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Told through two terwoven time-l, this short film offers a no-holds barred glimpse to an tense gay relatnship, where the love is exprsed physilly, tenrly and where the emotns n ep. A dark tale of love which two gay men fd their relatnship thrown to turmoil by an unexpected disvery of tths leavg an secure lover to try makg sense of realy.

Contents:

GAY TANM (THABO MOFUTSANYANA DISTRICT MUNICIPALY, FREE STATE)

To promote the poetic form rengay general and support the journal, Tanm, voted to publishg superr rengay." class="s123-js-pjax * gay tandem *

Tanm: The Rengay Journal. HomeWhat Is RengaySubmissnsSubscriptnsNot & LksContact HomeWhat Is RengaySubmissnsSubscriptnsNot & LksContact TanmThe Rengay JournalSubmissns forVol.

2, Issue 1now available What Is Rengay What Is RengayRengay is a poetic form vented by Garry Gay 1992. Garry Gay was lookg for a simpler form, one wh ls rtrictns, one that was more enjoyable and quicker to wre.

The rult: rengay! Please see the Submissn Guil for the exact verse form a a Rengay Journal? Dpe, and maybe as a rult of, the unual and persistent strs of this past year, we have been able to create and offer a new prt journal that will provi a venue specifilly for the llaborative form of rengay.

EHARMONY’S GAY ADS

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Intert wrg rengay seems to be growg, yet only a few journals publish them. And those that do, have limed space for rengay bee they accept other forms as stgglg to fd plac to subm our own work, we cid to create a journal ourselv—one voted to the form of llaborative rengay—Tanm. By the same token, Rengay is a llaborative poetic form, growg om the llective nscns of two or three for Edorial StaffMarcyn Del ClementsWh over 700 works prt, Marcyn Del Clements didn’t disver rengay until Garry Gay’s workshop New York’s 2015 HNA Conference, and aga the 2019 North Carola Conference, where she was guid by the creator himself.

She is honored to be -edg wh two such prtig rengay wrers. In recent years, her wrg has expand to clu longer forms, like haibun andrengay. He wr haiku, tanka, haibun, tanka prose and rengay.

Submissn WdowsSprg issue: January 15–Febary 15 ( out April)Autumn issue: July 1–31 ( out October)FormatTanm is a llaborative rengay-only prt journal. Although longer versns of rengay exist, we are acceptg only 6-verse rengay. Rengay may have 2, 3, or 6 thors, the followg formats:2 thors (A & B): A-3 | B-2 | A-3 | B-3 | A-2 | B-33 thors (A, B, & C): A-3 | B-2 | C-3 | A-2 | B-3 | C-26 thors (A, B, C, D, E, & F): choose eher format for 2 or 3 thors.

GAY TANM (THABO MOFUTSANYANA DISTRICT MUNICIPALY, FREE STATE)

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A-3 | B-2 | C-3 | D-3 | E-2 | F-3 or A-3 | B-2 | C-3 | D-2 | E-3 | F-2• Each rengay mt have a tle. • If you are cludg more than one rengay your submissn, make sure the thors’ full nam are beneath each dividual rengay, and put a solid horizontal le as separatn before the tle of the next rengay. SubmissnsOnly one submissn, up to 5 rengay, per submissn perd om any particular llaborative group.

Rengay mt be prevly unpublished and not unr nsiratn elsewhere. Please type your rengay to the body of the email.

Rengay will be accepted when at least two of the edors have chosen the poem for cln. Each subsequent issue will feature an “Edors’ Pick”: a favore rengay om the prev you have any qutns regardg submissns, ntact eher Ignati Fay () or Seren Fargo ()RightsTanm retas first publitn rights for accepted work. S., e this lk:, search for Tanm The Rengay Journal on your lol Amazon se.

