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23.9508V2.95081H14V3.93211H6V22.1845L12.5 18.5536L19 22.1845V8.83866H20V23.9508Z"></path><path class="in-bookmark-fill" d="M23 3H20V0H19V3H16V4H19V7H20V4H23V3Z"></path></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd bkefvo gkccfO">Save this story</span></button></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ArticlePageChunksContent-etcMtP bwyLBj"><div data-ttid="ArticlePageChunks" class="ArticlePageChunks-fLyCVG Uozmo"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bDyAMU body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="has-dropp has-dropp__lead-standard-headg">To be a vampire is to be ee. That’s the irristible promise ma to Louis Pote du Lac, a Black bs owner and a closeted gay man livg the Jim Crow South, “Anne Rice’s Interview wh the Vampire,” on AMC. A ltily unfahful adaptatn of Rice’s 1976 novel of the same name, the historil fantasy drama is the first televisn seri based on the thor’s work. (AMC plans to velop several more, cludg “Anne Rice’s Mayfair Wch,” set to début January.) “Interview” marks an spic start to this I.P. venture; by takg lavish and clever liberti wh the source text, the seri may well surpass Rice’s visn ronance and plexy.</p><p class="paywall">In the novel, which begs the eighteenth century, Louis is a whe Louisiana plantatn owner who is turned to a vampire by Ltat Lnurt, a manipulative opportunist to whom the “fledglg” nohels feels a draw that he nnot expla. The seri, set a gleamgly re-created New Orleans the neteen-tens and the mid-panmic prent, mak the myster, mmeric relatnship between Louis and Ltat overtly queer. (The director Neil Jordan’s shoddy 1994 film adaptatn, which starred Brad Pt and Tom Cise as Louis and Ltat, rpectively, has been acced of blanchg the story of s homoerotic subtext. Its greater s, perhaps, is s near-herent plot—ironilly, owg to the screenplay wrten by Rice.) The show’s reimaged Louis (Jab Anrson) is an urban striver, surround by possibily yet stifled at every turn. Ltat (Sam Reid), a relatively enlightened émigré om France, fum at Louis’s social ndn: “This primive untry has picked you clean!” In a swoon of fatuatn and whe savrism, he turns Louis to a vampire, believg that this will empower his pann. But tak the Frenchman a long while to realize what his lover unrstands tuively: not even immortaly superses race.</p><p class="paywall">In s most pellg moments, “Interview” explor which powers a Black vampire n or nnot wield a segregated Ameri. Louis n slghter a man for makg a racist ment, but he n’t overthrow an old boys’ club wh the means and the nnectns to systematilly bankpt Black entreprenrs like himself. This cshg realy creat a rift between him and Ltat, who prum that he’s given Louis the ultimate gift: a way to opt out of racism and homophobia by checkg out of society altogether. But, after Louis jos the unad, he only clgs more firmly to the tatters of his humany. (“You chase after phantoms of your former self,” Ltat slds, the seri’ gracefully curlicued dialogue.) Of urse, Louis wants to stay close to his mother (Rae Dawn Chong) and his sister (Kalyne Coleman). His partner eher do not unrstand what is to be Black or is too tached om earthly ncerns to re. Blood and fangs asi, “Interview” would be pulsively watchable were merely a study of a toxic terracial relatnship.</p><p class="paywall">At s proudly overripe heart, the seri is a gothic domtic soap—Lifetime them gsied up Southern fery. The early episos, somewhat unevenly paced, are largely voted to the curdlg of Louis and Ltat’s romance, an ecstatic honeymoon followed by the drip-drip of erosive disappotment. It’s not always fun to behold, but who n’t relate? The midseason troductn of Cldia (Bailey Bass), a fourteen-year-old whom Louis and Ltat kill, rurrect, and adopt as their dghter, tilts the show to dark edy. When Cldia temporarily tak mand of the voice-over narratn, the satiable baby vamp gleefully posns herself as a hummg horror-movie villa, lurg a police officer to his ath drsed a sailor bloe wh ribbons her hair. Cldia n be a mopey irrant, and the nfn she experienc between her sexual appet and her bloodthirst leads to predictably disastro nsequenc. But ’s also she who, watchg her fathers wh an adolcent’s unsparg gaze, fally alerts Louis to the slow-boilg pot that’s bee his “marriage.”</p><p class="has-dropp has-dropp__lead-standard-headg paywall">The prent-day scen take to Dubai, where Louis reunts his story to a journalist. It’s easy to image this Louis—or any versn of him—spendg much of the twentieth century searchg for someone who n hear the woe his cross-Contental adventur. Rice’s journalist was mostly a functn of the novel’s amg vice: a “boy” too llow to unrstand Louis’s many regrets. (The character was played by Christian Slater the movie, what was arguably the productn’s most egreg stg failure. Somehow, the oime heartthrob wh the fiendish gr and the Mephistophelian eyebrows ends up playg a harmls weirdo stead of a sctive villa.) Here the journalist is Daniel Molloy (Eric Bogosian), a snappish, once proment reporter whom Louis enuntered half a century ago San Francis. (Their last meetg didn’t go well; Daniel’s attempts to terview Louis end wh puncture wounds the wrer’s neck.) The rumed ssns take place at Louis’s home: a penthoe apartment that adms limed sunlight the daytime. Louis hasn’t murred s. And he tends to expose the existence of vampir, a missn that’s sure to get him killed by members of his own kd.</p><div class="Contaer-bkChBi byNLHx"></div><p class="paywall">It’s a cred to the scripts that the tty nversatns between journalist and subject are as engagg as the scen of Louis’s transformatn om mortal to (self-loathg) monster. Daniel, sufferg om Parkson’s, bristl at Louis’s youth and health. But “Interview” belongs to a new, melancholy era of vampire entertament that’s fally ught up wh Rice’s most poignant sight: that the isolatn trsic to a life outsi society and time renrs vampiredom, for all s miracl, rather piable. In FX’s “What We Do the Shadows,” the bloodsuckers are latter-day Norma Dmonds: self-important has-beens so out of touch wh the morn world that they would have perished long ago if not for the terventns of their self-effacg faiar. And Showtime’s garishly unsubtle remake of “Let the Right One In,” a father’s all-nsumg ditn to his vampire child sucks the life out of him—and still don’t guarantee anythg beyond her immediate survival.