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23.58C20.731 23.778 20.15 23.913 19.298 23.952C18.445 23.991 18.173 24 16 24C13.827 24 13.555 23.99 12.702 23.952C11.85 23.913 11.269 23.778 10.76 23.58C10.2262 23.379 9.74259 23.064 9.343 22.657C8.93593 22.2574 8.62093 21.7738 8.42 21.24C8.222 20.731 8.087 20.15 8.048 19.298C8.01 18.445 8 18.173 8 16C8 13.827 8.01 13.555 8.048 12.702C8.087 11.85 8.222 11.269 8.42 10.76C8.624 10.234 8.898 9.787 9.343 9.343C9.787 8.898 10.233 8.624 10.76 8.42C11.269 8.222 11.85 8.087 12.702 8.048C13.555 8.01 13.827 8 16 8ZM16 10C14.046 10 13.814 10.007 13.043 10.043C12.329 10.075 11.942 10.194 11.683 10.295C11.3657 10.4124 11.0787 10.5993 10.843 10.842C10.586 11.098 10.427 11.342 10.295 11.684C10.195 11.942 10.075 12.329 10.043 13.043C10.007 13.814 10 14.046 10 16C10 17.954 10.007 18.186 10.043 18.957C10.075 19.671 10.194 20.058 10.295 20.317C10.427 20.658 10.586 20.902 10.842 21.157C11.098 21.414 11.342 21.573 11.684 21.705C11.942 21.805 12.329 21.925 13.043 21.957C13.814 21.993 14.046 22 16 22C17.954 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class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut paywall-bar__nsumer-marketg-un nsumer-marketg-un nsumer-marketg-un--paywall-bar-ll-to-actn" role="prentatn" aria-live="pole" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--paywall-bar-ll-to-actn"></div><div class="journey-un"></div></div></asi><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--cm-riser" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--cm-riser"></div><div class="journey-un"></div></div></div><div class="SpaceHolr-oayp fXtswJ ad-height-hold"></div><div class="StickyHeroAdWrapper-eNLJUc gStsdY ad-stickyhero ad-stickyhero--standard ad-stickyhero-enable-mobile should-hold-space"><div class="AdWrapper-dQtivb fZrssQ ad ad--hero"><div class="ad__slot ad__slot--hero" data-no-id="lh2f0d"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-hero" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-hero"></div><div class="journey-un"></div></div></div><div class="SpaceHolr-oayp fXtswJ ad-height-hold"></div><ma id="ma-ntent" tabx="-1" class="BasePageMaContent-kFvAuh ewPCZH page__ma-ntent"><article class="article ma-ntent" lang="en-US"><div class="ArticlePageLeBackground-EufvU tFsh"><hear class="ContentHearWrapper-clujbs kaZCaf ntent-hear article__ntent-hear"><div data-ttid="ContentHearContaer" class="ContentHearContaer-cGKRbE knDxNq"><div class="ContentHearHedAccredatnWrapper-GFiQf cDNVlV"><div data-ttid="ContentHearTleBlockWrapper" class="ContentHearTleBlockWrapper-cjmSKp cCntXd"><div data-ttid="ContentHearRubric" class="ContentHearRubricBlock-LmpbT eRFpQc"><div data-ttid="ContentHearRubricDateBlock" class="ContentHearRubricDateBlock-kAQcZP fTFWxD"><div class="RubricWrapper-dKmCNX kpuNXj bric ContentHearRubricContaer-eTudtt iRsSlw"><a class="RubricLk-gRWSOU fTtYjx bric__lk" href="/culture"><span class="RubricName-fVtemz cLxcNi">Culture</span></a></div></div></div><h1 data-ttid="ContentHearHed" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearHed-NCyCC iUEiRd jPOabC BjYFU">Andy Samberg Is Happy to Be the Butt of the Joke</h1></div><div class="ContentHearAccredatn-lfctVB etVsnJ ntent-hear__accredatn" data-ttid="ContentHearAccredatn"><div class="ContentHearDek-bIqFFZ eASNBN">This was supposed to be the summer of Samberg: <em>Palm Sprgs</em>, his new, (mostly) grown-up movie might be his bt work yet. Then the panmic h, and police protts upend his s <em>Brooklyn Ne-Ne</em>. But Ameri’s poet lreate of the dick joke is takg all stri.</div><div class="ContentHearByle-kmPyCa emiglw"><div class="ContentHearByleContent-dpPmNn DRFq"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl ContentHearByl-cZqgyJ bHLeKI"><p class="ByleWrapper-jWHrLH gtxxjM byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd dlWgVJ gnILss byle__preamble">By </span><a class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM ByleLk-gEnFiw iUEiRd fhQbnq dzFUnH eErqIx byle__name-lk button" href="/ntributor/sam-schube">Sam Schube</a></span></span></p><p class="ByleWrapper-jWHrLH gtxxjM byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd dlWgVJ gnILss byle__preamble">Photography by </span><a class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM ByleLk-gEnFiw iUEiRd fhQbnq dzFUnH eErqIx byle__name-lk button" href="/ntributor/annabel-mehran">Annabel Mehran</a></span></span></p></div><time data-ttid="ContentHearPublishDate" dateTime="2020-07-09T08:00:00-04:00" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearPublishDate-eIBicG iUEiRd ivrQAn cZpOSL">July 9, 2020</time></div></div><div class="SocialInsWrapper-hKMEXV ffgPVr social-ins social-ins--standard ContentHearAccredatnSocialIns-jorO fPzfaa ntent-hear__social-share"><ul