WINNER! Public's Choice Audience Award Serile Filmului Gay Internatnal Film Ftival 2012, Romania WINNER! Bt Actor: Adrian Hume Robson MiMi LGBT Short Film Ftival 2012, Barcelona, Spa IN-COMPETITION SELECTION Toro GLBT Film Ftival 2012, Italy Organised njunctn wh Italy's Meo Naznale l Cema NOMINEE 'Bt Drama' Portobello Alternative London Film Ftival 2012, UK THIRTEEN… * gay tandem *

Not & Lks Good Rengay havea unifyg theme that ns throughout. Superr rengay have more than one theme whout the them seemg forced; each verse rponds, some way, to the precedg verse;vers that n stand alone as poemsa tle that reflects the theme(s), but do not seem obv;2-le vers that are not simply 3-le haiku wrten two InformatnFor addnal rmatn on rengay formats and more wrg tips, please check out the lks:Garry Gay, the creator of the rengay formGarry Gay on RengayMichael Dylan Welch’s webse,, offers many exampl of rengay, as well as says on the form wrten by Welch and many others. Rengay Verse Form by J.

Zimmerman is a webpage voted to fg rengay and how to wre them. By Michael Dylan Welch is a wonrful history of the orig and history of rengay.

*BEAR-MAGAZINE.COM* GAY TANDEM

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class="LightboxWrapper-dxsWBV hhylRt"><div class="ContentHearLeadAsset-hGbumP iWPCcH lead-asset ContentHearLeadAssetWrapper-hfXHEc fTrSlG lead-asset--width-smallle" data-ttid="ContentHearLeadAsset"><figure class="ContentHearLeadAssetContent-kOfYSG dRGWbI"><div class="ContentHearLeadAssetContentMedia-bLEIpi jjhWdS lead-asset__ntent__photo"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset ContentHearRponsiveAsset-bREgIb khLUzS"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz hpBuno"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO KhjZz ContentHearRponsiveAsset-bREgIb khLUzS rponsive-image rponsive-image--expandable"><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w, 960w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w, 1920w, 2240w" siz="100vw"/><img alt="A photo of Margot Robbie as Barbie Greta Gerwigs 2023 film “Barbie.”" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></div></div></span><div class="CaptnWrapper-jSZdqE iTuhkZ ptn ContentHearLeadAssetCaptn-hPWmSN kuCzGS"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo iXWezO ptn__text">Gerwig’s movie puts bright cril light the trouble wh Barbie’s pure, blank perfectn.</span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd iicloT jbIJNS ptn__cred">Photograph urty Warner Bros. Pictur</span></div></div></figure><div data-ttid="ContentHearLeadRailAnchor" class="ContentHearLeadRailAnchor-jYVcDc djtEof"></div></div></div></div></hear></div><div data-attribute-verso-pattern="article-body" class="ArticlePageContentBackGround-cNiFNN kbAoLA article-body__ntent"><div class="ActnBarWrapperContent-lasBkU cAHp"><div class="ActnBarWrapperComponent-cjwxLS bEeSLb"><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh kNjTbQ viewport-monor-anchor"><button id="bookmark" aria-label="Save this story" class="ActnBarButton-dyFOZU hQrwCF bookmark large-screen"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Save this story</tle><path class="in-bookmark-fill" d="M20 23.9508L12.5 19.7312L5 23.9508V2.95081H14V3.93211H6V22.1845L12.5 18.5536L19 22.1845V8.83866H20V23.9508Z"></path><path class="in-bookmark-fill" d="M23 3H20V0H19V3H16V4H19V7H20V4H23V3Z"></path></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd bkefvo gkccfO">Save this story</span></button></div><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh kAEsuD viewport-monor-anchor"><button id="bookmark" aria-label="Save this story" class="ActnBarButton-dyFOZU cjjxgx bookmark mobile"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Save this story</tle><path class="in-bookmark-fill" d="M20 23.9508L12.5 19.7312L5 23.9508V2.95081H14V3.93211H6V22.1845L12.5 18.5536L19 22.1845V8.83866H20V23.9508Z"></path><path class="in-bookmark-fill" d="M23 3H20V0H19V3H16V4H19V7H20V4H23V3Z"></path></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd bkefvo gkccfO">Save this story</span></button></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ArticlePageChunksContent-etcMtP