Mark Rivers – Totally Gay Lyrics | Geni Lyrics

big mouth gay

Totally Gay Lyrics: What's like to be gay? / When you're gay / Every day is a nonstop baret / You've got style and flair, you're loved everywhere / Kept for North Carola! / Bears and queens

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'BIG MOUTH' IS DOG THEIR PART TO FURTHER 'THE GAY AGENDA' BY HAVG MORE LGBTQ CHARACTERS THAN STRAIGHT ON

Every season, not only do the st of Nick Kroll and Andrew Goldberg's hilar Netflix show 'Big Mouth' get bigger, also gets gayer. * big mouth gay *

I’m about to scream, thkg my favore character is about to realize she’s gay—until the love bug says at the start of Episo 4 that she’s there to celebrate the love of two bt iends. You know the type—characters who may act or feel gay, but explicly date the oppose genr (or don’t date at all) Bilzerian (voiced by the always funny Jason Mantzoas) out as bisexual Season 4, Episo 8, and by the end of Season 6 he’s experienced relatnships wh both boys and is personally one of my favore bisexual characters, perd.

TOTALLY GAYMARK RIVERSTRACK 1 ON SUPER SONGS OF BIG MOUTH, VOL. 1 (MIC FROM THE NETFLIX ORIGAL SERI) PRODUCED BYMARK RIVERSOCT. 4, 20191 VIEWER6 CONTRIBUTORSTOTALLY GAY LYRICS[INTRO: ANDREW GLOUBERMAN]WHAT'S LIKE TO BE GAY?[VERSE: FREDDIE MERCURY]WHEN YOU’RE GAYEVERY DAY IS A NONSTOP BARETYOU'VE GOT STYLE AND FLAIR, YOU'RE LOVED EVERYWHEREKEPT FOR NORTH CAROLA!BEARS AND QUEENS, AND CATHOLIC TWEENSTHE WORLD’S YOUR BUFF BUFFETCOME AND JO THE FUN, SAY HELLO TO TIGHT BUTTSAND GOODBYE VAGAS[CHOS: FREDDIE MERCURY & ANDREW GLOUBERMAN]BE GAY, TOTALLY GAY (BE GAY!)BE A BRIGHT AND SHG RABOWY, YOU'LL FD YOUR NEW INTYIN THE LGBT MUNYOH...I'M GAY, TOTALLY GAY! (HE'S GAY!)I'M A FABULO, FLOUNCG LOUD AND PROUD CLICHé (SASHAY!)ON DISPLAY (ALL DAY!)AND I'VE FOUND MY LLG, TODAY (HOORAY!)OH, SHANTé (SO GAY!)[BRIDGE: ANDREW GLOUBERMAN]IT'S A FLAMG HOT PK LETTER DAYI'M NOT THE BOY I ED TO BEI’M HERE, I’M QUEERGET ED TO MEYOU MIGHT ALSO LIKE[OUTRO: FREDDIE MERCURY]HE'S ABSOLUTELY, UNNIABLY GAYEMBEDCANCELHOW TO FORMAT LYRICS:TYPE OUT ALL LYRICS, EVEN REPEATG SONG PARTS LIKE THE CHOSLYRICS SHOULD BE BROKEN DOWN TO DIVIDUAL LUSE SECTN HEARS ABOVE DIFFERENT SONG PARTS LIKE [VERSE], [CHOS], ETC.USE ALICS (<I>LYRIC</I>) AND BOLD (<B>LYRIC</B>) TO DISTGUISH BETWEEN DIFFERENT VOLISTS THE SAME SONG PARTIF YOU DON’T UNRSTAND A LYRIC, E [?]TO LEARN MORE, CHECK OUT OUR TRANSCRIPTN GUI OR VIS OUR TRANSCRIBERS FOMABOUTTHIS SONG B IS UNREVIEWEDGENI ANNOTATN1 NTRIBUTOR“TOTALLY GAY” IS THE FIRST SONG ON THE FIRST VOLUME OF MIC OM THE BIG MOUTH SERI. IN THE EPISO AM I GAY?, THE CHARACTER ANDREW IS QUTNG HIS SEXUALY, AND THE GHOST OF FREDDIE MERCURY SGS THIS SONG. AS SEEN SEASON 4 OF BIG MOUTH, CHARACTERS SG THIS SONG WH FREDDIE MERCURY WHEN THEY ARE QUTNG IF THEY ARE GAY OR NOT.EXPAND SHAREASK A QUTN ABOUT THIS SONGASK A QUTN *‌WHO PRODUCED “TOTALLY GAY” BY MARK RIVERS?WHEN DID MARK RIVERS RELEASE “TOTALLY GAY”?WHO WROTE “TOTALLY GAY” BY MARK RIVERS?SUPER SONGS OF BIG MOUTH, VOL. 1 (MIC FROM THE NETFLIX ORIGAL SERI) (2019)BIG MOUTH (TV-SERI)1. TOTALLY GAY2. I LOVE MY BODY3. VALENTE’S DAY4. NEVER LOST NEW YORK CY5. I AM THE HORMONE MONSTRS (UNRELEASED)6. SEXY RED BRA7. SLUT WALK8. GUY TOWN9. WHY DO NOBODY (GET HOW GREAT I AM?)10. YOU LOOK BETIFUL, STEVE (UNRELEASED)11. SEX ON A LADY12. LIFE IS A F****D UP MS13. DISCLOSURE (THE MIL)14. ANYTHG GO FLORIDA15. PERFECTLY GROSS LTLE DIRTBAG16. SHAME17. THE SPECTM OF SEXUALY18. YOU’VE GOT THE POWER NOW19. SLICE O’ YOUR PIE20. I FEEL LIKE SH (THIS MT BE LOVE)21. SEX ON A LADY22. WHO NEEDS A BOY?23. EVERYBODY’S GOG THROUGH CHANGCREDSPRODUCED BYMARK RIVERSWRTEN BYMARK RIVERSRELEASE DATEOCTOBER 4, 2019TAGSPOPTVSOUNDTRACKEXPAND COMMENTSADD A MENTSIGN UP AND DROP KNOWLEDGE ?GENI IS THE ULTIMATE SOURCE OF MIC KNOWLEDGE, CREATED BY SCHOLARS LIKE YOU WHO SHARE FACTS AND SIGHT ABOUT THE SONGS AND ARTISTS THEY LOVE.SIGN UPGENI IS THE WORLD’S BIGGT LLECTN OF SONG LYRICS AND MIL KNOWLEDGE