</p><p class="paywall">Vampirism spurs an inty crisis Louis, who go om beg trapped the closet to beg trapped Ltat’s ff. In today’s direct-to-rear mediaspe, which the mediatn that journalism offers is often bypassed, Louis’s sire for a wrer to narrate his experienc ially seems like an obligatory throwback. But one soon gets the sense that Louis is need of an terlocutor—or, really, jt a therapist—to help him make sense of his life, particularly the choice of passn that ultimately stripped him of whatever eedom he had the first place. His plight is a wonrfully pac metaphor, pecially for those margalized groups, for whom liberatn is often a more ght enavor.</p><p class="paywall">This is the send time that Anrson, who me to promence playg Daenerys Targaryen’s nuch general Grey Worm, “Game of Thron,” has embodied romanticism reprsed by sombre prcipl. Watchg him onscreen, this time wh the benef of actual characterizatn, feels like wnsg a star risg real time. “Interview” fls through many mos—tragic, erotic, ic, melodramatic—and Anrson, as Louis, spir unshakable nfince as the seri’ through le, pecially ser-mp scen like the one which he explos while rellg an enunter wh his sister’s baby: “I almost ate my nephew, Ltat!” Anrson manag to make Louis’s ever-heavier guilt engagg, rather than an endurance tt. But even the actor’s wound charisma n’t make up for the seri’ most glarg flaw: the sense of timacy we lose when the actn this s-spanng saga nstantly jumps ahead to the “important stuff,” stead of offerg a sense of s characters’ daily liv. “Interview” striv to be the burgundy velvet chaise longue of TV shows: an artful and vg ksch object that might reawaken our sens if we allow ourselv to get lost . It’s only fair that we’d want to luxuriate a ltle longer. ♦</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><asi class="PersistentAsiWrapper-VGrR daRVRt persistent-asi" style="posn:absolute;top:to;height:to" data-ttid="PersistentAsiWrapper"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box ArticlePageSplAdRail-OyjwD jikppc"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="ArticlePageSplAdRailContent-jsltpq iZDmmY spl-ad-rail-ntent"><div class="ArticlePageSplAdRailTop-jUrrVY jzzFg"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="zj5vuh"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot 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class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Upper Wt Si Cult That Hid Pla Sight" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">In the sixti and seventi, the Sullivanian Instute had a wng sal pch for young New Yorkers: parti, sex, low rent, and affordable therapy.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Jsi Wter</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hlYhBH summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm fvDIAb" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Why Barbie Mt Be Punished" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">The Weekend Essay</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-2" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">Why Barbie Mt Be Punished</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Why Barbie Mt Be Punished" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">Mothers, dghters, and an in’s existential crisis.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Llie Jamison</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hlYhBH summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm fvDIAb" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="On Killg Charl Dickens" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Life and Letters</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">On Killg Charl Dickens</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="On Killg Charl Dickens" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">I did everythg I uld to avoid wrg my historil novel. When I fally started “The Frd,” one prciple was clear: no Dickens.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Zadie Smh</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hlYhBH summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm fvDIAb" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Novelist Whose Inventns Went Too Far" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Life and Letters</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-4" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">The Novelist Whose Inventns Went Too Far</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Novelist Whose Inventns Went Too Far" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">After the Ao-Cuban wrer H. G. Carrillo died, his hband learned that almost everythg the wrer had shared about his life was ma up—cludg his Cuban inty.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>D. T. Max</span></span></p></div></div></div></div></div></div><div class="AdWrapper-dQtivb fZrssQ SummaryCollectnGridSummaryItem-WColm fvDIAb ad ad--read-more"><div class="ad__slot ad__slot--read-more" data-no-id="jce5d"></div></div></div><div class="SummaryCollectnGridToActnWrapper-gnReGN eGayfk"></div></div></div></div></div></div><div data-ttid="RowWrapper" class="RowWrapper-UmqTg HEhan"><div class="TaboolaWrapper-hMVdpE iYfBhy"><div class="TaboolaWidgetWrapper-egPIjc hkSrgt TaboolaWidget-eUSdED hQCCRa" data-ttid="TaboolaWidgetWrapper"><div class="TaboolaWidgetContent-iBEQTO eXroXG TABOOLA" id="taboola-below-article-thumbnails---f" data-ttid="TaboolaWidgetContent"></div></div></div></div><div data-ttid="RowWrapper" class="RowWrapper-UmqTg HEhan"><div class="AdWrapper-dQtivb fZrssQ ad ad--footer should-hold-space"><div class="ad__slot ad__slot--footer" data-no-id="v1p7np"></div></div></div></div></div></ma><div class="BasePageMaFooterFiller-hTlZph jSriYf page__ma-footer-filler"></div><div 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interview with the vampire 2022 gay scene

