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One of Ameri’s most beloved artists kept a secret. Andy Warhol — pop artist and gay in — was also a lifelong Catholic who went to mass regularly at a church New York Cy’s Upper East Si.

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ANDY WARHOL AS A GAY ARTIST NFLICT WH HIS CATHOLIC FAH

* was andy warhol gay *

While his sexualy is equently supprsed or bated, Warhol was a gay man who had several partners throughout his life.

This tour trac Warhol’s romantic relatnships and queer inty agast the backdrop of the historil gay rights movement the Uned Stat. “In New York, he pletely threw himself to this creative queer muny, ” Moran even the New York gay and arts scen, Warhol — who as a public figure was famoly elive about his bgraphil tails and inty — was “almost but never que out, ” Gopnik wr his Warhol bgraphy. “Anyone wh half a bra realized that Warhol was gay, but he didn’t actually e out and say really until the 1970s and ’80s, and even then was only said a somewhat jokg way, ” Gopnik ’s artistic immersn gay culture New York is on view a selectn of his early le drawgs om the 1950s featured the Tate exhib.

ANDY {LOR:#595959;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-WEIGHT:600;MARG-BOTTOM:0.625REM;}@MEDIA(MAX-WIDTH: 48REM){{FONT-SIZE:0.875REM;LE-HEIGHT:1.2;}}@MEDIA(M-WIDTH: 48REM){{FONT-SIZE:1.25REM;LE-HEIGHT:1.2;}} A{-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;TEXT-RATN-THICKNS:0.0625REM;TEXT-RATN-LOR:HER;TEXT-UNRLE-OFFSET:0.25REM;LOR:HER;-WEBK-TRANSN:ALL 0.3S EASE--OUT;TRANSN:ALL 0.3S EASE--OUT;} A:HOVER{LOR:#A00000;TEXT-RATN-LOR:BORR-LK-BODY-HOVER;}ANDY WARHOL WAS ONE OF THE MOST PROLIFIC AND POPULAR ARTISTS OF HIS TIME, G BOTH AVANT-GAR AND HIGHLY MERCIAL {LOR:#323232;MARG-BOTTOM:0.625REM;PADDG-RIGHT:0.3125REM;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;} SPAN{FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;LE-HEIGHT:1.6;}{FONT-STYLE:NORMAL;PADDG-RIGHT:0.3125REM;LOR:#323232;FONT-FAY:RALAS,GEIA,TIM,SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1.3;FONT-WEIGHT:BOLD;TEXT-TRANSFORM:PALIZE;}{DISPLAY:LE-BLOCK;TEXT-TRANSFORM:UPPERSE;MARG-LEFT:0.625REM;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;}UPDATED: MAR 11, {DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;}{MARG-BOTTOM:0.9375REM;POSN:RELATIVE;}@MEDIA(MAX-WIDTH: 64REM){{MAX-WIDTH:LC(100VW - (1REM * 2));MARG-LEFT:1REM;MARG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(-1 * 1REM);}}@MEDIA(M-WIDTH: 48REM) AND (MAX-WIDTH: 61.25REM){{MARG-LEFT:TO;MARG-RIGHT:TO;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC((100VW - (LC(20.625REM * 2 - 1REM) - 2 * 1REM)) / -2);}}@MEDIA(M-WIDTH: 61.25REM) AND (MAX-WIDTH: 90REM){{MAX-WIDTH:LC(20.625REM * 2 - 1REM);MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM) - 1REM - 20.625REM) / 2);PADDG-LEFT:1REM;PADDG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(LC((100VW - LC(20.625REM * 2 - 1REM) - 1REM - 20.625REM) / -2) - 1REM);}}@MEDIA(M-WIDTH: 90REM){{MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 2);MAX-WIDTH:LC(20.625REM * 2 - 1REM);PADDG-LEFT:1REM;PADDG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(LC((100VW - LC(20.625REM * 2 + 1REM)) / -2) - LC(2 * 1REM));}[DATA-HAS-SPONSOR] {MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 4);MARG-RIGHT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 4);}}{JTIFY-SELF:CENTER;POSN:RELATIVE;}@MEDIA(MAX-WIDTH: 48REM){{MARG-LEFT:-50VW;MARG-RIGHT:-50VW;WIDTH:100VW;LEFT:50%;RIGHT:50%;}}{HEIGHT:TO;}@MEDIA(MAX-WIDTH: 48REM){{MARG:TO LC(50% - 50VW);}}@MEDIA(M-WIDTH: 48REM){{MARG:TO;}}{POSN:RELATIVE;HEIGHT:TO;}{POSN:RELATIVE;--POSN:ABSOLUTE;HEIGHT:TO;} IMG{MAX-WIDTH:100%;HEIGHT:TO;} A{POSN:ABSOLUTE;}{POSN:RELATIVE;WIDTH:100%;HEIGHT:100%;OBJECT-F:VER;VERTIL-ALIGN:TOP;}{BACKGROUND:#C92228;BOTTOM:0;PADDG:.5REM;RIGHT:0;}@MEDIA(M-WIDTH: 