data-ttid="socialInslist" class="SocialInsList-cHVTIA ivmblD social-ins__list"></ul></div></div></div><div class="ContentHearLeadAsset-hGbumP diZztE lead-asset ContentHearLeadAssetWrapper-hfXHEc Grck lead-asset--width-fullbleed" data-ttid="ContentHearLeadAsset"><figure class="ContentHearLeadAssetContent-kOfYSG dRGWbI"><div class="ContentHearLeadAssetContentMedia-bLEIpi jjhWdS lead-asset__ntent__photo"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset ContentHearRponsiveAsset-bREgIb hONbnm"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz dseCOT"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa ContentHearRponsiveAsset-bREgIb hONbnm rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w, 960w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w, 1920w, 2240w" siz="100vw"/><img alt="Image may nta Plant Flower Blossom Human Person Clothg Apparel Geranium and Bob Blumer" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></div></div></span></div></figure></div></div><asi class="PersistentAsiWrapper-VGrR oEIBz persistent-asi persistent-asi--align-left" style="posn:absolute;top:to;height:to" data-ttid="PersistentAsiWrapper"><div class="StickyBoxWrapper-jfYB jNgrSF sticky-box ContentHearPersistentAsi-fsnAmQ dFzKzm"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="SocialInsWrapper-hKMEXV ffgPVr social-ins social-ins--has-background ContentHearSocialIns-jzJiyg ctaZl social-ins--share"><ul data-ttid="socialInslist" class="SocialInsList-cHVTIA ivmblD social-ins__list"></ul></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></asi></hear></div><div data-attribute-verso-pattern="article-body" class="ArticlePageContentBackGround-cNiFNN kJkLmH article-body__ntent"><div class="ArticlePageChunksContent-etcMtP eRxRjL"><div data-ttid="ArticlePageChunks" class="ArticlePageChunks-fLyCVG eSsnKa"><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0 ArticlePageChunksGrid-hfxa bDFJoo"><div class="GridItem-buujkM kHPPIF grid--em"><div class="BodyWrapper-kufPGa edvONh body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p><strong>One of the big qutns posed by</strong> <em><strong>Palm Sprgs</strong></em>, Andy Samberg’s new weddg-go-<em>Groundhog Day</em> romantic edy, is also a timely thought experiment: If you had to spend the rt of eterny stuck a sgle day wh a sgle other person, would that be hell? Or, if you were lucky enough to be stuck there wh the <em>right</em> person, might sert-oasis purgatory fact be a kd of heaven? The film picks up after Samberg’s Nyl has re-lived the same hipstery Palm Sprgs weddg a ln tim, and right before he drags Crist Milti’s sister of the bri to his fely recurrg maral nightmare. Together, and wh more than a few Lonely Island-style hijks, they try to pe their time-loop. Along the way, they nsir the horror—or is joy?—of eternal habatn.</p><p>For better or worse, the circumstanc of quarante have led upl everywhere to nont a siar qutn: what happens to a relatnship when every day is the same? Samberg, joyfully boyish at 41 ballp and Stud Ghibli tee, opens the first of our two Zoom lls wh an admissn. “It's weird to be dog prs aga at all,” he says, “thkg about sayg anythg about the world other than COVID or the protts and everythg, and Gee Floyd.” This wasn’t an idle gripe. <em>Brooklyn Ne-Ne</em>, his s about an affable band of tectiv, had been pulled to the natnal bate around policg sparked by Floyd’s ath, as dienc and works alike began to rethk the mers of shows about benevolent ps. But Samberg had <em>Palm Sprgs</em> to promote, as both star and producer, and had brought himself around on the ia. “You know, the world was kd of fucked up before, and 's still fucked up, and we were dog prs before, and makg movi,” he says. “I'm gog through all the same stuff,” he’d realized, “and at night I want to watch stuff. So I gus puttg somethg out is okay.” What he’s puttg out has that newly relevant panmic layer, s echo of our endlsly repeatg days. And Samberg mak no secret of the fact that he’s plenty happy for this to be the recurrg day he’s stuck , and for the people he’s relivg wh to be his wife, the harpist and songwrer Joanna Newsom, and their young dghter.</p><p>Their days at home are placid. There’s a piano, mostly ed by Newsom. (Samberg’s repertoire reach s outer lim wh the two-note melody—<em>duh-duhduhduh-duhduhduh-duhduhduh-duh</em>—om Ol’ Dirty Bastard’s “Shimmy Shimmy Ya.”) There are three harps, also mostly ed by Newsom: two for mom, one toddler-sized, a gift om Newsom’s preferred harpmaker. He’s nfint Baby Samberg will get around to makg dick jok sooner than later, but for now she’s takg after mom. “She's not bad,” he says. “She watch her mom and emulat that sometim, and 's the cutt fuckg thg I've ever seen.”