Marv Gaye, Amerin soul sger-songwrer-producer who, to a large extent, hered the era of artist-ntrolled popular mic of the 1970s. Among his h songs were ‘I Heard It Through the Grapeve,’ ‘A’t Nothg Like the Real Thg,’ ‘What’s Gog On,’ ‘Let’s Get It On,’ and ‘Sexual Healg.’
Contents:
- MARV {LOR:#595959;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-WEIGHT:600;MARG-BOTTOM:0.625REM;}@MEDIA(MAX-WIDTH: 48REM){{FONT-SIZE:0.875REM;LE-HEIGHT:1.2;}}@MEDIA(M-WIDTH: 48REM){{FONT-SIZE:1.25REM;LE-HEIGHT:1.2;}} A{-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;TEXT-RATN-THICKNS:0.0625REM;TEXT-RATN-LOR:HER;TEXT-UNRLE-OFFSET:0.25REM;LOR:HER;-WEBK-TRANSN:ALL 0.3S EASE--OUT;TRANSN:ALL 0.3S EASE--OUT;} A:HOVER{LOR:#A00000;TEXT-RATN-LOR:BORR-LK-BODY-HOVER;}MARV GAYE WAS A SOUL SGER-SONGWRER WH MOTOWN THE 1960S AND 1970S. HE PRODUCED HIS OWN RERDS AND OFTEN ADDRSED NTROVERSIAL {MARG-BOTTOM:0.625REM;PADDG-RIGHT:0.3125REM;LOR:#323232;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;} SPAN{LE-HEIGHT:1.6;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;}{FONT-STYLE:NORMAL;PADDG-RIGHT:0.3125REM;FONT-FAY:RALAS,GEIA,TIM,SERIF;LOR:#323232;FONT-SIZE:0.75REM;LE-HEIGHT:1.3;FONT-WEIGHT:BOLD;TEXT-TRANSFORM:PALIZE;}{DISPLAY:LE-BLOCK;TEXT-TRANSFORM:UPPERSE;MARG-LEFT:0.625REM;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;}UPDATED: APR 19, {DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;}{MARG-BOTTOM:0.9375REM;POSN:RELATIVE;}@MEDIA(MAX-WIDTH: 64REM){{MAX-WIDTH:LC(100VW - (1REM * 2));MARG-LEFT:1REM;MARG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(-1 * 1REM);}}@MEDIA(M-WIDTH: 48REM) AND (MAX-WIDTH: 61.25REM){{MARG-LEFT:TO;MARG-RIGHT:TO;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC((100VW - (LC(20.625REM * 2 - 1REM) - 2 * 1REM)) / -2);}}@MEDIA(M-WIDTH: 61.25REM) AND (MAX-WIDTH: 90REM){{MAX-WIDTH:LC(20.625REM * 2 - 1REM);MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM) - 1REM - 20.625REM) / 2);PADDG-LEFT:1REM;PADDG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(LC((100VW - LC(20.625REM * 2 - 1REM) - 1REM - 20.625REM) / -2) - 1REM);}}@MEDIA(M-WIDTH: 90REM){{MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 2);MAX-WIDTH:LC(20.625REM * 2 - 1REM);PADDG-LEFT:1REM;PADDG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(LC((100VW - LC(20.625REM * 2 + 1REM)) / -2) - LC(2 * 1REM));}[DATA-HAS-SPONSOR] {MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 4);MARG-RIGHT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 4);}}{JTIFY-SELF:CENTER;POSN:RELATIVE;}@MEDIA(MAX-WIDTH: 48REM){{MARG-LEFT:-50VW;MARG-RIGHT:-50VW;WIDTH:100VW;LEFT:50%;RIGHT:50%;}}{HEIGHT:TO;}@MEDIA(MAX-WIDTH: 48REM){{MARG:TO LC(50% - 50VW);}}@MEDIA(M-WIDTH: 48REM){{MARG:TO;}}{POSN:RELATIVE;HEIGHT:TO;}{POSN:RELATIVE;--POSN:ABSOLUTE;HEIGHT:TO;} IMG{MAX-WIDTH:100%;HEIGHT:TO;} A{POSN:ABSOLUTE;}{POSN:RELATIVE;WIDTH:100%;HEIGHT:100%;OBJECT-F:VER;VERTIL-ALIGN:TOP;}{BACKGROUND:#C92228;BOTTOM:0;PADDG:.5REM;RIGHT:0;}@MEDIA(M-WIDTH: 64REM){{PADDG:0.39REM;}}{DISPLAY:BLOCK;HEIGHT:1REM;WIDTH:1REM;}@MEDIA(M-WIDTH: 64REM){{WIDTH:1.063REM;HEIGHT:1.063REM;}}{LE-HEIGHT:1;MARG-TOP:0.3125REM;}@MEDIA(MAX-WIDTH: 73.75REM){{PADDG-LEFT:0.9375REM;}}@MEDIA(M-WIDTH: 64REM){{PADDG-LEFT:0;}}{PADDG-RIGHT:0.3125REM;LOR:#595959;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;}PHOTO: NBCU PHOTO BANK/GETTY {FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;PADDG-LEFT:0REM;PADDG-RIGHT:0REM;POSN:RELATIVE;}@MEDIA(M-WIDTH: 48REM){{PADDG-LEFT:3.5REM;PADDG-RIGHT:3.5REM;}}@MEDIA(M-WIDTH: 48REM) AND (MAX-WIDTH: 61.25REM){{MAX-WIDTH:45.25REM;MARG-LEFT:TO;MARG-RIGHT:TO;}}@MEDIA(M-WIDTH: 61.25REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}}@MEDIA(M-WIDTH: 73.75REM) AND (MAX-WIDTH: 100REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}}@MEDIA(M-WIDTH: 90REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}} EM{FONT-STYLE:ALIC;FONT-FAY:CHARTER,GEIA,TIM,SERIF;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;}{CLEAR:BOTH;NTENT:" ";DISPLAY:BLOCK;FONT-SIZE:0.7REM;LE-HEIGHT:1.5REM;HEIGHT:0REM;VISIBILY:HIDN;}{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;} EM{FONT-STYLE:ALIC;FONT-FAY:CHARTER,GEIA,TIM,SERIF;}(1939-1984){LOR:#323232;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-WEIGHT:800;LETTER-SPACG:0.02EM;MARG-BOTTOM:0.625REM;MARG-TOP:0.625REM;}@MEDIA(MAX-WIDTH: 48REM){{FONT-SIZE:1.875REM;LE-HEIGHT:1.1;}}@MEDIA(M-WIDTH: 48REM){{FONT-SIZE:2REM;LE-HEIGHT:1.1;}}@MEDIA(M-WIDTH: 64REM){{FONT-SIZE:2REM;LE-HEIGHT:1.1;}} B, STRONG{FONT-FAY:HER;FONT-WEIGHT:BOLD;} EM, I{FONT-FAY:HER;FONT-STYLE:ALIC;}WHO WAS MARV GAYE?MARV GAYE SANG HIS FATHER'S CHURCH AND THE MOONGLOWS BEFORE SIGNG WH MOTOWN. HE RERD SONGS BY SMOKEY ROBSON BEFORE BEG HIS OWN PRODUCER ON THE PROTT ALBUM WHAT'S GOG ON (1971). GAYE'S LATER RERDS VELOPED HIS PRODUCTN STYLE AND YIELD SEVERAL HS, CLUDG "LET'S GET IT ON," "SEXUAL HEALG" AND "I HEARD THROUGH THE GRAPEVE." GAYE WAS KILLED 1984 DURG A DOMTIC DISPUTE WH HIS FATHER.EARLY LIFESGER MARV PENTZ GAYE, JR., ALSO KNOWN AS THE "PRCE OF SOUL," WAS BORN WASHGTON, D.C., ON APRIL 2, 1939. GAYE WAS RAISED UNR THE STRICT NTROL OF HIS FATHER, REVEREND MARV GAY SR.