In the doceri Last Call, the story of a killer stalkg the cy’s gay bars be an dictment of a system that let him get away wh
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‘RIGHTEO ANGER WAS A PART OF ’: THE SHOCKG STORY OF NEW YORK’S GAY BAR KILLER
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His sensibily as a gay artist has shaped and elevated the magaze’s athetic, but he has to keep his creativy check lt Mx be seen as a magaze for gay men. But fish strong, as the nflict over Richie’s bathhoe project grows and Mx has to nsir whether ’s too risky for the magaze to speak to gay men, or even gay moments like this, the historil fictn feels not entirely historil. As an exhsted and emotnal gay man says archival footage: “Do you know what is to be asslted for beg alive?
”It’s a grim picture by self but that era also saw another threat enter the ame, quietly and gomely pickg off gay men already livg on a knife’s Last Call killer, as the media me to ll him, mostly found his victims the one place his victims ed as safe refuge: gay bars.
“Righteo anger was a part of , ” says Gertler, of makg the project as a gay man. “The gay thg wasn’t really relevant to the vtigatn, apart om who might have killed him and where he hung out, ” one says, straight-faced.
GAY NEW YORK CY
At another pot, a tective turns the qutns back to ask: “Why is the emphasis on the gay part?