bwyLBj"><div data-ttid="ArticlePageChunks" class="ArticlePageChunks-fLyCVG Uozmo"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bDyAMU body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="has-dropp has-dropp__lead-standard-headg">It’s unfortunate that fantasy has glutted the movi and tarnished the genre’s name wh the mercial excs of superhero stori and C.G.I. animatn, bee fantasy is a far more severe tt of directorial art than realism. This is, first off, bee the boundls possibili of the fantastil both allow for and require a filmmaker’s prehensive creativy. But, ccially, fantasy is also a visn of realy—the subjective tth of filmmakers’ ner life, the world as appears their md’s eye. The great directors of fantasy are the on who make explic the nnectn between their fantasy worlds and lived realy, as W Anrson recently did “<a href=">Asteroid Cy</a>,” and as Greta Gerwig has done spectacularly her new film, “Barbie.” Unlike Anrson, who has spent his entire reer on the far si of the imagatn, Gerwig’s prev featur as solo director, “<a href=">Lady Bird</a>” and “<a href=">Ltle Women</a>”—both arntly crafted, both mostly leral—did ltle to forhadow the overwhelmg outburst of ventive energy that mak “Barbie” such a thrillg experience. Though “Lady Bird,” Gerwig’s breakthrough feature, is a fictnalized story of her own adolcence, her fay life, and her home town, “Barbie”—y, a movie about a doll ma unr the aegis of s manufacturer, <a href=">Mattel</a>—is the far more personal film. It’s a film that’s energized throughout by a sense of artistic eedom and unhibed creative passn greater than what Gerwig has brought to even her prev projects ma outsi the ostensible nstrats of stud filmmakg.</p><p class="paywall">The unrlyg subject of “Barbie” is how to play wh Barbie dolls and why. Playg wh Barbi, after all, is the D.I.Y. versn of adaptatn, the enactment private of the kd of ee and wild play that Gerwig (who wrote the script wh her romantic and creative partner, <a href=">Noah Bmbach</a>) enacts the movie. “Barbie” is about the tellectual mand and emotnal urgency of makg preëxistg subjects one’s own, and advot for imagative fily, the radil off-label manipulatn of existg tellectual property. Moreover, prents such acts of reterpretg faiar subjects, as a ccial form of self-analysis, a way to explore one’s own self-image and to nont the prejudic and equi built to prevailg, top-down terpretatns of them. “Barbie,” other words, is a film of the polics of culture and, by extensn, of the need for a creative rebelln to reëstrange the faiar for the sake of social change.</p><p class="paywall">The movie begs wh one of the most gen parodi I’ve seen a while, an orig story of the Barbie doll based on the openg sequence of “<a href=">2001: A Space Odyssey</a>.” A group of girls is strand a barren primordial landspe. A voice-over narratn (by Helen Mirren) explas that, sce the begng of time, they had only baby dolls to play wh, leavg them nothg to image themselv as except mothers. Then me Barbie (Margot Robbie), who, wh her many varieti and guis, offered the girls (who now smash their baby dolls to piec) the chance to image themselv as astronts, doctors, judg, even Print, and th herald a future of equaly and opportuny. It’s the abyss between this promised utopia and the world as we know , between the merchandisg of profsnal femism and the endurance of patriarchal reali, that the movie is set.</p><p class="paywall">“Barbie” ntas a potent paradox that is fundamental to s effervcent lights. A sgle ame of the film packs such profe and exquise tail—of stume and settgs, gtur and dictn—that ’s impossible to enumerate the plethora of ventns and cisns that brg to life. Wh s eic pace and s grand-sle, wi-rangg spiratns, plays like a live-actn rtoon, and ptur the anythg-is-possible spir of classic Looney Tun better than any other film I’ve seen. Yet s whimsil plot is nstcted wh a dramatic logic that manag to transform phantasmagoril leaps to persuasive nsequenc, wh the rult that the tails of the story seem utterly separable om, and ntuo wh, the rtoly ornamental visual realms that sets to motn.