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class="ContentHearContaer-cGKRbE knDxNq"><div class="ContentHearHedAccredatnWrapper-GFiQf cDNVlV"><div data-ttid="ContentHearTleBlockWrapper" class="ContentHearTleBlockWrapper-cjmSKp kjLxCB"><div data-ttid="ContentHearRubric" class="ContentHearRubricBlock-LmpbT hsydfY"><div data-ttid="ContentHearRubricDateBlock" class="ContentHearRubricDateBlock-kAQcZP fTFWxD"><div class="RubricWrapper-dKmCNX eNRqSb bric ContentHearRubricContaer-eTudtt iRsSlw"><a class="RubricLk-gRWSOU fTtYjx bric__lk" href="/culture"><span class="RubricName-fVtemz cLxcNi">Culture</span></a></div></div></div><h1 data-ttid="ContentHearHed" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearHed-NCyCC iUEiRd bwDymH isouMH"><em>Voyr</em>, on Netflix, Arriv at a Very Bad Time for Creepy Old Men</h1></div><div class="ContentHearAccredatn-lfctVB eDhhwT ntent-hear__accredatn" data-ttid="ContentHearAccredatn"><div class="ContentHearByle-kmPyCa emiglw"><div class="ContentHearByleContent-dpPmNn DRFq"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl ContentHearByl-cZqgyJ bHLeKI"><p class="ByleWrapper-jWHrLH uMYIE byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd kxuydN gnILss byle__preamble">By </span><a class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM ByleLk-gEnFiw iUEiRd hHRAkO haUSoQ eErqIx byle__name-lk button" href="/ntributor/bridget-read">Bridget Read</a></span></span></p></div><time data-ttid="ContentHearPublishDate" dateTime="2017-12-01T09:30:56-05:00" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearPublishDate-eIBicG iUEiRd eNpMLJ jDQNvc">December 1, 2017</time></div></div></div></div><div class="ContentHearLeadAsset-hGbumP cAlrhp lead-asset ContentHearLeadAssetWrapper-hfXHEc bjtV lead-asset--width-small" data-ttid="ContentHearLeadAsset"><figure class="ContentHearLeadAssetContent-kOfYSG dRGWbI"><div class="ContentHearLeadAssetContentMedia-bLEIpi jjhWdS lead-asset__ntent__photo"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset ContentHearRponsiveAsset-bREgIb cZenhb"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz kIIRok"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa ContentHearRponsiveAsset-bREgIb cZenhb rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w, 960w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w, 1920w, 2240w" siz="100vw"/><img alt="This image may nta Human Person Light Buildg Neon and Hotel" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></div></div></span><div class="CaptnWrapper-jSZdqE bViSGz ptn ContentHearLeadAssetCaptn-hPWmSN dWhfyS"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd ftKqkn fNaHcW ptn__cred">Image: Courty of Netflix</span></div></div></figure><div data-ttid="ContentHearLeadRailAnchor" class="ContentHearLeadRailAnchor-jYVcDc djtEof"></div></div></div></hear></div><div data-attribute-verso-pattern="article-body" class="ArticlePageContentBackGround-cNiFNN kbAoLA article-body__ntent"><div class="ActnBarWrapperContent-lasBkU cAHp"><div class="ActnBarWrapperComponent-cjwxLS bEeSLb"><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh SFwwF viewport-monor-anchor"><button id="bookmark" aria-label="Save" class="ActnBarButton-dyFOZU dPbgNk bookmark large-screen"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Save this story</tle><path class="in-bookmark-stroke" d="M11.7661 16.3228L4.5 20.1695V3.5H19.5V20.1695L12.2339 16.3228L12 16.199L11.7661 16.3228Z" stroke-lep="square"/></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd fcKlBk gkccfO">Save</span></button></div><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh fOiOQm viewport-monor-anchor"><button id="bookmark" aria-label="Save" class="ActnBarButton-dyFOZU gdCxmM bookmark mobile"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Save this story</tle><path class="in-bookmark-stroke" d="M11.7661 16.3228L4.5 20.1695V3.5H19.5V20.1695L12.2339 16.3228L12 16.199L11.7661 16.3228Z" stroke-lep="square"/></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd fcKlBk gkccfO">Save</span></button></div></div></div><div class="ArticlePageChunksContent-etcMtP bwyLBj"><div data-ttid="ArticlePageChunks" class="ArticlePageChunks-fLyCVG eOdfIs"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa dUONRr body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p>“You n’t make this stuff up,” Gay Tale says the begng of <em>Voyr,</em> the <a href=">new documentary</a> chroniclg the velopment of his book <em>The Voyr’s Motel</em>, which was excerpted as a ntroversial <em>New Yorker</em> <a href=">article</a>, and, as of Friday, is available on <a href=">Netflix</a>. The “stuff” qutn refers to the explos of a man named Gerald Foos, who, the 1960s, bought and rigged up a motel suburban Colorado so that he uld spy on guts om an attic twalk through the ceilg vents. Foos wrote to Tale 1980 wh his story, gusg rrectly that would pique the tert of the wrer, who had ma a name for himself as a kd of unrver reporter the jungl of ee love wh his book <em>Thy Neighbor’s Wife.</em> But Foos was unwillg to reveal himself to be “the voyr,” so Tale abandoned the ia, left behd his many archiv the basement of his Upper East Si townhoe.