Contents:
WAS COMEDIAN GALLAGHER GAY?
What follows is a brief perd of ristance om Lip, who is not ready to accept that his brother is gay.
This do not mean, however, that reprentatns of gayns Shamels, nor beg a gay character the show, is whout issue. Reprentatns of queer1 people popular televisn and film often align wh what sexuali scholars refer to as a “post-gay” narrative (see Coleman-Founta 2014; Rsell et al. Here, social, polil, and legal advanc over the last are ed as evince that homophobia is a thg of the past, and that the Uned Stat has achieved what Gay Liberatnists set out to acplish s earlier: equaly.
Here, queer televisn characters are fully tegrated to their workplace, fai, and schools, wh ltle—asi om the ocsnal homophobic bully—nflict. The post-gay narrative obscur an important dimensn of ntemporary queer polics: acceptance is often ndnal, suatnal, and ntgent on race, class, and genr privilege (Fields 2001; Mart et al. Acceptance is also tied to an abily to be a “good gay cizen” who liv a middle-class liftyle, is genr normative, and is non-threateng to heterosexualy (Duggan 2002; Richardson 2005).