</p></div></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="BodyWrapper-kufPGa kFAtaa body ArticlePageBodyGridContaer-jrMoA-d xjuw body__grid-ntaer" data-ttid="BodyWrapper"><div class="GenericCalloutWrapper-tojWn idXRxI llout--has-top-borr" data-ttid="GenericCallout"><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO dUOtEa AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset rponsive-image"><noscript><img alt="Image may nta Human Person Clothg Apparel and Wood" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" siz="100vw"/></noscript></picture></span></div></figure></div></div></div><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0 ArticlePageChunksGrid-hfxa bDFJoo"><div class="GridItem-buujkM kHPPIF grid--em"><div class="BodyWrapper-kufPGa edvONh body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p>At night, Newsom mans the grill. Samberg, who’s been perfectg his Paper Plan and Bourbon Brambl, livers drks. They’re dog what a lot of other upl are dog. “We are those cliche fuckg people right now watchg <em>Mad Men</em> for the first time and then makg cktails.” (“I'm iends wh [Jon] Hamm and I don't thk he knows,” he says. “So maybe this is how he fds out.”) He’s checkg Eater aggrsively, and orrg creasgly amb takeout. If you’re wonrg who livers the bt Nashville hot chicken Los Angel, Samberg is practilly burstg to share his answer. (It’s Howl’ Rays.) Newsom cut his hair recently, liverg what I n nfirm is a perfect fa. She jt ed scissors, only breakg out the ltle electric Peanut razor to clean up the neck—a real pro, Samberg says, transparently lighted.</p><div class="Contaer-bkChBi byNLHx"></div><p>The work isn’t psed, exactly. He’s been dog some prs for <em>Palm Sprgs</em>, and jammg away on velopment for Party Over Here, the Lonely Island’s producg shgle. They opened shop 2017, and had somethg of a banner year last year, velopg two of 2019’s bt-loved TV edi <em>I Thk You Should Leave wh Tim Robson</em> and <em>PEN15</em>. “I never woke up any morng beg like, ‘I want to produce,’” he says. The pot was always wrg and tellg jok, preferably wh his bt iends. “But ’s started to bee somethg that's really ol. The moments where you get to allow people you rpect and admire and thk have ol new voic fulfill the thgs they want to do, 's really gratifyg. The amount of attentn those two shows got this year was so rad.” </p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p>Developg two buzzed-about edi will certaly boost your reputatn, but nothg gets scripts and projects sent your way like sellg your die movie to Hulu and <em>Parase</em> distributor Neon at Sundance for $17 69 cents. (“Hulu sisted," he jok. "I n't remember who exactly suggted , but I'm pretty sure was Hulu.”) That al was meant to give <em>Palm Sprgs</em> a theatril release. The panmic means go directly to Hulu on Friday, along wh a few socially distant drive-s. This might be a blsg disguise, Samberg not. “There's fely the box office part of puttg out movi that I was dreadg all over aga,” he says. “Obvly I haven't had smash-h succs that partment,” he says. Many of the films he’s starred have bee cult classics—which is another way of sayg that most of them have failed to make back their budgets.</p></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="k2rwv"></div></div></div></div><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0 ArticlePageChunksGrid-hfxa bDFJoo"><div class="GridItem-buujkM kHPPIF grid--em"><div class="BodyWrapper-kufPGa edvONh body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p>He fds himself an tertg spot, reer-wise. A seven-year stt on <em>Saturday Night Live</em> assur you a gree of fame. The specific nature of Samberg’s Digal Short-pneerg tenure—his but was roughly cint wh that of YouTube, where his clips ntue to rack up hundreds of lns of views—put him on even more timate terms wh his dience. Seven more years showg up peopl’ livg rooms as Detective Jake Peralta on <em>Brooklyn Ne-Ne</em>, epened that relatnship even further, cementg him as the charmg, funny-face-makg guy si the TV.</p><div class="AdWrapper-dQtivb fZrssQ ad ad---ntent"><div class="ad__slot ad__slot---ntent" data-no-id="lms7y"></div></div><p><em>Palm Sprgs</em> was supposed to be a ltle different— was built part to retroduce Samberg to the world as the star of films like this, rather than, say, <em>Hot Rod</em>. “We talked about movi like <em>Eternal Sunshe</em> and <em>Punch-Dnk Love</em>, terms of stg a edian who is known for makg people lgh and g somethg different him,” says the film’s director Max Barbakow. And Samberg had that different somethg, star Crist Milti tells me. “He gets very vulnerable and raw, and I was so blown away by that,” she says. “He's so good at that.” A gapg existential chasm opens up ont of a guy who jt wants to have a good time. Samberg div headfirst.