65px] bg-ankl"></div><p class="duet--article--dangeroly-set-cms-markup relative bg-repeatg-l-dark bg-[length:1px_1.2em] pb-8 font-polysans text-28 font-medium leadg-120 trackg-1 selectn:bg-ankl-20 dark:bg-repeatg-l-light dark:text-whe dark:selectn:bg-blurple">When the film do try somethg new, ’s via halfhearted throwaway l</p></div></div><div class="duet--article--article-body-ponent"><p class="duet--article--dangeroly-set-cms-markup duet--article--standard-paragraph mb-20 font-fkroman text-18 leadg-160 -trackg-1 selectn:bg-ankl-20 dark:text-whe dark:selectn:bg-blurple [&_a:hover]:shadow-highlight-ankl dark:[&_a:hover]:shadow-highlight-blurple [&_a]:shadow-unrle-black dark:[&_a]:shadow-unrle-whe">But Condon’s versn of the film do exprsly take up the qutn. Mrs. Potts has a ltle monologue explag how Beast’s mother died early and his father was a va tyrant who turned him to a va tyrant return. The servants did nothg to stop any of this, so they feel rponsible. Screenwrers Stephen Chbosky and Evan Spiltopoulos try hard to brg an old-world servant-and-master relatnship to a 2017 settg, where loyalty and service are exprsly about emotnal rponsibily and the ia that all awful behavr has s roots childhood trma. But this quickie applitn of plot-spackle rais more qutns than answers. Where is Beast’s father? Why did the servants thk they had any rponsibily, or abily, to fix a prce followg a kg’s footsteps? <a href=">Why is Disney so obssed wh ad mothers?</a> If the servants are only hangg around bee they feel they owe Beast for not terferg his upbrgg, why aren’t they makg any efforts at all to help him improve his awful personaly and terrible behavr?</p></div><div class="duet--article--article-body-ponent"><h4 class="duet--article--dangeroly-set-cms-markup duet--article--standard-headg my-20 font-polysans text-24 font-light leadg-110 selectn:bg-ankl-20 dark:text-whe dark:selectn:bg-blurple md:text-26 [&>a:hover]:shadow-highlight-ankl dark:[&>a:hover]:shadow-highlight-ankl [&>a]:shadow-unrle-black dark:[&>a]:shadow-unrle-whe"><strong>And general</strong></h4></div><div class="duet--article--article-body-ponent"><p class="duet--article--dangeroly-set-cms-markup duet--article--standard-paragraph mb-20 font-fkroman text-18 leadg-160 -trackg-1 selectn:bg-ankl-20 dark:text-whe dark:selectn:bg-blurple [&_a:hover]:shadow-highlight-ankl dark:[&_a:hover]:shadow-highlight-blurple [&_a]:shadow-unrle-black dark:[&_a]:shadow-unrle-whe">Disney has stggled to fe exactly what wants to do wh s seemgly endls (and <a href=">prsgly</a><a href="> profable</a>) n of live-actn remak of animated classics. Are they meant as homag, updat, “brand pos” remrs of existg anchis, or jt high-profile sh grabs? The answer vari slightly om film to film. <em>Alice Wonrland</em> didn’t feel like a remake so much as a new versn of Lewis Carroll’s classic novel, straed through Tim Burton’s hoe brand of morbid whimsy and the cultural landspe’s ntemporaneo obssn wh young-adult-novel-worthy teen actn hero. <a href="><em>Maleficent</em></a><em> </em>tried to give <em>Sleepg Bety</em>’s villa a tragic backstory, and wound up as a pretty but unfortably imative mergg of Disney’s film and the Broadway h mil <em>Wicked</em>. <a href="><em>Crella</em></a> ma the tle character more bland and passive, rampg up the villa’s personaly at everyone else’s expense. So far, only <a href="><em>The Jungle Book</em></a> has ma to the screen wh a strong pot of view and addns to the story — mostly om Rudyard Kiplg’s origal Jungle Book stori, but part origal creatns — that epen the characters and make their nflicts more meangful. </p></div><div class="duet--article--article-body-ponent clear-both block"><div class="my-9"><div class="transn-all duratn-300 ease--out"><div class="fixed set-0 h-[110vh] w-full bg-whe transn-all duratn-300 ease--out z-[-1] cursor-flt opacy-0"></div><div role="button" aria-label="Zoom" tabx="0" class="visible z-30 w-full orig-center transn-all duratn-300 ease--out cursor-zoom-"><figure class="transn-all duratn-300 ease--out lg:mx-0"><div><div class="duet--media--ntent-warng relative" style="paddg-top:56.74418604651162%"><span