</p><p><em>Voyr</em> starts 2013, when Tale and Foos are back touch, wh the latter ready to e forward on the rerd and the former ready to pick up the thread. Immediately, the film ti the figur of Tale and Foos together—or, rather, Tale ti himself to the voyr, explicly, when he says matter-of-factly, “I’m a voyr myself.” He giv a tour of his obssive archiv, materials kept box vered llag wh headl and imag om articl on and by Tale. We get a Cliffs Not versn of Tale’s ntroversial reer, cludg his most famo say, <a href=">“Frank Satra Has a Cold”</a> <em>Esquire</em>, and his talk show appearanc after <em>Thy Neighbor’s Wife,</em> which st Tale as a sexual renega.</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p>Foos, of urse, is not famo, and this ntext is a crimal, but he also nsirs himself a sort of eelance social scientist, an Aled Ksey–type, and says that he bought the Manor Hoe Motel as a “laboratory.” In a set of typed diary entri hundreds of pag long, Foos logged the sexual acts he wnsed, as well as the mundani of the daily liv of the guts a middle-of-the-road Colorado motel: posns, numbers of asms (and who had them); as well as pacg, televisn-watchg, and bedspread piic-eatg. It’s a level of obssn that echo Tale’s own: To him, the voyr provis an unparalleled look to a particular slice of post-war Amerina—sex, a motel—one that’s so thorough that, like he said, you n’t make up.</p><div class="Contaer-bkChBi byNLHx"></div><p>Except that, apparently, you n. After the publitn of Tale’s <em>New Yorker</em> article on Foos 2016, but before the release of the book om which was excerpted, a <em>Washgton Post</em> reporter <a href=">lled to qutn</a> how long Foos had fact owned the motel, whom he had sold to, and whom he had bought om. And was exposed that one of the juicit tidbs of Tale’s book, when Foos wns a man strangle a woman a room below 1977, has strikg siari to a crime that occurred a motel a few away, but no rerds uld be found to rroborate the event that Foos scribed. When the news broke, Tale <a href=">lashed out</a> at his subject, who he lled “certifiably unreliable” and “dishonorable,” and trashed his own book: “How dare I promote when s credibily is down the toilet?” For his part, Foos chalked up the mistak to his diary keepg, sayg he uld have ma errors when typg up his handwrten diari.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB kNleGZ sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="Contaer-bkChBi byNLHx"></div><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="99xwkt"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="t2h8k4"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa dUONRr body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p>The succs of some kds of documentari n often be traced to what is, ankly, serendipy. <a href="><em>The Jx,</em></a> for example, the vtigatn to the crim of Robert Durst, pivots around Durst nfsg on a hot mic. <a href="><em>Weer</em></a> was ially nceived as a eback for disgraced Democratic Congrsman Anthony Weer but beme a mmerizg portra of narcissism and addictn, and his downfall, stead. The latter ia is closer to what directors Myl Kane and Josh Koury got out of <em>Voyr,</em> which begs as a return to the spotlight for Tale, who visibly brims wh excement and speratn for rurgent relevance at 81, and ends as a nfed, regrettable illtratn of two men’s unstoppable egos. If only the filmmakers weren’t jt as ught up the need for a good story as Foos and Tale are.</p><div class="AdWrapper-dQtivb fZrssQ ad ad---ntent"><div class="ad__slot ad__slot---ntent" data-no-id="8mk55c"></div></div><p>“I would have done anythg for the story; I sold my soul,” Tale says of wrg <em>Thy Neighbor’s Wife,</em> and s effects on his wife, the publisher Nan Tale, and his children. The same impulse is shared by the entire “Voyr” project—the article, book, and documentary—which tras so heavily on lurid tails (which aren’t even that lurid) that giv up any artistic or tellectual center. In hdsight, some errors are glargly obv: There are some obv and damng genr dynamics at work here, between Gay and Nan and between Foos and his wife, Ana, but Kane and Koury do ltle to lve to the sexual polics that make Foos’s motel an enavor of masculy, and an credibly vlatg and disturbg one at that. Instead, they glamorize both Foos’s story and Tale’s storytellg. When Foos scrib the first time he watched a woman, his nt, undrs, he the phrase “the wdow beckong,” the poetics of which Tale go gaga over. “Beckong wdow is perfect,” he exclaims. “She had big boobs,” Foos ntu, which gets an “Oh, my god” out of Tale—’s like watchg two middle schoolers share a <em>Playboy</em>. As the film go on, more and more people appear to fend <em>Voyr</em> as a lerary enavor, om Tale’s book publisher to his edor at <em>The New Yorker.</em> They even unver the discrepanci later revealed by <em>The Washgton Post,</em> but are unterred. It’s astonishg that, on so many levels, Tale’s work was validated, and fund, to such an extent (the documentary clud).