‘Call Me by Your Name’ Is a Gay Love Story, M the Self-Torture - The Rger

Contents:

• ‘CALL ME BY YOUR NAME’ IS A GAY LOVE STORY, M THE SELF-TORTURE
• ‘CALL ME BY YOUR NAME’ IS A GAY LOVE STORY. THE FILM SHOULD HAVE CLUD GAY SEX.
• 'CALL ME BY YOUR NAME' IS THE STRAIGHTT GAY MOVIE EVER
• REVIEW: LU GUADAGNO’S GAY LOVE STORY ‘CALL ME BY YOUR NAME’ IS A NEW G-OF-AGE CLASSIC
• CALL ME BY YOUR NAME: GEO, BUT IS IT GAY?

‘CALL ME BY YOUR NAME’ IS A GAY LOVE STORY, M THE SELF-TORTURE

Anyone who’s read or even heard about the 2007 André Aciman novel, the morn gay classic on which the movie is based, will see the peach and immediately know what’s g: El absentmdly diggg at the peach’s flh, rvg a hole to wh his fgers before removg the ps, stickg his fgers si, and gettg an ia. There’s a stra of gay fictn le wh this, one that ntrasts the btally sgular life of the md wh the ner and outer liv of the flh, studyg the gap between who the characters are as logil, thkg subjects vers feelg, sirg on.

‘CALL ME BY YOUR NAME’ IS A GAY LOVE STORY. THE FILM SHOULD HAVE CLUD GAY SEX.

It’s a reversal of our expectatns: The gay characters aren’t the on whose feelgs are rced to knowg looks and readg between the l. ”Perhaps Guadagno’s hancy part bee LGBTQ folks of his generatn (Guadagno is 46 and openly gay) were ls likely to see such blatantly queer narrativ — like LGBTQ characters leadg a film, as opposed to beg relegated to one-ler sikicks — reprented popular culture. However, claimg that omtg explicly gay sex will bolster the movie’s abily to “create this powerful universaly” is ditive of how media ensnc queer life and is herently shamg of gay her recent book “How to Fall Love Wh Anyone, ” Mandy Len Catron wr: “When to love, I’m no longer terted annihilatg the differenc.

'CALL ME BY YOUR NAME' IS THE STRAIGHTT GAY MOVIE EVER

Rather, what is missg is the te tellg of queer certaly feels that what’s beg billed as the gayt film of 2017 — which should have been a movie for the “thems” of the world, those who are hungry for more realistic reprentatns of their liv — stead tried s harst to bee a movie for the “-, ” a majory dience. That, general l, is the guidg prciple of “Call Me By Your Name, ” the most discsed gay movie a long time.

A well-known allegatn was tradnally ma about films alg wh homosexual love: for years, when an affair between two men was picted on the screen, one of the two had to die, as a kd of punishment for sng agast nature. That’s te of straight kids, and certaly of gay on. It simply adds a new element to the grilled fish, the we, the zabaglne and the other culary experienc of Mederranean Europe: homosexual eroticism.

Hollywood’s ght relatnship wh gay tenrns is slowly evolvg, as evinced “Call Me by Your Name, ” the adaptatn of André Aciman’s ld 2007 novel. But together they are paragons exemplifyg the amework that now bolsters gay romance on the big screen.

REVIEW: LU GUADAGNO’S GAY LOVE STORY ‘CALL ME BY YOUR NAME’ IS A NEW G-OF-AGE CLASSIC

”The lyril words form the sence of the stori, jt as they outle the sence of every gay person’s subdued cravgs. ”Even as more same-sex pairgs touch each other onscreen, gay visibily is still a battlefield.

CALL ME BY YOUR NAME: GEO, BUT IS IT GAY?

“Call Me by Your Name” rgs a ls fatalistic but equally arnt variatn on the same COVERAGE: Goln Glob 2018Adapted om André Aciman’s 2007 novel, a well-regard addn to the pantheon of gay g-of-age stori, the movie weav a ptivatg chronicle of first love around El Perlman (a superb Timothée Chalamet), a smart, sensive teenager wh dark curls and suggtive ey perched atop a reedy most of Guadagno’s characters, El enjoys a life of enviable privilege. He broods and blh, schem and fumbl, and seems both enraptured and terrified by the power of his young actor fds a splendid match Hammer, who plays Oliver like a bunch of unually dreamy Rsian ntg dolls: He’s somethg of a rival at first, a specimen of superr worldls and masculy, before openg up to reveal a tsted nfidant and fally a genero, affectnate all s simmerg erotic tensy, “Call Me by Your Name” isn’t a particularly explic movie, pecially when pared wh other recent exploratns of young gay sire like “God’s Own Country” and “Beach Rats, ” or a more distant landmark like “Blue Is the Warmt Color. Unlike “Moonlight” director Barry Jenks, Lu Guadagno is an out gay man, but that didn’t change the way he approached Oliver and El’s sex scene.

In the year that “Moonlight” won the Amy Award for Bt Picture, movi wh gay characters have never been more accepted. Gay sex those movi, however, is still a b of a third rail. Guadagno was prepared for backlash about the lack of gay sex the film.