Disney executive producer Latoya Ravene says her team has implemented a "not-at-all-secret gay agenda" and is "addg queerns" to films.
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LEAKED VIOS EXPOSE DISNEY’S ‘NOT-AT-ALL-SECRET GAY AGENDA’
Trevor is a transgenr gay character om Shamels. This sectn is need of major improvement. Please help improve this article by edg . This sectn is need of major improvement. Please help improve this article by edg . This sectn is need of major improvement. Please... * shameless lgbt *
That beg said, the whole “gay J” story arc really uldn’t have happened whout Trevor beg troduced. In an ensemble edy, “Shamels” provid a amework for s token queer character, Ian (played by Cameron Monaghan), to be nflicted wh his gay inty. The two jt happen to be gay (and a ltle eccentric).
And moments when Ian and Mickey faced hate, specifilly om Mickey’s racist and homophobic fay, they always handled a way that empowered queer inty and reprentatn the show.
Mickey Milkovich is a gay character om Shamels. This sectn is need of major improvement. Please help improve this article by edg . This sectn is need of major improvement. Please help improve this article by edg . This sectn is need of major improvement. Please... * shameless lgbt *
What follows is a brief perd of ristance om Lip, who is not ready to accept that his brother is gay. This do not mean, however, that reprentatns of gayns Shamels, nor beg a gay character the show, is whout issue.
Reprentatns of queer1 people popular televisn and film often align wh what sexuali scholars refer to as a “post-gay” narrative (see Coleman-Founta 2014; Rsell et al.
Here, social, polil, and legal advanc over the last are ed as evince that homophobia is a thg of the past, and that the Uned Stat has achieved what Gay Liberatnists set out to acplish s earlier: equaly. Here, queer televisn characters are fully tegrated to their workplace, fai, and schools, wh ltle—asi om the ocsnal homophobic bully—nflict. The post-gay narrative obscur an important dimensn of ntemporary queer polics: acceptance is often ndnal, suatnal, and ntgent on race, class, and genr privilege (Fields 2001; Mart et al.