</p><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO dUOtEa AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset rponsive-image"><noscript><img alt="Image may nta Hat Clothg Apparel Human Person Plant Flower Blossom Flower Bouquet and Flower Arrangement" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" siz="100vw"/></noscript></picture></span></div></figure><p>It was all lg up, a lucky leap forward a reer that’s followed a relatively steady progrsn. Sure, his movie wouldn’t e out theaters. But would be released on the platform that already hosts the shows that ma him famo, where his fans know him bt. He was grateful for his mellow quarante. He was liverg cktails to his grillmaster-wizard-harpist wife. He was tchg up on some sorely need pretend-mermaid playtime wh his dghter.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-1 viewport-monor-anchor"></div><p>By the time we spoke, Samberg’s mellow time-loop had gone a ltle wobbly at the edg. Coronavis s were spikg Los Angel, junkg our plans to meet for a send terview. The prott movement had lled to qutn the viabily of his day job—uld <em>Brooklyn Ne-Ne</em> exist a fund-the-police world? A season spent ntemplatg the quiet joys of repetn had given way to somethg more like real life.</p></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="1l1ll"></div></div></div></div><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0 ArticlePageChunksGrid-hfxa bDFJoo"><div class="GridItem-buujkM kHPPIF grid--em"><div class="BodyWrapper-kufPGa edvONh body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><hr/><p><strong>Don Rickl had the sult</strong>. Jerry Sefeld had the quotidian gripe. Andy Samberg, to his ocsnal chagr, has the edy rap song. Pretty much the only job he ever wanted was <em>SNL, basilly</em> anized his life around gettg there. He transferred om UC Santa Cz to NYU’s film program, did standup for a while after llege, and suffered through what he scrib as a miserable dn for a sketch-edy theater, sce seemed like that was another viable path to Stud 8H. But the bs that really worked—on his way to <em>SNL</em>, as well as durg his time there—were the vios, many of them song-based, he ma wh his junr high bt buds Akiva Schaffer and Jorma Tacne. All three had grown up on a diet of goln-age hip hop, gettg to rap and reggae while attendg Berkeley High. And when they rned L.A. after llege, they regnized that, sce none of them uld sg, rappg uld be “a wonrful livery system for jok,” Samberg explas. Their relatnship to the form is plited: “There's strangely no one who dislik edy rap more than ,” he says now. “It jt happened to be somethg that we started dog as a joke, jt for ourselv, that people really enjoyed.”</p><p>The group honed s craft to a laser-sharp, transcenntly dumb pot, llg themselv The Lonely Island and postg vios onle. Those vios got them a gig wrg jok for Jimmy Fallon’s MTV Movie Awards hostg gig 2005, and on Fallon’s remendatn, the group sred <em>SNL</em> dns. Lorne Michaels was charmed, signg all three—Tacne and Schaefer joed the wrg staff, while Samberg was hired as a st member. <a href=">“Lazy Sunday,”</a> which saw Samberg and Chris Parnell vigoroly rappg about cupk and <em>The Chronicl of Narnia</em>, aired December 2005; that week, traffic to an upstart vio-hostg se lled YouTube jumped by more than 80 percent. The Lonely Island would go on to produce more than a hundred more shorts for the show. He was always better known for his pretaped shorts than for appearg live sketch. His <a href=">Nilas Cage imprsn</a> radiated an tensely appealg psychotic bliss.</p><p>To a gree, Samberg and his iends were jt dog what ma them lgh. And while Samberg’s goofy affect and floppy haircut uld give the imprsn that they weren’t thkg terribly hard about the procs, they were edy technicians. Real grrs. And beyond that, they were gnizant of how easily their work uld tip to iffy terrory. “To be blunt,” Samberg says, “beg a whe person makg edy raps is a dicey game. And we were aware of that om the start.” So they approached the genre om a place of love, staplg dick jok to -the-know allns to eper-cut rap and R&B. Perhaps more importantly, all their work adhered to one le: <em>We have to be the butt of all the jok.