Gay and Straight Men Prefer Mascule-Prentg Gay Men for a High-Stat Role: Evince From an Elogilly Valid Experiment | SprgerLk

straight boys acting gay

Steve Howey, the Shamels star, hop to end stigma -- and toxic masculy -- by playg gay and speakg out.

Contents:

WHY STRAIGHT SOLDIERS CAN’T STOP ACTG GAY ON VIO

Recent lerature has scribed the phenomenon of "straight-actg" gay men: gay men who intify wh tradnal heteronormative masculy. The current study examed predictors of "straight-actg" intifitn gay men and how intifyg as straight-actg relat to well-beg. A sample … * straight boys acting gay *

In jt a few years’ time, ary boys would be enthiastilly filmg themselv actg way ‘gayer’ than dancg to YMCA – and postg on YouTube for the entire world to ’ve probably already seen the vio tribute to Lady Gaga’s ‘Telephone’ ma by US soldiers Afghanistan, which has gone vilently viral. The same ele un that the chaps ‘actg gay’ the ‘Telephone’ vio (PG) are latt YouTube vio of soldiers ‘actg gay’ lled ‘The Army Go Gay’ (below) has been curly claimed by some gay blogs as an example of straight soldiers ‘ridiculg’ Don’t Ask Don’t Tell.

While mascule self-prentatn posively predicted well-beg and ternalized homophobia negatively predicted well-beg, straight-actg intifitn, which posively rrelated wh both, did not penntly predict eher psychologil distrs or physil well-beg. For Shamels star Steve Howey, speakg out for what he knows is right has bee an art form, one that is unpredictable but always strik a December, the Texas-born actor me out on Twter, he says, to fight the stigma behd sayg the words "I'm gay.

" His tweet, which read simply "I'm gay and proud, " sparked dialogue and a fair amount of nfn about the straight, married father of tws -- but he isn't bothered by fans thought Howey, who plays gay Netflix's Game Over, Man!, might have been textg character, but he sists, "My whole pot was to be a champn, a supporter, of the movement.

WHY DO SOME GAY MEN INTIFY AS "STRAIGHT-ACTG" AND HOW IS IT RELATED TO WELL-BEG?

* straight boys acting gay *

Appallg every regard (this show is so lazy that the same lghtrack is applied to every sgle joke), Love That Girl manag to up the ante by featurg a pair of nosy gay neighbors named Adonis (Mark Adair-Rs) and Fabian (Peter Oldrg), who are Lenny & Squiggy cir In Livg Color. The abysmal 1994 edy Wagons East (which was so bad John Candy died durg filmg), he played Julian, a blatant riture whose crgeworths may have stood out more s offensivens if the movie self weren't so offensively worse was his performance Wild Hogs, which he played that other chtnut, the predatory gay. The script had, "Tracy Man as a gay prison mate, " and they didn't bother wrg anythg after that bee hey, that's all you need to he had put a mute of effort to the performance, may have risen to offensive, but he uldn't even manage Knear As Good As It Gets and Tommy Lee Jon JFKAnd now we e to a tegory we're llg "Unserved Osr Nod.

" Personally, I believe my performance was worthy of an, when I see gay men state that they are "straight-actg" on plac like the "men seekg men" (m4m) posts on Craigslist, or on ManHunt, I sometim wre them and ask: "If you were 'straight-actg' wouldn't you be postg the 'men seekg woman' (m4w) sectn or on WomanHunt?

