Mouni Roy appeared a state of panic after she uldn't fd her passport. On Wednday morng, the Brahmastra actrs was sighted at Mumbai airport, preparg to take a flight. The actrs appeared to be on her way to a foreign trip but uldn't fd her passport. Mouni was observed panickg and fumblg through her luggage while makg phone lls. However, she later disvered that she had left her passport at told the photographers gatherg at the airport to photograph her, Ho gaya... Bhul gayi, passport bhul gayi. Mouni was unable to enter the airport until her passport me. The 'Naag' actrs drsed fortably blue and whe pyjamas wh a matchg bloe for her trip out. She fished off her ensemble wh a pair of sunglass. Watch the vio
Contents:
- 'HO GAYA… PASSPORT BHUL GAYI' - MOUNI ROY PANICS AFTER SHE FETS HER PASSPORT AT HOME - WATCH THE LOL VIO
- GAYA
- BODH GAYA: THE SE OF THE BUDDHA’S ENLIGHTENMENT
'HO GAYA… PASSPORT BHUL GAYI' - MOUNI ROY PANICS AFTER SHE FETS HER PASSPORT AT HOME - WATCH THE LOL VIO
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However, she later disvered that she had left her passport at told the photographers gatherg at the airport to photograph her, "Ho gaya... "Bhul gayi, passport bhul gayi. This extraordary place—Bodh Gaya—is unrstood to be the se of the enlightenment, or “great awakeng” (Sanskr, mahabodhi), of Siddhartha Gtama, the Buddha.
More than 2, 500 years later, Bodh Gaya is a sprawlg pilgrimage town nse wh ancient, medieval, and morn shr, monasteri, templ, and hotels. The historil and archaeologil rerd at this sacred Buddhist center stretch back to at least the 3rd century the heart of ancient Bodh Gaya is the Mahabodhi Temple Complex, which is by wh shr, monuments, and sculpted imag tablished over more than 2, 000 years. Three of the most important monuments will be discsed this say:The Bodhi treeThe Vajrasana, or “Diamond Throne”The Mahabodhi TempleThe Buddha’s Great AwakengSiddhartha Gtama arrived at Bodh Gaya middle age, havg renounced his life as a prce on seeg the “four sights” of agg, sickns, ath, and.
GAYA
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Buddhist tradns diverge on some of this acunt but this moment and the place at which occurred, unr the Bodhi tree at Bodh Gaya, is signifint to all Buddhist Bodhi TreeAs the place where the Buddha attaed enlightenment, Bodh Gaya appears to have bee a signifint place for Buddhists soon after the ath of the Buddha and the formatn of the Buddhist muny of monks and nuns (Sanskr, sangha) and lay people. Very ltle is known, however, about the earlit stctur at Bodh Gaya, and centuri of addn and alteratn make difficult to image how this se appeared at any particular moment the pictns of Bodh Gaya art datg om the 2nd century B.
[2] The stone railgs enclosg a scennt of this tree at Bodh Gaya today likely date to the 1st century B. In some Buddhist tradns Bodh Gaya self is referred to simply as the “Diamond Throne” (Sanskr, vajrasana), ditg the signifince of this throne to the inty of this sacred se.
The empty throne unr the tree often acted as a sign for both the absent prence of the Buddha and for Bodh Gaya as a sacred se. The throne and the tree has remaed an important sign for the Buddha and the moment of enlightenment throughout the history of Buddhist art, as n be seen the early relief of the Bodhi tree wh a shre (at the top of this page) and the mon image of the Buddha llg on the earth to Mahabodhi TempleThe acunts of Che pilgrims who vised Bodh Gaya om at least the 5th century C. Onwards give historians an ia of the next phase of nstctn at Bodh Gaya.
BODH GAYA: THE SE OF THE BUDDHA’S ENLIGHTENMENT
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The temple picted this plaque also ho an image of the broadly agre wh the scriptn of Mahabodhi Temple given by the Che pilgrim Xuanzang who vised Bodh Gaya centuri later, at the end of the 7th century C. Depictns of the Mahabodhi Temple also suggt the creasg importance of the temple hog the Buddha image s own right as a sign for Bodh Gaya and the events there, although the Diamond Throne and the Bodhi tree ntue to be picted alongsi is around this time too that scriptns beg to refer to the Mahabodhi Temple as the “vajrasana-gandhakuti, ” lerally the “perfume chamber (i. ” The scriptns, the pictns of the Mahabodhi Temple art, and other evince for royal and foreign-sponsored programs of rtoratn suggt an important shift om tree shre to the buildg of templ, shr, and monasteri at Bodh Gaya over the urse of the 1st lennium C.
The towerg brick, stuc and ncrete temple seen at Bodh Gaya today pris a large primary straight-sid spire (Sanskr, shikhara), risg out of a central image chamber (Sanskr, garbha-griha).
The surface of the temple is studd wh recedg levels of Buddha imag set to nich alternatg wh circular “w’s eye wdows, ” not unlike the acunts of Che pilgrims and early pictns of this buildg late 19th-century rtoratn of the Mahabodhi Temple Complex at Bodh Gaya ma signifint alteratns to the se, however. This perd of rtoratn and partial exvatn of the plex also brought to light the many small “votive” (pertag to a wish) shr and imag which had steadily built up around the temple over Mahabodhis: replitn of Bodh GayaAn important feature of Bodh Gaya and the Mahabodhi Temple Complex is s replitn across Asia. What might be lled “repli” Mahabodhi templ were built across Asia om the 13th century onwards: the Mahabodhi Phaya Myanmar, Wat Chet Yot Thailand, Wuta Si Cha, and the Mahabuddha Temple Nepal are important of the stctur imate the form of the Mahabodhi Temple at Bodh Gaya, though they vary style, buildg technology, and materials.