Contents:
WHO'S GAY GOSPEL MIC?
Ex-Gay Watch is g back! Talley choos neher to affirm same-genr relatnships, nor to nmn “homosexualy. Whe southern gospel mic seems like a strange source of pleasure for a "gay, secular humanist amic, " as Douglas Harrison intifi himself (17).
Guid by theologil fundamentalism and social nservatism, southern gospel's performers and fans tend to take a dim view of homosexualy.
In 2003, gospel sger Kirk Talley was "outed" when the FBI arrted a man who attempted to blackmail Talley wh suggtive photographs he shared on a gay web se. First, how n a homosexual nonbeliever like Harrison, who as a youth was a "Southern Baptist sissy, " who dreamed of beg a southern gospel star until he me out and suffered the nsequenc for dog so by a reprsive relig culture, still fd ecstatic "glory-rollg joy" southern gospel mic?
GAY CHRISTIAN MOVEMENT WATCH
Dpe his clear disda for the homophobia, fundamentalism, and, at tim, racism lurkg beneath the surface of whe southern gospel, he do not bee polemil or "substute one set of moral dogmas for another. The Gay-Gospel Paradox.
If racism and distct unrstandgs of gospel mic's meang and purpose have rerced s separatn as genr, whe and black gospel n, neverthels, fd mon ground wh their shared tradns of homophobia. Then Sgs My Soul was released jt one month before Anthony Heilbut's The Fan Who Knew Too Much, portns of which open a door to what he lls the "secret closet" of gays black gospel mic.
The tend dienc of each book may not overlap but they both expose the hypocrisy of the gay-gospel paradox nservative Christian culture and, hopefully, will force broar bate.
GAY CHRISTIAN MOVEMENT WATCH
His immersn the gospel world exposed him to the genre's "fay secret": gay people formed the heart and soul of black gospel mic while the fundamentalism of church and clergy kept them the closet.
"Arch-homophob" the gospel muny, Heilbut wr, equently sg "the mic of gay people, acknowledgg wh every breath and step that if you banished the sissi and the bull daggers [gospel sger Shirley Caar's homophobic aspersns], the tabernacle might cmble.
" Harrison's gay-gospel paradox transcends race and uld be applied to any homophobic area of Amerin life, but the hypocrisy seems all the more glarg, as Heilbut emphasiz, a mil and relig culture that played such a pivotal role the civil rights movement. Freedman, "Usg Gospel Mic's Secrets to Conont Black Homophobia, " The New York Tim, June 1, 2012, accsed Augt 4, 2012, ; Louis Bayard, "Review of Anthony Heilbut's 'The Fan Who Knew Too Much, '" The Washgton Post, Augt 3, 2012, accsed Augt 5, 2012,.