—MARV GAYE JR. ADD THE "E" ON THE END OF HIS NAME LATER LIFE—THE MISTER AT A LOL CHURCH, AGAST A BLEAK BACKDROP OF WISPREAD VLENCE HIS NEIGHBORHOOD. THROUGHOUT HIS CHILDHOOD, GAYE OFTEN FOUND PEACE MIC, MASTERG THE PIANO AND DMS AT A YOUNG AGE. UNTIL HIGH SCHOOL, HIS SGG EXPERIENCE WAS LIMED TO CHURCH REVIVALS, BUT SOON HE VELOPED A LOVE FOR R&B AND DOO-WOP THAT WOULD SET THE FOUNDATN FOR HIS REER. IN THE LATE 1950S, GAYE JOED A VOL GROUP LLED THE NEW MOONGLOWS. THE TALENTED SGER HAD A PHENOMENAL RANGE THAT SPANNED THREE VOL STYL AND HE SOON IMPRSED THE GROUP'S FOUNR, HARVEY FUQUA. IT WASN'T LONG BEFORE GAYE AND FUQUA BOTH ME TO THE ATTENTN OF DETRO MIC IMPRAR {-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;TEXT-RATN-THICKNS:0.0625REM;TEXT-RATN-LOR:HER;TEXT-UNRLE-OFFSET:0.25REM;LOR:#A00000;-WEBK-TRANSN:ALL 0.3S EASE--OUT;TRANSN:ALL 0.3S EASE--OUT;}{LOR:#595959;TEXT-RATN-LOR:BORR-LK-BODY-HOVER;}BERRY GORDY JR. AND WERE SIGNED TO GORDY'S LEGENDARY MOTOWN RERDS.MOTOWN RERDSGAYE'S FIRST CERTIFIED H UNR HIS OWN NAME WOULDN'T E UNTIL 1962, BUT HIS EARLY YEARS AT MOTOWN WERE FULL OF BEHD-THE-SCEN SUCCS. HE WAS A SSN DMMER FOR MOTOWN LEGENDS SUCH AS LTLE STEVIE WONR, THE SUPREM, THE MARVELETT AND MARTHA AND THE VANLLAS. SHOWG HIS STRIP AS MOTOWN'S RENAISSANCE MAN, GAYE WENT ON TO BREAK TO THE TOP 40 FOR THE FIRST TIME ON HIS OWN 1962 WH HIS SOLO SGLE "HCH HIKE." THROUGHOUT THE 1960S, GAYE WOULD SHOW HIS IMMENSE RANGE, CHURNG OUT SOLO DANCE HS AND ROMANTIC DUETS WH H-MAKERS LIKE DIANA ROSS AND MARY WELLS. "CAN I GET A WNS" AND "I HEARD THROUGH THE GRAPEVE" WERE SOME OF GAYE'S BIGGT HS OF THE PERD, THE LATTER ACHIEVG S PLACE AS MOTOWN'S BT-SELLG SGLE OF THE 1960S. FOR THREE HIGH-FLYG YEARS, GAYE AND TAMMI TERRELL WOWED THE UNTRY WH THEIR SOARG DUET PERFORMANC OF SONGS LIKE "A'T NO MOUNTA HIGH ENOUGH" AND "IF I COULD BUILD MY WHOLE WORLD AROUND YOU." UNFORTUNATELY, THEIR REIGN AS THE ROYAL COUPLE OF R&B END WHEN TERRELL SUCCUMBED TO A BRA TUMOR 1970. HIS BELOVED PARTNER'S ATH HERED A DARK PERD FOR THE SGER, WHO SWORE NEVER TO PARTNER WH ANOTHER FEMALE VOLIST AND THREATENED TO ABANDON THE STAGE FOR GOOD.POLIL MSAGEIN 1970, SPIRED BY LATG VLENCE AND POLIL UNRT OVER THE VIETNAM WAR, GAYE WROTE THE LANDMARK SONG "WHAT'S GOG ON." DPE CLASH WH MOTOWN OVER THE SONG'S CREATIVE DIRECTN, THE SGLE WAS RELEASED 1971 AND BEME AN STANT SMASH. ITS SUCCS PROMPTED GAYE TO TAKE EVEN MORE RISKS, BOTH MILLY AND POLILLY. WHEN WAS RELEASED THE SPRG OF 1971, THE WHAT'S GOG ON ALBUM SERVED TO OPEN GAYE UP TO NEW DIENC WHILE MATAG HIS MOTOWN FOLLOWG. DEPARTG OM THE TRIED AND TE MOTOWN FORMULA, GAYE WENT OUT ON HIS OWN ARTISTILLY, PAVG THE WAY FOR OTHER MOTOWN ARTISTS LIKE WONR AND MICHAEL JACKSON TO BRANCH OUT LATER YEARS. BEYOND FLUENCG HIS PEERS, THE ALBUM GARNERED WISPREAD CRIL ACCLAIM, WNG THE ROLLG STONE ALBUM OF THE YEAR AWARD.CROSSOVER SUCCSIN 1972, GAYE MOVED TO LOS ANGEL AND SOON MET JANIS HUNTER, WHO WOULD LATER BEE HIS SEND WIFE. INSPIRED PART BY HIS NEWFOUND PENNCE, GAYE RERD ONE OF THE MOST REVERED LOVE ANTHEMS OF ALL TIME, "LET'S GET IT ON." THE SONG BEME HIS SEND NO. 1 BILLBOARD H, CEMENTG HIS CROSSOVER APPEAL ONCE AND FOR ALL. SHORTLY AFTERWARDS, MOTOWN PHED GAYE TO TOURG TO PALIZE ON HIS MOST RECENT SUCCS; RELUCTANTLY THE SGER-SONGWRER RETURNED TO THE STAGE. THROUGH MOST OF THE MID-1970S, GAYE WAS TOURG, LLABORATG OR PRODUCG. WORKG WH DIANA ROSS AND THE MIRACL, HE PUT OFF RELEASG ANOTHER SOLO ALBUM UNTIL 1976. HE NTUED TOURG AFTER THE RELEASE OF I WANT YOU (1976) AND, AFTER SRG A NO. 1 H 1977 WH THE DANCE SGLE "GOT TO GIVE IT UP," RELEASED HIS LAST ALBUM FOR MOTOWN RERDS (HERE, MY DEAR) 1978. (DES LATER, "GOT TO GIVE IT UP" WOULD BEE THE CENTER OF A BIG NTROVERSY. IN 2013, GAYE'S TATE ASSERTED THAT PRODUCER/SONGWRER PHARRELL WILLIAMS AND SGER/SONGWRER ROB THICKE HAD MTED PYRIGHT GEMENT BY TAKG MAJOR MIL ELEMENTS OM THE DIS TRACK FOR THE MEGA-H "BLURRED L." AFTER A SE WHICH THICKE TTIFIED THAT HE'D HAD LTLE TO DO WH THE WRG OF THE SONG, THE JURY LED FAVOR OF GAYE'S FAY, WHO WERE AWARD $7.3 LN DAMAG AND PROF SHAR. THE JURY ALSO LED THAT NEHER WILLIAMS OR THICKE HAD PURPOSELY MTED GEMENT.) AFTER TWO S AT MOTOWN, GAYE SIGNED WH CBS'S COLUMBIA RERDS 1982 AND BEGAN TO WORK ON HIS LAST ALBUM, MIDNIGHT LOVE. THE LEAD SGLE OM THAT ALBUM, "SEXUAL HEALG," BEME A HUGE EBACK H FOR THE R&B STAR AND EARNED HIM HIS FIRST TWO GRAMMY AWARDS AND AN AMERIN MIC AWARD FOR FAVORE SOUL SGLE.PERSONAL LIFEIN 1975, GAYE'S WIFE ANNA GORDY—BERRY GORDY'S SISTER—FILED FOR DIVORCE, AND TWO YEARS LATER GAYE MARRIED HUNTER, WHO HAD BY THEN GIVEN BIRTH TO THEIR DGHTER, NONA (BORN SEPTEMBER 4, 1974) AND THEIR SON FRANKIE (BORN NOVEMBER 16, 1975). GAYE ALSO HAD AN ADOPTED SON (MARV PENTZ GAYE