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'PASSAG' DIRECTOR NOUNC 'DANGERO' NC-17 RATG ON A FILM PICTG A GAY LOVE STORY
Throughout the history of cema, there have been grippg and groundbreakg LGBTQ+ films – stori takg the liv, history, and experienc of people who intify as gay, lbian, bisexual, transgenr, pansexual and beyond. A key shkicker the early '90s New Queer Cema movement, Araki took a baseball bat to hetero-normative culture and explored gay life on the margs durg Bh's admistratn films by turns funny, ank and anguished.
The Livg End is his bt picture, a so-lled 'gay Thelma & Louise', as film cric Jon (Craig Gilmore) and drifter Le (Mike Dytri), both diagnosed as HIV-posive ("the Neo-Nazi Republin fal solutn, " says Jon about AIDS), kill a homophobic p and go on the lam, offg any bigot who stand their way. It's a rare early '90s gay film which no-one di or trmatilly out.
Buy on Amazon UK3 of 50Eliza Htman's send film is an timate portra of ternalised homophobia and toxic masculy, the bed force of which sends Frankie (a brilliant breakout om future star Harris Dickson) to a tailsp. Pched very much as an antihero, Woodroof is shown as toxilly homophobic before his illns, velopg empathy for fellow gay and trans patients across the film. All that, and am Dive as a pneer who preced the trends of punk, dis and techno before they h big, and reveals the very human vulnerabily behd the sndalo on Amazon UK7 of 50Conversn therapy isn't new ground for LGBTQ+ cema, but Diree Akhavan's take on one of the most sid forms of homophobia blends drama, edy, and an timate die sensibily a film that wtily rais a cked eyebrow at their ridiculo practic, whout unrmg the pa and harm they e to those forced to enter them.