style="box-sizg:borr-box;display:block;overflow:hidn;width:ial;height:ial;background:none;opacy:1;borr:0;marg:0;paddg:0;posn:absolute;top:0;left:0;bottom:0;right:0"><img alt="" src="data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7" dg="async" data-nimg="fill" style="posn:absolute;top:0;left:0;bottom:0;right:0;box-sizg:borr-box;paddg:0;borr:none;marg:to;display:block;width:0;height:0;m-width:100%;max-width:100%;m-height:100%;max-height:100%;object-f:ver"/><noscript><img alt="" loadg="lazy" dg="async" data-nimg="fill" style="posn:absolute;top:0;left:0;bottom:0;right:0;box-sizg:borr-box;paddg:0;borr:none;marg:to;display:block;width:0;height:0;m-width:100%;max-width:100%;m-height:100%;max-height:100%;object-f:ver" siz="(max-width: 1023px) 100vw, 744px" srcSet="(1075x610:1076x611):format(webp)/ 376w, (1075x610:1076x611):format(webp)/ 384w, (1075x610:1076x611):format(webp)/ 415w, (1075x610:1076x611):format(webp)/ 480w, (1075x610:1076x611):format(webp)/ 540w, (1075x610:1076x611):format(webp)/ 640w, (1075x610:1076x611):format(webp)/ 750w, (1075x610:1076x611):format(webp)/ 828w, (1075x610:1076x611):format(webp)/ 1080w, (1075x610:1076x611):format(webp)/ 1200w, (1075x610:1076x611):format(webp)/ 1440w, (1075x610:1076x611):format(webp)/ 1920w, (1075x610:1076x611):format(webp)/ 2048w, (1075x610:1076x611):format(webp)/ 2400w" src="(1075x610:1076x611):format(webp)/"/></noscript></span></div></div></figure></div><div class="z-1 w-full hidn"><figure class="transn-all duratn-300 ease--out lg:mx-0"><div><div class="duet--media--ntent-warng relative" style="paddg-top:56.74418604651162%"><span style="box-sizg:borr-box;display:block;overflow:hidn;width:ial;height:ial;background:none;opacy:1;borr:0;marg:0;paddg:0;posn:absolute;top:0;left:0;bottom:0;right:0"><img alt="" src="data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7" dg="async" data-nimg="fill" style="posn:absolute;top:0;left:0;bottom:0;right:0;box-sizg:borr-box;paddg:0;borr:none;marg:to;display:block;width:0;height:0;m-width:100%;max-width:100%;m-height:100%;max-height:100%;object-f:ver"/><noscript><img alt="" loadg="lazy" dg="async" data-nimg="fill" style="posn:absolute;top:0;left:0;bottom:0;right:0;box-sizg:borr-box;paddg:0;borr:none;marg:to;display:block;width:0;height:0;m-width:100%;max-width:100%;m-height:100%;max-height:100%;object-f:ver" siz="(max-width: 1023px) 100vw, 744px" srcSet="(1075x610:1076x611):format(webp)/ 376w, (1075x610:1076x611):format(webp)/ 384w, (1075x610:1076x611):format(webp)/ 415w, (1075x610:1076x611):format(webp)/ 480w, (1075x610:1076x611):format(webp)/ 540w, (1075x610:1076x611):format(webp)/ 640w, (1075x610:1076x611):format(webp)/ 750w, (1075x610:1076x611):format(webp)/ 828w, (1075x610:1076x611):format(webp)/ 1080w, (1075x610:1076x611):format(webp)/ 1200w, (1075x610:1076x611):format(webp)/ 1440w, (1075x610:1076x611):format(webp)/ 1920w, (1075x610:1076x611):format(webp)/ 2048w, (1075x610:1076x611):format(webp)/ 2400w" src="(1075x610:1076x611):format(webp)/"/></noscript></span></div></div></figure></div></div><div class="duet--media--ptn pt-6 font-polysans-mono text-12 font-light leadg-130 trackg-1"> <ce class="duet--article--dangeroly-set-cms-markup le not-alic text-gray-63 dark:text-gray-bd [&>a:hover]:text-gray-63 [&>a:hover]:shadow-unrle-black dark:[&>a:hover]:text-gray-bd dark:[&>a:hover]:shadow-unrle-gray [&>a]:shadow-unrle-gray-63 dark:[&>a]:text-gray-bd dark:[&>a]:shadow-unrle-gray">Walt Disney Pictur</ce></div></div></div><div class="duet--article--article-body-ponent"><p class="duet--article--dangeroly-set-cms-markup duet--article--standard-paragraph mb-20 font-fkroman text-18 leadg-160 -trackg-1 selectn:bg-ankl-20 dark:text-whe dark:selectn:bg-blurple [&_a:hover]:shadow-highlight-ankl dark:[&_a:hover]:shadow-highlight-blurple [&_a]:shadow-unrle-black dark:[&_a]:shadow-unrle-whe">In <em>Bety and the Beast</em>’s se, virtually all of the new addns to the story are aimed vaguely the same directn. As the marketg suggts, the updat are all about backstory, about tryg to make the characters more three-dimensnal, to make their choic more meangful, their origs clearer, and their trmas more volvg. But few of the new ias have any sort of pth or ditn to that e. They’re shallow, surface addns that don’t add to the story, or change s directn, or reveal anythg new.