64REM){{PADDG:0.39REM;}}{DISPLAY:BLOCK;HEIGHT:1REM;WIDTH:1REM;}@MEDIA(M-WIDTH: 64REM){{WIDTH:1.063REM;HEIGHT:1.063REM;}}{LE-HEIGHT:1;MARG-TOP:0.3125REM;}@MEDIA(MAX-WIDTH: 73.75REM){{PADDG-LEFT:0.9375REM;}}@MEDIA(M-WIDTH: 64REM){{PADDG-LEFT:0;}}{LOR:#595959;PADDG-RIGHT:0.3125REM;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;}PHOTO: BROWNIE HARRIS/CORBIS VIA GETTY {FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;PADDG-LEFT:0REM;PADDG-RIGHT:0REM;POSN:RELATIVE;}@MEDIA(M-WIDTH: 48REM){{PADDG-LEFT:3.5REM;PADDG-RIGHT:3.5REM;}}@MEDIA(M-WIDTH: 48REM) AND (MAX-WIDTH: 61.25REM){{MAX-WIDTH:45.25REM;MARG-LEFT:TO;MARG-RIGHT:TO;}}@MEDIA(M-WIDTH: 61.25REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}}@MEDIA(M-WIDTH: 73.75REM) AND (MAX-WIDTH: 100REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}}@MEDIA(M-WIDTH: 90REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}} EM{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-STYLE:ALIC;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;}{CLEAR:BOTH;NTENT:" ";DISPLAY:BLOCK;FONT-SIZE:0.7REM;LE-HEIGHT:1.5REM;HEIGHT:0REM;VISIBILY:HIDN;}{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;} EM{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-STYLE:ALIC;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;}(1928-1987){LOR:#323232;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-WEIGHT:800;LETTER-SPACG:0.02EM;MARG-BOTTOM:0.625REM;MARG-TOP:0.625REM;}@MEDIA(MAX-WIDTH: 48REM){{FONT-SIZE:1.875REM;LE-HEIGHT:1.1;}}@MEDIA(M-WIDTH: 48REM){{FONT-SIZE:2REM;LE-HEIGHT:1.1;}}@MEDIA(M-WIDTH: 64REM){{FONT-SIZE:2REM;LE-HEIGHT:1.1;}} B, STRONG{FONT-FAY:HER;FONT-WEIGHT:BOLD;} EM, I{FONT-FAY:HER;FONT-STYLE:ALIC;}WHO WAS ANDY WARHOL?ANDY WARHOL WAS A SUCCSFUL MAGAZE AND AD ILLTRATOR WHO BEME A LEADG ARTIST OF THE 1960S POP ART MOVEMENTS. HE VENTURED TO A WI VARIETY OF ART FORMS, CLUDG PERFORMANCE ART, FILMMAKG, VIO STALLATNS AND WRG AND NTROVERSIALLY BLURRED THE L BETWEEN FE ART AND MASTREAM ATHETICS. WARHOL DIED ON FEBARY 22, 1987, NEW YORK CY.EARLY LIFEBORN ANDREW WARHOLA ON AUGT 6, 1928, THE NEIGHBORHOOD OF OAKLAND PTSBURGH, PENNSYLVANIA, WARHOL'S PARENTS WERE SLOVAKIAN IMMIGRANTS. HIS FATHER, ANDREJ WARHOLA, WAS A NSTCTN WORKER, WHILE HIS MOTHER, JULIA WARHOLA, WAS AN EMBROIRER. THEY WERE VOUT BYZANTE CATHOLICS WHO ATTEND MASS REGULARLY AND MATAED MUCH OF THEIR SLOVAKIAN CULTURE AND HERAGE WHILE LIVG ONE OF PTSBURGH'S EASTERN EUROPEAN ETHNIC ENCLAV.AT THE AGE OF EIGHT, WARHOL NTRACTED CHOREA—ALSO KNOWN AS ST. V'S DANCE — A RARE AND SOMETIM FATAL DISEASE OF THE NERVO SYSTEM THAT LEFT HIM BEDRIDN FOR SEVERAL MONTHS. IT WAS DURG THE MONTHS, WHILE WARHOL WAS SICK BED, THAT HIS MOTHER, HERSELF A SKILLFUL ARTIST, GAVE HIM HIS FIRST DRAWG LSONS. DRAWG SOON BEME WARHOL'S FAVORE CHILDHOOD PASTIME. HE WAS ALSO AN AVID FAN OF MOVI, AND WHEN HIS MOTHER BOUGHT HIM A MERA AT THE AGE OF NE, HE TOOK UP PHOTOGRAPHY AS WELL, VELOPG FILM A MAKHIFT DARKROOM HE SET UP THEIR BASEMENT.WARHOL ATTEND HOLM ELEMENTARY SCHOOL AND TOOK THE EE ART CLASS OFFERED AT THE CARNEGIE INSTUTE (NOW THE CARNEGIE MM OF ART) PTSBURGH. IN 1942, AT THE AGE OF 14, WARHOL AGA SUFFERED A TRAGEDY WHEN HIS FATHER PASSED AWAY OM A JNDICED LIVER. WARHOL WAS SO UPSET THAT HE ULD NOT ATTEND HIS FATHER'S FUNERAL, AND HE HID UNR HIS BED THROUGHOUT THE WAKE. WARHOL'S FATHER HAD REGNIZED HIS SON'S ARTISTIC TALENTS, AND HIS WILL HE DICTATED THAT HIS LIFE SAVGS GO TOWARD WARHOL'S LLEGE TN. THAT SAME YEAR, WARHOL BEGAN AT SCHENLEY HIGH SCHOOL, AND UPON GRADUATG, 1945, HE ENROLLED AT THE CARNEGIE INSTUTE FOR TECHNOLOGY (NOW CARNEGIE MELLON UNIVERSY) TO STUDY PICTORIAL SIGN.POP ARTWHEN HE GRADUATED OM LLEGE WH HIS BACHELOR OF FE ARTS GREE 1949, WARHOL MOVED TO NEW YORK CY TO PURSUE A REER AS A MERCIAL ARTIST. IT WAS ALSO AT THIS TIME THAT HE DROPPED THE "A" AT THE END OF HIS LAST NAME TO BEE ANDY WARHOL. HE LAND A JOB WH GLAMOUR MAGAZE SEPTEMBER, AND WENT ON TO BEE