Contents:
- THE REAL STORY OF THE YMCA THAT INSPIRED THE VILLAGE PEOPLE'S GAY ANTHEM
- HAPPY PRIDE! HOW “Y.M.C.A.” BEME A GAY ANTHEM!
THE REAL STORY OF THE YMCA THAT INSPIRED THE VILLAGE PEOPLE'S GAY ANTHEM
In the 40 years sce the Village People released “YMCA, ” the song has bee a cultural touchstone: a gay anthem famo for s nuendos and double entendr about young, f men “havg a good time, ” as well as a staple at Yanke gam and bar song has also immortalized the Young Men's Christian Associatn pop culture. Yet former rints of the McBurney Y Chelsea — the buildg that spired the song, and which was featured the vio released late 1978 — say the realy of stays at the YMCA those days was more plited than the lyrics portray, wh gay culture and workg-class workouts existg a sgle munal space. “There was certaly a party aspect to their vio and that time was the height of all the gay clubs Chelsea, ” rells Davidson Garrett, who lived at the McBurney Y om 1978 through 2000.
“[The YMCA] did have some overlappg of gay cisg. Garrett adds unrgraduate stunts and disabled men to the mix of ethnilly and racially diverse renters, about half of whom he timat were gay. Often gay and their 20s or 30s, the weekend guts ed the YMCA “as a drsg room, ” and as a place to discreetly hook up, Garrett says.
Meanwhile, hoekeepers me not jt to offer towels and change your sheets, but to keep an eye on you, Kangappadan of the song’s charm, of urse, is s petg terpretatns: It n be read equally well as a celebratn of gay culture or of the workg man. And as a Sp oral history revealed on the song's 30th anniversary ten years ago, even the group self didn't agree on the proper Hodo (“the nstctn worker”) sisted to Sp that Jacqu Morali, the French producer who helped create the group and -wrote the song wh lead sger Victor Willis (“the p”), certaly had the gay muny md when he me up wh the song. There’s nothg gay about them.
HAPPY PRIDE! HOW “Y.M.C.A.” BEME A GAY ANTHEM!
”Jon, who was a Y member at the time, sists to Gothamist that the band's artistic tent wasn’t to produce a gay anthem. “But if you happen to be a gay man and have the experience and perspective of hookg up wh each other, ’s another way n be perceived. ” Though, today, you’ll hear the track at everythg om a school dance to a 50th anniversary party, has also been adopted by the gay muny as one of s unofficial anthems.
The songs targeted a niche rerd buyg dience: gay disthequ and their patrons. The tl were self-explanatory: “Fire Island” (the East Coast’s gay summer retreat); “San Francis (You’ve Got Me)” (the Wt ast’s premier gay statn); “Village People” (a look at the habants of New York Cy’s largely gay Greenwich Village); and “In Hollywood (Everybody is a Star), ” the promise of artistic acplishment the word’s entertament pal. Village People nsisted of six members, each of whom personified a popular gay archetype.
Only Willis and Rose participated on the “Village People” LP–wh Rose roly creded as “Felipe ‘Indian From the Anvil’“ (the Anvil was a gay NYC sex club). The gay msagg their songs, the gay fantasy stripper-stum, the gay dancg and fx macho posturg seemed to go over the heads of the dience–or they jt didn’t re.