</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="tfwvg"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div><div data-attr-viewport-monor="" class="RecircMostPopularWrapper-bRuGTi jkTTgR recirc-most-popular-wrapper viewport-monor-anchor"><div class="RecircMostPopularConter-jiViNn ktrplG recirc-most-popular-sparrow-trackg hi-asi-ad" data-most-popular-id="mod-most-popular-271"><div 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irTIfE byl"><p class="ByleWrapper-jWHrLH epKWKp byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd kxuydN gnILss byle__preamble">By </span>Tish Westock</span></span></p></div></div></div></div></div></div></li><li><div class="AdWrapper-dQtivb fZrssQ RecircMostPopularSummaryItem-jQxxiw fkGtfq ad ad--asi"><div class="ad__slot ad__slot--asi" data-no-id="3gvyb2"></div></div></li></ul><div class="RecircMostPopularFooter-enPjgs laPXdt"></div></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="m4uyil"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa dUONRr body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p>That’s what mak <em>Voyr</em> both a product of s time and a pletely outdated one. Tale and Foos are sentially two old whe men tryg to go out wh a bang (sorry), drsg up an act of sexual viancy and illegal voyrism wh an old-fashned wk that, much like ’s nce, no longer que works the strgent light of late 2017. Not once the film do anyone, edors clud, ever show ncern for those who stayed Foos’s motel, who were watched and rerd whout their nsent. A few mentns of the fact that most people who stayed the motel are likely ad (qutnable, given that Foos is still alive) serve to amelrate any guilt or regret. That word, <em>nsent</em>, is pecially charged now, a time where powerful men om the very dtri that <em>Voyr</em> is ncerned wh—journalism, publishg, and film—<a href=">have been rocked</a> by accatns of not knowg or rg to thk about what exactly that word means. That Foos’s s-long misnduct is exced by the disputable fact that is “fascatg” marks the film’s tonal dissonance. This is no time for old perverts.</p><p>And yet the methods by which the documentarians exce are hallmarks of a media genre that is very much of-the-zegeist: <a href=">te crime</a>. Kane and Koury employ the qutsential background stments of the genre, the <em>Serial</em>-que xylophone and harp, to make scen plucky and quirky, if creepy, but never edgg to outright disturbg. And the adorable mol of the motel they e to show how Foos spied on his ctomers is a twee reprentatn of what was sentially a crime scene. The level of meta-storytellg they attempt to tell lv to all the most superficial rners, like watchg Tale’s dghter, an artist, pat Foos’s motel for her father’s book; Tale and Foos, when they first meet 2013, stay at a motel, se you didn’t know what they’re gettg at here.</p><p>Anyone faiar wh Gay Tale’s brand of lerary journalism, which has bee a fg style, is likely faiar wh another pneer, Ja Mallm, who said this of her chosen genre, bgraphy: “The voyrism and bybodyism that impel wrers and rears of bgraphy alike are obscured by an apparat of scholarship signed to give the enterprise an appearance of bank-like blandns and solidy.” Nowadays we n replace “apparat of scholarship” wh “apparat of televisn,” the most prolific mo of te-crime storytellg, and the pfalls of which <em>Voyr</em> illtrat. There’s such a huge drive for ntent now that our bast stcts n be fed not only quickly and efficiently, but wh the trappgs of prtige and tellectualism. Y, ’s paful to scroll through reboot after reboot of ’90s televisn shows, or artful miseri, but te-crime packag the liv of real people for nsumptn. It mak the qutn of what kds of stori, and which storytellers, we’re rewardg—and y, ’s rewardg when money is volved—all the more imperative to reckon wh.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="1ihour"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div><div data-attr-viewport-monor="" class="RecircMostPopularWrapper-bRuGTi jkTTgR recirc-most-popular-wrapper viewport-monor-anchor"><div class="RecircMostPopularConter-jiViNn ktrplG recirc-most-popular-sparrow-trackg hi-asi-ad" 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class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH epKWKp byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd kxuydN gnILss byle__preamble">By </span>Tish Westock</span></span></p></div></div></div></div></div></div></li><li><div class="AdWrapper-dQtivb fZrssQ RecircMostPopularSummaryItem-jQxxiw fkGtfq ad ad--asi"><div class="ad__slot ad__slot--asi" data-no-id="rxccc"></div></div></li></ul><div class="RecircMostPopularFooter-enPjgs laPXdt"></div></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="hcc97"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa dUONRr body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p>It’s the women <em>Voyr</em> who uld have divulged the most tertg tails about their partners, but who rema the background. I would give as much money as Tale’s book advance to hear what Nan Tale has to say about all of this. Ana, Foos’s quiet and strange wife (who should be played by Kate McKnon if the scrapped <em>Voyr</em> movie ever gets ma), says she “miss” the motel, and even cri when the documentary crew viss s molished plot. When Foos worri that the media will portray him as “nothg but a creep,” she rponds, sg placidly, “Well, you are.”</p><figure class="CneVioEmbedFigure-kCfJjN hdJOda e-vio-embed"><div data-ttid="script-ntaer"></div></figure></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="pn8ats"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 PaywallInleBarrierWhWrapperGrid-fyrGfS kLQIUk 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class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ OverlaySummaryItemHed-cljMtD iUEiRd dMyiUD cRpZRn">Is Aidan Shaw Actually a Good Furnure Digner?