</em></p><p>And so Samberg’s characters, buffoons an ever-expandg universe of dipshtery, were always the punchle. They’d jizz their pants, and bang their iends’ moms, and brag about recent acts of terurse, never the wiser that the jok were on them. Over time, The Lonely Island’s body of work alced to somethg like a five se agast whe-bro masculy. This, too, me om experience. Growg up, he says, “the really aggro, macho dus were the on that we didn't really jive wh. You get olr and you realize a lot of that is learned and tght, and not necsarily the flt of a kid. But makg fun of is always funny to , makg fun of dus that are sexist and homophobic and all that.” (His thkg has evolved there, too: “The way that you make fun of that has evolved, even. There was a time when, for , the way that we thought was really funny, you n argue was gay panic.”)</p></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="chn"></div></div></div></div><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0 ArticlePageChunksGrid-hfxa bDFJoo"><div class="GridItem-buujkM kHPPIF grid--em"><div class="BodyWrapper-kufPGa edvONh body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p>That people might not be on the joke was an occupatnal hazard. “The fear wh edy is that people will like for the wrong reason—like, that's your worst se scenar succs,” he says. “I’m on a Boat,” a song about asshol on a boat, has bee a sort of anthem for asshol on boats. Such are the lims of edy rap.</p><p>Sometim a blunter approach is required. Co-hostg the 2019 Goln Glob, Samberg smuggled a not-que-joke about Ryan Coogler’s <em>Black Panther</em> to his openg monologue. He <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">posed a qutn to the director</a>, all well-meang but tastrophilly ill-equipped whe guy: "Ryan, were there, like, a bunch of old members of the actual Black Panther Party sayg, 'I n't even get an dn?'” The mera cut to Coogler, who looked befuddled. Samberg, all one breath, quickly unrcut the premise: “Jt kiddg, they were all amed and murred for wantg jtice and equaly. The world is and always has been a nightmare; jt seems worse now bee of our phon."</p><p>“It's not even really a joke,” Samberg says when I ask him about . “The joke is, I'm jt sayg the ernment fucked over the Black Panthers. The joke is that I'm settg up by makg seem like 's gog to be a super tone af, wack joke.” He’d met Coogler a few tim, knew they were both om the Bay, was blown away by <em>Fvale Statn</em>, Coogler’s 2013 film about the police murr of Osr Grant, and need to wre some jok about <em>Black Panther</em>.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-2 viewport-monor-anchor"></div><p>It was ls a chance to get polil, he explas, than jt a good joke, and one he felt prepared to tell: “That's somethg that I know about for real, [that] I've read about and learned about,” he says. Also, killed at rehearsal: “I wanted to say bee when I did the read-through, everyone lghed and was like, ‘That's ol. That's a good thg to say.’ And I was like, ‘Yeah. It feels right.’” He was the butt of the joke. He also got the lgh.</p><hr/><p><strong>When Samberg and I speak</strong>, the prott movement sparked by Gee Floyd’s murr by Mneapolis police has entered s third month. Statu are beg torn down, universy buildgs renamed. For the first time maybe ever, the role of policg Amerin life seems up for bate. But the fate of shows <em>about</em> police is altogether cloudier. <em>Cops</em> and <em>Live PD</em> have been nceled, while <a href=">shows about so-lled “good ps” have e unr scty</a>. Thgs seem somehow trickier for a edy like Samberg’s <em>Brooklyn Ne-Ne</em>, which is thought to excsively sanize police. In our moment of crisis, <em>Ne-Ne</em>’s well-tentned approach seems perhaps not up to the moment.</p><p>Samberg is quick to acknowledge that realy. He’ll also note that “I jt don't feel really like I'm the person to make any grand statement about . I know this is what everyone's sayg, but 's the right thg to say, which is: I'm really more listeng and learng mo.”</p></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="clfsy8"></div></div></div></div><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0 ArticlePageChunksGrid-hfxa bDFJoo"><div class="GridItem-buujkM kHPPIF grid--em"><div class="BodyWrapper-kufPGa edvONh body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p>When I ask about the new landspe the show will have to ntend wh, he slows down. He tak his time before answerg, seems a ltle anx, wants to get right. “We don't have the answer yet. I'll tell you that,” he says. The wrers have gone back to the drawg board wh their plans for season eight, he says, “and also taken a break to give a beat, and feel what's gog on a ltle more, and read more.” The whole team has been readg about police reprentatn film and televisn. Shownner Dan Goor and the st <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">donated $100,000 to the Natnal Bail Fund Network</a>.