Renred bronze, vered whe lacquer, two women s together on a park bench Greenwich Village. One of the women touch the thigh of her partner as they gaze to each other’s ey. The two women are part of Gee Segal’s inic sculpture Gay Liberatn, but the powerful symbols were moled on real people: Llie Cohen and her wife Beth Sk.
Contents:
- THE MAKG OF GEE SEGAL’S GAY LIBERATN
- TEN QUEER REIMAGGS OF NEW YORK'S 'GAY LIBERATN MONUMENT'
- PARTY AND PROTT: THE RADIL HISTORY OF GAY LIBERATN, STONEWALL AND PRI
- VANDALISM OF GAY LIBERATN MONUMENT AT STANFORD UNIVERSY
- #GEE SEGAL #GAY LIBERATN STATUE #LGBTQ+ RIGHTS #ACTIVISM, #1970S HISTORY #GAY RIGHTS #LBIAN HISTORY #EQUALY #NYC PUBLIC ART #GAY ART #PRI #STONEWALLNATNALMONUMENT #HISTORILSE #LGBTQHISTORY
THE MAKG OF GEE SEGAL’S GAY LIBERATN
Marsha P. Johnson and Sylvia Rivera, both key figur the gay liberatn movement, will be honored wh a permanent stallatn Greenwich Village. * gay liberation statues *
View all monuments NYC Parks, as well as temporary public art stallatns on our NYC Public Art Map and LiberatnHistoryThis sculpture by Gee Segal (1924–2000) honors the gay rights movement and memorat the events at the Stonewall Inn oppose this park that gave rise to the movement. In 1966, closed for renovatns, and reopened the followg year as a private club known as Stonewall Inn - a bar and dance hall which, like numero lol tablishments, tered to the homosexual muny of Greenwich Village. Word of the raid and the ristance to soon spread, and the next day hundreds gathered to prott the crackdown and advote the legalizatn of gay bars.
Further protts epted early July, and on July 27, a group of activists anized the first gay and lbian march, om Washgton Square to Stonewall. The events of that summer and their aftermath are often creded as the flashpot for the gay rights movement the Uned Stat. A later, Peter Putnam (1927–1987), a wealthy arts patron om Louisiana and tstee of the Mildred Andrews Fund, missned the Gay Liberatn monument.
Though Segal was not the first artist approached, he accepted the missn, which stipulated only that the work “had to be lovg and rg, and show the affectn that is the hallmark of gay people... The rult is specific, evotive, and unrstated, showg the public fort and eedom to which the gay liberatn movement aspired. The ial opposn and ranr which had greeted the project had subsid; the advent of AIDS, which had vastated the gay muny particular, add another poignant dimensn to the monument and s mute figur’ impact.
TEN QUEER REIMAGGS OF NEW YORK'S 'GAY LIBERATN MONUMENT'
<strong>The long read</strong>: A police raid on a gay bar New York led to the birth of the Pri movement half a century ago – but the fight for LGBTQ+ rights go back much further than that * gay liberation statues *
Click map for directnsClick image for larger viewGay Liberatn DetailsLotn: Adjog Sheridan Square, Christopher, Grove and Wt 4th StreetsSculptor: Gee SegalArchect: Philip N. Wslow, ASLADcriptn: Group of four figur (two seated, two standg), two World's Fair-style bench, plaqueMaterials: Figur--bronze (whe lacquer); bench--steel (black pat)Dimensns: Group H: 5'11" W: 16' D: 7'6"; Each bench L: 16'; Plaque H: 7 5/8" W: 7 5/8"Cast: 1980Dedited: June 23, 1992Foundry: Johnson Atelier, Haton Township, NJDonor: Mildred Andrews FundInscriptn: GAY LIBERATION / BY / GEORGE SEGAL / BRONZE CAST -- 1980 / DEDICATED -- 1992 /---/ GIFT OF THE MILDRED ANDREWS FUND / TO THE CITY OF NEW YORK /Please note, the NAME field clus a primary signatn as well as alternate namgsoften mon or popular age. Tled Gay Liberatn, the piece had taken twelve years to fd s tend home wh the triangle of Christopher Park Greenwich Village, jt across Christopher Street om what had been the Stonewall Inn.
PARTY AND PROTT: THE RADIL HISTORY OF GAY LIBERATN, STONEWALL AND PRI
Cast whe bronze, the standg gay male uple and their lbian unterparts, who were seated on two park bench clud the posn, managed to ffle feathers of every stripe.
Prottg gays thought wrong bee only whe mols their early thirti had been employed, and the whe (albe Jewish) artist was straight (though the mols were all openly gay). Many non-gay crics didn’t want a public space to be occupied by a sculpture that allud to homosexualy, much ls a pictn of same-sex upl, while fully clothed, actually touchg one another.
Dpe all the brouhaha, Gay Liberatn was eventually stalled as a permanent monument Christopher Park, wh a send stg set on the grounds of Stanford Universy Palo Alto, California. The sculpture has been nounced by some art historians and culture mavens as borg and “angly somber, ” and maligned by gay activists as too nservative a pictn of homosexual affectn.
VANDALISM OF GAY LIBERATN MONUMENT AT STANFORD UNIVERSY
For many olr gay men and lbians, reprents their emergence om an earlier era when would have been impossible for two men or two women to engage the behavr the statu pict, however unrstated, even Greenwich Village.
#GEE SEGAL #GAY LIBERATN STATUE #LGBTQ+ RIGHTS #ACTIVISM, #1970S HISTORY #GAY RIGHTS #LBIAN HISTORY #EQUALY #NYC PUBLIC ART #GAY ART #PRI #STONEWALLNATNALMONUMENT #HISTORILSE #LGBTQHISTORY
For today’s gay and lbian young people, who may not be fully aware of the long history of our stggle for equaly and acceptance, ’s a public emblem of acknowledgement that we exist and belong. Though not owned by NYU, Gay Liberatn Monument is viewable near NYU's mp at 51-53 Christopher Street, and is a part of the Stonewall Natnal Monument.
This sculpture by NYU Alum Gee Segal, (Stehardt BA '49) (1924–2000) honors the gay rights movement and memorat the events at the Stonewall Inn oppose this park that gave rise to the movement. It is long past time they were put on a Rt, Camerano/Associated PrsMay 17, 2019For all of June, New York Cy will serve as host to World Pri, the biggt celebratn of gay liberatn the world. In June of 1969, patrons at the bar, a hub of gay life Greenwich Village, were long exhsted by the antagonisms they faced so routely om the police.
Rivera was fightg for legimacy not jt a straight world but among whe, mastream gay activists who wanted to ntrol the journey and keep people like her far away om the steerg wheel. He was regularly the target of homophobic attacks, and other black lears, aaid of the tensns that would ept around him, kept him om occupyg central rol.