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Is DeRon Horton gay like his character ‘Dear Whe People’? What the actor has to say — or not say —about his sexualy and narrow-mdns.

Contents:

‘DEAR WHE PEOPLE’ SEASON 2 FALLY GIV ITS GAY CHARACTER SOME MEAT TO SK HIS TEETH INTO

* dear white people gay *

Lnel explor the "Deep End" of the gay scene. Last season, we watched Lnel (DeRon Horton) wa to the datg pool and experience racism the gay muny firsthand. This show brgs every sgle thg out of the closet, not jt s gay characters.

Gay folks, LGBTQ folks aren't monolhic eher. It was ccial for Jt Simien, the show's openly gay creator, to put a spectm of LGBTQ inti the seri.

DEAR WHE GAY MEN: LABELG PEOPLE OF COLOR "DIVISIVE" ISN'T A CRIQUE — IT'S RACISM

In the seri, DWP's efforts to further velop Lnel’s persona filled a void of erasure and misreprentatn among muni that are normally left behd popular culture, specifilly Black gay men om Hoton. Not all Black gay men have the accs to each other to learn about who we are.

THAT GAY ROMANCE ON DEAR WHE PEOPLE

Before DWP, I stggled to fd nuanced reprentatns of Black gay men pop culture.

Lnel's portrayal broke the ceilg of Black, gay, Southern reprentatn and showed how a lead televisn character om Hoton n be spirg to people like me. Dear Whe People Season 2, the racially charged and satiril Netflix seri based on the 2014 film of the same name, jt dropped this last Friday and ’s super good and super gay. Not only do Lnel, the seri’ gay journalist, fally start to pursue romance, but the show also troduc a send gay character and several jaw-droppg surpris that will give you some ser feels, no matter how you feel about racial jtice issu.

Lnel (left) speaks wh some lerary gays Dear Whe People Season 2. Durg the town hall, Lnel publish an onle expose (agast his gay edor Silv’s wish) revealg that one of the school’s wealthy donors has threatened to whhold funds unls the school tegrat s historilly black rince hall, known as Armstrong Parker. Amidst hobnobbg wh lerary gays, dancg queens and theatre queers, Lnel ns to Todrick Hall, the real-life choreographer and sger, holdg urt wh Samantha and other gay black men.