III) OM HIS PREV MARRIAGE. THE SGER'S MARRIAGE TO HUNTER PROVED SHORT LIVED AND TUMULTUO, ENDG DIVORCE 1981.DEATH AND LEGACYDPE HIS SUCCSFUL EBACK THE EARLY 1980S, GAYE STGGLED BADLY WH THE SUBSTANCE ABE AND BOUTS OF PRSN THAT HAD PLAGUED HIM FOR MOST OF HIS LIFE. AFTER HIS LAST TOUR, HE MOVED TO HIS PARENTS' HOE. THERE HE AND HIS FATHER FELL TO A PATTERN OF VLENT FIGHTS AND QUARRELS THAT RELLED NFLICTS THAT HAD HNTED THE FAY FOR S. ON APRIL 1, 1984, MARV GAYE SR. SHOT AND KILLED HIS SON AFTER A PHYSIL ALTERTN; THE FATHER CLAIMED HE ACTED SELF-FENSE BUT WOULD LATER BE NVICTED OF VOLUNTARY MANSLGHTER. THREE YEARS AFTER HIS ATH, GAYE WAS DUCTED TO THE ROCK AND ROLL HALL OF FAME. CREATG BETIFUL ART OM A TROUBLED LIFE, GAYE AGA AND AGA BROUGHT HIS VISN, RANGE AND ARTISTRY TO THE WORLD STAGE. AT THE END OF HIS REER, HE ADMTED HE NO LONGER MA MIC FOR PLEASURE; STEAD, HE SAID, "I RERD SO THAT I N FEED PEOPLE WHAT THEY NEED, WHAT THEY FEEL. HOPEFULLY, I RERD SO THAT I N HELP SOMEONE OVERE A BAD TIME."{BORR:0;BORR-BOTTOM:TH SOLID BLACK;MARG:1.875REM 0;CLEAR:BOTH;}QUICK {FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;MARG:0.9375REM 0 0 0.625REM;PADDG:0 0 0 1.25REM;}@MEDIA(M-WIDTH: 48REM){{MARG:0.9375REM 0;}} B, STRONG{FONT-FAY:HER;FONT-WEIGHT:BOLD;} EM{FONT-STYLE:ALIC;FONT-FAY:CHARTER,GEIA,TIM,SERIF;} EM, I{FONT-FAY:HER;FONT-STYLE:ALIC;} LI{PADDG-BOTTOM:0.625REM;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;} LI::MARKER{LOR:#323232;}NAME: MARV GAYEBIRTH YEAR: 1939BIRTH DATE: APRIL 2, 1939BIRTH CY: WASHGTON, D. C.BIRTH COUNTRY: UNED STATGENR: MALEBT KNOWN FOR: MARV GAYE WAS A SOUL SGER-SONGWRER WH MOTOWN THE 1960S AND 1970S. HE PRODUCED HIS OWN RERDS AND OFTEN ADDRSED NTROVERSIAL THEM.INDTRIPOPASTROLOGIL SIGN: ARIINTERTG FACTSBEFORE MAKG AS A SOLO ARTIST, MARV GAYE PLAYED DMS FOR ARTISTS SUCH AS STEVIE WONR AND THE SUPREM.DEATH YEAR: 1984DEATH DATE: APRIL 1, 1984DEATH STATE: CALIFORNIADEATH CY: LOS ANGELDEATH COUNTRY: UNED STATFACT CHECKWE STRIVE FOR ACCURACY AND YOU SEE SOMETHG THAT DON'T LOOK RIGHT,NTACT !CITATION INFORMATIONARTICLE TLE: MARV GAYE BGRAPHYAUTHOR: EDORSWEBSE NAME: THE WEBSEURL: ACCS DATE: PUBLISHER: A&E; TELEVISN NETWORKSLAST UPDATED: APRIL 19, 2021ORIGAL PUBLISHED DATE: APRIL 2, 2014QUOTES
- MARV GAYE
- MARV GAYE
- MARV GAYE’S 30 TOP SONGS ON THE BILLBOARD HOT 100
- "MARV GAYE" LYRICS
- MARV GAYE (FEAT. MEGHAN TRAOR)
- MIC (FEAT. MARV GAYE)ERICK SERMON1 VIEWER1 CONTRIBUTORMIC (FEAT. MARV GAYE) LYRICSJT LIKE MIC..UH-HUH, AIYYO YO, UH-HUH YEAH YEAH, UH UH UHTHERE'S NO DOUBT, NO DOUBT, NO DOUBT, UHWORRDD UP..AHHH BABYYY..JT LIKE MIC..TO RELAX MY MD, SO I N BE EEAND AB-SORB SOUND THAT KEEP ME 'ROUNDDO MY THANG, NSTANTLY WH NO WORRIPEACE TO KEH MURRAY.. ("JT LIKE MIC")TO KEEP ME FLOW AND KEEP ME GOAND KEEP ME GROW, AND KEEP ME THE E OM KNOWWHAT HAPPENS OUT THERE, IS NOT MY NCERNYOU WANNA DIE 'S NOT MY TURN ("JT LIKE MIC")TO DO SOMETH TO ME LIKE JUMP THE MERCESON THE HIGHWAY, DO OVER EIGHTYWHOUT MIC BABY.. ("OWW! I'LL GO CRAZY.. JT LIKE MIC")MAKE ME LL MY HOMEY ON THE PHONELIKE THERE'S SOMETH NEW OUT, THAT GOT ME THE ZONEJT THAT FEEL, GOT MEI WISH MIC N ADOPT ME ("JT LIKE MIC")(CHOS: MARV GAYE)TURN ON SOME MIC, I GOT MY MICTURN ON SOME MIC, I GOT MY MICTURN ON SOME MIC, I GOT MY MICTURN ON SOME MIC, I GOT MY MIC - JT LIKE MICYOU MIGHT ALSO LIKEPUT ME THE MOOD WH MY WOMANGOT ME THE EAR, SAY SWEET NOTHGSMAKE LOVE E OUT THE MOUTH, NO ONTLIKE ALL OF A SUDN, ("JT LIKE MIC")TAK AWAY YOUR WORRI AND RANY PROBLEMS, MIC'LL BE RIGHT THERETOGETHER MATCH YO, WE A PERFECT PAIRIS THAT TE MARV? ("YEAHHHHH! MIC")YO, TO GET YOU TO BANG THISBODY SOUL-SNATCHER, UNIVERSAL LANGUAGEIT BE THE LIGHT, SO OPEN UPTHIS IS , WHAT THE FUCK? ("JT LIKE MIC")ONE FLY TUNETHAT HAVE BLACK AND WHE VIBE ONE ROOMNO NONTATN, PARLAY ALL NIGHTIT'S JT THE SENSATN ("JT LIKE MIC")(CHOS)(MARV GAYE)MIC IS THE SOUL OF THE MANMIC MAK A, HAPPY DAYMIC MAK A, CLOUD FLOW BY BABYYOUR MIC IS MY TEARS -SI MY EY (JT LIKE MIC)YOUR MIC MAK ME WANT TO SGGIRL MIC, IS A JOY TO BRG (JT LIKE MIC)MIC IS MY HEART AND SOUL, MORE PREC THAN GOLD(TURN ON SOME MIC, I GOT MY MIC)HAPPS FOR DAYS, JTICE ALL THE WAY(TURN ON SOME MIC, I GOT MY MIC)I LOVE YOUR MIC BABY (I GOT MY MIC)(TURN ON SOME MIC, I GOT MY MIC - JT LIKE MIC)HEY (LA-DA-DA-DA-DAAAA-DAH-DAH-DAHH) DOO-DOO, DOO-DOO-DOOTURN ON SOME MIC (LA-DA-DA-DA-DAAAA) TURN ON SOME MICJT LIKE MIC (LA-DA-DA-DA-DAAAA-DAH-DAH-DAHH) DOO-DOO, DOO-DOO-DOOTURN ON SOME MIC (LA-DA-DA-DA-DAAAA) TURN ON SOME MICJT LIKE MIC (LA-DA-DA-DA-DAAAA-DAH-DAH-DAHH) DOO-DOO, DOO-DOO-DOOTURN ON SOME MIC (LA-DA-DA-DA-DAAAA) TURN ON SOME MICJT LIKE MIC..{*FAS OUT*}EMBEDCANCELHOW TO FORMAT LYRICS:TYPE OUT ALL LYRICS, EVEN REPEATG SONG PARTS LIKE THE CHOSLYRICS SHOULD BE BROKEN DOWN TO DIVIDUAL LUSE SECTN HEARS ABOVE DIFFERENT SONG PARTS LIKE [VERSE], [CHOS], ETC.USE ALICS (<I>LYRIC</I>) AND BOLD (<B>LYRIC</B>) TO DISTGUISH BETWEEN DIFFERENT VOLISTS THE SAME SONG PARTIF YOU DON’T UNRSTAND A LYRIC, E [?]TO LEARN MORE, CHECK OUT OUR TRANSCRIPTN GUI OR VIS OUR TRANSCRIBERS FOMABOUT
