This chapter explor the tensn at the tersectn of classil ballet and gay cultur. Central to the study is a crique of ballet’s exclnary heterocentrism—“the ballet closet”—exemplified by the image of the classil ballet...
Contents:
- NOT THE GAY SWAN LAKE
- PK FEATHERS THE BALLET CLOSET: THREE GAY REMAK OF SWAN LAKE
- MATTHEW BOURNE: ‘I WON’T TAKE MY GAY SWAN LAKE TO RSIA NOW — THEY HAVE GONE BACKWARDS’
- SWAN LAKE REVIEW – DADA MASILO FFL FEATHERS WH GAY REMAKE
NOT THE GAY SWAN LAKE
Back at the Ahmanson, the transformatn of Tchaikovsky's ballet to a gay romance still electrifi wh heartfelt drama and spectacular dancg. * the gay swan lake *
Bourne created the work at a time when a law agast promotg homosexualy still existed England.
PK FEATHERS THE BALLET CLOSET: THREE GAY REMAK OF SWAN LAKE
* the gay swan lake *
It’s gone now, but you n see how the swans stroyg one of their own — and his male, human lover — speaks to the homophobic vlence that still exists almost Thursday, the lightg sign of Ple Constable ma Lez Brotherston’s faiar sets and stum look better than ever — though Dunn McLean’s bleary swan-projectns need to be rensired. This moment serv as a llg rd for young gay male dancers to embrace who they are. Although this ballet was culturally received as supportg gay rights, Matthew Bourne has explicly nied that this was his only tentn.
MATTHEW BOURNE: ‘I WON’T TAKE MY GAY SWAN LAKE TO RSIA NOW — THEY HAVE GONE BACKWARDS’
Instead of embracg the crics’ labellg of the work as the “Queer Swan Lake, ” he pivots the narrative by announcg that the prce is not a gay man; he is jt a Prce experiencg ner turmoil and the swan reprents the eedom he seeks.
My humani moment is not Matthew Bourne’s Swan Lake and the joy and inty I found wh , but stead is an terview created for TenduTV 2011 entled "Matthew Bourne: Rehg the Classics and Wng Audienc Over, " durg which he renounced any gay readgs of the work.
SWAN LAKE REVIEW – DADA MASILO FFL FEATHERS WH GAY REMAKE
Bourne claimed that he don’t want his Swan Lake visn to be labeled as “jt a gay story, ” choosg stead to emphasize s universal appeal, and of urse implyg the procs that gay stori are only suable for gay dienc.
I believe that the protagonist’s sexualy do not tract om the work’s appeal, stead humaniz the gay muny by showg their wants and stggl.
Today, I have seen many pani prised of mostly gay men steer away om beg labeled a gay pany for fear of beg ostracized by a mastream dience. Homosexual men who have given their liv to the craft of ballet long for proud reprentatn, and was a tragedy that Bourne chose to take this away om , even as he so obvly put on stage. Dpe Bourne’s rejectn of gay terpretatns of his work, I believe the evince for that meang is too clear to ny.