ONE OF THE MOST SUCCSFUL MERCIAL ARTISTS OF THE 1950S. HE WON EQUENT AWARDS FOR HIS UNIQUELY WHIMSIL STYLE, G HIS OWN BLOTTED LE TECHNIQUE AND BBER STAMPS TO CREATE HIS DRAWGS.CAMPBELL'S SOUP CANS IN THE LATE 1950S, WARHOL BEGAN VOTG MORE ATTENTN TO PATG, AND 1961, HE BUTED THE NCEPT OF "POP ART"—PATGS THAT FOCED ON MASS-PRODUCED MERCIAL GOODS. IN 1962, HE EXHIBED THE NOW-INIC PATGS OF CAMPBELL'S SOUP NS. THE SMALL NVAS WORKS OF EVERYDAY NSUMER PRODUCTS CREATED A MAJOR STIR THE ART WORLD, BRGG BOTH WARHOL AND POP ART TO THE NATNAL SPOTLIGHT FOR THE FIRST TIME. BRISH ARTIST RICHARD HATON SCRIBED POP ART AS "POPULAR, TRANSIENT, EXPENDABLE, LOW ST, MASS-PRODUCED, YOUNG, WTY, SEXY, GIMMICKY, GLAMORO, BIG BS." AS WARHOL HIMSELF PUT , "ONCE YOU 'GOT' POP, YOU ULD NEVER SEE A SIGN THE SAME WAY AGA. AND ONCE YOU THOUGHT POP, YOU ULD NEVER SEE AMERI THE SAME WAY AGA." WARHOL'S OTHER FAMO POP PATGS PICTED CO-LA BOTTL, VACUUM CLEANERS AND HAMBURGERS. PORTRASHE ALSO PATED CELEBRY PORTRAS VIVID AND GARISH LORS; HIS MOST FAMO SUBJECTS CLU {-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;TEXT-RATN-THICKNS:0.0625REM;TEXT-RATN-LOR:HER;TEXT-UNRLE-OFFSET:0.25REM;LOR:#A00000;-WEBK-TRANSN:ALL 0.3S EASE--OUT;TRANSN:ALL 0.3S EASE--OUT;}{LOR:#595959;TEXT-RATN-LOR:BORR-LK-BODY-HOVER;}MARILYN MONROE, ELIZABETH TAYLOR, MICK JAGGER AND MAO TSE-TUNG. AS THE PORTRAS GAED FAME AND NOTORIETY, WARHOL BEGAN TO RECEIVE HUNDREDS OF MISSNS FOR PORTRAS OM SOCIAL AND CELEBRI. HIS PORTRA "EIGHT ELVIS" EVENTUALLY ROLD FOR $100 LN 2008, MAKG ONE OF THE MOST VALUABLE PATGS WORLD HISTORY.THE FACTORY IN 1964, WARHOL OPENED HIS OWN ART STUD, A LARGE SILVER-PATED WAREHOE KNOWN SIMPLY AS "THE FACTORY." THE FACTORY QUICKLY BEME ONE OF NEW YORK CY'S PREMIER CULTURAL HOTSPOTS, A SCENE OF LAVISH PARTI ATTEND BY THE CY'S WEALTHIT SOCIAL AND CELEBRI, CLUDG MICIAN LOU REED, WHO PAID TRIBUTE TO THE HTLERS AND TRANSVT HE'D MET AT THE FACTORY WH HIS H SONG "WALK ON THE WILD SI"—THE VERS OF WHICH NTA SCRIPTNS OF DIVIDUALS WHO WERE FIXTUR AT THE LEGENDARY STUD/WAREHOE THE '60S, CLUDG HOLLY WOODLAWN, CANDY DARLG, "LTLE JOE" DALLANDRO, "SUGAR PLUM FAIRY" JOE CAMPBELL AND JACKIE CURTIS. (WARHOL WAS A IEND OF REED'S AND MANAGED REED'S BAND, THE VELVET UNRGROUND.) WARHOL, WHO CLEARLY RELISHED HIS CELEBRY, BEME A FIXTURE AT FAMO NEW YORK CY NIGHTCLUBS LIKE STUD 54 AND MAX'S KANSAS CY. COMMENTG ON CELEBRY FIXATN—HIS OWN AND THAT OF THE PUBLIC AT LARGE—WARHOL OBSERVED, "MORE THAN ANYTHG PEOPLE JT WANT STARS." HE ALSO BRANCHED OUT NEW DIRECTNS, PUBLISHG HIS FIRST BOOK, ANDY WARHOL'S INX, 1967.READ MORE: HOW ANDY WARHOL AND HALSTON TRANSFORMED ART, FASHN AND STUD 54IN 1968, HOWEVER, WARHOL'S THRIVG REER ALMOST END. HE WAS SHOT BY VALERIE SOLANAS, AN ASPIRG WRER AND RADIL FEMIST, ON JUNE 3. WARHOL WAS SERLY WOUND THIS ATTACK. SOLANAS HAD APPEARED ONE OF WARHOL'S FILMS AND WAS REPORTEDLY UPSET WH HIM OVER HIS REFAL TO E A SCRIPT SHE HAD WRTEN. AFTER THE SHOOTG, SOLANAS WAS ARRTED AND LATER PLEAD GUILTY TO THE CRIME. WARHOL SPENT WEEKS A NEW YORK HOSPAL REVERG OM HIS JURI AND UNRWENT SEVERAL SUBSEQUENT SURGERI. AS A RULT OF THE JURI HE STAED, HE HAD TO WEAR A SURGIL RSET FOR THE RT OF HIS LIFE.READ MORE: LEARN ABOUT VALERIE SOLANAS, THE WOMAN WHO SHOT ANDY WARHOLWARHOL BOOKS AND FILMS IN THE 1970S, WARHOL NTUED TO EXPLORE OTHER FORMS OF MEDIA. HE PUBLISHED SUCH BOOKS AS THE PHILOSOPHY OF ANDY WARHOL (FROM A TO B AND BACK AGA) AND EXPOSUR. WARHOL ALSO EXPERIMENTED EXTENSIVELY WH VIO ART, PRODUCG MORE THAN 60 FILMS DURG HIS REER. SOME OF HIS MOST FAMO FILMS CLU SLEEP, WHICH PICTS POET JOHN GRNO SLEEPG FOR SIX HOURS, AND EAT, WHICH SHOWS A MAN EATG A MHROOM FOR 45 MUT. WARHOL ALSO WORKED SCULPTURE AND PHOTOGRAPHY, AND THE 1980S, HE MOVED TO TELEVISN, HOSTG ANDY WARHOL'S TV AND ANDY WARHOL'S FIFTEEN MUT ON MTV.DEATHIN HIS LATER LIFE, WARHOL SUFFERED OM CHRONIC ISSU WH HIS GALLBLADR. ON FEBARY 20, 1987, HE