- MICERICK SERMONTRACK 4 ON MIC FEATURGMARV GAYEPRODUCED BYERICK SERMONORIGALLY OM “WHAT’S THE WORST THAT COULD HAPPEN?” SOUNDTRACKJUN. 12, 20011 VIEWER27.2K VIEWS24 CONTRIBUTORSMIC LYRICS[INTRO: ERICK SERMON & MARV GAYE]JT LIKE MIC..UH-HUH, AYY YOYO, UH-HUH YEAH YEAH, UH UH UHTHERE'S NO DOUBT, NO DOUBT, NO DOUBT, UHWORRDD UP...AHHH BABYYY...JT LIKE MIC...[VERSE 1: ERICK SERMON & MARV GAYE]TO RELAX MY MD, SO I N BE EEAND AB-SORB SOUND THAT KEEP ME 'ROUNDDO MY THANG, NSTANTLY WH NO WORRIPEACE TO KEH MURRAY.. ("JT LIKE MIC")TO KEEP ME FLOW AND KEEP ME GOAND KEEP ME GROW, AND KEEP ME THE E OM KNOWWHAT HAPPENS OUT THERE, IS NOT MY NCERNYOU WANNA DIE 'S NOT MY TURN ("JT LIKE MIC")TO DO SOMETH' TO ME LIKE JUMP THE MERCESON THE HIGHWAY, DO' OVER EIGHTYWHOUT MIC BABY.. ("OWW! I'LL GO CRAZY.. JT LIKE MIC")MAKE ME LL MY HOMEY ON THE PHONELIKE THERE'S SOMETH' NEW OUT, THAT GOT ME THE ZONEJT THAT FEEL, GOT MEI WISH MIC N ADOPT ME ("JT LIKE MIC")[CHOS: MARV GAYE]TURN ON SOME MIC, I GOT MY MICTURN ON SOME MIC, I GOT MY MICTURN ON SOME MIC, I GOT MY MICTURN ON SOME MIC, I GOT MY MIC - JT LIKE MICYOU MIGHT ALSO LIKE[VERSE 2: ERICK SERMON & MARV GAYE]PUT ME THE MOOD WH MY WOMANGOT ME THE EAR, SAY SWEET NOTHGSMAKE LOVE E OUT THE MOUTH, NO ONTLIKE ALL OF A SUDN, ("JT LIKE MIC")TAK AWAY YOUR WORRI AND RANY PROBLEMS, MIC'LL BE RIGHT THERETOGETHER MATCH YO, WE A PERFECT PAIRIS THAT TE MARV? ("YEAHHHHH! MIC")YO, TO GET YOU TO BANG THISBODY SOUL-SNATCHER, UNIVERSAL LANGUAGEIT BE THE LIGHT, SO OPEN UPTHIS IS , WHAT THE FUCK? ("JT LIKE MIC")ONE FLY TUNETHAT HAVE BLACK AND WHE VIBE ONE ROOMNO NONTATN, PARLAY ALL NIGHTIT'S JT THE SENSATN ("JT LIKE MIC")[CHOS: MARV GAYE]TURN ON SOME MIC, I GOT MY MICTURN ON SOME MIC, I GOT MY MICTURN ON SOME MIC, I GOT MY MICTURN ON SOME MIC, I GOT MY MIC - JT LIKE MIC[VERSE 3: MARV GAYE]MIC IS THE SOUL OF THE MANMIC MAK A HAPPY DAYMIC MAK THE CLOUDS ROLL BY BABYYOUR MIC IS MY TEARS SI MY EY (JT LIKE MIC)YOUR MIC MAK ME WANT TO SGGIRL, MIC IS A JOY TO BRG (JT LIKE MIC)MIC IS MY HEART AND SOUL, MORE PREC THAN GOLD(TURN ON SOME MIC, I GOT MY MIC)HAPPS TODAY IS JT A SONG AWAY, JT A SONG(TURN ON SOME MIC, I GOT MY MIC)I LOVE YOUR MIC BABY (I GOT MY MIC)I DON'T WORRY 'BOUT A THG(TURN ON SOME MIC, I GOT MY MIC - JT LIKE MIC)[OUTRO: MARV GAYE]HEY (LA-DA-DA-DA-DAAAA-DAH-DAH-DAHH) DOO-DOO, DOO-DOO-DOOTURN ON SOME MIC (LA-DA-DA-DA-DAAAA) TURN ON SOME MICJT LIKE MIC (LA-DA-DA-DA-DAAAA-DAH-DAH-DAHH) DOO-DOO, DOO-DOO-DOO7EMBEDCANCELHOW TO FORMAT LYRICS:TYPE OUT ALL LYRICS, EVEN REPEATG SONG PARTS LIKE THE CHOSLYRICS SHOULD BE BROKEN DOWN TO DIVIDUAL LUSE SECTN HEARS ABOVE DIFFERENT SONG PARTS LIKE [VERSE], [CHOS], ETC.USE ALICS (<I>LYRIC</I>) AND BOLD (<B>LYRIC</B>) TO DISTGUISH BETWEEN DIFFERENT VOLISTS THE SAME SONG PARTIF YOU DON’T UNRSTAND A LYRIC, E [?]TO LEARN MORE, CHECK OUT OUR TRANSCRIPTN GUI OR VIS OUR TRANSCRIBERS FOMABOUTGENI ANNOTATN1 NTRIBUTORORIGALLY OM “WHAT’S THE WORST THAT COULD HAPPEN?” SOUNDTRACKEXPAND +41SHAREASK A QUTN ABOUT THIS SONGASK A QUTN *WHO PRODUCED “MIC” BY ERICK SERMON?WHEN DID ERICK SERMON RELEASE “MIC”?WHO WROTE “MIC” BY ERICK SERMON?MIC (2001)ERICK SERMON1. RAPTURE2. IT’S NUTT’3. COME TH4. MIC5. SK I6. NOW WHUT’S UP7. I’M THAT NIGGA8. GENI E DUB9. SK II (MISSG LYRICS)10. A’T NO FUTURE... 200111. DO-RE-MI12. I’M HOT13. UP THEM THANGS14. THE SERMON15. SK III (MISSG LYRICS)16. MIC (REMIX)EXPAND CREDSFEATURGMARV GAYEPRODUCED BYERICK SERMONWRTEN BYERICK SERMON & MARV GAYEINSTMENTATNERICK SERMONRERDG ENGEERERICK SERMON & MARC BERTOMIXG ENGEERERICK SERMON & TOMMY UZZOMASTERG ENGEERJOSEPH M. PALMACCLABELJ RERDSCOPYRIGHT ©J RERDSPHONOGRAPHIC COPYRIGHT ℗J RERDSPUBLISHERERICK SERMON ENTERPRIS, MG III MIC, NMG MIC, FCG MIC, EMI APRIL MIC, EMI MIC PUBLISHG & ZOMBA MIC PUBLISHGPERFORMANCE RIGHTSASCAPMIXED ATMIRROR IMAGERERD ATL.I.T.E. RERDG STUDS (LONG ISLAND, NY)RELEASE DATEJUNE 12, 2001MIC SAMPLI’VE GOT MY MIC (ORIGAL VOL VERSN OF “TURN ON SOME MIC”) BY MARV GAYE & TURN ON SOME MIC BY MARV GAYEMIC REMIXMIC (REMIX) BY ERICK SERMON (FT. DEF SQUAD, KEH MURRAY, MARV GAYE & REDMAN)VIEW MIC SAMPLTAGSR&BRAPG-FUNKUNRGROUND RAPSOUNDTRACKHIP-HOPEAST COASTEXPAND COMMENTSADD A MENTSIGN UP AND DROP KNOWLEDGE ?GENI IS THE ULTIMATE SOURCE OF MIC KNOWLEDGE, CREATED BY SCHOLARS LIKE YOU WHO SHARE FACTS AND SIGHT ABOUT THE SONGS AND ARTISTS THEY LOVE.SIGN UPGENI IS THE WORLD’S BIGGT LLECTN OF SONG LYRICS AND MIL KNOWLEDGE