*BEAR-MAGAZINE.COM* DEAR WHITE PEOPLE GAY

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class="BylWrapper-KIudk irTIfE byl ContentHearByl-cZqgyJ bqbBYQ"><p class="ByleWrapper-jWHrLH ivtvgj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span><a class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM ByleLk-gEnFiw iUEiRd ggMZaT cXqSTL eErqIx byle__name-lk button" href="/ntributors/richard-brody">Richard Brody</a></span></span></p></div><time data-ttid="ContentHearPublishDate" dateTime="2014-10-21T11:30:23-04:00" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearPublishDate-eIBicG iUEiRd kYZrFA kEBrdf">October 21, 2014</time></div></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ContentHearLeadAsset-hGbumP iWPCcH lead-asset ContentHearLeadAssetWrapper-hfXHEc fTrSlG lead-asset--width-smallle" 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18.5536L19 22.1845V8.83866H20V23.9508Z"></path><path class="in-bookmark-fill" d="M23 3H20V0H19V3H16V4H19V7H20V4H23V3Z"></path></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd bkefvo gkccfO">Save this story</span></button></div><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh kAEsuD viewport-monor-anchor"><button id="bookmark" aria-label="Save this story" class="ActnBarButton-dyFOZU cjjxgx bookmark mobile"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Save this story</tle><path class="in-bookmark-fill" d="M20 23.9508L12.5 19.7312L5 23.9508V2.95081H14V3.93211H6V22.1845L12.5 18.5536L19 22.1845V8.83866H20V23.9508Z"></path><path class="in-bookmark-fill" d="M23 3H20V0H19V3H16V4H19V7H20V4H23V3Z"></path></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd bkefvo gkccfO">Save this story</span></button></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ArticlePageChunksContent-etcMtP bwyLBj"><div data-ttid="ArticlePageChunks" class="ArticlePageChunks-fLyCVG Uozmo"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bDyAMU body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p>Jt Simien’s “Dear Whe People,” set at the fict Ivy-like Wchter Universy, is a movie wh somethg—somethg important—to say: ’s hard for black stunts on a predomantly whe mp. As a black stunt, if you’re polilly volved, you bee a target for racists; if you’re lookg to f , you ve nscensn; if you’re pursug succs, you risk sacrificg your valu; if you’re merely searchg for your own path, you seem to belong nowhere and are even more vulnerable. If you’re black and gay, ’s all the more difficult. And if you’re whe—first of all, try to listen.</p><p class="paywall">Havg somethg important to say isn’t the same thg as makg an important movie, or even a good one. “Dear Whe People” is a sklike film that nceals s schema unr a faiar naturalism. Its ostensibly thentic characters are nstcted om the tras that f the needs of the plot. The film hts at fascatg directns that Simien didn’t pursue and wild energi that he filters out. But opacy, ambiguy, and the risk of slippg off-msage are all refully and blandly avoid by the movie’s lack of athetic self-qutng. “Dear Whe People” isn’t extreme s artifice, ’s not extreme s emotnal tensy and the plexy of s characters, ’s not extreme the diagnosis of societal nflicts, and ’s certaly not extreme s suggtn for their rolutn.</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p class="paywall">By “extreme” I don’t mean polilly extreme. Rather, as a work of art, “Dear Whe People” unteracts and unterbalanc s tennci orr to melt s athetic inty to somethg forcedly charmg and likable. Its lack of ser polil nontatn—not necsarily radil activism, but maybe passnate ratnalism, as seen, for stance, Frerick Wiseman’s “At Berkeley”—leav s sympathetic viewers thkg that their sympathy is enough, that the mere existence of the film, and their enthiasm for , is a mark of social progrs.</p><p class="paywall">That’s why the movie exus a whiff of piety, and why wrg about feels like nsirg talkg pots rather than nsirg the experience of the characters—or of the filmmaker— relatn to the polics and graed social habs of race relatns. It’s all the more surprisg that viewers who, as I do, enthiastilly endorse the liberal nsens and hope for s extensn would fd fort a movie that stays wh s bubble. The mark of a polil film that pursu actual progrs is one that risks burstg the bubble of acknowledged progrsive nsens orr to renfigure more wily and more lastgly. “Dear Whe People” don’t risk ntroversy—rather, simulat ntroversy.</p><p class="paywall">The tle of the movie om the tle of a rad show, a seri of epigrammatic, lculatedly provotive monologu that a Wchter stunt, Sam Whe (Tsa Thompson), livers on the school’s statn. She’s one of four black stunts at the center of the film, another one of whom is Troy Fairbanks (Brandon P Bell), a big man on mp and the head of the tradnally black rince hall, which is beg broken up through the universy’s “randomizatn” of hog. Opposg that plan, Sam ns for stunt print agast Troy, whose father (Dennis Haysbert), the an of stunts, is the lifelong rival of the school’s print (Peter Syvertsen), a whe man. Meanwhile, the gay and nerdy Lnel Higgs (Tyler Jam Williams), an unherald wrer for a mor mp paper, is reced by the major school paper’s whe edor to report on the dorm ntroversy and to profile Sam. Co Conners (Teyonah Parris), who plays down her South Si background qut of mastream succs and rapid fame, is egged on by a black realy-TV producer to stir up trouble.