</p></div><div class="duet--article--article-body-ponent clear-both block md:float-left md:mr-30 md:w-[320px] lg:-ml-100"><div class="duet--article--article-pullquote mb-20"><div class="mb-10 h-[22px] w-[65px] bg-ankl"></div><p class="duet--article--dangeroly-set-cms-markup relative bg-repeatg-l-dark bg-[length:1px_1.2em] pb-8 font-polysans text-28 font-medium leadg-120 trackg-1 selectn:bg-ankl-20 dark:bg-repeatg-l-light dark:text-whe dark:selectn:bg-blurple">one character shows how much better this all uld have been</p></div></div><div class="duet--article--article-body-ponent"><p class="duet--article--dangeroly-set-cms-markup duet--article--standard-paragraph mb-20 font-fkroman text-18 leadg-160 -trackg-1 selectn:bg-ankl-20 dark:text-whe dark:selectn:bg-blurple [&_a:hover]:shadow-highlight-ankl dark:[&_a:hover]:shadow-highlight-blurple [&_a]:shadow-unrle-black dark:[&_a]:shadow-unrle-whe">The updat Condon’s <em>Bety and the Beast </em>aren’t exclively superficial. Beast fally gets a song to himself, and ’s a powerful mil moment, even when improbably transforms him om what Belle scrib as “sweet, and almost kd… and so unsure” to a bellowg operatic hero, as ostentat and over-the-top as the evil Gaston. Lumière’s feather-dter girliend Plumette (voiced by Gugu Mbatha-Raw) and the livg wardrobe Madame Garrobe (Audra McDonald) get slightly larger rol, givg the story a place for actors of lor, even if they’re mostly offscreen voic matched to animated objects.</p></div><div class="duet--article--article-body-ponent"><p class="duet--article--dangeroly-set-cms-markup duet--article--standard-paragraph mb-20 font-fkroman text-18 leadg-160 -trackg-1 selectn:bg-ankl-20 dark:text-whe dark:selectn:bg-blurple [&_a:hover]:shadow-highlight-ankl dark:[&_a:hover]:shadow-highlight-blurple [&_a]:shadow-unrle-black dark:[&_a]:shadow-unrle-whe">And most signifintly, Belle’s dad Mrice has been upgrad om a wacky rtoon eccentric to a more nuanced character, a grievg widower dog his bt to support a headstrong dghter. His embellishments clu a sweet (and too short) song of his own, and a history that explas the cisns he faced when Belle’s mother died. (Of urse she did; this is still a Disney movie.) Kev Kle plays him as sentimental and stgglg, and giv him a backbone the moments where unts. But more signifintly, his backstory is more than an idle joke or a tweaked le. It’s an tegral part of the story. It affects Belle’s character, and alters her actns, and leads to a strong new scene that epens Belle’s relatnship wh Beast. It hts at how much better and more mted the other character chang uld have been as well.</p></div><div class="duet--article--article-body-ponent"><p class="duet--article--dangeroly-set-cms-markup duet--article--standard-paragraph mb-20 font-fkroman text-18 leadg-160 -trackg-1 selectn:bg-ankl-20 dark:text-whe dark:selectn:bg-blurple [&_a:hover]:shadow-highlight-ankl dark:[&_a:hover]:shadow-highlight-blurple [&_a]:shadow-unrle-black dark:[&_a]:shadow-unrle-whe">In an <a href=">terview wh <em>USA Today</em></a>, actor Josh Gad boasts that the film improv LeFou, a character origally “fed by rtoon nces,” by “expandg on that, givg him dimensn, makg him human.” That’s a worthy goal that might have ma <em>Bety and the Beast </em>feel ls like an empty experiment visual hyperbole, or at bt, a timid toe ttg the waters of diversy. But for the most part, the 2017 <em>Bety and the Beast </em>don’t follow through on Condon’s promis about LeFou, or on Gad’s enthiastic claims. It don’t follow through on many of s gambs. It’s much more dited to pyttg a classic, while makg bigger, lour, and broar. For a $160 ln movie, endlsly hyped and tmpeted as a ground-breakg act of creativy and imagatn, that’s a remarkably small and unworthy goal.</p></div></div><div class="mb-40 mt-30"><button class="duet--article--ments-button group le-flex h-40 w-full ems-center jtify-center round-[2px] borr-[1px] borr-solid borr-blurple font-polysans-mono text-11 font-light upperse trackg-12 text-blurple hover:bg-blurple hover:text-whe md:w-to md:px-30"><svg class="mr-10 le pt-2" width="12" height="14" fill="none" viewBox="0 0 12 12" stroke-width="1px" xmlns="><tle>Comments