</p><p>Samberg has been thkg about the lims of the show’s effectivens, s power to do what set out to. “We've done, quote-unquote, ‘the bt we uld’ so far,” he says. “Could we have done more? Of urse. Anytime anyone's a posn where they're askg themselv, ‘Could I have done more?’ the answer is always y. It's about what the goals were, and for , the goal, maybe naively so, was more about lghs. We were makg a workplace edy and we tried to acknowledge the thgs about policg that were not ial along the way.” He knows they’ll have to do more.</p><p>It’s not an exce, but ’s worth notg that Samberg was a ltle hant about playg a p to beg wh. “I didn't grow up beg like, ‘Tst and love the ps,’” he says. But, he not quickly, “I also didn't grow up Black or Lato and have to actually be fucked wh.” Early on, he’d joke wh his stmat about how odd was, that this squad of profsnal funny people had wound up wearg prop guns prop holsters.</p><p>At first, was easy enough to skip past that ncern. His ntract had n out at <em>SNL</em>, and, feelg a ltle burnt out om producg his weekly shorts, he’d cled to renew . He didn’t have tert leadg a work s, necsarily, but he’d ma a personal le to do whatever Ta Fey and Amy Poehler did, and they’d both done that. “That has never steered me wrong. They are smart and good,” he says, lghg, aware of the unrstatement. He felt a particular kship wh Poehler, thanks to what he lls a shared “buoyancy our styl.” When the producers Mike Schur and Dan Goor me llg, he was ready to listen. They’d built <em>Parks and Recreatn</em> around Poehler, and though Samberg don’t watch much work TV, the nnectn helped: “<em>Parks and Rec</em> was a fantastic show and I loved , and my wife loved , and we watched , and I love Amy, and I love Mike Schur,” he says, all bubbly effivens. “And he and Dan Goor asked me if I wanted to do another one of those, basilly, and I was like, ‘Sh, I have to say y.’</p><p>The show was sweet, a strong ensemble buoyed by Samberg’s cheery clowng. He won a Goln Globe after the first season. He was goofg off, but he was growg, too. His <em>Ne-Ne</em> character Jake Peralta is a typilly joyful Samberg dg, a tective trated that his job don’t more closely remble Bce Willis’s <em>Die Hard</em>. The show’s ratgs wavered over the urse of s five seasons on Fox, but the dience did reta was voted enough to help fd new life—two seasons and untg—on NBC. That adoratn uld be creded part to the seri’ willgns to tackle, if awkwardly, the real-world issu that cut agast the <em>Ne-Ne</em> fantasy of kooky, kd-hearted ps. The show voted plotl to workplace sexism, rptn, and, most strikgly, racial profilg: one episo fds Terry Crews’s off-duty police sergeant <a href=">harassed by a fellow p</a>, and foc on a nversatn he has wh Andre Brgher’s precct pta. Two Black ps batg whether one should e forward wh a potentially reer-hrg accatn, the whole thg wrten by a Black wrer, Phil Augta Jackson: Hollywood is no one’s ia of an equable space, but this had to be better than the alternative, right?</p></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="1yo9w"></div></div></div></div><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0 ArticlePageChunksGrid-hfxa bDFJoo"><div class="GridItem-buujkM kHPPIF grid--em"><div class="BodyWrapper-kufPGa edvONh body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO dUOtEa AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset rponsive-image"><noscript><img alt="Image may nta Clothg Apparel Coat Human Person Plant and Grass" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" siz="100vw"/></noscript></picture></span></div></figure><p>The st and crew always knew that their televisn show wasn’t the real world, anyway, Samberg says. “We've always seen the show as a fantasy of what we would like the world to look like,” he explas. The whole project reprented a kd of liberal wishful thkg: “Wouldn't be amazg if there was a precct like the Ne-Ne, this re group of tectiv that has the moral pass you would wish for, and is tly diverse and reprents a lot of different people?”</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-3 viewport-monor-anchor"></div><p>But the next episo of <em>Brooklyn Ne-Ne</em> will air a world transformed first by a panmic and then by a reckong over the role of policg Amerin life. Thgs will change: Terry Crews has said that the show’s wrers junked an ial n of four episos they’d already wrten, and ’s all but certa that the show will addrs our new moment. It’s gog to be hard, Samberg says, and though he’s wary of soundg fensive, he has a pot. Bee even an adjted <em>Brooklyn Ne-Ne</em> will still have to liver ratgs, and appeal to an dience that se as a source of fort, not provotn. “We're gog to be strikg a balance between dog that”—reckong wh s of police btaly—“and puttg on a show that people who love [] have been watchg for seven years,” Samberg says. “And they're expectg somethg specific, pecially wh edy.” Whether dienc will be ready to lgh along wh their favore tectiv aga—whether the show’s breezy tone n persist a fund-the-police world at all—is an open qutn.