TWELVE STRAIGHT ACTORS WHO WENT GAY-FOR-PAY ... AND HAD US DEMANDG {FONT:NORMAL 800 1.2REM/1.2 "D BOLD",SANS-SERIF;TEXT-TRANSFORM:NORMAL;LOR:HER;DISPLAY:LE-BLOCK;PADDG-BOTTOM:6PX;POSN:RELATIVE;TEXT-TRANSFORM:UPPERSE;}{BACKGROUND:#89308A;BOTTOM:0;NTENT:'';DISPLAY:BLOCK;HEIGHT:2PX;LEFT:0;POSN:ABSOLUTE;RIGHT:0;-WEBK-TRANSN:ALL 0.2S EASE;TRANSN:ALL 0.2S EASE;WIDTH:100%;}{LEFT:51%;RIGHT:51%;WIDTH:0;}{FONT:NORMAL 800 1.2REM/1.2 "D BOLD",SANS-SERIF;TEXT-TRANSFORM:NORMAL;LOR:HER;DISPLAY:LE-BLOCK;PADDG-BOTTOM:6PX;POSN:RELATIVE;TEXT-TRANSFORM:UPPERSE;}{BACKGROUND:#89308A;BOTTOM:0;NTENT:'';DISPLAY:BLOCK;HEIGHT:2PX;LEFT:0;POSN:ABSOLUTE;RIGHT:0;-WEBK-TRANSN:ALL 0.2S EASE;TRANSN:ALL 0.2S EASE;WIDTH:100%;}{LEFT:51%;RIGHT:51%;WIDTH:0;}MOVIBY SNICKSMAY 16, 2011/4:54 PMBY SNICKSMAY 16, 2011 / 4:54 PM{"@NTEXT":","@TYPE":"NEWSARTICLE","HEADLE":"TWELVE STRAIGHT ACTORS WHO WENT GAY-FOR-PAY ... AND HAD US DEMANDG REFUNDS","DATEPUBLISHED":"2011-05-16T20:54:35.000+0000","DATEMODIFIED":"2011-05-16T20:54:35.000+0000","IMAGE":{"@NTEXT":","@TYPE":"IMAGEOBJECT","WIDTH":1920,"HEIGHT":1080},"URL":","THOR":{"@TYPE":"ORGANIZATN","NAME":"LOGO TV"},"MAENTYOFPAGE":{"@TYPE":"WEBPAGE","@ID":"},"PUBLISHER":{"@TYPE":"ORGANIZATN","@ID":","NAME":"LOGO TV","URL":","LOGO":{"@TYPE":"IMAGEOBJECT"}},"CREATOR":"SNICKS","KEYWORDS":"THE BACKLOT","ARTICLESECTN":"MOVI"}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}OUR POST ABOUT GAY ACTORS PLAYG STRAIGHT CHARACTERS GOT THKG ABOUT THE FLIPSI, STRAIGHT ACTORS PLAYG GAY {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}BUT A LIST OF STRAIGHT ACTORS SUCCSFULLY PLAYG GAY WOULD BE OBV (TOM HANKS, HEATH LEDGER, PHILLIP SEYMOUR HOFFMAN) AND ANKLY DULL. SO WE CID STEAD TO SHARPEN OUR KNIV AND MAKE A LIST THAT'S A HELL OF A LOT MORE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}STRAIGHT ACTORS WHO CRASHED AND BURNED ATTEMPTG TO PLAY {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}MOST OF THE PERFORMANC RELY ON CLICHE AND STEREOTYPE, AND TO BE FAIR, A LOT OF OUR FAVORE GAY PERFORMANC OM STRAIGHT ACTORS DO LEAN HEAVILY ON THE FLAMBOYANT. BUT ACTORS SUCH AS ERIC STONTREET (MORN FAY) MANAGE TO JECT WARMTH, HEART, AND SCERY TO THE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE ACTORS, ON THE OTHER HAND, EHER TRY WAY TOO HARD, OR NOT HARD ENOUGH, AND EMBARRASS THEMSELV ... AND {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}MARK ADAIR-RS AND PETER OLDRG, LOVE THAT {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}IF YOU'VE NEVER SEEN TV-ONE'S BUT S LOVE THAT GIRL, YOU SHOULD FELY CHECK OUT, IF ONLY SO YOU N SAY YOU WERE WNS TO ONE ONE OF THE WORST SHOWS THE HISTORY OF TV (AND G OM SOMEONE WHO MANAGED TO SEE THE GOOD SMALL WONR, SHE'S THE SHERIFF, AND WOOPS!, THAT'S SAYG SOMETHG).{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}APPALLG EVERY REGARD (THIS SHOW IS SO LAZY THAT THE SAME LGHTRACK IS APPLIED TO EVERY SGLE JOKE), LOVE THAT GIRL MANAG TO UP THE ANTE BY FEATURG A PAIR OF NOSY GAY NEIGHBORS NAMED ADONIS (MARK ADAIR-RS) AND FABIAN (PETER OLDRG), WHO ARE LENNY & SQUIGGY CIR IN LIVG {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}LEERG AND LEWD , THEY WOULD NEED TO TONE DOWN JT TO GET TO {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}// {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}VAR SO = NEW