beauty and the beast gay version

The LeFou actor says he regrets the way "Bety and the Beast" remake was marketed wh an "exclively gay moment" back 2017.

Contents:

'BETY AND THE BEAST' FEATUR DISNEY'S FIRST GAY CHARACTER

“I don’t thk we did jtice to what a real gay character a Disney film should be,” Gad said a recent terview. * beauty and the beast gay version *

The highly anticipated live-actn remake of “Bety and the Beast” will feature a gay character for the first time Disney's history, acrdg to the film’s director. Director Bill Condon said an terview wh Attu, a Brish gay magaze, that LeFou, the goofy sikick of the film’s ma villa, Gaston, will fd his own subplot by explorg his sexualy. ” Condon promised the film will have a “nice, exclively gay moment” at the the LGBTQ have been advotg to see themselv reprented Disney films.

Those g were advotg for givg the lead character Disney’s blockbter h “Frozen” a female love tert the news of LeFou beg Disney’s first gay character, however, was met wh mixed reactns. It’s been nearly five years sce Disney’s live-actn Bety and the Beast ma headl for an “exclively gay moment” volvg LeFou (played by Josh Gad), the dim-wted sikick to the villao Gaston (Le Evans).

’ My regret what happened is that beme ‘Disney’s first explicly gay moment’ and was never tend to be that. It was never tend to be a moment that we should ld ourselv for, bee ankly, I don’t thk we did jtice to what a real gay character a Disney film should be. ” Meanwhile, Gad told USA Today at the film’s premiere that the script did not explicly disclose LeFou’s sexualy as gay.

BETY AND THE BEAST “DIDN’T GO FAR ENOUGH” WH GAY LEFOU, SAYS JOSH GAD “I DON’T THK WE DID JTICE TO WHAT A REAL GAY CHARACTER A DISNEY FILM SHOULD BE,” GAD SAID A RECENT TERVIEW.BY SAVANNAH WALSHMARCH 1, 2022FROM SHUTTERSTOCK.SAVE THIS STORYSAVESAVE THIS STORYSAVEIT’S BEEN NEARLY FIVE YEARS SCE DISNEY’S LIVE-ACTN BETY AND THE BEAST MA HEADL FOR AN “EXCLIVELY GAY MOMENT” VOLVG LEFOU (PLAYED BY JOSH GAD), THE DIM-WTED SIKICK TO THE VILLAO GASTON (LE EVANS). THAT SCENE, TEASED BY DIRECTOR BILL CONDON DURG THE FILM’S PRS TOUR, WOUND UP BEG MERELY A BRIEF SHOT OF LEFOU DANCG WH ANOTHER MAN JT BEFORE THE CREDS ROLLED. GAD IS NOW REMORSEFUL ABOUT HIS CHARACTER’S POSNG AS DISNEY’S FIRST TE LGBTQ+ REPRENTATN.“WE DIDN’T GO FAR ENOUGH TO WARRANT ACLAS,” HE RECENTLY TOLD THE INPENNT. “WE DIDN’T GO FAR ENOUGH TO SAY, ‘LOOK HOW BRAVE WE ARE.’ MY REGRET WHAT HAPPENED IS THAT BEME ‘DISNEY’S FIRST EXPLICLY GAY MOMENT’ AND WAS NEVER TEND TO BE THAT. IT WAS NEVER TEND TO BE A MOMENT THAT WE SHOULD LD OURSELV FOR, BEE ANKLY, I DON’T THK WE DID JTICE TO WHAT A REAL GAY CHARACTER A DISNEY FILM SHOULD BE.”AT THE TIME OF BETY AND THE BEAST’S RELEASE, THE IMPLITN THAT A BELOVED ANIMATED CHARACTER WOULD BE QUEER ED NTROVERSY. AN ALABAMA THEATER REFED TO SCREEN THE FILM, MALAYSIA BALKED AT SCREENG AN UNCENSORED VERSN OF , AND RSIA APPROVED THE FILM FOR SCREENG BUT WH AN AGE RATG OF 16 AND ABOVE. AMIDST THE FALLOUT, CONDON REVISED HIS EARLIER MENTS, LLG VERAGE OF THE SCENE “OVERBLOWN.” MEANWHILE, GAD TOLD USA TODAY AT THE FILM’S PREMIERE THAT THE SCRIPT DID NOT EXPLICLY DISCLOSE LEFOU’S SEXUALY AS GAY. “THAT WAS NOT LEFOU,” GAD NTUED HIS REMARKS TO THE INPENNT. “IF WE’RE GOG TO PAT OURSELV ON THE BACK, THEN DAMN , WE SHOULD HAVE GONE FURTHER WH THAT. EVERYBODY SERV AN OPPORTUNY TO SEE THEMSELV ON SCREEN, AND I DON’T THK WE’VE DONE ENOUGH—AND I CERTALY HAVEN’T DONE ENOUGH TO DO THAT.”GAD WAS SET TO REPRISE HIS ROLE AS LEFOU A PREQUEL SERI FOR DISNEY+, WHICH WOULD HAVE RNED WH EVANS’S GASTON. HOWEVER, DISNEY POSTPONED THE PROJECT EARLIER THIS YEAR, DUE TO CREATIVE LAYS. “WE TRIED TO MAKE ALL WORK BUT UNR THE GUN WASN’T MEANT TO BE…FOR NOW,” GAD, WHO WAS ALSO A SHOWNNER ON THE SERI, TWEETED. “THE CHARACTERS AND THIS STORY WILL LIVE ON, BUT SOMETIM THE BT TENTNS & REALY LLI & NOTHG N BE DONE.”MORE GREAT STORI FROM VANY FAIR— JERRY LEWIS’S COSTARS SPEAK OUT: “HE GRABBED ME. HE BEGAN TO FONDLE ME. I WAS DUMBSTCK”— INSI CHARLIZE THERON AND TOM HARDY’S MAD MAX WAR— INVENTG ANNA IS A “DANGERO” DISTORTN, SAYS RACHEL WILLIAMS— HOW THE GUN ALEC BALDW’S HANDS TURNED THE RT SET DEADLY— LOVE IS BLD SEASON TWO IS PEAK RED FLAG TELEVISN— PACHKO FIRST LOOK: AN EPIC TALE, AND A HISTORY-MAKG SHOW— VANY FAIR’S HOLLYWOOD ISSUE 2022: SEE THE FULL PORTFOL FEATURG NILE KIDMAN, KRISTEN STEWART, AND MORE— THE UGLY TTH OF HOW MOVIE SR ARE MA— KIRSTEN DUNST ON HER FIRST OSR NOMATN FOR THE POWER OF THE DOG— FROM THE ARCHIVE: WH FRIENDS LIKE THE— SIGN UP FOR THE “HWD DAILY” NEWSLETTER FOR MT-READ DTRY AND AWARDS VERAGE—PL A SPECIAL WEEKLY EDN OF “AWARDS INSIR.”MOST POPULARVANY FAIR’S “IT’S RAG TEENS” COVER AT 20: WHERE ARE THEY NOW?BY SAVANNAH WALSHZENDAYA PAYS TRIBUTE TO “BROTHER” ANG CLOUD: “I’LL CHERISH EVERY MOMENT”BY SAVANNAH WALSHFRAN DRCHER PREDICTS 6 MORE MONTHS OF ACTORS STRIKE: “WE’RE REALLY IT TO W IT”BY SAVANNAH WALSHSAVANNAH WALSH