</p><p class="paywall">The drivg nce is that Barbie to life and enters the real world, but Gerwig grounds that transformatn genly by givg Barbie a prr life of her own as a doll. The Barbie played by Robbie, who’s lled Stereotypil Barbie, liv Barbieland along wh all the other Barbi who have been put on the market, whether Astront Barbie or Doctor Barbie or Print Barbie, as well as Barbi of a wi range of ethnici and body typ, all named Barbie, all ridg doll ho, all llg to one another every bright and sunny morng, “Hi, Barbie!,” and offerg intil si-to-si hand-wave greetgs. Stereotypil Barbie drks imagary k poured om a rton to a cup, eats a plastic waffle that pops om a toaster as a perfectly shaped dollop of butter lands atop , and—bee, as the narrator explas, Barbi n be rried and placed anywhere—glis om her balny through the air to behd the wheel of her pk fifti-style Corvette nvertible.</p><div class="Contaer-bkChBi byNLHx"></div><p class="paywall">Stereotypil Barbie has a stereotypil suor, the hunky blond Ken (Ryan Goslg)—one of many Barbieland—who urts her wh a droll sexual ignorance to match hers. There’s a strong gay subtext to the movie’s well-iffured and accsorized Kens; one scene, Ken and another Ken (Simu Liu) get to a dispute and threaten each other to “beach you off.” (A nerdy iend of the Kens, lled Allan, played by Michael Cera, is the only non-himbo around.) The narrator mak the distctn—one that prov to be of great narrative signifince—that for Barbie every day is a good day, whereas for Ken a day is good only when Barbie looks at him. Ken tak awkward pas to get Barbie to look, but she’s ntent her Barbie-centric world. In li of a date, she v him to a girls’-night bash at her hoe—the bt party ever, but then, they all are—plete wh a whirlwd-spectacular dance sequence. In the middle of the ftivi, though, Barbie embarrassgly blurts out her own sudn premonn of ath.</p><p class="paywall">Somethg troublg is disturbg the priste perfectn of Barbie’s permalife Barbieland, and she nsults the clost thg to a troubled outst her midst, Weird Barbie (Kate McKnon), to fd out what’s gog on. Weird Barbie has a punk haircut, a malformed body, and somethg like face tattoos—the rult, is said, of a human who played wh her “too hard.” To get to the source of her disturbance, Barbie will have to make passage to the human world and fd her own owner, whose play has perhaps left an emotnal mark jt as Weird Barbie’s has left a physil one. Travellg between Barbieland and the human world volv trans via, among other Mattel-certified vehicl, Barbie’s nvertible, a space rocket, a tanm bicycle, and a Volkswagen mper van. Ken stows away on Barbie’s journey, and the duo eventually lands on the beach —where else?—Los Angel, another land of artific, where Barbie quickly has her illns burst.</p><p class="paywall">In L.A., Barbie enunters such human-world phenomena as tllg, old age, anxiety, and the social dynamics of real-life girls, most notably a young high-school tellectual named Sasha (Ariana Greenblatt), who lls Barbie a “bimbo,” a menace to femism, even a “Fascist.” Barbie fds her way to Mattel headquarters, where the C.E.O. (Will Ferrell) wants to trap and twist-tie her a display box. Instead, Barbie p, but, while she’s on the n, Ken—who’s read up the school library about patriarchy—heads to Barbieland and exports the notn there. When Barbie returns home, she fds transformed to a manosphere, full of Kens slakg gdg agast Barbi and Barbi ntent wh subservience to Kens, and she has to plot to rtore to s ostensible origal form as a femist paradise. Spoiler alert: the Ken-centric patriarchy that Barbie fds at home is both appallg and hilar, wh lots of hors (“man extenrs,” Ken lls them) and arnt guar playg “at” Barbie, pecially of the Matchbox Twenty song “Ph,” which the Kens have adopted as a male anthem.