The upg Interview wh a Vampire TV seri, a reboot of Anne Rice's cult-classic novels, will clu the origal books' gay subtext.

Contents:

INTERVIEW WH THE VAMPIRE FALLY HS SCREENS AND ’S GAY AS HELL: ‘I’M EMOTNALLY VASTATED’

AMC’s new show fally lets Ltat and Louis be gay, do crim. * interview with the vampire 2022 gay scene *

Not unlike the way I uld’ve sworn that “Berensta Bears” was spelled wh a third “e, ” I totally believed that prev rnatns of Interview wh the Vampire — both Anne Rice’s origal 1976 novel and the 1994 movie adaptatn — were explicly about gay vampir. But more than that, they seemed to embody the ethos “be gay, do crime, ” a not-always-so-leral exhortatn to live a queer life fiance. But the homoeroticism was all subtext.

AMC’s Interview wh the Vampire, an updated, grisly, and often mordantly hilar retellg of the origal story pulls gay subtext to the ma text, givg a fancy vampire lookg for a longtime pann. And tellg their story, Interview creat an embolned mentary about how sexualy, race, inty, power, and opprsn are all tertwed, and how the forc have throughout Amerin history left the magnificently queer vampir (and many others) wh no choice but to be extremely gay and do so, so many crim. In Interview wh the Vampire, gay vampir get lonely, too.

Logilly, gay vampir make a ton of sense.

'INTERVIEW WH THE VAMPIRE' IS BLACKER AND GAYER THAN EVER — AND IT FEELS JT RIGHT

Now this is the gay Ltat and Louis we serve! * interview with the vampire 2022 gay scene *

Vampir don’t partake racism, sexism, and homophobia bee all of humany is beneath them, let alone humany’s awful hangups.

But vampir probably, as Ltat also monstrat, aren’t gog to let racism or homophobia gui their sire.

It’s hard for some of them to prehend the ia of two men together — not unlike the way history turns gay and lbian lovers to “roommat” or “bt iends. Come to thk of , Interview is a lot like Frasier, a show that’s also about two sufferable gay men whose fancy tast annoy and threaten the people around them.

INTERVIEW WH A VAMPIRE REBOOT WILL EMBRACE THE BOOKS' GAY SUBTEXT

AMC have dropped their new TV adaptatn of Interview Wh The Vampire based on the novel by Anne Rice and is gay as hell.  * interview with the vampire 2022 gay scene *

If they found out he was gay, his life would be danger. When Ltat shows up, all fancy and charmg and gay, his offer of vampiric immortaly is much more than an eternal life of queer pannship.

Be gay, do crim!

‘INTERVIEW WH THE VAMPIRE’ SERI TO LEAN INTO A GAY SUBTEXT

Part of me hope Louis, who is a 100-year-old queer vampire, got to hear Donna Summer’s “I Feel Love” on a dance floor full of flagrant homosexuals. Daniel isn’t gay.

*BEAR-MAGAZINE.COM* INTERVIEW WITH THE VAMPIRE 2022 GAY SCENE

'Interview Wh The Vampire' Is Blacker And Gayer Than Ever — And It Feels Jt Right | HuffPost Entertament .

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