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-1 viewport-monor-anchor"></div><p class="paywall">There’s also a nspicuo villa—Kurt Fletcher (Kyle Gallner), the son of the school’s print, who is also the head of the Lampoon-like humor magaze. The magaze hosts an annual party that’s the talk of the mp and that mak natnal news. This year, rponse to the ntroversy sparked by Sam, and orr to reap the attentn that he knows would follow, he cis to hold a blackface party. That offensive prank is the masprg of the movie.</p><div class="Contaer-bkChBi byNLHx"></div><p class="paywall">Whout offerg too many spoilers, the ultimate nostm of “Dear Whe People” is moratn—the policized stunt should bee ls so, the apolil should bee more engaged, those terted personal advancement should nsir the muny, those followg the expectatns set by their fay should follow their own unsel. There’s one exceptn: a scene of vlence that is more or ls a movie self, but which is swept unr the g, kept as a notable event that, though wily reported, prov to be of mor nsequence. Dpe the turbulence of the climactic actn, the movie sends viewers home on a puff of palliativ.</p><p class="paywall">The film narrows s characters to walkg Post-Its of issu, even while, for the most part—thanks to the exertns of the fe st—they e off as dividuals, yet on whose pth of experience is systematilly kept out of the movie. The subjectivy of Simien’s film is limed; there are no, so to speak, ee radils s characters’ nscns. Simien’s approach to his story and his characters reproduc precisely the state of media that his character Sam, a stunt filmmaker, cri— flattens the dividualy and the idsyncrasy of the people the movie and renrs them reprentative.</p><p class="paywall">For all the film’s suggtn that Sam, wh her provotns, is an “anarchist,” s real subject is the ntrol of disorrly impuls, the improvement of systems, and the tighteng of admistrative orr—all of which may well be a good thg, but that are the oppose of anarchism. That’s why, strangely, for all the discsn of race the movie, what through most clearly is the procs of socializatn that tak place at a llege like Wchter, the formatn of an éle, of polics and media alike, by way of a procs that’s as much about acplishment as appearance, about self-prentatn as about achievement.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><asi class="PersistentAsiWrapper-VGrR daRVRt persistent-asi" style="posn:absolute;top:to;height:to" data-ttid="PersistentAsiWrapper"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="7k3x"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></asi></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="b0n3vq"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bDyAMU body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="paywall">The fuel of the story, the subject that provis s forward motn, is ambn: the possibily that Wchter offers stunts to acplish thgs llege that will immediately have ronance the wir world, to set themselv up for rapid profsnal succs. They know—and those who don’t know, quickly learn—that, bee they go to Wchter, the ey of the world are upon them and such quick regnn is possible. What’s never discsed, though ’s prent throughout, is the st of a Wchter tn and the rewards that brgs. The film only hts at the unterpart to the polics of race—social class and enomic equaly—and at the possibily that the age of social media amplifi those differenc stat, as well as the value of an Ivy-like diploma.</p><p class="paywall">Simien has taken his p observatns and experienc, his dac imaggs and troubled visns, and cut and planed and sand and polished them to orrly parts that stack up jt so. Though his movie is filled wh issu that map onto the wir world of polil nflicts, s nstctn is so airtight that as a sort of documentary relief when, terspersed wh the film’s end creds, Simien clus actual news clippgs and onle page views about real-life blackface parti and other mory-meang pranks—not bee they’re any way pleasant to ntemplate but bee the unflected glimps at the monstro dogs spark cursy left unsatisfied by “Dear Whe People,” about how the hell such thgs happen, wh all the unly and wild and troublg and ugly forc behd them.</p><p class="paywall">On the other hand, few young filmmakers put so much substance to a first feature. Even if s rults are talkg pots, they’re substantial on. There’s a wi and strong range of tennci and impuls ntaed—and rtraed— “Dear Whe People,” which is why, though the movie self is a perfect example of the very phenomenon reprents, Simien himself reveals a talent and a temperament that are the very stuff of art. Though “Dear Whe People” plays like a liberal-tablishment llg rd, I’m impatiently awag Simien’s films to e—films which he lets himself himself and his characters, his creative imagatn and his sense of form go—where he unleash his artistic tennci rather than nstrag and rencilg them.