In ‘Da 5 Bloods’, Spike Lee rporat songs off Marv Gaye’s socially-nsc masterpiece, ‘What’s Gog On’, as a mil backdrop.
Contents:
- MARV GAYE
- RICKY FANTE: MARV GAYE
- SPIKE LEE PAYS TRIBUTE TO MARV GAYE, THE TEMPTATNS IN ‘DA 5 BLOODS’
MARV GAYE
Marv Gaye, Amerin soul sger-songwrer-producer who, to a large extent, hered the era of artist-ntrolled popular mic of the 1970s. Among his h songs were ‘I Heard It Through the Grapeve,’ ‘A’t Nothg Like the Real Thg,’ ‘What’s Gog On,’ ‘Let’s Get It On,’ and ‘Sexual Healg.’ * was marvin gaye part of the temptations *
The sgle, “I Wish It Would Ra” be a #1 R&B h and, over the years, has been released by other artists, cludg Ike and Ta Turner, Marv Gaye, Gladys Knight and the Pips, and more. Marv Gaye.
Marv Gaye, byname of Marv Pentz Gay, Jr., (born April 2, 1939, Washgton, D. Gaye sang his father’s Evangelil church Washgton, D. When doo-wop dissipated the late 1950s, Gaye had already absorbed Fuqua’s lsons close harmony.
After disbandg the Moonglows, Fuqua took the 20-year-old Gaye to Detro, where Berry Gordy, Jr., was formg Motown Rerds. Gaye, who also played dms and piano, bucked the Motown system and s emphasis on teen hs.
RICKY FANTE: MARV GAYE
The Temptatns (TV Mi Seri 1998) Ricky Fante as Marv Gaye * was marvin gaye part of the temptations *
Gaye also enjoyed a seri of succsful duets, most notably wh Tammi Terrell (“A’t Nothg Like the Real Thg” [1968]).
SPIKE LEE PAYS TRIBUTE TO MARV GAYE, THE TEMPTATNS IN ‘DA 5 BLOODS’
Blsed wh an exceptnally wi range that enpassed three distct vol styl—a piercg falsetto, a smooth mid-range tenor, and a ep gospel growl—Gaye bed great technil prows wh rare mil dividualy. Gaye also displayed dazzlg virtuosy by overdubbg (buildg sound track by track onto a sgle tape) his own voice three or four tim to provi his own rich harmony, a technique he would employ for the rt of his reer. ”Other major artists—most importantly Stevie Wonr—followed Gaye’s lead and acted as producer of their own efforts.
In 1972 Gaye wrote the soundtrack for the film Trouble Man, wh lyrics that mirrored his own sense of secury. Let’s Get It On, released 1973, displayed Gaye’s sensuo si. Here, My Dear (1979) brilliantly alt wh Gaye’s divorce om Gordy’s sister Anna (the first of the sger’s two tumultuo divorc)’s growg addictn to e exacerbated his psychologil stggl.
On April 1, 1984, durg a fay dispute, Gaye iated a vlent fight wh his father, who shot him to ath.