Even though LeFou might be the only 'out' character, 'Bety and the Beast' is rich wh queer characters and gay subtexts. * beauty and the beast gay version *

As for the unrwhelmg “exclively gay” subplot, though? That is the extent of the so-lled gay subplot.

They're not talkg about the overall film, which is gettg great reviews (three out of four stars om USA TODAY) and breakg box office rerds wh a $170 ln but, the hight ever for March and the seventh-hight of all unrwhelmed reactn has been to the so-lled "exclively gay moment" the film, which has ed ternatnal ntroversy sce director Bill Condon first mentned an terview wh Attu the terview, Condon said the character LeFou (Josh Gad) would be portrayed as gay. The "gay moment" that Condon was referrg to is a blk-and-you'll-miss- shot the film's fal sends. "If nobody had said that #LeFou had a 'gay moment'  #BetyAndTheBeast, I really don't thk would've even been a thg, " wrote one Twter er.

THE CONTROVERSY SURROUNDG THE GAY 'BETY AND THE BEAST' SUBPLOT REEKS OF HYPOCRISY

Read i om the story Bety And The Beast {Gay Versn} | ✎ by -aerie (suzette ♛) wh 681 reads. beast, hopeyallfuckersenjoy, imnotthebtwrer. (disney own... * beauty and the beast gay version *

"Watched the new #BetyAndTheBeast movie last night, hontly don't unrstand what the outrage (about) there beg a gay character was (about), " wrote another. "Bt part of my day was when half the theater clapped and cheered when the gay uple me on screen #BetyAndTheBeast, " reported one dience who supported the film appld how much money was able rack spe reported "boytts.

"Though the moment was well-received or unrwhelmg to many dience members, there were some the LGBT muny who thought the reprentatn of a gay character did not go far enough. Also LeFou is not gay enough, " one Twter er sentiment was shared by some LGBT crics and wrers.

ALL THE CHARACTERS 'BETY AND THE BEAST' WHO WERE PROBABLY GAY ALL ALONG

Cool news, "Bety and the Beast" fans: In the new live-actn versn of the film, Gaston's sikick, LeFou, is revealed to be gay. * beauty and the beast gay version *

"Disney n pat self on s back all wants for turng a villao buffoon that was d as gay the origal film to a morally ambiguo buffoon who is more obvly gay, nfis a teapot, and tri out dancg wh a man, " wrote Vulture. "Although I adored the movie overall, part of my tratn wh is that I had hoped for more out of Condon’s 'exclively gay moment, '" The Huffgton Post explaed.