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="07uxt7"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 PaywallInleBarrierWhWrapperGrid-fyrGfS kLQIUk grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__le-barrier article__body"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"><asi class="PaywallInleBarrierWrapper-iBnuqk lfXXa-D" data-ttid="PaywallInleBarrierWrapper"><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--paywall-le-barrier" role="prentatn" aria-live="pole" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--paywall-le-barrier"></div><div class="journey-un"></div></div></asi></div></div></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ContentWrapperGrid-fvkmBv brYtrA grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__ntaer"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"></div></div></div></div></div></div></article><div class="ContentFooterWrapper-jVNdRG dTJkpP ArticlePageContentFooterGrid-ccsXYy eMZRHU article-body__footer"><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="ContributorsWrapper-eNpWFu GWFsc ntributors" data-ttid="Contributors"><div class="ContributorBWrapper-bnVHbt gMon"><div class="ContributorBAvatar-bIGTqf eMWbvj"><a href="/ntributors/richard-brody"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO dUOtEa rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w" siz="100vw"/><img alt="" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></span></a></div><div class="ContributorBContent-ubQdr jZTSSi"><div class="ContributorBHear-ledood XOIEx"></div><div class="ContributorBB-fBolsO giFhKz"><a href="/ntributors/richard-brody">Richard Brody</a> began wrg for The New Yorker 1999. He wr about movi his blog, <a href=">The Front Row</a>. He is the thor of <a href=">“Everythg Is Cema: The Workg Life of Jean-Luc Godard</a>.”</div><div class="ContributorBFooter-brqDlv ezUmSv"></div></div></div></div></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div data-ttid="TagCloudWrapper" class="TagCloudWrapper-gGgndx ctyZyK ContentFooterTagCloud-krQmRG ZLGh"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudSectnHear-cOforY iUEiRd bPyAoD kQQRmu">More:</span><a href="/tag/movi" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Movi</span></a></div></div></div></div><div data-ttid="ContentFooterBottom" class="ContentFooterBottom-jwWZfC kcbyiW"><div class="ContentFooterNewsletterContentWrapper-bmjtna kixtae"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div data-ttid="NewsletterSubscribeFormWrapper" class="NewsletterSubscribeFormWrapper-fCqqkN jKSBhE newsletter-subscribe-form ContentFooterNewsletterForm-hKeYwa liPqcf"><div data-ttid="NewsletterSubscribeFormHedDekWrapper" class="NewsletterSubscribeFormHedDekWrapper-fpMElW eglIBL"><h3 class="NewsletterSubscribeFormDangeroHed-kRwWjt kbxOa-D newsletter-subscribe-form__hed ContentFooterNewsletterForm-hKeYwa liPqcf">Gogs On</h3><div class="NewsletterSubscribeFormDek-kXonvc cKOhTM newsletter-subscribe-form__k">What we’re watchg, listeng to, and dog this week, onle, N.Y.C., and beyond. 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class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Cha’s Enomic Miracle Is Turng Into a Long Slog" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">As nsumer pric fall and other signs of weakns emerge, fears are growg that the world’s send-largt enomy uld be headg toward an extend slump.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" 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class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-2" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">The Harsh Glare of Jtice</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Harsh Glare of Jtice" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">On the ex-Print’s snarly mug shot om the Fulton County Jail and a 2024 realy of Tmp, Tmp, and more Tmp.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span 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summary-em__hed" data-ttid="SummaryItemHed">Why Did Enomic Foresters Get Their Recsn Call Wrong?</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Why Did Enomic Foresters Get Their Recsn Call Wrong?" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">Not only has the enomy outperformed predictns but ’s growg at a faster rate than experts thk is staable the long n.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>John Cassidy</span></span></p></div></div></div></div></div></div><div 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SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="What to Stream: The Radil Insolence of Charlie Chapl" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl bcywvc summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">The Front Row</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-4" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">What to Stream: The Radil Insolence of Charlie 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src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">Even seemgly apolil movi, the great edian tak aim at the law’s cel prejudice agast the poor.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Richard Brody</span></span></p></div></div></div></div></div></div><div class="AdWrapper-dQtivb fZrssQ SummaryCollectnGridSummaryItem-WColm eamwqR ad 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