</p><p>The trick of , really, is that his tried and tted tools aren’t of much help here. “There's nothg funny about what we've been seeg om the police,” Samberg says. “It's not a lghg matter.”</p></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="4xv6cp"></div></div></div></div><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0 ArticlePageChunksGrid-hfxa bDFJoo"><div class="GridItem-buujkM kHPPIF grid--em"><div class="BodyWrapper-kufPGa edvONh body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><hr/><p><strong>When Samberg was his early twenti</strong>, bblg together standup gigs and shootg early Lonely Island vios, he read an terview that Will Ferrell had given. This would have been smack the middle of Ferrell’s legendary n on <em>SNL</em>, and yet here was Ferrell, holdg the only job Samberg had ever wanted, explag that even <em>he</em> was wag for the whole adorg world to realize he was a d. The realizatn h hard. “Me at that age, readg that about him at that time, thkg he is maybe the funnit person to ever live, perd, [I] was like, ‘Oh fuck, there's no end.’ You're never on solid ground,” he tells me durg our send talk. That feelg, he explaed, never really went away—not when he got the <em>SNL</em> gig, not after he shot to fame on the show. And not now, eher, not really. “I'm more secure than I was,” he says. “But I don't tst .”</p><p>This echoed somethg he told me our ial terview. He’s worked hard, he said, to fd the work-life balance that beg a father and a hband requir; tradg the chaos of <em>SNL</em> for the work orr of <em>Ne-Ne</em> has helped. But no matter how full his lendar gets, he still stggl to turn down bucket-list gigs. “I'm not out of the mdset of, like, ‘Holy sh, I got asked to do blank. I have to do , or else I'll never get to do aga,’” he said. If he says no, well—what if he don’t get asked aga? Theoretilly, he’s been playg wh hoe money sce leavg his dream job 2012. But that don’t mean the hoe n’t change the l. “Somewhere I do genuely believe ,” he said. “If you don't take the opportuni when they're there, they'll go away.”</p><p>So 2019, Samberg shot the seventh season of <em>Brooklyn Ne-Ne</em>. He said y to -hostg the Goln Glob, and also to gog out on a Lonely Island ncert tour. He ma a sublimely weird <a href=">“visual poem” about Mark McGwire and Jose Canse</a> wh Akiva Schaffer, too, unr the logic that their most seemgly bird-braed ias (“Jack Sparrow,” notably) had an odd way of fdg enormo succs.</p><p>The <em>Palm Sprgs</em> shoot had to be crammed there, too, somewhere. He gets sent lots of potential scripts, but this was the rare one that checked all his box. The tone was there— uld benef, even, om a dose of Lonely Island chaos, and the kd of beefed-up romantic arc they’d learned matters while workg wh Judd Apatow on <em>Popstar</em>. It was the sort of genre-bendg movie he’d pay money to see, jt as a civilian. That felt good. Perhaps most importantly, he thought he uld actually do the part.</p><p>This was not an signifint nsiratn. “In the begng I was like, ‘I fely am not a good actor,’” he says, bluntly. He’d always felt a ltle weird about actg, generally, his Lonely Island antics a rebuttal to theater-kid talk-about-your-craft work. A role oppose his pal Rashida Jon the rom- <em>Celte and Jse Forever</em> helped shift his thkg, as did a strangely touchg scene oppose Adam Sandler <em>That’s My Boy</em>, “which is an sane movie,” Samberg says. “It feels weird to say , but when we shot that scene, I remember afterwards beg like, ‘Oh, that was kd of nice.’" By the time <em>Palm Sprgs</em> me along, he was feelg a ltle more nfint his rume. “I feel like I've gotten a ltle better at actg,” he says, “havg done so much of over the last 14 years or whatever.”</p></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="72cy0h"></div></div></div></div><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0 ArticlePageChunksGrid-hfxa bDFJoo"><div class="GridItem-buujkM kHPPIF grid--em"><div class="BodyWrapper-kufPGa edvONh body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p>The shoot was a blur, wh Samberg jugglg his biggt movie role half a wh the hundreds of small-bore cisns required of a producer. Constant nversatns about the number of tak they’d have time for. Remrs of the gree to which they were fallg behd schle, of the killer bs that would then have to be cut. Inially, he’d thought he uld maybe borrow a trick om Sandler and brg the whole fay up to Palm Sprgs for a few months. For reasons of budget (the shoot lasted three short weeks) and tax rebate (Palm Sprgs was played by scffy Los Angel suburbs), that plan was scrapped. But the traoff, he says—he’d make that aga a heartbeat. “The reason to make an die—to, like, eat sh on gettg paid money and havg a good schle and havg a good trailer and all of the chy movie ameni,” he says, “you forego that bee you're creatively exced about what you're dog. That was fely this.”