Contents:
A BRIEF HISTORY OF LBIAN, GAY, BISEXUAL, AND TRANSGENR SOCIAL MOVEMENTS
But ’s not that we’re rels; ’s that unlike, say, the gay whe men who have been given all too much cred for fluencg ntemporary visual culture, we’re simply not out to appease the male gaze. STEINER her own clothg; the mician MESHELL NDEGEOCELLO her own clothg; the artist NICOLE EISENMAN a vtage jacket, urty of What Go Around Com Around, (212) 343-1225, and her own clothg; the wrer EILEEN MYLES a Gucci blazer, $3, 500,, and their own clothg; the wrer ROXANE GAY a Universal Standard jacket, $448,, and her own clothg; the artist MICKALENE THOMAS a Balenciaga jacket, $2, 390, (212) 328-1671, and her own clothg; the filmmaker LORENA RUSSI a Laste su, price on requt, ; the filmmaker SU FRIEDRICH her own clothg; the artist TIONA NEKKIA McCLODDEN her own clothg; the actor-mol JENNY SHIMIZU a Raf Simons at, $5, 495,, and her own clothg; and the wrer ALISON BECHDEL her own clothg.
But wasn’t until the 1960s and early 1970s that butch, themselv at the tersectn of the burgeong civil, gay and women’s rights movements, beme a more visible and viable muny.
“In my early 20s, I intified as a stone butch, ” says the 45-year-old wrer Roxane Gay. Compoundg the ual homophobia and misogyny, black and brown butch mt ntend wh racist assumptns: “Black women often get read as butch whether they are butch or not, ” Gay says.