* big mouth gay *

Matthew is openly gay at school, but mt lie about his inty at home to f wh his nservative (and homophobic) fay. But there is a character for everyone to relate to on this six short seasons, Big Mouth has addrsed the experienc of preteens who are gay, bisexual, pansexual, qutng, trans, and asexual—not to mentn experienc related to race, class, body image, relign, and fay. That chang the penultimate episo of the send season when Jay, first on a dare then of his own voln, kiss Matthew, the only openly gay kid school.

He feels stuck between bary notns of gay and straight bee that's all he's ever experienced his day to day life. Wh the exceptn of Matthew, all the guys his life are to girls and his father is a stttg misogynist who se any sign of vague weakns as "gay" and therefore somethg to sneer at. Jay experienc biphobia when he out and even Matthew dismiss him as jt another gay guy who's too secure to e out, a mon sult lobbed at bisexuals.

BIG MOUTH'S MATTHEW IS THE KD OF GAY TV CHARACTER I WISH I'D HAD AS A KID

Ain is a gay character om Big Mouth. This sectn is need of major improvement. Please help improve this article by edg . This sectn is need of major improvement. Please help improve this article by edg . This sectn is need of major improvement. Please help improve... * big mouth gay *

Episo 3 - Am I Gay? In Season 1, there was jt a gay du.

However, there is another te-to life trend the show is followg, and 's one that we're actually not ed to seeg as much on TV: Every season, not only do the st get bigger, also gets gayer.

There's an old nugget of wisdom the LGBTQ+ muny: If your iend circle when you're a kid has one or two gay kids , there's a big chance that number is gog to get bigger as you get olr.