SWFOBJECT('','MPL','480','360','9');SO.ADDPARAM('ALLOWFULLSCREEN','TE');SO.ADDPARAM('ALLOWSCRIPTACCS','ALWAYS');SO.ADDPARAM('WMO','OPAQUE');SO.ADDVARIABLE('ONTLOR','FFFFFF');SO.ADDVARIABLE('IMAGE','');SO.ADDVARIABLE('FILE',"");SO.ADDVARIABLE('SK','');SO.ADDVARIABLE('STREAMER','RTMP://');('LOVETHATGIRL_EP208_1');{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}// ]]>{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}JOHN C. MCGLEY WAGONS EAST AND WILD {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}IT'S NOT OFTEN AN ACTOR N LAY CLAIM TO PLAYG BOTH ENDS OF THE GAY CLICHE SPECTM, BUT SCBS STAR JOHN C. MCGLEY MANAGED THAT ... {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}IN THE ABYSMAL 1994 EDY WAGONS EAST (WHICH WAS SO BAD JOHN CANDY DIED DURG FILMG), HE PLAYED JULIAN, A BLATANT RITURE WHOSE CRGEWORTHS MAY HAVE STOOD OUT MORE S OFFENSIVENS IF THE MOVIE SELF WEREN'T SO OFFENSIVELY {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}EVEN WORSE WAS HIS PERFORMANCE WILD HOGS, WHICH HE PLAYED THAT OTHER CHTNUT, THE PREDATORY GAY. EACH TIME HIS P CHARACTER MET UP WH THE LEAD FOURSOME (TIM ALLEN, MART LAWRENCE, JOHN TRAVOLTA, AND WILLIAM MACY), CREEPS ENSUED, THANKS TO HIS MERA MUGGG AND BIZARRE LE READGS. I DON'T KNOW WHAT THE HELL HE WAS GOG FOR, BUT IF WAS "SK CRAWL EXPERT," HE SUCCEED {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}KEV BISHOP FOOD OF {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}KEV BISHOP PLAYED PL THIS 2002 G-OF-AGE DRAMA, A TALENTED MIC STUNT WORKG AS THE PAGE TURNER FOR A NCERT PIANIST. HE AND THE PIANIST EMBARK ON A RELATNSHIP, WHICH LEADS TO PLITNS, OF URSE, PECIALLY WHEN PL'S NUTTY MOTHER (JULIET STEVENSON A ENTERTAGLY OVER-THE-TOP PERFORMANCE) FDS {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}UNFORTUNATELY, KEV IS WOON AND BLAND, AND PLAYS THE GAY LOVE SCEN AS IF HE'S HOLDG HIS BREATH WAG FOR TO BE OVER. EVEN THE OCSNAL BUTT SHOTS LOSE THEIR TERT, AS WE'RE TOO BY LOOKG FOR THE STICK UP HIS ASS TO REALLY APPRECIATE {BOX-SIZG:BORR-BOX;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;} .TWTER-TWEET-RENRED, {M-WIDTH:65%;WIDTH:TO !IMPORTANT;} {WIDTH:100%;} {MARG-LEFT:TO !IMPORTANT;MARG-RIGHT:TO !IMPORTANT;} IMG{MAX-WIDTH:100%;WIDTH:100%;} > IAME{BORR:NONE;MAX-WIDTH:100%;} > *{MAX-WIDTH:NONE !IMPORTANT;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}KEIR O'DONNELL WEDDG {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}LOOK, ANOTHER PREDATORY GAY! BUT THE CHARACTER OF TODD THE EXPLIBLY POPULAR 2005 EDY WEDDG CRASHERS ALSO ADD MENTAL ILLNS TO THE MIX. IN ONE OF THE LOW POTS OF FILM EDY RECENT YEARS, HIS ATTEMPTED RAPE OF THE VCE VGHN CHARACTER WAS TREATED AS A IC SET {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}MAKG MATTERS WORSE IS THE PERFORMANCE OM KEIR O'DONNELL, WHOSE MOTTO SEEMS TO BE, "WHEN DOUBT, TWCH." INED, HIS TICS AND TENSE MUGGG BRG ANOTHER DIMENSN OF CREEPY TO THE CHARACTER. HE MT HAVE MISSED THE LSON AT THE JIM CARREY SCHOOL FOR COMEDIC ACTG THAT VERED, "WHEN TO TURN DOWN A NOTCH."{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}REX HARRISON AND RICHARD BURTON {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THIS 1969 MM CUR PIECE FEATUR TWO LEGENDARY ACTORS THOROUGHLY EMBARRASSG THEMSELV AS GAY HAIRDRSERS CHARLIE AND HARRY, A BICKERG BRISH UPLE WHO TRY TO OUT-SHRILL EACH OTHER. ESPECIALLY BAD IS BURTON, WHO WALKS AROUND WH HIS HEAD BANDAGED, LIKE A LOBOTOMIZED NORMA DMOND LOOKG FOR HER CLOSP. I THK ROGER EBERT SUMMED UP BT:{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}"WE'RE NOT ASKED TO WATCH A MOVIE ABOUT HOMOSEXUALS, BUT A MOVIE ABOUT HARRISON AND BURTON PLAYG HOMOSEXUALS. THEY PLAY THEM WH EMBARRASSG CLUMSS. I WONR IF THAT WAS LIBERATE. HARRISON MC ABOUT A PARODY OF HOMOSEXUAL MANNERISMS -- NOT THAT MANY (OR PERHAPS ANY) HOMOSEXUALS EVER ACTED AS HE PORTRAYS THEM. MAYBE HE'S TRYG TO TELL HE'S SO STRAIGHT HE N'T EVEN PLAY A HOMOSEXUAL. BUT HE DON'T EVEN PLAY A CHARACTER. NEHER HE NOR BURTON IS BELIEVABLE FOR MORE THAN SENDS."