Kev Maxen has bee the first male ach a US men’s profsnal sports league to e out as gay.
Contents:
- THE GAYT MOVI THAT AREN’T ACTUALLY GAY, OM ‘BARBIE’ AND ‘BURLQUE’ TO ‘VENOM’ AND ‘ROAD HOE’
- KEV MAXEN BE FIRST MALE ACH A US MEN’S PROFSNAL SPORTS LEAGUE TO PUBLICLY E OUT AS GAY
- 'PASSAG' DIRECTOR NOUNC 'DANGERO' NC-17 RATG ON A FILM PICTG A GAY LOVE STORY
THE GAYT MOVI THAT AREN’T ACTUALLY GAY, OM ‘BARBIE’ AND ‘BURLQUE’ TO ‘VENOM’ AND ‘ROAD HOE’
If “Barbie” tells anythg, ’s that a movie don’t have to be gay to be, well, gay. So what mak a movie gay if isn’t explicly? Cast a few top-shelf gay ins there — your Bette Middlers, your Joan Crawfords, your Faye Dunaways playg Joan Crawford — and pecially have them reparteeg bchy l tearg each other to piec, and have an athetic that’s outre and unironilly mp, and you’ve got the wng-formula starter-pack for somethg licly fabulo and queer, even if not by tentnal sign.
But settg a precent for movi now nonized by gay culture that don’t technilly have any (non-d, anyway) gay characters were some of Hollywood’s most all-time legendary actrs: Bette Davis “All About Eve” ma “’s gog to be a bumpy ri” an idmatic quip, while Elizabeth Taylor then ma Bette Davis’ “what a dump” even more inic aga the openg le of “Who’s Aaid of Virgia Woolf, ” livered while gnawg down on a chicken wg. Ed Bianchi’s 1981 “The Fan, ” meanwhile, livered perhaps the greatt gift to gay film fans of a certa era stg Lren Ball as an agg actrs stgglg to hold onto her legacy while beg stalked by, what else but, a psychotic gay fan. Films like “9 to 5” and “Steel Magnolias” keep ptivatg bee their sts are all top-to-toe, inic-among-the-gays women who n duce tears and lghs and shout unfettably quotable l the same scene.
KEV MAXEN BE FIRST MALE ACH A US MEN’S PROFSNAL SPORTS LEAGUE TO PUBLICLY E OUT AS GAY
There’s also, of urse, the trend many of the movi of men beg huiated and based — somethg the gay mal the dience love to partake — leavg our inic women wh all the chips the end and whom we n leave the theater rootg for. Below, IndieWire rounds up some of the bt cidly non-gay films that are actually gay after all — and gayer than many ntemporary movi proclaimg themselv as such actually are. Why ’s gay: Bette Davis, we (the queer muny) love you.
“All About Eve” has long been analyzed through a queer lens, wh many terpretg Eve and the character of Addison DeWt (Gee Sanrs) as gay. But even if you thk everyone the film is heterosexual, s gay appeal is unniable, wh an in like Davis the lead, geo stum, and all of the lightfully bchy snark between the magnificent actrs. Why ’s gay: Nicholas Ray’s cult classic plays out like a mented, closeted lbian love story.
Why ’s gay: Ameri’s arguably greatt director is normally regard as heteronormative (Wterns, war films, John Wayne, Amerin history), but his work is full of subtextual gay tert, rarely as much as here. Why ’s gay: Beyond s possible cln bee of the bare-chted Holn — a 1950s Hollywood beefke, seen here ep to his reer — what is notable is a possible alternative terpretatn of two female characters.
'PASSAG' DIRECTOR NOUNC 'DANGERO' NC-17 RATG ON A FILM PICTG A GAY LOVE STORY
The ridiculo Rosemary, sympathetilly portrayed, has overton of mon olr gay lt fantasi for younger men. Why ’s gay: Mame Dennis Burnsi is, que simply, mother. Why ’s gay: What mak gay?
From the tfight the powr room to the over-the-top dialogue to the jaw-droppg mil numbers and not one but two montag that serve as md-bogglg time psul of the ’60s, the film is so outrageo that spired generatns of gay viewers to scream, “Sparkle, Neely, sparkle! Why ’s gay: A wacky sexploatn film wh high mp productn valu and a killer theme song, Barbarella mt fight the evil Durand Durand (om which inic New Wave band Duran Duran took s name), while scg a shirtls Aryan angel and outlastg an evil sex mache.
Why ’s gay: Endlsly quotable and drippg wh the fatigable spir of a stnch character, the tragic woman tak on a theatril magnificence wh Ltle Edie’s every twirl and outf change. What is: Although has been staged wh two men ( 2015 London), the straight uple’s suatn “Brief Enunter” — a drama of two married people (Celia Johnson, Trevor Howard) meetg by chance and their growg mutual affectn — works fe as a metaphor for barriers to gay romance.