BIG MOUTH STAR ANDREW RANNELLS TALKS G OUT, GAY CLICHéS, AND MATTHEW'S SEASON 4 JOURNEY

Enjoy playg Big Mouth - Totally Gay by Misc Cartoons on your guar. Wh optns to simplify, transpose, toscroll, and choose chords om our muny. * big mouth gay *

But I want to take a mute to slow down and really appreciate all of the unique LGBTQ+ characters the team at Big Mouth clearly worked hard to brg to life, bee you'd normally only fd reprentatn like this shows that were labeled as "Gay TV" om the begng. Matthew MacDell (Andrew Rannells) is gay - out, proud and loud om his first appearance on the show (well, except for his parents, but that was rectified last season one of the most tearjerkg episos I've ever seen.

Ain (Zachary Quto) is a gay character om another school that Matthew meets Season 3.

‘BIG MOUTH’ COMPOSER ON HIS EMMY-NOMATED QUEEN HOMAGE, ‘TOTALLY GAY,’ AND HIS ‘FAVORE SONG EVER’ COMG SEASON 2

Big Mouth season 3 manag to tell the story of a gay character, Matthew (voiced by Andrew Rannells), and make his storyle realistic a way I n't remember seeg as a kid or an adult. * big mouth gay *

Andrew Glouberman (John Mulaney) was played mostly as straight for the first few seasons, wh the exceptn of the episo "Am I Gay? [Intro: Andrew Glouberman]What's like to be gay? [Verse: Freddie Mercury]When you’re gayEvery day is a nonstop baretYou've got style and flair, you're loved everywhereKept for North Carola!

Bears and queens, and Catholic tweensThe world’s your buff buffetCome and jo the fun, say hello to tight buttsAnd goodbye vagas[Chos: Freddie Mercury & Andrew Glouberman]Be gay, totally gay (Be gay! I'm gay, totally gay!

BIG MOUTH'S MATTHEW IS THE KD OF GAY TV CHARACTER I WISH I'D HAD AS A KID

Mark Rivers shar how he created the Queen-spired "Big Mouth" song, "Totally Gay," and previews the Shame Monster's Season 2 song. * big mouth gay *

(He's gay! )Oh, shanté (So gay!

The third episo — tled “Am I Gay? In the same episo, we see Matthew (Andrew Rannells), who is gay and out at school but not to his fay, realize he has his first real csh — on Ain (Zachary Quto), another out, gay boy.