{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}JASON ALEXANR LOVE, VALOUR, {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}HIS HEART WAS THE RIGHT PLACE, BUT JASON ALEXANR'S PERFORMANCE AS BUZZ WAS THE WEAKT LK 1997'S LOVE, VALOUR, COMPASSN. ALL SURFACE MANNERISMS, JASON WOULD HAVE BEEN BETTER OFF TRYG TO DIG A LTLE EPER STEAD OF TRYG TO APE NATHAN LANE (WHO ORIGATED THE ROLE ON STAGE).{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}TRACY MAN THE LONGT {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WELL, DUH. WHEN YOU THK, "TRACY MAN AS A GAY PRISON MATE," THIS IS PROBABLY WHAT YOU PICTURE, AND HE CERTALY DIDN'T {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THERE WAS ABSOLUTELY NOTHG TO HIS MS. TUCKER THAT WAS ORIGAL, CREATIVE, OR AMG. THE SCRIPT HAD, "TRACY MAN AS A GAY PRISON MATE," AND THEY DIDN'T BOTHER WRG ANYTHG AFTER THAT BEE HEY, THAT'S ALL YOU NEED TO {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}IF HE HAD PUT A MUTE OF EFFORT TO THE PERFORMANCE, MAY HAVE RISEN TO OFFENSIVE, BUT HE ULDN'T EVEN MANAGE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}GREG KNEAR AS GOOD AS IT GETS AND TOMMY LEE JON {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AND NOW WE E TO A TEGORY WE'RE LLG "UNSERVED OSR NOD." BOTH MICHAEL JENSEN AND BRENT HARTGER NOMATED GREG KNEAR FOR THIS HONOR, FOR HIS PERFORMANCE AS GAY ARTIST SIMON AS GOOD AS IT GETS. AS BRENT PUT , "HE GAVE A GREAT PERFORMANCE AS A STRAIGHT GUY ACTG LIKE A GAY GUY. IT WAS ALL SURFAC MANNERISMS, SHOWY AND OBV, AND ABSOLUTELY NOTHG REAL. AND I NFS REALLY CHAPS MY LIPS THAT HE WAS NOMATED FOR AN OSR THE SAME YEAR THAT RUPERT EVERETT, AN ACTUAL GAY MAN GIVG ONE OF THE BT, MOST MEMORABLE 'GAY' PERFORMANC THE HISTORY OF FILM, WAS NOT."{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}TO THAT PERFORMANCE I'LL ADD TOMMY LEE JON JFK. THE DUB HISTORY-TELLG OF OLIVER STONE ASI, JON' PERFORMANCE AS CLAY SHAW WAS GIMMICKY AND {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}SO WHY DID THE TWO PERFORMANC GET OSR NODS? IN KNEAR'S SE, HE RO THE WAVE OF ACLAS THAT AS GOOD AS IT GETS RECEIVED THAT YEAR, AND AS FOR JON, HE WAS A MACHO LEADG MAN PLAYG GAY. THAT WAS {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}MICKEY ROURKE BALLS OF STEEL: THE GARETH THOMAS {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}I KNOW I'M JUMPG THE GUN ... BUT TST {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE ARE ARE JT A UPLE OF EXAMPL OF CLUELSNS. I KNOW A LOT OF YOU WOULD PROBABLY NAME WILL SMH SIX DEGRE OF SEPARATN, BUT ASI OM THE WHOLE KISSG BACLE, I DIDN'T THK HIS ACTUAL PERFORMANCE WAS THAT {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}SO WHAT ARE YOUR LEAST FAVORE GAY-FOR-PAY PERFORMANC? THE AFOREMENTNED WILL SMH? AL PACO PERHAPS? WHO HAD YOU SAYG, "NICE TRY ... BUT NO SALE?"{BOX-SIZG:BORR-BOX;CLEAR:BOTH;}THE {BOX-SIZG:BORR-BOX;MARG:0 TO;WIDTH:90%;M-WIDTH:288PX;MAX-WIDTH:1440PX;M-HEIGHT:194PX;}LATT NEWS