</div></div></div><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl OverlaySummaryItemByl-bogcUE fjwtNK"><p class="ByleWrapper-jWHrLH epKWKp byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd kxuydN gnILss byle__preamble">By </span>Jocelyn Silver </span></span></p></div></div></a></li><li class="RecircListTextOverlayItem-dLTGJZ cMRTNH"><a class="OverlaySummaryItemWrapper-jydJgB ljApWB summary-em-trackg__image-lk" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" href="><span class="SpanWrapper-umhxW kGxnNB rponsive-asset OverlaySummaryItemRponsiveAsset-gAMhYK cOqLsu"><picture class="RponsiveImagePicture-cWuUZO dUOtEa OverlaySummaryItemRponsiveAsset-gAMhYK cOqLsu rponsive-image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jgsWEn"><div class="aspect-rat--overlay-ntaer"><noscript><source media="(max-width: 767px)" srcSet="" siz="100vw"/><source media="(m-width: 768px)" srcSet="" siz="100vw"/><img alt="Maya Byam’s Debut Novel, Hangman, Is a Dryly Funny Examatn of What It Means to Go Home" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></div></div></picture></span><div class="OverlaySummaryItemContent-ddGOWz fHZSgO"><div class="RubricWrapper-dKmCNX dUsdoD bric bric--wh-bg BaseWrap-sc-gjQpdd BaseText-ewhhUZ OverlaySummaryItemRubric-bFqsqT iUEiRd cxwGKM cvqxGA"><span class="RubricName-fVtemz cLxcNi">Culture</span></div><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp"><div class="ClampContent-hilPkr jVhSBH"><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ OverlaySummaryItemHed-cljMtD iUEiRd dMyiUD cRpZRn">Maya Byam’s Debut Novel, <em>Hangman</em>, Is a Dryly Funny Examatn of What It Means to Go Home</div></div></div><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl OverlaySummaryItemByl-bogcUE fjwtNK"><p class="ByleWrapper-jWHrLH epKWKp byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd kxuydN gnILss byle__preamble">By </span>Emma Specter</span></span></p></div></div></a></li><div class="AdWrapper-dQtivb fZrssQ ad ad--read-more"><div class="ad__slot ad__slot--read-more" data-no-id="41rve6"></div></div><li class="RecircListTextOverlayItem-dLTGJZ cMRTNH"><a class="OverlaySummaryItemWrapper-jydJgB ljApWB summary-em-trackg__image-lk" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" href="><span class="SpanWrapper-umhxW kGxnNB rponsive-asset OverlaySummaryItemRponsiveAsset-gAMhYK cOqLsu"><picture class="RponsiveImagePicture-cWuUZO dUOtEa OverlaySummaryItemRponsiveAsset-gAMhYK cOqLsu rponsive-image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jgsWEn"><div class="aspect-rat--overlay-ntaer"><noscript><source media="(max-width: 767px)" srcSet="" siz="100vw"/><source media="(m-width: 768px)" srcSet="" siz="100vw"/><img alt="It’s Time to Retire the Concept of ‘Losg Your Virgy’" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></div></div></picture></span><div class="OverlaySummaryItemContent-ddGOWz fHZSgO"><div class="RubricWrapper-dKmCNX dUsdoD bric bric--wh-bg BaseWrap-sc-gjQpdd BaseText-ewhhUZ OverlaySummaryItemRubric-bFqsqT iUEiRd cxwGKM cvqxGA"><span class="RubricName-fVtemz cLxcNi">Opn</span></div><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp"><div class="ClampContent-hilPkr jVhSBH"><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ OverlaySummaryItemHed-cljMtD iUEiRd dMyiUD cRpZRn">It’s Time to Retire the Concept of ‘Losg Your Virgy’</div></div></div><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl OverlaySummaryItemByl-bogcUE fjwtNK"><p class="ByleWrapper-jWHrLH epKWKp byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd kxuydN gnILss byle__preamble">By </span>Faye Keegan</span></span></p></div></div></a></li><li class="RecircListTextOverlayItem-dLTGJZ cMRTNH"><a class="OverlaySummaryItemWrapper-jydJgB ljApWB summary-em-trackg__image-lk" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" href="><span class="SpanWrapper-umhxW kGxnNB rponsive-asset OverlaySummaryItemRponsiveAsset-gAMhYK cOqLsu"><picture class="RponsiveImagePicture-cWuUZO dUOtEa OverlaySummaryItemRponsiveAsset-gAMhYK cOqLsu rponsive-image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jgsWEn"><div class="aspect-rat--overlay-ntaer"><noscript><source media="(max-width: 767px)" srcSet="" siz="100vw"/><source media="(m-width: 768px)" srcSet="" siz="100vw"/><img alt="The Slgback Is Summer’s Sexit Shoe" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></div></div></picture></span><div class="OverlaySummaryItemContent-ddGOWz fHZSgO"><div class="RubricWrapper-dKmCNX dUsdoD bric bric--wh-bg BaseWrap-sc-gjQpdd BaseText-ewhhUZ OverlaySummaryItemRubric-bFqsqT iUEiRd cxwGKM cvqxGA"><span class="RubricName-fVtemz cLxcNi">Fashn</span></div><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp"><div class="ClampContent-hilPkr jVhSBH"><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ OverlaySummaryItemHed-cljMtD iUEiRd dMyiUD cRpZRn">The Slgback Is Summer’s Sexit Shoe</div></div></div><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl OverlaySummaryItemByl-bogcUE fjwtNK"><p class="ByleWrapper-jWHrLH epKWKp byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd kxuydN gnILss byle__preamble">By </span>Liana Satenste</span></span></p></div></div></a></li><li class="RecircListTextOverlayItem-dLTGJZ cMRTNH"><a class="OverlaySummaryItemWrapper-jydJgB ljApWB summary-em-trackg__image-lk" data-ponent-type="recirc-river" data-recirc-id="em-image-5" data-recirc-pattern="summary-em" href="><span class="SpanWrapper-umhxW kGxnNB rponsive-asset OverlaySummaryItemRponsiveAsset-gAMhYK cOqLsu"><picture class="RponsiveImagePicture-cWuUZO dUOtEa OverlaySummaryItemRponsiveAsset-gAMhYK cOqLsu rponsive-image"><div data-tt="aspect-rat-ntaer" 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gay documentary netflix