A gay film versn of Romeo and Juliet seems h and new.

'BETY AND THE BEAST'S 'GAY MOMENT' MAY HAVE BEEN MUCH ADO ABOUT NOTHG

Censors appear to have backed down over a scene which featur Disney's first gay character. * beauty and the beast gay version *

And now the movie's creators are droppg another excg bomb on : LeFou, Gaston's sikick, is gay.

This mak him Disney's first-ever openly gay character, se you were keepg sre. In the new issue of Attu magaze, BATB director Bill Condon reveals that LeFou (played by Frozen's Josh Gad) has an "exclively gay moment" the movie. But is a nice, exclively gay moment a Disney movie.

LEFOU IS REVEALED TO BE GAY THE LIVE-ACTN VERSN OF BETY AND THE BEAST

The &quot;nice, exclively gay moment a Disney movie&quot; is a ditn to the animated film's late lyricist Howard Ashman. * beauty and the beast gay version *

Queer them and gay theori are rampant the Disney universe (there's actually a petn circlg the Inter to give Elsa om Frozen a girliend), but this marks the first time a character's homosexualy has been explicly nfirmed. This isn't a ltle die movie that featur a radilly queer storyle: This is a big-budget, mastream film wh a gay character smack-dab the middle. Gay romance is now Disney movi, y'all!

Reads 3, 041Vot 37Parts 8Time 23mOngog, First published Mar 14, 2019bety and the beast except s gay and belle is a du enjoy. don't follow the origal very closely eherAll Rights RervedandthebeastbetybelleisbebutiuldntfdonedisneyprcegaygayashellhontlyiwantedtoreadafanficlikethishopeyallfuckersenjoyhowolisthatimnotthebtwrersonowimwrgoneverygaywhosaduTable of ntentsFri, Mar 15, 2019Fri, Mar 15, 2019Sat, Mar 16, 2019Sat, Mar 16, 2019Fri, Mar 22, 2019Fri, Mar 22, 2019Wed, Apr 3, 2019Wed, May 15, 2019Get notified when Bety And The Beast {Gay Versn} | ✎ is updatedbety and the beast except s gay and belle is a du enjoy.

Image source, DisneyImage ptn, Emma Watson stars as Belle the live-actn remakeBety and the Beast will be released Malaysia whout any cuts, Disney says, days after rejected censors' mands for a gay scene to be removed. The film has offend social nservativ for makg LeFou, sikick to villa Gaston, the first openly gay character a Disney film.

LEFOU EMBRAC LE FEY: DISNEY GO GAY IN ‘BETY AND THE BEAST’

The Henagar Drive-In Theatre Alabama announced 's refg the show the new "Bety and the Beast," which has Disney's first openly gay character. * beauty and the beast gay version *

Homosexual activy is illegal Malaysia unr both secular and relig laws. It is punishable by a prison sentence or rporal characters n be shown films, but only if they are portrayed negatively or source, DisneyImage ptn, LeFou, played by Josh Gad (right), is Disney's first openly gay characterThe film, starrg Emma Watson as Belle and Dan Stevens as the Beast, has taken more than $350m (£282m) around the world.

Director Bill Condon says Le Fou "is nfed about his sexualy" and that the film shows a brief "gay moment" head of Malaysia's Film Censorship Board, Abdul Halim Abdul Hamid, told the Associated Prs on 15 March that the scene qutn was "appropriate bee many children will be watchg this movie" board asked for cuts - somethg Disney rejected. There was a great al of ntroversy six years ago when Disney announced that the 2017 live-actn remake film of Bety and the Beast would feature the "first openly gay moment" any Disney film.

‘BETY AND THE BEAST’: JOSH GAD PLAYS DISNEY’S FIRST-EVER GAY CHARACTER

A few key chang like Belle's (Emma Watson) background and Disney's first gay character, help brg the new film to the 21st century. * beauty and the beast gay version *

Lyrics such as "We don't like/What we don't unrstand/In fact sr /And this monster is myster at least" powerfully skewer the nventnal fears and stigmas aimed at LGBT+ people, particularly at the time when the AIDS crisis was beg blamed on the gay muny and homophobia was beg exprsed publicly and celly. The town that Belle om seems acceptg of crossdrsg and gay romance, and Cogsworth and Lumiere's dg is replaced wh a "naggg" wife for the former. Not ntent wh showg two 13-year-old boys kissg on The Fosters and the LGBTQ agprop of The Real O’Neals (the creatn of vilently anti-Christian, foul-mouthed, homosexual fanatic Dan Savage), the Disney-ABC Televisn Group is releasg s live-actn versn of the classic fairytale Bety and the Beast as a new tone for “gay” advancement.