There are lots of reasons why you might want to know if your iend is gay. There are some important thgs that you have to unrstand about this suatn before gog forward, however. Someone's sexualy is highly plex and highly... * straight boys acting gay *

This associatn between masculy and stat endowment has plex implitns for gay men, given the prevailg stereotype that they are more feme pared to heterosexual men (Ke & Dx, 1987; Lippa, 2000; Mchell & Ellis, 2011; Sanchez et al., 2009) Men and the Feme StereotypeSuch a stereotype reflects, to some extent, average differenc genr-typily between gay and heterosexual men.

Policg of masculy among gay men is not only self-directed; there is also evince of prejudice toward more feme gay men om wh the gay muny (Bailey et al., 1997; Hunt et al., 2016) Penalti for Feme Gay MenContemporary theori of effective learship have challenged the perceived virtu of masculy. Theoretil explanatns for the fdgs nsistently foc on the possibily that gay men elic such discrimatn bee of the stereotype that they are feme and are therefore perceived as ls equipped to occupy higher-stat posns social hierarchi, such as the workplace (Ke & Dx, 1987; Lord et al., 1984).

Th, the rearch appears to suggt that feme gay men are at particular risk of stat penalti, pecially om dividuals who posss anti-gay Sentiment Amongst Gay MenA further qutn regardg potential stat penalti for feme vers more mascule-prentg gay men is how plic gay men themselv may be perpetuatg such prejudice. Whereas most relevant rearch has ed heterosexual sampl, both lab and field studi on romantic partner preferenc amongst gay men highlight a monplace sire for mascule over feme tras potential partners (Bailey et al., 1997; Clarkson, 2006; Laner & Kamel, 1977; Sanchez & Vila, 2012; Tayawadep, 2002).

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Such a nnectn suggts that the extent to which gay men ternalise societal stigma about beg gay may fluence their treatment of dividuals who posss stigmatised is a nsirable lerature monstratg that gay men discrimate agast more feme gay mal beyond the romantic ntext (Brooks et al., 2017; Ravenhill & Visser, 2019; Sánchez & Vila, 2012; Taywadep, 2002). This effect among gay men mirrors siar fdgs observed among heterosexual participants (Aksoy et al., 2019; Frank, 2006; Pellegri et al., 2020) that also ed analogue tasks, which masculy/femy of gay male targets were manipulated via wrten scriptns. Provid important advanc offerg elogilly valid monstratns of the rctn stat btowed upon feme men by heterosexual dividuals, important unaddrsed qutns rema about whether gay dividuals also show such a bias, g d-visual stimuli, and what psychologil mechanisms might expla such bias.

Demonstratg that gay men are as likely to discrimate agast feme gay men as heterosexuals would ntribute to the emergg awarens of tramory prejudice as an area of ncern for the gay Current StudyThe aim of this study is to explore whether a relatively feme-prentatn negatively impacts stat attament for gay men g a more elogilly valid methodology that allows meangful parisons of the reactns of gay and heterosexual men. Moreover, the study aims to tt psychologil mechanisms that may unrly the hypothised reluctance to endow stat to feme-prentg gay relevant lab studi to date have measured stat attament g direct measur, such as subjective ratgs of learship effectivens or behavural tentns.

Six cis-male, Whe-Atralian profsnal actors, 25 to 35 years old (who all intify as gay real life) were filmed performg an intil vox pop script two ways; 1) once where they were directed to manipulate their voice and body language (VBL) to be more feme, and 2) once where their VBL was to be more mascule. ” (Actor lghs)The script ma no reference to the ndidate’s qualifitns, occupatn, skills, tn, or hobbi (that is, rmatn that may be nsted as genred by participants; Lippa, 2000), while makg the ndidate’s homosexualy explic (by mentng a same-sex partner).