MARV {LOR:#595959;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-WEIGHT:600;MARG-BOTTOM:0.625REM;}@MEDIA(MAX-WIDTH: 48REM){{FONT-SIZE:0.875REM;LE-HEIGHT:1.2;}}@MEDIA(M-WIDTH: 48REM){{FONT-SIZE:1.25REM;LE-HEIGHT:1.2;}} A{-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;TEXT-RATN-THICKNS:0.0625REM;TEXT-RATN-LOR:HER;TEXT-UNRLE-OFFSET:0.25REM;LOR:HER;-WEBK-TRANSN:ALL 0.3S EASE--OUT;TRANSN:ALL 0.3S EASE--OUT;} A:HOVER{LOR:#A00000;TEXT-RATN-LOR:BORR-LK-BODY-HOVER;}MARV GAYE WAS A SOUL SGER-SONGWRER WH MOTOWN THE 1960S AND 1970S. HE PRODUCED HIS OWN RERDS AND OFTEN ADDRSED NTROVERSIAL {MARG-BOTTOM:0.625REM;PADDG-RIGHT:0.3125REM;LOR:#323232;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;} SPAN{LE-HEIGHT:1.6;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;}{FONT-STYLE:NORMAL;PADDG-RIGHT:0.3125REM;FONT-FAY:RALAS,GEIA,TIM,SERIF;LOR:#323232;FONT-SIZE:0.75REM;LE-HEIGHT:1.3;FONT-WEIGHT:BOLD;TEXT-TRANSFORM:PALIZE;}{DISPLAY:LE-BLOCK;TEXT-TRANSFORM:UPPERSE;MARG-LEFT:0.625REM;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;}UPDATED: APR 19, {DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;}{MARG-BOTTOM:0.9375REM;POSN:RELATIVE;}@MEDIA(MAX-WIDTH: 64REM){{MAX-WIDTH:LC(100VW - (1REM * 2));MARG-LEFT:1REM;MARG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(-1 * 1REM);}}@MEDIA(M-WIDTH: 48REM) AND (MAX-WIDTH: 61.25REM){{MARG-LEFT:TO;MARG-RIGHT:TO;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC((100VW - (LC(20.625REM * 2 - 1REM) - 2 * 1REM)) / -2);}}@MEDIA(M-WIDTH: 61.25REM) AND (MAX-WIDTH: 90REM){{MAX-WIDTH:LC(20.625REM * 2 - 1REM);MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM) - 1REM - 20.625REM) / 2);PADDG-LEFT:1REM;PADDG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(LC((100VW - LC(20.625REM * 2 - 1REM) - 1REM - 20.625REM) / -2) - 1REM);}}@MEDIA(M-WIDTH: 90REM){{MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 2);MAX-WIDTH:LC(20.625REM * 2 - 1REM);PADDG-LEFT:1REM;PADDG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(LC((100VW - LC(20.625REM * 2 + 1REM)) / -2) - LC(2 * 1REM));}[DATA-HAS-SPONSOR] {MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 4);MARG-RIGHT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 4);}}{JTIFY-SELF:CENTER;POSN:RELATIVE;}@MEDIA(MAX-WIDTH: 48REM){{MARG-LEFT:-50VW;MARG-RIGHT:-50VW;WIDTH:100VW;LEFT:50%;RIGHT:50%;}}{HEIGHT:TO;}@MEDIA(MAX-WIDTH: 48REM){{MARG:TO LC(50% - 50VW);}}@MEDIA(M-WIDTH: 48REM){{MARG:TO;}}{POSN:RELATIVE;HEIGHT:TO;}{POSN:RELATIVE;--POSN:ABSOLUTE;HEIGHT:TO;} IMG{MAX-WIDTH:100%;HEIGHT:TO;} A{POSN:ABSOLUTE;}{POSN:RELATIVE;WIDTH:100%;HEIGHT:100%;OBJECT-F:VER;VERTIL-ALIGN:TOP;}{BACKGROUND:#C92228;BOTTOM:0;PADDG:.5REM;RIGHT:0;}@MEDIA(M-WIDTH: 64REM){{PADDG:0.39REM;}}{DISPLAY:BLOCK;HEIGHT:1REM;WIDTH:1REM;}@MEDIA(M-WIDTH: 64REM){{WIDTH:1.063REM;HEIGHT:1.063REM;}}{LE-HEIGHT:1;MARG-TOP:0.3125REM;}@MEDIA(MAX-WIDTH: 73.75REM){{PADDG-LEFT:0.9375REM;}}@MEDIA(M-WIDTH: 64REM){{PADDG-LEFT:0;}}{PADDG-RIGHT:0.3125REM;LOR:#595959;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;}PHOTO: NBCU PHOTO BANK/GETTY {FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;PADDG-LEFT:0REM;PADDG-RIGHT:0REM;POSN:RELATIVE;}@MEDIA(M-WIDTH: 48REM){{PADDG-LEFT:3.5REM;PADDG-RIGHT:3.5REM;}}@MEDIA(M-WIDTH: 48REM) AND (MAX-WIDTH: 61.25REM){{MAX-WIDTH:45.25REM;MARG-LEFT:TO;MARG-RIGHT:TO;}}@MEDIA(M-WIDTH: 61.25REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}}@MEDIA(M-WIDTH: 73.75REM) AND (MAX-WIDTH: 100REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}}@MEDIA(M-WIDTH: 90REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}} EM{FONT-STYLE:ALIC;FONT-FAY:CHARTER,GEIA,TIM,SERIF;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;}{CLEAR:BOTH;NTENT:" ";DISPLAY:BLOCK;FONT-SIZE:0.7REM;LE-HEIGHT:1.5REM;HEIGHT:0REM;VISIBILY:HIDN;}{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;} EM{FONT-STYLE:ALIC;FONT-FAY:CHARTER,GEIA,TIM,SERIF;}(1939-1984){LOR:#323232;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-WEIGHT:800;LETTER-SPACG:0.02EM;MARG-BOTTOM:0.625REM;MARG-TOP:0.625REM;}@MEDIA(MAX-WIDTH: 48REM){{FONT-SIZE:1.875REM;LE-HEIGHT:1.1;}}@MEDIA(M-WIDTH: 48REM){{FONT-SIZE:2REM;LE-HEIGHT:1.1;}}@MEDIA(M-WIDTH: 64REM){{FONT-SIZE:2REM;LE-HEIGHT:1.1;}} B, STRONG{FONT-FAY:HER;FONT-WEIGHT:BOLD;} EM, I{FONT-FAY:HER;FONT-STYLE:ALIC;}WHO WAS MARV GAYE?MARV GAYE SANG HIS FATHER'S CHURCH AND THE MOONGLOWS BEFORE SIGNG WH MOTOWN. HE RERD SONGS BY SMOKEY ROBSON BEFORE BEG HIS OWN PRODUCER ON THE PROTT ALBUM WHAT'S GOG ON (1971). GAYE'S LATER RERDS VELOPED HIS PRODUCTN STYLE AND YIELD SEVERAL HS, CLUDG "LET'S GET IT ON," "SEXUAL HEALG" AND "I HEARD THROUGH THE GRAPEVE." GAYE WAS KILLED 1984 DURG A DOMTIC DISPUTE WH HIS FATHER.EARLY LIFESGER MARV PENTZ GAYE, JR., ALSO KNOWN AS THE "PRCE OF SOUL," WAS BORN WASHGTON, D.C., ON APRIL 2, 1939. GAYE WAS RAISED UNR THE STRICT NTROL OF HIS FATHER, REVEREND MARV GAY SR.