WAS ADMTED TO NEW YORK HOSPAL WHERE HIS GALLBLADR WAS SUCCSFULLY REMOVED AND HE SEEMED TO BE REVERG. HOWEVER, DAYS LATER HE SUFFERED PLITNS THAT RULTED SUDN RDIAC ARRT AND HE DIED ON FEBARY 22, 1987, AT THE AGE OF 58. THOANDS OF PEOPLE ATTEND A MEMORIAL FOR THE ARTIST AT ST. PATRICK'S CATHEDRAL NEW YORK CY.LEGACYWARHOL'S ENIGMATIC PERSONAL LIFE HAS BEEN THE SUBJECT OF MUCH BATE. HE IS WILY BELIEVED TO HAVE BEEN A GAY MAN, AND HIS ART WAS OFTEN FED WH HOMOEROTIC IMAGERY AND MOTIFS. HOWEVER, HE CLAIMED THAT HE REMAED A VIRG FOR HIS ENTIRE LIFE. WARHOL'S LIFE AND WORK SIMULTANEOLY SATIRIZED AND CELEBRATED MATERIALY AND CELEBRY. ON THE ONE HAND, HIS PATGS OF DISTORTED BRAND IMAG AND CELEBRY FAC ULD BE READ AS A CRIQUE OF WHAT HE VIEWED AS A CULTURE OBSSED WH MONEY AND CELEBRY. ON THE OTHER HAND, WARHOL'S FOC ON NSUMER GOODS AND POP-CULTURE INS, AS WELL AS HIS OWN TASTE FOR MONEY AND FAME, SUGGTS A LIFE CELEBRATN OF THE VERY ASPECTS OF AMERIN CULTURE THAT HIS WORK CRICIZED. WARHOL SPOKE TO THIS APPARENT NTRADICTN BETWEEN HIS LIFE AND WORK HIS BOOK THE PHILOSOPHY OF ANDY WARHOL, WRG THAT "MAKG MONEY IS ART AND WORKG IS ART, AND GOOD BS IS THE BT ART."{BORR:0;BORR-BOTTOM:TH SOLID BLACK;MARG:1.875REM 0;CLEAR:BOTH;}QUICK FACTS

Together, they rell not only a “moment of gay life New York, ” as Gopnik not, but also Warhol’s role as both a wns to and a participant that the drawgs, like most of Warhol’s explic works throughout the 1950s, were not well received by the U. Like the early le drawgs, “Sleep” implicly suggts Warhol’s dual rol both as an observer of gay life and a member of . “By makg so formally avant-gar, he saved himself om havg to worry about whether people would be up arms about s gay ntent, ” Gopnik ntrast, the ntent of Warhol’s “Ladi and Gentlemen” seri, which Marsha P.

“It was rare for women who weren’t naked to be the subject of art; was extremely rare for people of lor to be the subject of art by and for the mastream world; and my gus is ’s one of very few imag of transgenr people, and certaly the only signifint reprentatn of transgenr people of lor by a major whe artist, ” Gopnik Italian art aler Luciano Anselmo missned the seri om Warhol after the artist brought him to the Gild Grape, a bar Midtown Manhattan that attracted gay and transgenr people, along wh drag queens. But the exhibn’s foc on the artist’s fah touch on the nflict, and sometime the horror, of beg a gay man a tradn that eply disapproved, and adds dimensn to what we know about Warhol’s relatnship wh his mother.

ANDY WARHOL, GAY AND CATHOLIC

Livg openly and unapologetilly gay durg a time where wasn't as socially accepted, Warhol was also fond of the nightlife scene the '70s and '80s, equentg inic spots like Stud 54 often. Pictured: Amerin film producer Lter Persky wh Warhol and Capote 1978 Warhol beme one of the world's most fluential artists by llapsg the ia of high and low culture and brgg nsumerist art to the was obssed wh celebry and ed the phrase that turned to a prophecy, that one day everyone will be famo for 15 on a personal level, Warhol has built up a reputatn for beg aloof om others, pecially when me to wr this wasn't the se and tails his nquts pth, ncludg the perceptn of Warhol as beg asexual relat to 'some remag homophobia our culture'. The tails are revealed the new book Warhol by Blake Gopnik, a 900-page book about the Pop Art geni Gopnik wr: 'If we've fally e to accept that one of our artistic ins was gay, we still prefer not to picture him ught the act wh men.

'Warhol was born Andrew Warhola 1929 to immigrants om what is now known as Slovakia Ptsburgh where beg gay uld led to beg arrted. In the 1940s sodomy was still prosecuted as a crime and the Ptsburgh police created a 'Morals Squad' whose only job was to arrt gay supposedly cried durg cuddl over the shame of growg up gay Deprsn-era Ptsburgh where gay men and women were treated like crimals.

