Contents:
- ‘THE LAST OF US’ PRENTS AN ACHGLY BETIFUL GAY LOVE STORY
- THE LAST OF US’S GAY LOVE STORY BREAKS NEW GROUND FOR AN ENTIRE GENRE
- THE LAST OF US TELLS A HNTGLY BETIFUL STORY OF GAY SURVIVAL S THIRD EPISO
- THE LAST OF US’ GEO GAY LOVE STORY COULD NOT BE MORE TIMELY
‘THE LAST OF US’ PRENTS AN ACHGLY BETIFUL GAY LOVE STORY
A man who his alone a bunker, after all, don’t have to worry about beg rejected, by eher homophob or other gay men who simply aren’t terted. After wng turns Lookg, Tal of the Cy and The Whe Lot, he’s fast beg one of the medium’s most proment gay the episo nears s end, and Frank be curably sick, the uple’s last scen together are profoundly movg.
THE LAST OF US’S GAY LOVE STORY BREAKS NEW GROUND FOR AN ENTIRE GENRE
The episo is, among other thgs, a subversn of the much-cricised “bury your gays” trope. Here, y, are two gay characters who die. Over the urse of 80 mut, the episo tak a gay relatnship mentned only passg the source material and turns to a s-spanng character study embodyg the show’s overarchg them of love and we first meet Bill (Nick Offerman) he’s a doomsday prepper who’s happy to watch the human race fall to piec — until a chance enunter-turned-romance wh fellow survivor Frank (Murray Bartlett) giv both men a life-alterg sense of purpose that has major ramifitns for Joel and Ellie years down the le.
But I thk ’s not jt as simple a story as him sayg, “Oh great, here’s a man, here’s a gay man, and we n have a good time together. ”I mean, I’m a gay man, I’m 53.
’s not really a queer drama per se, but ’s about a boy who jos the Mar as a gay man, and of urse at a time where was illegal. As a rult of that, ’s about what is that mak you a gay man, a queer man, or whether you n hi .
THE LAST OF US TELLS A HNTGLY BETIFUL STORY OF GAY SURVIVAL S THIRD EPISO
I’m very happy if people want to send me their gay terview has been nnsed and Last of Us airs Sundays on HBO the bt of what’s queer. What we got stead was a psule episo, and a particularly bracg one, given the show’s opprsively bleak mood th far: The hour is dited to the love story of Bill and Frank, a gay uple who—due ially to Bill’s skills as a bunker-stockg, booby-trappg, Don’t Tread on Me survivalist—manage to build a largely happy existence together an abandoned and eventually fortified ral hamlet for almost 20 years.
Wh Bill and Frank, we were given a portra of love—specifilly gay love—that feels surprisg and urgent.
THE LAST OF US’ GEO GAY LOVE STORY COULD NOT BE MORE TIMELY
In our own 2023, we are not exactly lackg for media imag of whe gay men. For one thg, we see gay sire portrayed all s plexy, but wh a touch as light as a breeze playg through curtas.
Bill’s is not a “type” of gay man I n say I’ve ever seen mastream media before, and watchg him slowly reveal and epen that aspect of himself wh Frank’s help—sexually, y (Hollywood: more hairy bear love scen please! But Bill and Frank create somethg else, a ltle oasis of their own that’s regnizably gay, full of quiet bety and joys the size of new strawberri. Frank wants to fix up the block and some of the “not stupid” shops—the we and furnure stor, the clothg boutique—bee he hop they might one day have unfected guts (which they eventually do, the form of Joel and Ts), but really bee makg thgs nice, pecially when nicens isn’t valued, is one of the great gay llgs.
As an echo of the gay experience wh AIDS, is, as veteran activist Peter Staley put a Facebook post, a ftg tribute to the “tenr love & bravery gay men summoned when facg ath durg the plague years, cludg those who did so on their own terms. How powerful, then, to see not only a gay uple given an entire hour of a marquee show, but a gay uple who are held up as the keepers of civilizatn, as stewards of bety, as emblems of human digny and possibily. The show is already garnerg high praise for s third episo, which lved ep to a si story wh two gay characters at s re.