</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p class="paywall">The tra that enabl Barbie to fight to take back Barbieland is the very weirdns that she’d sought to cure. It’s the “hard” play of a human owner—the e of Barbie as an avatar of a real person’s emotnal cris—that giv Stereotypil Barbie the perspective to see what’s wrong wh Barbieland, the wil to take actn to reclaim for herself and the other Barbi, and the open-mdns to see that she herself is need of personal change. The unhibed exprsn of Barbie’s human has tght Barbie, above all, the ncept of eedom; and ’s no spoiler to note that the ncept, here, mh wh an existentialist tradn that lks such eedom to the evabily of ath. (In a magnificent meta-touch, Barbie has an enunter wh the creator of Barbie, Ruth Handler, who, real life, died 2002; here, she’s played by Rhea Perlman.)</p><p class="paywall">Far om beg a feature-length mercial for Barbie, Gerwig’s movie puts bright cril light the trouble wh Barbie’s pure, blank perfectn. Instead of projectg their own imperfectns or thoughts onto the doll, girls have been socialized to strive for an impossible doll-like perfectn their own liv. Barbie n be anythg Barbieland—a doctor, a Print, an astront—but only bee Barbieland is a ictnls Brigadoon. There’s no Fox News Barbieland, no polil magogy, no relign, no culture. Any girl who plays wh Barbie and imag that she n do anythg will disver, eventually, that she’s been the victim of a nox fantasy. Playg weird wh Barbie means ascribg the tangled terms of one’s own environment to Barbieland, one’s own nflicts to Barbie. It means turng Barbie human—to a character whom a child n e to give voice to an ner life, the send person, when her first person feels stifled or reprsed.</p><p class="paywall">“Ordary”: pay attentn to the arrival, “Barbie,” of that word, which reverberat like a tung fork through the entire story, nveyg longg for the day when a woman’s life don’t mand heroic stggle agast societal limatns and ntradictory mands. (The movie featur a fervent monologue on the subject, built of faiar talkg pots that are energized by the fast and fur dignatn of the speaker, Sasha’s mother, a Mattel employee played by Ameri Ferrera.) The ia flects Gerwig’s athetic, too, a way that’s ma clear, aga, the ntrast between her filmmakg and that of W Anrson, the current cema’s preëment stylist. Anrson’s films borrow ply om pop culture whout makg films <em>of</em> pop culture; his rigoro visual posns set the actn at a ntemplative distance that keeps one eye on history and the other on the future. Gerwig, by ntrast, is out to nquer the moment, and her visual posns reflect this immediacy. Her imag (wh cematography by Rodrigo Prieto) offer, effect, a mighty sense of style whout a rrpondg sense of form: they teem and overflow, bee they’re meant not to be limed to the screen but to burst out and fill the theatre and take their place the world at large. She don’t borrow pop culture ironilly; she embrac passnately and directly, orr to transform , and thereby to transform viewers’ relatnship to and to renr that relatnship active, cril, non-nostalgic. Her art of reterpretg society’s loomg, shy cultural objects, the tert of progrs, dramatiz the nnectn between playg a child’s doll hoe and on the big screens of the world. ♦</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><asi class="PersistentAsiWrapper-VGrR daRVRt persistent-asi" style="posn:absolute;top:to;height:to" data-ttid="PersistentAsiWrapper"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box ArticlePageSplAdRail-OyjwD jikppc"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="ArticlePageSplAdRailContent-jsltpq iZDmmY spl-ad-rail-ntent"><div class="ArticlePageSplAdRailTop-jUrrVY jzzFg"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="dqbt3q"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div><div class="ArticlePageSplAdRailMiddle-tiRvu hiZeZX spl-ad-rail-middle"></div><div class="ArticlePageSplAdRailBottom-dBKMGQ jmCMsn spl-ad-rail-bottom"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="qhwv3s"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></asi></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 PaywallInleBarrierWhWrapperGrid-fyrGfS kLQIUk grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__le-barrier article__body"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"><asi