*BEAR-MAGAZINE.COM* WAS ANDY WARHOL GAY

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jssHut nsumer-marketg-un nsumer-marketg-un--display-hero" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-hero"></div><div class="journey-un"></div></div></div><div class="SpaceHolr-oayp fXtswJ ad-height-hold"></div><ma id="ma-ntent" tabx="-1" class="BasePageMaContent-kFvAuh ewPCZH page__ma-ntent"><article class="article ma-ntent" lang="en-US"><div class="ArticlePageLeBackground-EufvU tFsh"><hear class="ContentHearWrapper-clujbs bhNIJY ntent-hear article__ntent-hear"><div data-ttid="ContentHearContaer" class="ContentHearContaer-cGKRbE knDxNq"><div class="ContentHearHedAccredatnWrapper-GFiQf cDNVlV"><div data-ttid="ContentHearTleBlockWrapper" class="ContentHearTleBlockWrapper-cjmSKp jbzVNV"><div data-ttid="ContentHearRubric" class="ContentHearRubricBlock-LmpbT kkDiIx"><div data-ttid="ContentHearRubricDateBlock" class="ContentHearRubricDateBlock-kAQcZP fTFWxD"><div class="RubricWrapper-dKmCNX dZhWBL bric ContentHearRubricContaer-eTudtt iRsSlw"><a class="RubricLk-gRWSOU fgWnkQ bric__lk" href="/culture/culture-sk"><span class="RubricName-fVtemz cLxcNi">Culture Dk</span></a></div></div></div><h1 data-ttid="ContentHearHed" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearHed-NCyCC iUEiRd NbxED hpJvIc">Andy Warhol’s Relig Journey</h1></div><div class="ContentHearAccredatn-lfctVB enhwXT ntent-hear__accredatn" data-ttid="ContentHearAccredatn"><div class="ContentHearDek-bIqFFZ Mtme">When the artist was shot pot-blank at the Factory, 1968, was a turng pot his life.</div><div class="ContentHearByle-kmPyCa gvUmxJ"><div class="ContentHearByleContent-dpPmNn DRFq"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl ContentHearByl-cZqgyJ bqbBYQ"><p class="ByleWrapper-jWHrLH ivtvgj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span><a class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM ByleLk-gEnFiw iUEiRd ggMZaT cXqSTL eErqIx byle__name-lk button" href="/ntributors/pl-elie">Pl Elie</a></span></span></p></div><time data-ttid="ContentHearPublishDate" dateTime="2021-12-07T13:51:22-05:00" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearPublishDate-eIBicG iUEiRd kYZrFA kEBrdf">December 7, 2021</time></div></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ContentHearLeadAsset-hGbumP iWPCcH lead-asset ContentHearLeadAssetWrapper-hfXHEc fTrSlG lead-asset--width-smallle" data-ttid="ContentHearLeadAsset"><figure class="ContentHearLeadAssetContent-kOfYSG dRGWbI"><div class="ContentHearLeadAssetContentMedia-bLEIpi jjhWdS lead-asset__ntent__photo"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset ContentHearRponsiveAsset-bREgIb khLUzS"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz fWLQjb"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO KhjZz ContentHearRponsiveAsset-bREgIb khLUzS rponsive-image rponsive-image--expandable"><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w, 960w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w, 1920w, 2240w" siz="100vw"/><img alt="The Amerin Pop artist Andy Warhol meets Pope John Pl II Vatin Cy." class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></div></div></span><div class="CaptnWrapper-jSZdqE iTuhkZ ptn ContentHearLeadAssetCaptn-hPWmSN kuCzGS"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo iXWezO ptn__text">After survivg beg shot, Andy Warhol vowed to go to church on Sundays. In 1980, he met the Pope.</span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd iicloT jbIJNS ptn__cred">Photograph by Lnello Fabbri / Science Source</span></div></div></figure><div data-ttid="ContentHearLeadRailAnchor" class="ContentHearLeadRailAnchor-jYVcDc djtEof"></div></div></div></div></hear></div><div data-attribute-verso-pattern="article-body" class="ArticlePageContentBackGround-cNiFNN kbAoLA article-body__ntent"><div class="ActnBarWrapperContent-lasBkU cAHp"><div class="ActnBarWrapperComponent-cjwxLS bEeSLb"><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh kNjTbQ viewport-monor-anchor"><button id="bookmark" aria-label="Save this story" class="ActnBarButton-dyFOZU hQrwCF bookmark large-screen"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Save this story</tle><path class="in-bookmark-fill" d="M20 23.9508L12.5 19.7312L5 23.9508V2.95081H14V3.93211H6V22.1845L12.5 18.5536L19 22.1845V8.83866H20V23.9508Z"></path><path class="in-bookmark-fill" d="M23 3H20V0H19V3H16V4H19V7H20V4H23V3Z"></path></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd bkefvo gkccfO">Save this story</span></button></div><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh kAEsuD viewport-monor-anchor"><button id="bookmark" aria-label="Save this story" class="ActnBarButton-dyFOZU cjjxgx bookmark mobile"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Save this story</tle><path class="in-bookmark-fill" d="M20 23.9508L12.5 19.7312L5 23.9508V2.95081H14V3.93211H6V22.1845L12.5 18.5536L19 22.1845V8.83866H20V23.9508Z"></path><path class="in-bookmark-fill" d="M23 3H20V0H19V3H16V4H19V7H20V4H23V3Z"></path></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd bkefvo gkccfO">Save this story</span></button></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ArticlePageChunksContent-etcMtP bwyLBj"><div data-ttid="ArticlePageChunks" class="ArticlePageChunks-fLyCVG Uozmo"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bDyAMU body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="has-dropp has-dropp__lead-standard-headg">On April 2, 1980, Andy Warhol met Pope John Pl II St. Peter’s Square. John Pl was the first bloom of his pontifite, and his image as a young, strong, pennt-md world cizen had been burnished by a vis to New York the prev fall. Warhol was hopg to p a seri of silk-screen celebry portras wh the Polish pontiff. Warhol and his associate Fred Hugh arrived Rome thkg they had a private dience, only to fd that their tickets were for the weekly general dience. In his <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">diary</a>, Warhol relled the event: “They fally took to our seats wh the rt of the 5,000 people and a nun screamed out, ‘You’re Andy Warhol! Can I have your tograph?’ . . . Then I had to sign five more tographs for other nuns. And I jt get so nervo at church.” He was the ont row, a V.I.P. after all. “And then the pope me out, he was on a gold r, he did the rounds, and then fally he got up and gave a speech agast divorce seven different languag. . . . That took three hours.”</p><p class="paywall">When the service was fished, John Pl went down to the crowd assembled outsi the basili, trailed by photographers, and moved along the ont row. At last, he reached Warhol. In the photographs, the two men are facg each other. John Pl is drsed all whe, tan and strong of jaw. Warhol has on a whe drs shirt, a striped tie, and an olive down jacket, and he’s holdg a mera. His sk has more lor than ual; beneath his wig, there’s gray hair tuftg out over the clear am of his eyeglass. He’s sg. He looks like an ordary person—jt another pilgrim to Rome. Warhol extends his right hand and John Pl tak his left. “I didn’t kiss his hand. . . . The mobs behd were jumpg down om their seats, was sry,” Warhol wr. He wasn’t ever able to make a silk-screen portra of John Pl, but he did get a good photograph of the Pope that day. It is classilly posed: vertil, black-and-whe, wh the sooty St. Peter’s lonna as a background and the Pope juttg to the ame wh his right arm and hand extend toward the viewer—a gture ak to those of some of the sats atop the lonnas—so that John Pl’s ey and the papal rg are the two fol pots. It’s a photograph that uld have appeared <em>Time</em> or on a postrd.