*BEAR-MAGAZINE.COM* BIG MOUTH GAY

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class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></span></div></div></div></div><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0 SplScreenContentHearGrid-kFpOdh fLkIyA"><div class="GridItem-buujkM kHPPIF grid--em"><div class="CaptnWrapper-jSZdqE iTuhkZ ptn SplScreenContentHearCaptn-iOfEOv ckLUKG"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo iXWezO ptn__text">The show’s teen-age protagonists are followed around by “hormone monsters.”</span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd iicloT jbIJNS ptn__cred">Illtratn by Sbhán Gallagher</span></div></div></div></hear></div><div data-attribute-verso-pattern="article-body" class="ArticlePageContentBackGround-cNiFNN kbAoLA article-body__ntent"><div class="ActnBarWrapperContent-lasBkU cAHp"><div class="ActnBarWrapperComponent-cjwxLS bEeSLb"><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh kNjTbQ 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class="body__ner-ntaer"><p class="has-dropp has-dropp__lead-standard-headg">An early episo of the fourth season of “Big Mouth,” now streamg on Netflix, opens wh the show’s protagonists, Andrew Glouberman and Nick Birch, embarkg on their first day of eighth gra. “Look at , growg up,” Nick (voiced by Nick Kroll) says. “Not like Bart Simpson. That yellow schmuck has been fourth gra for, like, thirty years.” A clever but heartfelt rtoon that is burstg wh pop-cultural referenc and is popular wh adult viewers, “Big Mouth” ow more than a ltle to “The Simpsons.” (Even the e of “schmuck” is evotive of Ksty the Clown.) Still, Nick’s ment intifi the uniquens of this seri, created by Kroll, Andrew Goldberg, Mark Lev, and Jennifer Flackett. By allowg s characters to age—and by focsg on them, to an almost paful gree, as they do so—“Big Mouth” n feel more ak to live-actn TV than do to rtoons such as “South Park” and “Bob’s Burgers,” which have ed animatn to keep their protagonists static over the urse of many seasons, as if prerved amber.</p><p class="paywall">“I’m gog through chang,” Charl Bradley sgs the show’s openg theme. (The tune was origated by Black Sabbath, that band of hormonal lads om Birmgham.) Sce 2017, when the first season aired, “Big Mouth” has picted the rto, often alarmg transformatns that puberty wreaks on the young. The characters, who, back then, were seventh grars, enuntered new growths and protsns (hard-ons, pubic hair, boobs), distrsg secretns (sweat, semen, blood), and the nutso psychologil effects the bodily chang cur. One of the show’s strong sus is s portrayal of the pric ways which youthful sexualy n exprs self: Jay (Jason Mantzoas), a greasy but sympathetic classmate of Andrew and Nick’s, disvers that he is bisexual by humpg a “boy” pillow as well as a “girl” pillow; Andrew (John Mulaney), a bpectacled, mtached ball of nros, velops a csh on his and, although he is ashamed, proceeds to send her a dick pic; the lovable, bucktoothed nerd Missy (Jenny Slate) masturbat wh her childhood Glo Worm and refers to the act as her “worm dance.”</p><p class="paywall">The show’s anarchic spir is reflected s graphic, borrle grotque style of animatn, which enabl to pict aspects of pubcent sexualy that might otherwise offend or disturb. (Goldberg was a longtime wrer on “Fay Guy,” an adult rtoon that is like “Big Mouth” ’s arse, alholic uncle.) The kids’ urg and fears are reprented by a slew of fantastil creatur: there are shaggy, wisecrackg “hormone monsters”; a fger-waggg “shame wizard”; a silken-voiced “prsn kty”; and, as of this season, a jumpy “anxiety mosquo” named To (Maria Bamford). Unsurprisgly, To is a real bummer. “Their penis are thick hairy hogs and yours is a bald ltle piglet,” he tells Nick, a late bloomer, as the boy is gettg ready to take a shower at summer mp.</p><p class="paywall">The first three episos of the fourth season, which take place at the mp, are some of the funnit TV I’ve watched a while. There’s a new character named Milk (Ey Altman), a mouth-breathg wher who n’t stop brgg up obscure factoids, seemgly apropos of nothg (“My dad’s iend Bob Reedy says there’s no such thg as choice, only sty”). He is a faiar prototype: the uppy dork who is so annoyg that even the softer-hearted kids don’t feel sorry for him. “Milk, your dick is so weird. I n see the ves your balls,” a bunkmate tells him. “Durg the Renaissance, scrota such as me were nsired a licy,” Milk rponds airily. Perhaps nothg embodi the “Big Mouth” formula better than this exchange: gross, hilar, weird, precise.</p><p class="has-dropp has-dropp__lead-standard-headg paywall">A TV show n have growg pas, too. Andrew and Nick are the alter egos of Goldberg and Kroll, who’ve been real-life bt iends sce childhood, and, early on, the seri hewed closely to their adolcent i: upper-middle-class, whe, straight Jews om Wtchter. (In Season 1, the “Great Women”-themed bat mzvah of Nick and Andrew’s sardonic iend Jsi—voiced by Jsi Kle—has an Anne Frank table.) Season by season, “Big Mouth” has had to figure out, tanm wh the roilg cultural and polil reali of the past few years, how to velop and fe-tune s world alongsi s characters.