AN ALABAMA THEATER WON'T SHOW THE NEW 'BETY AND THE BEAST' BEE HAS A GAY CHARACTER

* beauty and the beast gay version *

It is beg celebrated as Disney’s first film wh an openly gay character. The film’s director, Bill Condon, addrsed the growg buzz over the gay subplot at a prs nference Beverly Hills on Sunday.

” Y, no doubt is important to Condon, who is openly homosexual and has ma the mastreamg of perversn a major reer goal. His 1998 film Gods and Monsters celebrated the life of homosexual Jam Whale, the director of the 1931 movie Frankenste. “LeFou is somebody who on one day wants to be Gaston and on another day wants to kiss Gaston, ” revealed Condon, an earlier terview wh the homosexual magaze Attu.

The publitn ghed that the new children’s movie is “a treasure trove of gay secrets — and is set to make history.

JOSH GAD SAYS HE DON'T THK 'BETY AND THE BEAST' DID 'JTICE TO WHAT A REAL GAY CHARACTER A DISNEY FILM SHOULD BE'

While the reimaged romantic classic, featurg Emma Watson and former Downton Abbey star Dan Stevens, might seem like the ultimate celebratn of heterosexual love, ’s actually harbourg a treasure trove of gay secrets — and is set to make history wh Disney’s first ever “exclively gay moment” on film.

“By reprentg same-sex attractn this short but explicly gay scene, the stud is sendg out a msage that this is normal and natural — and this is a msage that will be heard every untry of the world, even untri where ’s still socially unacceptable or even illegal to be gay. The Disney entertament empire is a key player the Rabow Mafia, the homosexual syndite that has as s prime directive the “overhlg of straight Ameri. ” That’s how homosexual strategists Marshall Kirk and Hunter Madsen characterized their overarchg subversive plan their 1989 btseller After the Ball: How Ameri Will Conquer Its Fear and Hatred of Gays the 90’s.

Who would have thought possible that the beloved Magic Kgdom would so soon after Walt Disney’s passg turn to a Wicked Empire that: hir a nvicted child molter to direct a movie; recs an open lbian and an avowed homosexual to top executive posns; publish openly pro-homosexual books directed toward youngsters; jects sublimal pornographic imag to s animated movi; produc a children’s animated epic wh sub rosa homosexual characters; and sponsors an annual homosexual nfabulatn at Disney World that subjects unspectg fai to the rowdy and rnchy activi of hors of viants? In her keynote addrs to the 1998 Universy of California Lbian, Gay, Bisexual, Transgenred Associatn’s “Exposed!