</p><p class="paywall">That photograph is on view toward the end of “Andy Warhol: Revelatn,” <a href=">an exhibn</a> at the Brooklyn Mm, and v the ma qutn raised by Warhol’s work that relig imagery: What did Warhol make of all this stuff? It’s the qutn that people have asked about all his work sce the begng. One view is that he was tached and affectls, multiplyg imag mechanilly until (ntra <a href=">Walter Benjam’s predictn</a>) their ra was enhanced rather than dimished. Another is that he was fundamentally irreverent, makg movi lled “Blow Job” and “Taylor Mead’s Ass” to flout nventnal mor. A third view is that his work reflects an si-out votn: that he was a maker of ins, which together form a ntemporary smology of people and objects divized by fame.</p><le-embed name="feature-flt" attrs="[object Object]" childTyp="image" ntentType="llout:feature-flt"><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO KhjZz AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset rponsive-image rponsive-image--expandable"><noscript><img alt="A work of art by Andy Warhol." class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" siz="100vw"/></noscript></picture></span></div><div class="CaptnWrapper-jSZdqE iTuhkZ ptn AssetEmbedCaptn-fNQBPI fmQnYP asset-embed__ptn"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo iXWezO ptn__text">A new exhibn at the Brooklyn Mm mak a se for a view of Warhol as a maker of ins.</span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd iicloT jbIJNS ptn__cred">Photograph by Jonathan Dorado / Courty Brooklyn Mm; Art work by Andy Warhol / © The Andy Warhol Foundatn for the Visual Arts / Licensed by ARS</span></div></figure></le-embed><p class="paywall">The show—curated by José Carlos Diaz, of the Andy Warhol Mm, and anized for the Brooklyn Mm by Carmen Hermo, a curator there—offers ample evince to support the latter view, placg s origs, as many crics have, <a href=">Warhol’s upbrgg</a> the Byzante Catholic tradn. Born Ptsburgh, 1928, and baptized Andrew Warhola, he grew up a close-kn muny of immigrants om Ruthenia, near Poland’s southern borr. As a boy, he spent Sunday morngs gazg at Christ, the Virg Mary, and the sats the St. John Chrysostom Byzante Catholic Church, a ngregatn that followed the Byzante re—the prit hidn behd a wall of ins and ntg Old Church Slavonic—and he gaed a relig sense of the power of imag. Relig imagery was proment at home, too. His mother, Julia, ma pen-and-k drawgs of angels; a reproductn of Leonardo da Vci’s “The Last Supper” hung the hall. (“When you passed ,” he said, “you ma a sign of the cross.”) A waterlor of the livg room that he pated while he was a stunt at the Carnegie Instute of Technology shows a ccifix on the mantel—the ccifix that had been placed atop the sket of his father, Andrej.</p><p class="paywall">As a young artist New York Cy, Warhol mataed relig habs (noted Blake Gopnik’s recent bgraphy), whose full signifince is hard to make out. He went to church termtently, on his own or wh his mother, who moved wh him 1952. He drew Christmas rds for Tiffany’s. When Pope Pl VI vised New York and the Uned Natns October, 1965, Warhol marvelled at how the motor (“I mean . . . <em>the</em> Pope!”) went right past Warhol’s Manhattan stud, the Factory, on East Forty-seventh Street. The acunt of Pl VI’s vis Warhol’s book “<a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Popism</a>” prents the pontiff as an exemplar of Pop art’s bold style, om the distillatn of Pl’s msage at the Uned Natns (“sentially he said, ‘Peace, disarmament, and no birth ntrol’ ”) to s summary of Pl’s prs nference: “When the reporters asked him what he liked bt about New York, [the Pope said] ‘Tutti buoni’ (‘Everythg is good’) which was the Pop philosophy exactly.”</p><p class="paywall">By ’s end, Warhol would be dubbed the Pope of Pop, and among the imag that gaed him fame were those wh relig associatns. The “Mona Lisa” seri was ma 1963 after the Metropolan Mm of Art—wh the First Lady Jackie Kennedy’s tercsn—brought da Vci’s “Mona Lisa” om the Louvre to New York. Warhol’s “Jackie” seri, om the next year, renred Jackie Kennedy as a figure out of a pietà—like the one by Michelangelo on view at the 1964 World’s Fair Queens—wearg the veil she wore to the funeral for her hband. And, 1967, at the height of his fame, Warhol accepted a missn om the Menil fay, on behalf of the Catholic Church, and created a seri of films tled “Sunrise/Sunset” for the Vatin paviln at the World’s Fair San Anton. The paviln was never built, but one work the ltle-known seri—a long-form vio of a sunset over the Pacific—is on display Brooklyn, wh a voice-over by Ni, the chantse who played a role the Velvet Unrground. “Sunrise/Sunset” has been terpreted as a Pop unterpart to the Rothko Chapel Hoton, missned by the Menils the same perd, as a “spirual” gture toward transcennce.</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p class="paywall">In June, 1968, Warhol was shot pot-blank at the Factory (the ont page of the next morng’s <em>Daily News</em> is the exhib), and he spent two months the hospal reverg. The shootg was a turng pot his life, and his relig life. Havg survived, he ma a vow to go to church on Sundays, and the years that followed he kept the vow, his way—duckg to the Church of St. Vcent Ferrer, on Lexgton Avenue, near his town hoe, “for five mut,” before bbg to the Chelsea flea market. Havg unrgone surgery to remove the bullet, he rried the srs, which served as remrs that he was not an in—he was a man wh a body.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-1 viewport-monor-anchor"></div><p class="paywall">Two of the most powerful imag the Brooklyn show velop that pot unr the bric “The Catholic Body.” One is a photograph of Warhol by Richard Avedon, taken Augt, 1969. The black leather jacket that Warhol is wearg is pulled up to reveal a torso srred by surgery. The image evok the Ccifixn, which J’ torso is poked wh a spear by a soldier as he hangs on the Cross a tt of whether he is alive. It also rells imag of St. Sebastian—a sat, typilly shown pierced by arrows, who has drawn the votn of gay men. And anticipat the body-as-a-battleground ntroversi that would figure to the art of the neteen-eighti.</p><le-embed name="feature-flt" attrs="[object Object]" childTyp="image" ntentType="llout:feature-flt"><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO KhjZz AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset rponsive-image rponsive-image--expandable"><noscript><img alt="Andy Warhols work the Brooklyn Mm." class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" siz="100vw"/></noscript></picture></span></div><div class="CaptnWrapper-jSZdqE iTuhkZ ptn AssetEmbedCaptn-fNQBPI fmQnYP asset-embed__ptn"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo iXWezO ptn__text">As a boy, Warhol spent Sunday morngs gazg at Christ, the Virg Mary, and the sats at a Byzante Catholic church Ptsburgh.