</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-4 viewport-monor-anchor"></div><p>The film’s gotten great reviews so far, easily the bt of Samberg’s reer. There’s that huge sale number they sred at Sundance, too, and the producg work that’s geysered to the Lonely Island office, past the songwrer Babyface’s piano and onto Samberg’s sk, as a rult. (It’s Babyface’s old office.) The rona-affected release, of urse, means Samberg won’t have the chance to break his openg-weekend curse, and what be of <em>Brooklyn Ne-Ne</em> remas a thorny problem yet to be solved. Challeng, sure, but also not more than that.</p><p>The whole thg remd me of the way he scribed the appeal of <em>Palm Sprgs</em>'s script. “It was well-wrten, and mixed wh real edy. Which, for me, is how life feels," he'd said. “It's miserable and terrifyg and wonrful and betiful.” He chuckled. "And the darkt moments, edy ris out of .”</p></div></div></div></div></div><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0 PaywallInleBarrierWhWrapperGrid-fyrGfS jyGBoi"><div class="GridItem-buujkM kHPPIF grid--em"><div class="body body__le-barrier article__body article__body--grid-margs"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"><asi class="PaywallInleBarrierWrapper-iBnuqk lfXXa-D" data-ttid="PaywallInleBarrierWrapper"><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--paywall-le-barrier" role="prentatn" aria-live="pole" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--paywall-le-barrier"></div><div class="journey-un"></div></div></asi></div></div></div></div></div></div><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0 ContentWrapperGrid-fvkmBv jfHKjr"><div class="GridItem-buujkM kHPPIF grid--em"><div class="body body__ntaer"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"></div></div></div></div></div></div></article><div class="ContentFooterWrapper-jVNdRG dTJkpP ArticlePageContentFooterGrid-ccsXYy eMZRHU article-body__footer"><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0"><div class="GridItem-buujkM kHPPIF grid--em"></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0"><div class="GridItem-buujkM kHPPIF grid--em"><div data-ttid="TagCloudWrapper" class="TagCloudWrapper-gGgndx izEVNC ContentFooterTagCloud-krQmRG ZLGh"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudSectnHear-cOforY iUEiRd dUgcfE kQQRmu">Related Stori for GQ</span><a href="/about/andy-samberg" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd fhQbnq iGlBER hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd fdqZBT bUkXwu">Andy Samberg</span></a><a href="/about/entertament" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd fhQbnq iGlBER hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd fdqZBT bUkXwu">Entertament</span></a></div></div></div></div><div data-ttid="ContentFooterBottom" class="ContentFooterBottom-jwWZfC kcbyiW"><div class="ntent-bottom-anchor"></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-footer" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-footer"></div><div class="journey-un"></div></div><div data-attr-viewport-monor="" class="recirc-list-wrapper viewport-monor-anchor"><div class="RowWrapper-UmqTg HEhan"><asi class="RecircListTextOverlayWrapper-EAayj ikNPKA ContentFooterRelated-kEBiFe kVUuwq"><div class="recirc-list__ntaer"><hear class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ RecircListTextOverlayHeadg-icEzDE iUEiRd fWXTnu iCFeNq">Read More</hear><ul 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class="RubricWrapper-dKmCNX hXmUmf bric bric--wh-bg BaseWrap-sc-gjQpdd BaseText-ewhhUZ OverlaySummaryItemRubric-bFqsqT iUEiRd bGlCJj cvqxGA"><span class="RubricName-fVtemz cLxcNi">Culture</span></div><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp"><div class="ClampContent-hilPkr jVhSBH"><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ OverlaySummaryItemHed-cljMtD iUEiRd hNEuYK cRpZRn">It's Always Sunny Glenn Howerton's Bra</div></div></div><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl OverlaySummaryItemByl-bogcUE fjwtNK"><p class="ByleWrapper-jWHrLH bfGBQB byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd dlWgVJ gnILss byle__preamble">By </span>Lren Bans</span></span></p></div></div></a></li><li class="RecircListTextOverlayItem-dLTGJZ 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