—MARV GAYE JR. ADD THE "E" ON THE END OF HIS NAME LATER LIFE—THE MISTER AT A LOL CHURCH, AGAST A BLEAK BACKDROP OF WISPREAD VLENCE HIS NEIGHBORHOOD. THROUGHOUT HIS CHILDHOOD, GAYE OFTEN FOUND PEACE MIC, MASTERG THE PIANO AND DMS AT A YOUNG AGE. UNTIL HIGH SCHOOL, HIS SGG EXPERIENCE WAS LIMED TO CHURCH REVIVALS, BUT SOON HE VELOPED A LOVE FOR R&B AND DOO-WOP THAT WOULD SET THE FOUNDATN FOR HIS REER. IN THE LATE 1950S, GAYE JOED A VOL GROUP LLED THE NEW MOONGLOWS. THE TALENTED SGER HAD A PHENOMENAL RANGE THAT SPANNED THREE VOL STYL AND HE SOON IMPRSED THE GROUP'S FOUNR, HARVEY FUQUA. IT WASN'T LONG BEFORE GAYE AND FUQUA BOTH ME TO THE ATTENTN OF DETRO MIC IMPRAR {-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;TEXT-RATN-THICKNS:0.0625REM;TEXT-RATN-LOR:HER;TEXT-UNRLE-OFFSET:0.25REM;LOR:#A00000;-WEBK-TRANSN:ALL 0.3S EASE--OUT;TRANSN:ALL 0.3S EASE--OUT;}{LOR:#595959;TEXT-RATN-LOR:BORR-LK-BODY-HOVER;}BERRY GORDY JR. AND WERE SIGNED TO GORDY'S LEGENDARY MOTOWN RERDS.MOTOWN RERDSGAYE'S FIRST CERTIFIED H UNR HIS OWN NAME WOULDN'T E UNTIL 1962, BUT HIS EARLY YEARS AT MOTOWN WERE FULL OF BEHD-THE-SCEN SUCCS. HE WAS A SSN DMMER FOR MOTOWN LEGENDS SUCH AS LTLE STEVIE WONR, THE SUPREM, THE MARVELETT AND MARTHA AND THE VANLLAS. SHOWG HIS STRIP AS MOTOWN'S RENAISSANCE MAN, GAYE WENT ON TO BREAK TO THE TOP 40 FOR THE FIRST TIME ON HIS OWN 1962 WH HIS SOLO SGLE "HCH HIKE." THROUGHOUT THE 1960S, GAYE WOULD SHOW HIS IMMENSE RANGE, CHURNG OUT SOLO DANCE HS AND ROMANTIC DUETS WH H-MAKERS LIKE DIANA ROSS AND MARY WELLS. "CAN I GET A WNS" AND "I HEARD THROUGH THE GRAPEVE" WERE SOME OF GAYE'S BIGGT HS OF THE PERD, THE LATTER ACHIEVG S PLACE AS MOTOWN'S BT-SELLG SGLE OF THE 1960S. FOR THREE HIGH-FLYG YEARS, GAYE AND TAMMI TERRELL WOWED THE UNTRY WH THEIR SOARG DUET PERFORMANC OF SONGS LIKE "A'T NO MOUNTA HIGH ENOUGH" AND "IF I COULD BUILD MY WHOLE WORLD AROUND YOU." UNFORTUNATELY, THEIR REIGN AS THE ROYAL COUPLE OF R&B END WHEN TERRELL SUCCUMBED TO A BRA TUMOR 1970. HIS BELOVED PARTNER'S ATH HERED A DARK PERD FOR THE SGER, WHO SWORE NEVER TO PARTNER WH ANOTHER FEMALE VOLIST AND THREATENED TO ABANDON THE STAGE FOR GOOD.POLIL MSAGEIN 1970, SPIRED BY LATG VLENCE AND POLIL UNRT OVER THE VIETNAM WAR, GAYE WROTE THE LANDMARK SONG "WHAT'S GOG ON." DPE CLASH WH MOTOWN OVER THE SONG'S CREATIVE DIRECTN, THE SGLE WAS RELEASED 1971 AND BEME AN STANT SMASH. ITS SUCCS PROMPTED GAYE TO TAKE EVEN MORE RISKS, BOTH MILLY AND POLILLY. WHEN WAS RELEASED THE SPRG OF 1971, THE WHAT'S GOG ON ALBUM SERVED TO OPEN GAYE UP TO NEW DIENC WHILE MATAG HIS MOTOWN FOLLOWG. DEPARTG OM THE TRIED AND TE MOTOWN FORMULA, GAYE WENT OUT ON HIS OWN ARTISTILLY, PAVG THE WAY FOR OTHER MOTOWN ARTISTS LIKE WONR AND MICHAEL JACKSON TO BRANCH OUT LATER YEARS. BEYOND FLUENCG HIS PEERS, THE ALBUM GARNERED WISPREAD CRIL ACCLAIM, WNG THE ROLLG STONE ALBUM OF THE YEAR AWARD.CROSSOVER SUCCSIN 1972, GAYE MOVED TO LOS ANGEL AND SOON MET JANIS HUNTER, WHO WOULD LATER BEE HIS SEND WIFE. INSPIRED PART BY HIS NEWFOUND PENNCE, GAYE RERD ONE OF THE MOST REVERED LOVE ANTHEMS OF ALL TIME, "LET'S GET IT ON." THE SONG BEME HIS SEND NO. 1 BILLBOARD H, CEMENTG HIS CROSSOVER APPEAL ONCE AND FOR ALL. SHORTLY AFTERWARDS, MOTOWN PHED GAYE TO TOURG TO PALIZE ON HIS MOST RECENT SUCCS; RELUCTANTLY THE SGER-SONGWRER RETURNED TO THE STAGE. THROUGH MOST OF THE MID-1970S, GAYE WAS TOURG, LLABORATG OR PRODUCG. WORKG WH DIANA ROSS AND THE MIRACL, HE PUT OFF RELEASG ANOTHER SOLO ALBUM UNTIL 1976. HE NTUED TOURG AFTER THE RELEASE OF I WANT YOU (1976) AND, AFTER SRG A NO. 1 H 1977 WH THE DANCE SGLE "GOT TO GIVE IT UP," RELEASED HIS LAST ALBUM FOR MOTOWN RERDS (HERE, MY DEAR) 1978. (DES LATER, "GOT TO GIVE IT UP" WOULD BEE THE CENTER OF A BIG NTROVERSY. IN 2013, GAYE'S TATE ASSERTED THAT PRODUCER/SONGWRER PHARRELL WILLIAMS AND SGER/SONGWRER ROB THICKE HAD MTED PYRIGHT GEMENT BY TAKG MAJOR MIL ELEMENTS OM THE DIS TRACK FOR THE MEGA-H "BLURRED L." AFTER A SE WHICH THICKE TTIFIED THAT HE'D HAD LTLE TO DO WH THE WRG OF THE SONG, THE JURY LED FAVOR OF GAYE'S FAY, WHO WERE AWARD $7.3 LN DAMAG AND PROF SHAR. THE JURY ALSO LED THAT NEHER WILLIAMS OR THICKE HAD PURPOSELY MTED GEMENT.) AFTER TWO S AT MOTOWN, GAYE SIGNED WH CBS'S COLUMBIA RERDS 1982 AND BEGAN TO WORK ON HIS LAST ALBUM, MIDNIGHT LOVE. THE LEAD SGLE OM THAT ALBUM, "SEXUAL HEALG," BEME A HUGE EBACK H FOR THE R&B STAR AND EARNED HIM HIS FIRST TWO GRAMMY AWARDS AND AN AMERIN MIC AWARD FOR FAVORE SOUL SGLE.PERSONAL LIFEIN 1975, GAYE'S WIFE ANNA GORDY—BERRY GORDY'S SISTER—FILED FOR DIVORCE, AND TWO YEARS LATER GAYE MARRIED HUNTER, WHO HAD BY THEN GIVEN BIRTH TO THEIR DGHTER, NONA (BORN SEPTEMBER 4, 1974) AND THEIR SON FRANKIE (BORN NOVEMBER 16, 1975). GAYE ALSO HAD AN ADOPTED SON (MARV PENTZ GAYE III) OM HIS PREV MARRIAGE. THE SGER'S MARRIAGE TO HUNTER PROVED SHORT LIVED AND TUMULTUO, ENDG DIVORCE 1981.DEATH AND LEGACYDPE HIS SUCCSFUL EBACK THE EARLY 1980S, GAYE STGGLED BADLY WH THE SUBSTANCE ABE AND BOUTS OF PRSN THAT HAD PLAGUED HIM FOR MOST OF HIS LIFE. AFTER HIS LAST TOUR, HE MOVED TO HIS PARENTS' HOE. THERE HE AND HIS FATHER FELL TO A PATTERN OF VLENT FIGHTS AND QUARRELS THAT RELLED NFLICTS THAT HAD HNTED THE FAY FOR S. ON APRIL 1, 1984, MARV GAYE SR. SHOT AND KILLED HIS SON AFTER A PHYSIL ALTERTN; THE FATHER CLAIMED HE ACTED SELF-FENSE BUT WOULD LATER BE NVICTED OF VOLUNTARY MANSLGHTER. THREE YEARS AFTER HIS ATH, GAYE WAS DUCTED TO THE ROCK AND ROLL HALL OF FAME. CREATG BETIFUL ART OM A TROUBLED LIFE, GAYE AGA AND AGA BROUGHT HIS VISN, RANGE AND ARTISTRY TO THE WORLD STAGE. AT THE END OF HIS REER, HE ADMTED HE NO LONGER MA MIC FOR PLEASURE; STEAD, HE SAID, "I RERD SO THAT I N FEED PEOPLE WHAT THEY NEED, WHAT THEY FEEL. HOPEFULLY, I RERD SO THAT I N HELP SOMEONE OVERE A BAD TIME."