class="PaywallInleBarrierWrapper-iBnuqk lfXXa-D" data-ttid="PaywallInleBarrierWrapper"><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--paywall-le-barrier" role="prentatn" aria-live="pole" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--paywall-le-barrier"></div><div class="journey-un"></div></div></asi></div></div></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ContentWrapperGrid-fvkmBv brYtrA grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__ntaer"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"></div></div></div></div></div></div></article><div class="ContentFooterWrapper-jVNdRG dTJkpP ArticlePageContentFooterGrid-ccsXYy eMZRHU article-body__footer"><div data-ttid="RowWrapper" class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="LkStackWrapper-NFLYw kgtXXB lkstack" data-ttid="LkStack"><div class="SectnTleRoot-dBGvdq kjAxEG LkStackHear-lKjbE hejl lk-stack--headg" data-ttid="SectnTle"><h2 class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SectnTleHed-dKqZet dxqEAa dqtvfu jttyjJ">New Yorker Favor</h2></div><div class="LkStackContent-jyKicS gPhyME"><ul class="LkStackList-gGcjdZ dnMwpz"><li class="LkStackBullet-kQRqul iQHwiG lk-stack--lk-em" data-ttid="LkStackBullet"><div><p>The killer who <a href="/magaze/1995/06/05/rejectg-ga" class="InternalLkEmbedWrapper-fhjgJW cQLtaa">got to Harvard</a>.</p></div></li><li class="LkStackBullet-kQRqul iQHwiG lk-stack--lk-em" data-ttid="LkStackBullet"><div><p>A thief who <a href="/magaze/2004/05/17/the-silver-thief" class="InternalLkEmbedWrapper-fhjgJW cQLtaa">stole only silver</a>.</p></div></li><li class="LkStackBullet-kQRqul iQHwiG lk-stack--lk-em" data-ttid="LkStackBullet"><div><p>The light of the <a href="/tech/annals-of-technology/the-first-light-of-the-try-atomic-tt" class="InternalLkEmbedWrapper-fhjgJW cQLtaa">world’s first nuclear bomb</a>.</p></div></li><li class="LkStackBullet-kQRqul iQHwiG lk-stack--lk-em" data-ttid="LkStackBullet"><div><p>How Steve Mart <a href="/magaze/2007/10/29/-the-bird-ge" class="InternalLkEmbedWrapper-fhjgJW cQLtaa">learned what’s funny</a>.</p></div></li><li class="LkStackBullet-kQRqul iQHwiG lk-stack--lk-em" data-ttid="LkStackBullet"><div><p>Growg up as the <a href="/magaze/1998/11/16/the-ln-and-me" class="InternalLkEmbedWrapper-fhjgJW cQLtaa">son of the Cowardly Ln</a>.</p></div></li><li class="LkStackBullet-kQRqul iQHwiG lk-stack--lk-em" data-ttid="LkStackBullet"><div><p>Amelia Earhart’s <a href="/magaze/2009/09/14/amelia-earhart-last-flight" class="InternalLkEmbedWrapper-fhjgJW cQLtaa">last flight</a>.</p></div></li><li class="LkStackBullet-kQRqul iQHwiG lk-stack--lk-em" data-ttid="LkStackBullet"><div><p>Fictn by Milan Kunra: “<a href="/magaze/1984/03/19/the-unbearable-lightns-of-beg" class="InternalLkEmbedWrapper-fhjgJW cQLtaa">The Unbearable Lightns of Beg</a>.”</p></div></li></ul><div class="LkStackFooter-KfRyO ebnmps lk-stack--footer"><div><p><a href=">Sign up</a> for our daily newsletter to receive the bt stori om <em>The New Yorker</em>.</p></div></div></div></div></div></div></div><div data-ttid="RowWrapper" class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="ContributorsWrapper-eNpWFu GWFsc ntributors" data-ttid="Contributors"><div class="ContributorBWrapper-bnVHbt gMon"><div class="ContributorBAvatar-bIGTqf eMWbvj"><a href="/ntributors/richard-brody"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO dUOtEa rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w" siz="100vw"/><img alt="" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></span></a></div><div class="ContributorBContent-ubQdr jZTSSi"><div class="ContributorBHear-ledood XOIEx"></div><div class="ContributorBB-fBolsO giFhKz"><a href="/ntributors/richard-brody">Richard Brody</a> began wrg for The New Yorker 1999. He wr about movi his blog, <a href=">The Front Row</a>. He is the thor of <a href=">“Everythg Is Cema: The Workg Life of Jean-Luc Godard</a>.”