Voyr, the new Netflix documentary starrg Gay Tale about his article and book The Voyr’s Motel, is a nfed illtratn of te-crime’s pfalls.

Contents:

NETFLIX EXPOS THE SECRET GAY HISTORY OF NAZI GERMANY

From "Paris is Burng" to "Mr. Angel" to "For the Bible Tells Me So," we round up 10 gay documentari that you n stream right now on Netflix. * gay documentary netflix *

Which didn’t stop burly Hler nfidante and head of the Nazi SA paraary wg Ernst Röhm, a not-terribly-closeted gay man, om equentg the tablishment.

10 GAY DOCUMENTARI ON NETFLIX STREAMG

When Amerin documentarian Kriste Stolakis set out to make her but feature film, she knew she wanted to she a light on the “ex-gay” movement. * gay documentary netflix *

As the film explas, the SA had a strong homoerotic element, a disgt wh women and femy they somehow ed to jtify homosexualy – for a time, anyway. At a certa pot, Röhm’s iendship wh Hler uld only take him so far a Nazi regime creasgly set on eraditg homosexualy. Röhm is but one player this ncise, ftly told doc that the Eldorado as a lnchg pad to a broar story about beg gay Nazi Germany.

The film never out and yells , but is also a remr of the Fal Solutn tenor that still acpani much anti-gay and anti-trans rhetoric and, creasgly, policy. He was also a bohemian spir who had a passnate homosexual relatnship wh Manasse Herbst, a Galician Jewish actor who fled Germany 1936.

Hirschfeld, a groundbreakg sexologist, both gay and Jewish and therefore a prime target of Nazi Germany, was thankfully not prent when his stute was ransacked by mardg Nazi youth (here aga, there are photos). Here we experience the nce that thrived before the fall, at a hiaway for those whose differenc would soon mark them for prison, exile, or, many s, ath ( is timated that between 5, 000 and 15, 000 gay people died the ncentratn mps for vlatg Paragraph 175). And if you want to stay rmed about everythg jog Netflix every week, subscribe to the Streamle Sub Jeong/HuffPostStreamle“All My Fay” (2019)Premise: The filmmaker Hao Wu is a gay, Che immigrant to the U.

NETFLIX'S 'PRAY AWAY' LOOKS BEHD THE CURTA OF THE 'EX-GAY' MOVEMENT

Johnson, a genr-nonnformg gay liberatn activist who had a proment role the Stonewall uprisg of 1969, a semal moment the fight for LGBTQ rights. But when the AIDS epimic veloped, the uple offered support to the gay muny and took on a more activist Mason, the dghter of the owners, wrote and directed the documentary. Vo: “This documentary explor the life and work of activist Vo Rso, who wrote The Celluloid Closet, which exam movie portrayals of homosexuals.