{BORR:0;BORR-BOTTOM:TH SOLID BLACK;MARG:1.875REM 0;CLEAR:BOTH;}QUICK {FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;MARG:0.9375REM 0 0 0.625REM;PADDG:0 0 0 1.25REM;}@MEDIA(M-WIDTH: 48REM){{MARG:0.9375REM 0;}} B, STRONG{FONT-FAY:HER;FONT-WEIGHT:BOLD;} EM{FONT-STYLE:ALIC;FONT-FAY:CHARTER,GEIA,TIM,SERIF;} EM, I{FONT-FAY:HER;FONT-STYLE:ALIC;} LI{PADDG-BOTTOM:0.625REM;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;} LI::MARKER{LOR:#323232;}NAME: MARV GAYEBIRTH YEAR: 1939BIRTH DATE: APRIL 2, 1939BIRTH CY: WASHGTON, D. C.BIRTH COUNTRY: UNED STATGENR: MALEBT KNOWN FOR: MARV GAYE WAS A SOUL SGER-SONGWRER WH MOTOWN THE 1960S AND 1970S. HE PRODUCED HIS OWN RERDS AND OFTEN ADDRSED NTROVERSIAL THEM.INDTRIPOPASTROLOGIL SIGN: ARIINTERTG FACTSBEFORE MAKG AS A SOLO ARTIST, MARV GAYE PLAYED DMS FOR ARTISTS SUCH AS STEVIE WONR AND THE SUPREM.DEATH YEAR: 1984DEATH DATE: APRIL 1, 1984DEATH STATE: CALIFORNIADEATH CY: LOS ANGELDEATH COUNTRY: UNED STATFACT CHECKWE STRIVE FOR ACCURACY AND YOU SEE SOMETHG THAT DON'T LOOK RIGHT,NTACT !CITATION INFORMATIONARTICLE TLE: MARV GAYE BGRAPHYAUTHOR: EDORSWEBSE NAME: THE WEBSEURL: ACCS DATE: PUBLISHER: A&E; TELEVISN NETWORKSLAST UPDATED: APRIL 19, 2021ORIGAL PUBLISHED DATE: APRIL 2, 2014QUOTES
Marv Gaye was a soul sger-songwrer wh Motown the 1960s and 1970s. He produced his own rerds and often addrsed ntroversial them. * ft marvin gaye *
(1939-1984)Who Was Marv Gaye? Marv Gaye sang his father's church and the Moonglows before signg wh Motown.
Gaye's later rerds veloped his productn style and yield several hs, cludg "Let's Get It On, " "Sexual Healg" and "I Heard Through the Grapeve. " Gaye was killed 1984 durg a domtic dispute wh his LifeSger Marv Pentz Gaye, Jr., also known as the "Prce of Soul, " was born Washgton, D. Gaye was raised unr the strict ntrol of his father, Reverend Marv Gay Sr.
MARV GAYE
* ft marvin gaye *
—Marv Gaye Jr. Throughout his childhood, Gaye often found peace mic, masterg the piano and dms at a young age. In the late 1950s, Gaye joed a vol group lled The New Moonglows.
It wasn't long before Gaye and Fuqua both me to the attentn of Detro mic imprar Berry Gordy Jr. And were signed to Gordy's legendary Motown RerdsGaye's first certified h unr his own name wouldn't e until 1962, but his early years at Motown were full of behd-the-scen succs. Showg his strip as Motown's renaissance man, Gaye went on to break to the Top 40 for the first time on his own 1962 wh his solo sgle "Hch Hike.
" Throughout the 1960s, Gaye would show his immense range, churng out solo dance hs and romantic duets wh h-makers like Diana Ross and Mary Wells. "Can I Get a Wns" and "I Heard Through the Grapeve" were some of Gaye's biggt hs of the perd, the latter achievg s place as Motown's bt-sellg sgle of the 1960s. For three high-flyg years, Gaye and Tammi Terrell wowed the untry wh their soarg duet performanc of songs like "A't No Mounta High Enough" and "If I Could Build My Whole World Around You.
MARV GAYE
Marv Gaye Lyrics: Let's Marv Gaye and get on / You got the healg that I want / Jt like they say the song / Until the dawn, let's Marv Gaye and get on / We got this kg-size to * ft marvin gaye *
Polil MsageIn 1970, spired by latg vlence and polil unrt over the Vietnam War, Gaye wrote the landmark song "What's Gog On.
Its succs prompted Gaye to take even more risks, both milly and polilly. When was released the sprg of 1971, the What's Gog On album served to open Gaye up to new dienc while matag his Motown followg.
MARV GAYE’S 30 TOP SONGS ON THE BILLBOARD HOT 100
Marv Gaye's top songs: His biggt hs on the Billboard Hot 100 chart. * ft marvin gaye *
Departg om the tried and te Motown formula, Gaye went out on his own artistilly, pavg the way for other Motown artists like Wonr and Michael Jackson to branch out later years. Crossover SuccsIn 1972, Gaye moved to Los Angel and soon met Janis Hunter, who would later bee his send wife.
"MARV GAYE" LYRICS
Charlie Puth "Marv Gaye": Let's Marv Gaye and get on You got the healg that I want Jt like they say the song Un... * ft marvin gaye *
Inspired part by his newfound pennce, Gaye rerd one of the most revered love anthems of all time, "Let's Get It On.
MARV GAYE (FEAT. MEGHAN TRAOR)
Charlie Puth - Marv Gaye (tradução) (Letra e músi para ouvir) - Let’s Marv Gaye and get on / You got the healg that I want / Jt like they say the song / Until the dawn, let’s Marv Gaye and get on" name="scriptn * ft marvin gaye *
Shortly afterwards, Motown phed Gaye to tourg to palize on his most recent succs; reluctantly the sger-songwrer returned to the stage. Through most of the mid-1970s, Gaye was tourg, llaboratg or producg.