BETY AND THE BEAST “DIDN’T GO FAR ENOUGH” WH GAY LEFOU, SAYS JOSH GAD “I DON’T THK WE DID JTICE TO WHAT A REAL GAY CHARACTER A DISNEY FILM SHOULD BE,” GAD SAID A RECENT TERVIEW.BY SAVANNAH WALSHMARCH 1, 2022FROM SHUTTERSTOCK.SAVE THIS STORYSAVESAVE THIS STORYSAVEIT’S BEEN NEARLY FIVE YEARS SCE DISNEY’S LIVE-ACTN BETY AND THE BEAST MA HEADL FOR AN “EXCLIVELY GAY MOMENT” VOLVG LEFOU (PLAYED BY JOSH GAD), THE DIM-WTED SIKICK TO THE VILLAO GASTON (LE EVANS). THAT SCENE, TEASED BY DIRECTOR BILL CONDON DURG THE FILM’S PRS TOUR, WOUND UP BEG MERELY A BRIEF SHOT OF LEFOU DANCG WH ANOTHER MAN JT BEFORE THE CREDS ROLLED. GAD IS NOW REMORSEFUL ABOUT HIS CHARACTER’S POSNG AS DISNEY’S FIRST TE LGBTQ+ REPRENTATN.“WE DIDN’T GO FAR ENOUGH TO WARRANT ACLAS,” HE RECENTLY TOLD THE INPENNT. “WE DIDN’T GO FAR ENOUGH TO SAY, ‘LOOK HOW BRAVE WE ARE.’ MY REGRET WHAT HAPPENED IS THAT BEME ‘DISNEY’S FIRST EXPLICLY GAY MOMENT’ AND WAS NEVER TEND TO BE THAT. IT WAS NEVER TEND TO BE A MOMENT THAT WE SHOULD LD OURSELV FOR, BEE ANKLY, I DON’T THK WE DID JTICE TO WHAT A REAL GAY CHARACTER A DISNEY FILM SHOULD BE.”AT THE TIME OF BETY AND THE BEAST’S RELEASE, THE IMPLITN THAT A BELOVED ANIMATED CHARACTER WOULD BE QUEER ED NTROVERSY. AN ALABAMA THEATER REFED TO SCREEN THE FILM, MALAYSIA BALKED AT SCREENG AN UNCENSORED VERSN OF , AND RSIA APPROVED THE FILM FOR SCREENG BUT WH AN AGE RATG OF 16 AND ABOVE. AMIDST THE FALLOUT, CONDON REVISED HIS EARLIER MENTS, LLG VERAGE OF THE SCENE “OVERBLOWN.” MEANWHILE, GAD TOLD USA TODAY AT THE FILM’S PREMIERE THAT THE SCRIPT DID NOT EXPLICLY DISCLOSE LEFOU’S SEXUALY AS GAY. “THAT WAS NOT LEFOU,” GAD NTUED HIS REMARKS TO THE INPENNT. “IF WE’RE GOG TO PAT OURSELV ON THE BACK, THEN DAMN , WE SHOULD HAVE GONE FURTHER WH THAT. EVERYBODY SERV AN OPPORTUNY TO SEE THEMSELV ON SCREEN, AND I DON’T THK WE’VE DONE ENOUGH—AND I CERTALY HAVEN’T DONE ENOUGH TO DO THAT.”GAD WAS SET TO REPRISE HIS ROLE AS LEFOU A PREQUEL SERI FOR DISNEY+, WHICH WOULD HAVE RNED WH EVANS’S GASTON. HOWEVER, DISNEY POSTPONED THE PROJECT EARLIER THIS YEAR, DUE TO CREATIVE LAYS. “WE TRIED TO MAKE ALL WORK BUT UNR THE GUN WASN’T MEANT TO BE…FOR NOW,” GAD, WHO WAS ALSO A SHOWNNER ON THE SERI, TWEETED. “THE CHARACTERS AND THIS STORY WILL LIVE ON, BUT SOMETIM THE BT TENTNS & REALY LLI & NOTHG N BE DONE.”MORE GREAT STORI FROM VANY FAIR— JERRY LEWIS’S COSTARS SPEAK OUT: “HE GRABBED ME. HE BEGAN TO FONDLE ME. I WAS DUMBSTCK”— INSI CHARLIZE THERON AND TOM HARDY’S MAD MAX WAR— INVENTG ANNA IS A “DANGERO” DISTORTN, SAYS RACHEL WILLIAMS— HOW THE GUN ALEC BALDW’S HANDS TURNED THE RT SET DEADLY— LOVE IS BLD SEASON TWO IS PEAK RED FLAG TELEVISN— PACHKO FIRST LOOK: AN EPIC TALE, AND A HISTORY-MAKG SHOW— VANY FAIR’S HOLLYWOOD ISSUE 2022: SEE THE FULL PORTFOL FEATURG NILE KIDMAN, KRISTEN STEWART, AND MORE— THE UGLY TTH OF HOW MOVIE SR ARE MA— KIRSTEN DUNST ON HER FIRST OSR NOMATN FOR THE POWER OF THE DOG— FROM THE ARCHIVE: WH FRIENDS LIKE THE— SIGN UP FOR THE “HWD DAILY” NEWSLETTER FOR MT-READ DTRY AND AWARDS VERAGE—PL A SPECIAL WEEKLY EDN OF “AWARDS INSIR.”MOST POPULARWH MATRO, LEONARD BERNSTE’S LEGACY AND LOV FALLY H THE BIG SCREENBY REBEC FORD25 PERFECT TV EPISOS FROM THE LAST 25 YEARSBY HILLARY BISTHE BOOK OF CLARENCE IS A BOMBASTIC JOURNEY BACK TO THE BIBLIL ERABY REBEC FORDSAVANNAH WALSH

” Then she explaed: “Okay, I’m gonna tell you — ’e some of the nversatns are very private — but when I said to Michael Eisner, CEO of Disney, [that] ’30 percent of your employe are gay, ’ he said, ‘You are wrong, Elizabeth, ’s 40 [percent]. If 40 percent of Disney’s employe were “gay” 1998, ’s a fair bet that the LBGTQ meter would register que a few pots higher today. Among other LBGTQ ton at the pany are the 2014 episo of The Disney Channel kid’s TV program Good Luck Charlie, which troduced a lbian uple and their toddler dghter, and the 2016 appotment of Gee Kalogridis as Walt Disney World’s first openly gay print.

Bis director Condon and the LeFou character, there are addnal LGBTQ “bon” that are sendg issons of excement through queerdom., for stance, reports that the characters Gaston and Cogsworth are played by real-life homosexual stars. In an article entled “The gay secrets of the new Bety and the Beast movie — cludg Disney’s first gay character and love scene, ” the Gay Star News reports:. Le mak no secret of the fact he is gay, although he don’t tend to talk about his relatnships  terviews, so fewer people are aware of his sexualy than you might expect.

Now Sir Ian, possibly the world’s bt-loved gay actor, is to play Cogsworth, the talkg clock.

*BEAR-MAGAZINE.COM* BEAUTY AND THE BEAST GAY VERSION

‘Bety and the Beast’ “Didn’t Go Far Enough” Wh Gay LeFou, Says Josh Gad | Vany Fair .

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