</p><div class="Contaer-bkChBi byNLHx"></div><p class="paywall">In Season 2, a gay classmate, Matthew (Andrew Rannells), and a Lata one, Ga (Ga Rodriguez), got more airtime; Season 3, a new stunt named Ali (Ali Wong) troduced herself as pansexual. “If you’re bisexual, you like tas and burros,” she said. “But I’m sayg I like tas and burros, and I uld be to a ta that was born a burro, or a burro that is transng to a ta.” This flippant distctn, which seemgly suggted that bisexuals uld not be attracted to transgenr and nonbary people, led to an outcry onle. (Goldberg apologized on Twter.) This summer, the midst of the Black Liv Matter protts, Jenny Slate, who is whe and Jewish, announced that she would no longer voice Missy, a character wh a Black father and a whe, Jewish mother, bee “Black characters on an animated show should be played by Black people.” Slate had already rerd Missy’s dialogue for Season 4, but she would be replaced by the Black edian Ayo Ebiri, begng wh the penultimate episo.</p><p class="paywall">Part of the charm as well as the signifince of “Big Mouth,” I had always felt, was s mment to the nfn of tegori, born of a sense that inty, sexual and otherwise, n be a msy thg that do not necsarily adhere to a clear orthodoxy. (In this regard, the show is siar to others I loved this year: c, funny, yet searchg edi like FXX’s “Dave” and Hulu’s “PEN15,” which explore race and sexualy unexpected ways.) As I watched Season 4, I was relieved to see “Big Mouth” double down on that ia. One of my favore gags was Andrew’s obssn wh Jsi’s new boyiend, Michaelangelo. Andrew, who is straight, swoons over the dreamy Br, but this is treated as unremarkable; is jt one more facet of Andrew’s horns. A more ser arc als wh Natalie, a trans mper. Jsi is upset when Natalie starts bunkg wh the girls—not bee Jsi is transphobic but bee last summer Natalie, who had not yet transned and was still known as Gabe, om the boys’ b, teased Jsi mercilsly, llg her “fire crotch.”</p><p class="paywall">The show also nonts qutns that were raised by Slate’s statement—Who should be able to give voice to Black characters? What would look like to reprent a biracial character fully?—by turng them to plot pots. This season, Missy, who has grown up a “post-racial hoehold,” grappl wh both her burgeong womanhood and her evolvg racial inty. “N-word alert!” she blurts out nervoly, when visg her olr, oler s, Quta and Lena (Quta Bnson and Lena Wahe). The s, who tell Missy that her parents haven’t let her be Black, take her to get her hair braid (“What shampoo do you e?” “Well, Tom’s of Mae, of urse!”) and enurage her to buy new cloth, which she do—but only after biddg a weepy farewell to the overalls she has worn for the past three seasons. “Talkg to your cloth? That’s some whe-girl sh right there,” Quta says. “Girl, please, you did the exact same thg wh your blanket,” Lena retorts, remdg that tegori, though eful as shorthand, n be tricky.</p><p class="paywall">When Missy’s mother exprs doubts about whether her dghter’s rnrows are “manageable,” Missy blows up. “Stop stealg our men!” she yells, a hilar, shockg moment that turns heartrendg when she gasps, through tears, “I jt really wanted to show you my new hair.” Later, a Halloween-themed episo, Missy reach a détente wh her agmented self and kiss her reacted reflectns a hnted hoe’s broken mirror—a sweet reimagg of a sequence om Jordan Peele’s horror movie “Us.” In this moment, her voice chang om Slate’s to Ebiri’s. “There I am,” she says, triumphantly. “I’m all of the Missys.” ♦</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><asi class="PersistentAsiWrapper-VGrR daRVRt persistent-asi" style="posn:absolute;top:to;height:to" 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stRKV grid--em grid-layout__ntent"><footer class="ContentFooterMagazeDisclaimer-gzKAqo iZIuUU" data-ttid="MagazeDisclaimerWrapper">Published the prt edn of the <a href="/magaze/2020/12/28" data-reactroot="">December 28, 2020</a>, issue, wh the headle “The Young On.”</footer></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="ContributorsWrapper-eNpWFu GWFsc ntributors" data-ttid="Contributors"><div class="ContributorBWrapper-bnVHbt gMon"><div class="ContributorBAvatar-bIGTqf eMWbvj"><a href="/ntributors/naomi-y"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO dUOtEa rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w" siz="100vw"/><img alt="" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></span></a></div><div class="ContributorBContent-ubQdr jZTSSi"><div class="ContributorBHear-ledood XOIEx"></div><div class="ContributorBB-fBolsO giFhKz"><a href="/ntributors/naomi-y">Naomi Fry</a> is a staff wrer at The New Yorker.</div><div class="ContributorBFooter-brqDlv ezUmSv"></div></div></div></div></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div data-ttid="TagCloudWrapper" class="TagCloudWrapper-gGgndx ctyZyK ContentFooterTagCloud-krQmRG ZLGh"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudSectnHear-cOforY iUEiRd 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data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Why Barbie Mt Be Punished" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">Mothers, dghters, and an in’s existential crisis.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi 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rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Country Mic’s Culture Wars and the Remakg of Nashville" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">Tennsee’s ernment has turned hard red, but a new set of outlaw songwrers is challengg Mic Cy’s nservative ways—and lg bro-untry sound.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div 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class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Unr Review</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-4" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">The Upper Wt Si Cult That Hid Pla Sight</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div 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