NETFLIX’S HOLLYWOOD: THE TE STORY OF STTY BOWERS, REAL-LIFE L.A. PIMPRYAN MURPHY’S NEW NETFLIX SERI IS SET LARGELY AT A GAS STATN BASED ON THE REAL-LIFE ONE N BY HOLLYWOOD PIMP STTY BOWERS.BY JULIE MILLERAPRIL 30, 2020STTY BOWERS AT THE ABBEY WT HOLLYWOOD ON JULY 25, 2018.BY TASIA WELLS/GETTY IMAG.SAVE THIS STORYSAVESAVE THIS STORYSAVETWO YEARS AGO, STTY BOWERS—THE LOS ANGEL HTLER WHO CLAIMED TO HAVE HOOKED OLD HOLLYWOOD’S BIGGT STARS UP WH WILLG SEXUAL PARTNERS, GAY AND STRAIGHT—WAS THE SUBJECT OF A FASCATG DOCUMENTARY, STTY AND THE SECRET HISTORY OF HOLLYWOOD. IN , THE WORLD WAR II VETERAN TURNED PIMP DISHED ON THE ALLEGED SECRET SEX LIV OF KATHARE HEPBURN, SPENCER TRACY, CARY GRANT, ROCK HUDSON, CHARL LGHTON, RAYMOND BURR, VCENT PRICE, COLE PORTER, AND VIVIEN LEIGH, AS WELL AS THE LEGENDARY GAS STATN—ON THE RNER OF NORTH VAN NS AVENUE AND HOLLYWOOD BOULEVARD—WHERE HE AND HIS LIBERATED IENDS, MALE AND FEMALE, SERVICED MANY OF THEIR A-LIST CLIENTELE. RYAN MURPHY’S LATT NETFLIX SERI, HOLLYWOOD, A FICTNALIZED HOMAGE TO 1940S HOLLYWOOD, PAYS TRIBUTE TO BOWERS BY FEATURG S OWN GAS STATN AND CHARISMATIC PIMP (ERNIE, PLAYED BY DYLAN MCDERMOTT).THE REAL-LIFE BOWERS CLAIMED HE WAS WORKG AS A GAS STATN ATTENDANT AT AGE 23, SHORTLY AFTER THE WAR, WHEN ACTOR WALTER PIDGEON PULLED UP AND ASKED BOWERS TO HOP TO HIS R. IN HIS MEMOIR, FULL SERVICE: MY ADVENTUR HOLLYWOOD AND THE SECRET SEX LIV OF THE STARS, BOWERS RATNALIZED THAT HOOKG UP WH CELEBRI FOR $20 WAS EASY, LUCRATIVE WORK. AS PIDGEON SPREAD WORD ABOUT HIS REPUTATN, BOWERS SAID, THE PIMP EXPAND HIS OPERATN—SETTG UP TWO KG BEDS A PARKED TRAILER AND ENLISTG GOOD-LOOKG MEN AND WOMEN TO HELP HIS SECRETIVE E. AMONG BOWERS’S RACIT CLAIMS: THAT HE TRODUCED KATHARE HEPBURN TO 150 WOMEN OVER SEVERAL S; THAT HE SET UP CARY GRANT WH AN EARLY-REER ROCK HUDSON; AND THAT HE PROCURED SEXUAL PARTNERS FOR WALLIS SIMPSON AND EDWARD VIII. BOWERS ALSO SAID HE SLEPT WH BOTH SPENCER TRACY AND VIVIEN LEIGH; HAD A THREE-WAY WH AVA GARDNER AND LANA TURNER; HAD A THREOME WH CARY GRANT AND HIS ALLEGED LOVER, RANDOLPH STT; AND CLAIMED THAT HIS SEX LIFE WAS SO UNHIBED THAT SURPRISED EVEN SEXOLOGIST ALED KSEY.IN HIS 2012 MEMOIR, WRTEN WH LNEL FRIEDBERG, BOWERS WROTE, “I WAS SETTG UP AN AVERAGE OF 15-20 TRICKS A DAY. THIS WAS A 24/7 OPERATN, EXTENDG OVER A PERD OF, SAY, 30 TO 40 YEARS. AS FOR TRICKS THAT I PERFORMED PERSONALLY, I WAS OFTEN SEEG TWO OR THREE PEOPLE A DAY.”PRR TO HIS MEMOIR, BOWERS WAS FASTIDLY DISCREET. HE NEVER KEPT A BLACK BOOK OF CLIENT NAM, REFG TO SPEAK ABOUT HIS FAMO CLIENTS UNTIL AFTER THEY DIED. HOMOSEXUALY WAS NOT LEGALIZED CALIFORNIA UNTIL THE 1970S; BOWERS’S OPERATN ALLEGEDLY HELPED UNTLS MEN AND WOMEN DULGE SEXUALLY WHOUT ENDANGERG THEIR REERS, REPUTATNS, OR, SOME S, MARRIAG.