</div><div class="ContributorBFooter-brqDlv ezUmSv"></div></div></div></div></div></div></div><div data-ttid="RowWrapper" class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div data-ttid="TagCloudWrapper" class="TagCloudWrapper-gGgndx ctyZyK ContentFooterTagCloud-krQmRG ZLGh"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudSectnHear-cOforY iUEiRd bPyAoD kQQRmu">More:</span><a href="/tag/barbie" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Barbie</span></a><a href="/tag/movi" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Movi</span></a><a href="/tag/greta-gerwig" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Greta Gerwig</span></a><a href="/tag/mattel" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Mattel</span></a><a href="/tag/tellectual-property" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Intellectual Property</span></a></div></div></div></div><div data-ttid="ContentFooterBottom" class="ContentFooterBottom-jwWZfC kcbyiW"><div class="ContentFooterNewsletterContentWrapper-bmjtna kixtae"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div data-ttid="NewsletterSubscribeFormWrapper" class="NewsletterSubscribeFormWrapper-fCqqkN jKSBhE newsletter-subscribe-form ContentFooterNewsletterForm-hKeYwa liPqcf"><div data-ttid="NewsletterSubscribeFormHedDekWrapper" class="NewsletterSubscribeFormHedDekWrapper-fpMElW eglIBL"><h3 class="NewsletterSubscribeFormDangeroHed-kRwWjt jjsHHz newsletter-subscribe-form__hed ContentFooterNewsletterForm-hKeYwa liPqcf">Gogs On</h3><div class="NewsletterSubscribeFormDek-kXonvc lhYeOn newsletter-subscribe-form__k">What we’re watchg, listeng to, and dog this week, onle, N.Y.C., and beyond. 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summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-1" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Vlent Delights of “Harley Qun”" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">On Televisn</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-1" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">The Vlent Delights of “Harley Qun”</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-1" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Vlent Delights of “Harley Qun”" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">Amid a sea of grim, self-ser adaptatns, the buoyant Max seri offers an antidote to superhero fatigue.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Inkoo Kang</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hlYhBH summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm fvDIAb" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="“Barbie” Tie-Ins Everywhere? Kenough!" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Sketchpad</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-2" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">“Barbie” Tie-Ins Everywhere? Kenough!</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="“Barbie” Tie-Ins Everywhere? Kenough!" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">Pk vyl at the to shop, pk sunscreen at the dgstore, and Ken operatg the mammogram mache.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Wendi Aarons</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hlYhBH summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm fvDIAb" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Wisdom of Rudolph Giuliani" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Shouts & Murmurs</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">The Wisdom of Rudolph Giuliani</div></a><div 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SummaryCollectnGridSummaryItem-WColm fvDIAb" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="“Gran Turismo” Is a Work of Pure Salmanship" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">The Current Cema</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-4" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">“Gran Turismo” Is a Work of Pure Salmanship</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="“Gran Turismo” Is a Work of Pure Salmanship" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">Encsted wh product placement, Neill Blomkamp’s vio-game adaptatn is flagrantly unembarrassed by s mercial obligatns.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc 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