</span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd iicloT jbIJNS ptn__cred">Photograph by Jonathan Dorado / Courty Brooklyn Mm; Art works by Andy Warhol / © The Andy Warhol Foundatn for the Visual Arts / Licensed by ARS</span></div></figure></le-embed><p class="paywall">Warhol, the eighti, voted himself to work that lay at the tersectn of art and merce: stylized self-portras, <em>Interview</em> magaze, an MTV show lled “Andy Warhol’s Fifteen Mut,” a screen prt the style of an Absolut vodka ad. At the same time, he ma relig-themed art of all kds. He ma nvas of skulls and large semi-abstract cross. He drsed dolls as prits and nuns, and photographed them. He engaged new mothers to s for photographs while they nursed their babi, and om one set of photographs he produced drawgs lled the “Morn Madonna” seri. The drawgs evoke Christian imagery directly and whout parody or irony.</p><div class="Contaer-bkChBi byNLHx"></div><p class="paywall">In 1984, the art aler Alexanr Iolas offered Warhol a ln dollars to make new work to be shown Milan, a grand buildg terrnered om the Santa Maria lle Grazie—where Leonardo’s “The Last Supper” was on view. Warhol took the missn, wowed by the fee. (“So I gus I’m a mercial artist.”) Over the next year and a half, he amassed reference imag of the Last Supper, cludg tacky reproductns of Leonardo’s versn, neteenth-century art-encyclopedia entri, and a table wh pated figur of Christ and the apostl.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><asi class="PersistentAsiWrapper-VGrR daRVRt persistent-asi" style="posn:absolute;top:to;height:to" data-ttid="PersistentAsiWrapper"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="ynk4r"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></asi></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="ql14ud"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bDyAMU body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="paywall">His “Last Supper” seri, and the works nstellated around , would take myriad forms—more than a hundred works all. There’s a set of ten punchg bags, each emblazoned wh the doleful face of Christ and overwrten wh the word “JUDGE” sbro letters by Jean-Michel Basquiat. There’s a pair of whe Converse high-tops featurg a silk-screened image om an ad offerg a J night-light, and nvas screened wh e-to-J flyers. And there are dozens of reactns of the image of Christ at table wh the discipl: the face of Christ, the hand of Judas, and so on. Of the, one is pecially strikg. It’s tagged as “Be a Somebody wh a Body” (1985-86), and, , several streams of imagery nverge: the face of Christ at the Last Supper, an advertisg tagle, and a stock image of a shirtls young man, beamg as he shows off the robt physique that an exercise regimen has gaed him.</p><p class="paywall">This work is at once relig and topil. At the time Warhol ma , he was a gay man at the center of a Manhattan art-and-fashn scene ravaged by <em class="small">AIDS</em>. Robert Mapplethorpe, Sam Wagstaff, Perry Ellis, Alexanr Iolas—all had been stck by the disease. So had Jon Gould, a Paramount Pictur executive, wh whom Warhol had rried on an tense love affair; so had Mart Burgoyne, a young artist (and oime roommate of Madonna’s) whom Warhol had e to know. As the scholar and curator Jsi Beck has poted out, Warhol executed the “Last Supper” seri at a moment when <em class="small">AIDS</em> was the headl, wh Christian lears—fundamentalist Prottant evangelists and Roman Catholic bishops particular—nouncg gay life harsh and cel terms, the Reverend Jerry Falwell, for stance, clarg that <em class="small">AIDS</em> was God’s way of punishg gay men for their sful behavr.</p><p class="paywall">“Be a Somebody wh a Body” addrsed the ntroversi surroundg <em class="small">AIDS</em> obliquely. At the Last Supper, Christians believe, Christ stuted the sacrament of the Eucharist—makg the bread and we of the meal his body and blood, which he urged the discipl to eat and drk “ remembrance of me.” Wh this work, then, Warhol aligned the body of Christ and the male body, then unr siege om the <em class="small">AIDS</em> vis and om the Catholic hierarchy. And, wh the larger “Last Supper” works, Warhol ma the gatherg of the discipl an analogue for the gathergs of gay men who me together the knowledge that the iends they broke bread wh might be prent for the last time.</p><p class="paywall">Two of those horizontal, nearly life-size “Last Suppers” are mounted oppose each other toward the end of the exhibn. One is pk; the other is yellow. Each is a double: two sets of the twelve apostl, actn, flankg Christ, whose ey are downst—the rare Warhol protagonist who don’t face the viewer. This Christ, seen so often reproductn, is faiar rather than inic, and, s faiary, nveys the qualy that Warhol ced early on as a key to his work: the “prence” he saw and felt imag, whether exalted or ordary. The “Last Suppers” are not, themselv, ntroversial; they are not, themselv, relig. They are what I would ll crypto-relig—work which the qutn of whether and how they are relig is central to their effect.</p><p class="paywall">It’s powerful to see the two works together near the end of the Brooklyn exhibn. For one thg, the “Last Supper” seri turned out to be the last works that Warhol pleted before dyg unexpectedly after surgery for a burst gallbladr, Febary, 1987, and the sle of the pair lends them an advertent faly. For another, they anticipate the crypto-relig art that would follow: Andr Serrano’s “Piss Christ” (a ccifix immersed ure and photographed so that the body of Christ has a yellowish tt), and Chris Ofili’s “The Holy Virg Mary,” featurg a Black Madonna encsted wh elephant dung, among other effects—which was shown at the Brooklyn Mm 1999 and stirred ntroversy, wh Cardal John O’Connor and Mayor Rudolph Giuliani nouncg and gettg wi play the tabloids.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-2 viewport-monor-anchor"></div><p class="paywall">The “Last Suppers” are, at once, matter-of-fact and grand—and, I dare to say, perennial. The most prent-md of artists, Warhol also kept his ey on the prize of postery, and he evintly grasped that the figure of Christ and the art of da Vci had stayg power, which would acce to his treatment of the Gospel scene as the shock effect of his methods subsid. It worked: his Jacki and sunsets now seem to belong to another time, but his “Last Suppers” belong, cryptilly, to ours.</p><p class="paywall"><em>An earlier versn of this article misstated tails about the World’s Fair San Anton and the papal dience. This article was also updated to clu rmatn about the Brooklyn Mm exhib’s curatn.</em></p><le-embed name="" attrs="[object Object]" childTyp="" ntentType="llout:"><hr class="paywall"/><h2 class="paywall">New Yorker Favor</h2><ul class="paywall"><li>Some people have more energy than we do, and plenty have ls. What <a href=">acunts for the difference</a>?