“THERE ALWAYS WILL BE SECRET LIFE HAPPENG,” BOWERS TOLD THE GUARDIAN 2018. “PEOPLE SHOULD DO WHAT PLEAS THEM AND THE OTHER PERSON—SOME PEOPLE JT PLEASE MORE THAN A FEW.”IN AN TERVIEW WH VANY FAIR, DYLAN MCDERMOTT SAID THAT HIS CHARACTER WAS CERTALY SPIRED BY BOWERS—BUT ALSO BY CLARK GABLE’S CHARACTER THE 1961 FILM THE MISFS. “I HAVE A POSTER OF THE MISFS STG MY BATHROOM AND LOOK AT EVERY DAY,” MCDERMOTT SAID, CG GABLE’S MTACHED AGG PLAYBOY AS A “ME” FOR ERNIE. “THERE WAS A CERTA QUALY HIM I WANTED. HIS HAIR, HIS MTACHE, THE WAY HE RRIED HIMSELF, AND HIS OPTIMISM, IF YOU WILL. IF STTY BOWERS AND CLARK GABLE HAD A LOVE CHILD, WOULD BE ERNIE.”DYLAN MCDERMOTT (LEFT) HOLLYWOOD MOLED THE CHARACTER'S LOOK AFTER CLARK GABLE'S THE MISFS (SET).LEFT, URTY OF NETFLIX; RIGHT, OM THE EVERETT COLLECTN.MCDERMOTT SAID THAT HE LOVED THE NTRADICTNS OF HIS CHARACTER. SURE, ERNIE IS A PIMP—BUT HE’S ALSO A SEXUALLY LIBERATED AND TOLERANT GUY WHO TAK RE OF HIS WORKERS AND FACILAT SATISFYG SEX FOR HIS CLIENTS A REPRSED ERA. “YOU’RE EXPECTG ERNIE TO EXPLO THE GUYS…BUT THE GREAT TWIST ON THE CHARACTER IS THAT HE’S NOT EXPLOG THEM. HE ACTUALLY LOV THE GUYS AND TAK RE OF THEM,” THE ACTOR POTED OUT.DOCUMENTARY FILMMAKER MATT TYRNER—WHO IS ALSO A FORMER VANY FAIR WRER AND EDOR—HAS SCRIBED BOWERS G SIAR TERMS. AFTER SPEAKG TO SOME OF THE MEN WHO WORKED FOR BOWERS, TYRNER TOLD BUZZFEED THAT THEY SEEMED TO BE “HAPPY HOOKERS.… IT SEEMED TO BE VERY OL WH EVERYBODY WHO I TALKED TO.… THIS SEEMED TO BE HIGHLY NSENSUAL. AND NO ONE SEEMED TO HAVE A PROBLEM, WHETHER THEY WERE GAY, STRAIGHT, OR OTHERWISE, WH WHAT STTY WAS ASKG.”SPEAKG TO VANY FAIR EARLIER THIS YEAR, MURPHY SAID HE ED THE GAS STATN AS THE BACKDROP OF HIS SERI BEE HE WAS FASCATED BY THE FACT THAT “THERE WAS A MOMENT WHERE PEOPLE HAD TO GO TO THIS GAS STATN TO BE THEMSELV, TO BE ABLE TO EXPRS THEIR SEXUALY, TO BE ABLE TO EXPRS THEIR FANTASY.” AND THAT’S APPARENTLY JT WHAT BOWERS TEND. IN A 2012 TERVIEW, THE HTLER SAID THAT HE NEVER JUDGED HIS CLIENTELE. “SO THEY LIKED SEX HOW THEY LIKED ,” HE TOLD THE NEW YORK TIM. “WHO R?”MORE GREAT STORI FROM VANY FAIR— BEHOLD DUNE: AN EXCLIVE LOOK AT TIMOTHéE CHALAMET, ZENDAYA, OSR ISAAC, AND MORE— HOW TO WATCH EVERY MARVEL MOVIE ORR— DAVID SIMON ON THE WIRE AND HIS EQUALLY PISSED-OFF NEW SHOW, THE PLOT AGAST AMERI— BEYOND TIGER KG: 8 TE-CRIME DOCUMENTARI THAT SPARKED A SEND LOOK FROM THE LAW— DOWNTON ABBEY’S JULIAN FELLOW ON HIS NEW SERI AND THE BETY OF A SCHEMG WOMAN— ALL THE NEW 2020 MOVI STREAMG EARLY BEE OF CORONAVIS— FROM THE ARCHIVE: THE NOTOR RIVALRY OF HEDDA HOPPER AND LOUELLA PARSONS, HOLLYWOOD’S DUELG GOSSIP COLUMNISTSLOOKG FOR MORE? SIGN UP FOR OUR DAILY HOLLYWOOD NEWSLETTER AND NEVER MISS A STORY.MOST POPULAROUR FLAG MEANS DEATH SEASON 2: EXCLIVE FIRST LOOKBY SARAH CATHERALLFLORENCE PUGH SAYS CHRISTOPHER NOLAN “APOLOGIZED” FOR HER SMALL OPPENHEIMER ROLEBY SAVANNAH WALSHTHE GILD AGE WILL GET A LOT MORE OPERATIC SEASON 2BY RICHARD LAWSONJULIE MILLER