GAY AND STRAIGHT MEN PREFER MASCULE-PRENTG GAY MEN FOR A HIGH-STAT ROLE: EVINCE FROM AN ELOGILLY VALID EXPERIMENT

There is creased acceptance of gay men most Wtern societi. Neverthels, evince suggts that feme-prentg gay men are still disadvantage * straight boys acting gay *

3Frequency of Vot for Each Actor by Heterosexual and Gay Participants (N = 256)Full size imageMeasurStat EndowmentA sgle forced-choice em askg participants to select their preferred ndidate read as follows:“Please now vote for the actor you thk should be st the Ad Campaign promotg tourism to Sydney.

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Usg 5-pot Likert sle where a sre of “0” dited “Totally agree” and a sre of “5” dited “Totally disagree”, gay participants were asked to rate how much they endorsed the ems, “I wish I were heterosexual”; “If were possible I’d choose to be straight”; and “I believe is unfair that I am attracted to people of the same sex”. The average of each participant’s three rpons were lculated to create their Internalised Homonegativy Attus (Heterosexual Participants Only)To measure anti-gay attus we ployed an adapted 6-em versn of the Morn Homonegativy Sle (MHS; Morrison & Morrison, 2002), as ed by Morton (2017), to exclively asss ntemporary negative attus toward gay men. Usg 5-pot Likert sle, where a sre of “0” dited “Totally agree” and a sre of “5” dited “Totally disagree”, heterosexual participants were asked to rate statements such as, “Gay men have all the rights they need”; and “Gay men seem to foc on the ways which they differ om heterosexuals, and ignore the ways which they are siar”.

Fally, logistic regrsns examed whether a preference for mascule vios was predicted by pre-existg levels of ternalised homonegativy (for gay participants) and homonegativy (for heterosexual participants), followed by exploratory analys also g logistic regrsns. 195], that we predicted higher ternalised homonegativy levels would be associated wh a lower likelihood of votg for a feme gay exploratory logistic regrsn analysis was unrtaken to exame if morn sexism predicted ls likelihood of choosg a feme gay male (over a mascule gay male) actor, and if this effect was morated by each participant’s sexual orientatn. The fdg that stronger anti-gay negativy predicted preference for the mascule-prentg actor amongst heterosexual men also replit prev studi (Morton, 2017; Pellegri et al., 2020), offerg further evince for the nnectn between feme-prentatn among gay men and the creased risk of stat-penalti om dividuals who harbour anti-gay attus, even unr circumstanc of affirmative actn (i.

(2021a) found that stronger ternalised anti-gay sentiment predicted masculy-bias – le wh the proposn that the more shame one feels about their sexualy, the ls likely they will want to be reprented by a fellow group-member who perpetuat negative the current study, however, a preference for mascule-prentg actors amongst gay participants was not signifintly predicted by levels of ternalised anti-gay sentiment.

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The three-em ternalised homonegativy subsle (Mohr & Kendra, 2011) clud ems, such as “I wish I was heterosexual, ” that may have suffered om a floor-effect, whereby the ems were too extreme to be endorsed by a ntemporary sample of gay men (particularly if such gay men were motivated to nceal obv -group prejudice). Other recent studi (see Hunt et al., 2020; Salvati et al., 2021a, b; Sanchez & Vila, 2012) have ed more prehensive measur to operatnalise ternalised anti-gay prejudice, such as the 7-em Reactn to Homosexualy Sle (RHS: Smolenski et al., 2010).

However, future studi uld vtigate how masculy and attractivens teract ntributg to stat attament for gay male targets, pecially to terme whether attractivens is protective agast stat-penalti for feme-prentg gay sign of the current study did not allow for direct asssments of the unrlyg reasons for a masculy bias to avoid raisg participants’ spicn, but future rearch wh a different sign may benef om tappg such reasons more directly. The current study’s fdgs further highlight how this ntemporary shift attus toward learship and stat ntu to reprent a tensn for feme-prentg gay men who have been stereotypilly perceived as ‘warm’ but not ‘petent’ pared to mascule-prentg gay men (Clsell & Fiske, 2005) current study is also among the first to show that gay men themselv are plic stat-penalti agast feme-prentg members of their own muny.

Sánchez and Vila (2012) have documented the phenomenon of men who intify as gay and intify wh tradnal heteronormative masculy, rejectg effemate or mp self-prentatn, and noted that such gay men have often ed labels such as “straight-actg” to scribe themselv and other gay men that they perceive as beg mascule prentatn (Sánchez & Vila, 2012).

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