</li><li>How <a href=">ronavis pills</a> uld change the panmic.</li><li>The cult of <a href=">Jerry Sefeld</a> and his flip si, Howard Stern.</li><li>Thirty films that expand the art of the <a href=">movie mil</a>.</li><li>The secretive prisons that keep <a href=">migrants out of Europe</a>.</li><li><a href=">Mikhail Baryshnikov</a> reflects on how ballet saved him.</li><li>Sign up for our daily <a href=">newsletter</a> to receive the bt stori om <em>The New Yorker</em>.</li></ul></le-embed></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="t43wr"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 PaywallInleBarrierWhWrapperGrid-fyrGfS kLQIUk grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__le-barrier article__body"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"><asi class="PaywallInleBarrierWrapper-iBnuqk lfXXa-D" data-ttid="PaywallInleBarrierWrapper"><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--paywall-le-barrier" role="prentatn" aria-live="pole" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--paywall-le-barrier"></div><div class="journey-un"></div></div></asi></div></div></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ContentWrapperGrid-fvkmBv brYtrA grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__ntaer"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"></div></div></div></div></div></div></article><div class="ContentFooterWrapper-jVNdRG dTJkpP ArticlePageContentFooterGrid-ccsXYy eMZRHU article-body__footer"><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="ContributorsWrapper-eNpWFu GWFsc ntributors" data-ttid="Contributors"><div class="ContributorBWrapper-bnVHbt gMon"><div class="ContributorBContent-ubQdr jZTSSi"><div class="ContributorBHear-ledood XOIEx"></div><div class="ContributorBB-fBolsO giFhKz"><a href="/ntributors/pl-elie">Pl Elie</a> is a senr fellow at Geetown Universy. His forthg book, “Controversy,” is about relign and the arts the neteen-eighti.</div><div class="ContributorBFooter-brqDlv ezUmSv"></div></div></div></div></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div data-ttid="TagCloudWrapper" class="TagCloudWrapper-gGgndx ctyZyK ContentFooterTagCloud-krQmRG ZLGh"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudSectnHear-cOforY iUEiRd bPyAoD kQQRmu">More:</span><a href="/tag/art" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Art</span></a><a href="/tag/pop-art" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Pop Art</span></a><a href="/tag/andy-warhol" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Andy Warhol</span></a><a href="/tag/relign" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Relign</span></a><a href="/tag/mms" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Mms</span></a><a href="/tag/the-last-supper" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">The Last Supper</span></a><a href="/tag/tholicism" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Catholicism</span></a></div></div></div></div><div data-ttid="ContentFooterBottom" class="ContentFooterBottom-jwWZfC kcbyiW"><div class="ContentFooterNewsletterContentWrapper-bmjtna kixtae"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div data-ttid="NewsletterSubscribeFormWrapper" class="NewsletterSubscribeFormWrapper-fCqqkN jKSBhE newsletter-subscribe-form ContentFooterNewsletterForm-hKeYwa liPqcf"><div data-ttid="NewsletterSubscribeFormHedDekWrapper" class="NewsletterSubscribeFormHedDekWrapper-fpMElW eglIBL"><h3 class="NewsletterSubscribeFormDangeroHed-kRwWjt kbxOa-D newsletter-subscribe-form__hed ContentFooterNewsletterForm-hKeYwa liPqcf">Gogs On</h3><div class="NewsletterSubscribeFormDek-kXonvc cKOhTM newsletter-subscribe-form__k">What we’re watchg, listeng to, and dog this week, onle, N.Y.C., and beyond. 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bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Photo Booth</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-1" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">A Hntg Portra of Newark’s Bloody Summer of Unrt</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-1" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="A Hntg Portra of Newark’s Bloody Summer of Unrt" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">The photojournalist Bud Lee ptured the rts of 1967 and the human st of the btal police crackdown.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>M. Z. Adnan</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hlYhBH summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm eamwqR" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Unearthg the History of Anaheim" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Photo Booth</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-2" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">Unearthg the History of Anaheim</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Unearthg the History of Anaheim" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">William Camargo’s photographs nont the cy’s racist past, provokg ntroversy the prent.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Geraldo Cadava</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hlYhBH summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm eamwqR" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="How Bryan Adams Shot the Queen (and His Other Celeb Pals)" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">London Postrd</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">How Bryan Adams Shot the Queen (and His Other Celeb Pals)</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="How Bryan Adams Shot the Queen (and His Other Celeb Pals)" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">The sger spects a gallery show of his portras of Kate Moss, Mick Jagger, Amy Wehoe, and Her Royal Highns, who may or may not have listened to his mic.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>M. Z. Adnan</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hlYhBH summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm eamwqR" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Insurrectnabilia at the Smhsonian" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">D.C. Postrd</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-4" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">Insurrectnabilia at the Smhsonian</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Insurrectnabilia at the Smhsonian" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">In 2026, we will celebrate the natn’s semiqucentennial, and also the fifth anniversary of the January 6th uprisg. Curators diligently prerved tr om the Capol attack, cludg photos of a woon gallows.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Bce Handy</span></span></p></div></div></div></div></div></div><div class="AdWrapper-dQtivb fZrssQ SummaryCollectnGridSummaryItem-WColm eamwqR ad ad--read-more"><div class="ad__slot ad__slot--read-more" data-no-id="swh3ji"></div></div></div><div class="SummaryCollectnGridToActnWrapper-gnReGN 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