We Were Here: “The AIDS crisis forever changed gay culture San Francis, as examed this documentary that trac the disease’s impact on five dividuals. Outrage: “Director Kirby Dick expos the hypocrisy of gay policians who publicly cricize the LGBT muny while hidg their own sexual orientatn.

Call Me Kuchu: “This powerful film follows David Kato, the first openly homosexual man Uganda, as he fights the natn’s loomg anti-gay laws.

‘VOYR’ REVIEW: NETFLIX’S DEVIANT GAY TALE DOC CAN’T DECI WHAT WANTS TO LOOK AT

Tellg the story of Karen and Barry Mason and their unual source of e — the famo Wt Hollywood gay pornography book and vio shop which shar the documentary's name — Circ of Books be so much more than jt an oddball fay portra amid surprisg circumstanc. Produced by Ilene Chaiken, -creator of the televisn seri The L Word, the film prents a personal look at many of the stggl faced by gay Amerins the 21st century, as vout relig lears and muny members prott the subjects’ marriag and unns. The Emmy-wng documentary Before Stonewall explor the gay, lbian, bisexual and transgenr muny prr to Stonewall, analyzg the begngs of an era of activism.

This documentary prents some lser-known moments om history while monstratg how Amerin attus towards homosexualy evolved leadg up to and after Stonewall.

When Amerin documentarian Kriste Stolakis set out to make her but feature film, she knew she wanted to she a light on the “ex-gay” movement, which nsists of those that believe a person’s genr inty or sexual orientatn n be changed.

*BEAR-MAGAZINE.COM* GAY DOCUMENTARY NETFLIX

Netflix's 'Pray Away' looks behd the curta of the 'ex-gay' movement .

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