IF “GAY THEATER” is fed as beg by, for, and about uncloseted gay people, then 2014 arguably marks the 50th anniversary of the genre’s existence.
Contents:
1964: THE BIRTH OF GAY THEATER
* lgbt theatre history *
In 1964, spe a social climate of homophobia that pervad Amerin life for the send third of the 20th century, two one-act plays prented Off-Off-Broadway at the Caffe Co revolutnized how gay characters uld be reprented theatrilly. We uldn’t jt log on to the ter or turn on the televisn to fd reprentatns of ourselv, we had to triangulate and hypothize om half-hts and sual pretory remarks by New York wrers about Greenwich Village parti and ffeeho that wh an only half-discerned arty Bohemian environment there might possibly be a ltle more acceptance of homosexuals.
A BRIEF HISTORY OF GAY THEATER, THREE ACTS
In the first half of the 20th century, you uld be arrted for stagg a gay play. Theatr uld be packed and shows sold out, but that wouldn’t stop them om beg shut down for "obscene" ntent. * lgbt theatre history *
In tanm wh the work of activist polil groups, which had begun anizg the late 1950s, the wrers at the Caffe Co—wh their wild talents for turng fantasy to theatril realy for their untercultural dienc—metaphorilly gave birth to the ncept of “gay liberatn. LANFORD WILSON and Robert Patrick were not unaware that their impulse to wre plays about openly gay characters was chartg new terrory, as wns Wilson’s “thor not” to “The Madns of Lady Bright”: “I believe the ia of the play shocked me.
By reversg the prumptn of heterosexualy as origal tth, and puttg the “straight man” a posn which he mt expla his “foreign” sexualy to a gay man, the playwright language to unrme the heterosexist perceptn of realy. It is by no means as ntroversial as many plays wh central male gay them, but has to work doubly hard bee of this lack of other lbian storyl on the stage, somethg that is dire need of changg and that Fun Home self uld In Ameri by Tony Khner The exploratn of AIDS 1980s Ameri an epic unrtakg, and Angels Ameri is a suably epic play.
A wealth of work me the followg two s that fed the gay experience of HIV and AIDS wh artists such as Neil Bartlett and plays cludg Robert Chelsey’s Night Sweat, Larry Kramer’s The Normal Heart (the first play about AIDS the Wt End), Ja Hood and Bill Rsell’s Elegi for Angels, Punks and Ragg Queens as well as Tony Khner’s monumental Angels Ameri. The Drill Hall ntued to be a centre for LGBTQ+ shows, cludg work om performance artists Djola Bernard Branner, Brian Freeman and Eric Gupton, otherwise known as Pomo Ao Homos (Postmorn Ain Amerin Homosexuals) – their show Fierce Love played at the venue 1992.
GAY RIGHTS
In wrg , Crowley had liberately taken up the challenge tossed down by the theater cric Stanley Kffmann, who a 1966 New York Tim say headled “Homosexual Drama and Its Disguis” asked why that era’s most famo gay playwrights — meang Edward Albee, Tennsee Williams and William Inge — didn’t wre about themselv and leave straights alone.