MIC (FEAT. MARV GAYE)ERICK SERMON1 VIEWER1 CONTRIBUTORMIC (FEAT. MARV GAYE) LYRICSJT LIKE MIC..UH-HUH, AIYYO YO, UH-HUH YEAH YEAH, UH UH UHTHERE'S NO DOUBT, NO DOUBT, NO DOUBT, UHWORRDD UP..AHHH BABYYY..JT LIKE MIC..TO RELAX MY MD, SO I N BE EEAND AB-SORB SOUND THAT KEEP ME 'ROUNDDO MY THANG, NSTANTLY WH NO WORRIPEACE TO KEH MURRAY.. ("JT LIKE MIC")TO KEEP ME FLOW AND KEEP ME GOAND KEEP ME GROW, AND KEEP ME THE E OM KNOWWHAT HAPPENS OUT THERE, IS NOT MY NCERNYOU WANNA DIE 'S NOT MY TURN ("JT LIKE MIC")TO DO SOMETH TO ME LIKE JUMP THE MERCESON THE HIGHWAY, DO OVER EIGHTYWHOUT MIC BABY.. ("OWW! I'LL GO CRAZY.. JT LIKE MIC")MAKE ME LL MY HOMEY ON THE PHONELIKE THERE'S SOMETH NEW OUT, THAT GOT ME THE ZONEJT THAT FEEL, GOT MEI WISH MIC N ADOPT ME ("JT LIKE MIC")(CHOS: MARV GAYE)TURN ON SOME MIC, I GOT MY MICTURN ON SOME MIC, I GOT MY MICTURN ON SOME MIC, I GOT MY MICTURN ON SOME MIC, I GOT MY MIC - JT LIKE MICYOU MIGHT ALSO LIKEPUT ME THE MOOD WH MY WOMANGOT ME THE EAR, SAY SWEET NOTHGSMAKE LOVE E OUT THE MOUTH, NO ONTLIKE ALL OF A SUDN, ("JT LIKE MIC")TAK AWAY YOUR WORRI AND RANY PROBLEMS, MIC'LL BE RIGHT THERETOGETHER MATCH YO, WE A PERFECT PAIRIS THAT TE MARV? ("YEAHHHHH! MIC")YO, TO GET YOU TO BANG THISBODY SOUL-SNATCHER, UNIVERSAL LANGUAGEIT BE THE LIGHT, SO OPEN UPTHIS IS , WHAT THE FUCK? ("JT LIKE MIC")ONE FLY TUNETHAT HAVE BLACK AND WHE VIBE ONE ROOMNO NONTATN, PARLAY ALL NIGHTIT'S JT THE SENSATN ("JT LIKE MIC")(CHOS)(MARV GAYE)MIC IS THE SOUL OF THE MANMIC MAK A, HAPPY DAYMIC MAK A, CLOUD FLOW BY BABYYOUR MIC IS MY TEARS -SI MY EY (JT LIKE MIC)YOUR MIC MAK ME WANT TO SGGIRL MIC, IS A JOY TO BRG (JT LIKE MIC)MIC IS MY HEART AND SOUL, MORE PREC THAN GOLD(TURN ON SOME MIC, I GOT MY MIC)HAPPS FOR DAYS, JTICE ALL THE WAY(TURN ON SOME MIC, I GOT MY MIC)I LOVE YOUR MIC BABY (I GOT MY MIC)(TURN ON SOME MIC, I GOT MY MIC - JT LIKE MIC)HEY (LA-DA-DA-DA-DAAAA-DAH-DAH-DAHH) DOO-DOO, DOO-DOO-DOOTURN ON SOME MIC (LA-DA-DA-DA-DAAAA) TURN ON SOME MICJT LIKE MIC (LA-DA-DA-DA-DAAAA-DAH-DAH-DAHH) DOO-DOO, DOO-DOO-DOOTURN ON SOME MIC (LA-DA-DA-DA-DAAAA) TURN ON SOME MICJT LIKE MIC (LA-DA-DA-DA-DAAAA-DAH-DAH-DAHH) DOO-DOO, DOO-DOO-DOOTURN ON SOME MIC (LA-DA-DA-DA-DAAAA) TURN ON SOME MICJT LIKE MIC..{*FAS OUT*}EMBEDCANCELHOW TO FORMAT LYRICS:TYPE OUT ALL LYRICS, EVEN REPEATG SONG PARTS LIKE THE CHOSLYRICS SHOULD BE BROKEN DOWN TO DIVIDUAL LUSE SECTN HEARS ABOVE DIFFERENT SONG PARTS LIKE [VERSE], [CHOS], ETC.USE ALICS (<I>LYRIC</I>) AND BOLD (<B>LYRIC</B>) TO DISTGUISH BETWEEN DIFFERENT VOLISTS THE SAME SONG PARTIF YOU DON’T UNRSTAND A LYRIC, E [?]TO LEARN MORE, CHECK OUT OUR TRANSCRIPTN GUI OR VIS OUR TRANSCRIBERS FOMABOUT
In 2013, Gaye's tate asserted that producer/songwrer Pharrell Williams and sger/songwrer Rob Thicke had mted pyright gement by takg major mil elements om the dis track for the mega-h "Blurred L. " After a se which Thicke ttified that he'd had ltle to do wh the wrg of the song, the jury led favor of Gaye's fay, who were award $7.
MICERICK SERMONTRACK 4 ON MIC FEATURGMARV GAYEPRODUCED BYERICK SERMONORIGALLY OM “WHAT’S THE WORST THAT COULD HAPPEN?” SOUNDTRACKJUN. 12, 20011 VIEWER27.2K VIEWS24 CONTRIBUTORSMIC LYRICS[INTRO: ERICK SERMON & MARV GAYE]JT LIKE MIC..UH-HUH, AYY YOYO, UH-HUH YEAH YEAH, UH UH UHTHERE'S NO DOUBT, NO DOUBT, NO DOUBT, UHWORRDD UP...AHHH BABYYY...JT LIKE MIC...[VERSE 1: ERICK SERMON & MARV GAYE]TO RELAX MY MD, SO I N BE EEAND AB-SORB SOUND THAT KEEP ME 'ROUNDDO MY THANG, NSTANTLY WH NO WORRIPEACE TO KEH MURRAY.. ("JT LIKE MIC")TO KEEP ME FLOW AND KEEP ME GOAND KEEP ME GROW, AND KEEP ME THE E OM KNOWWHAT HAPPENS OUT THERE, IS NOT MY NCERNYOU WANNA DIE 'S NOT MY TURN ("JT LIKE MIC")TO DO SOMETH' TO ME LIKE JUMP THE MERCESON THE HIGHWAY, DO' OVER EIGHTYWHOUT MIC BABY.. ("OWW! I'LL GO CRAZY.. JT LIKE MIC")MAKE ME LL MY HOMEY ON THE PHONELIKE THERE'S SOMETH' NEW OUT, THAT GOT ME THE ZONEJT THAT FEEL, GOT MEI WISH MIC N ADOPT ME ("JT LIKE MIC")[CHOS: MARV GAYE]TURN ON SOME MIC, I GOT MY MICTURN ON SOME MIC, I GOT MY MICTURN ON SOME MIC, I GOT MY MICTURN ON SOME MIC, I GOT MY MIC - JT LIKE MICYOU MIGHT ALSO LIKE[VERSE 2: ERICK SERMON & MARV GAYE]PUT ME THE MOOD WH MY WOMANGOT ME THE EAR, SAY SWEET NOTHGSMAKE LOVE E OUT THE MOUTH, NO ONTLIKE ALL OF A SUDN, ("JT LIKE MIC")TAK AWAY YOUR WORRI AND RANY PROBLEMS, MIC'LL BE RIGHT THERETOGETHER MATCH YO, WE A PERFECT PAIRIS THAT TE MARV? ("YEAHHHHH! MIC")YO, TO GET YOU TO BANG THISBODY SOUL-SNATCHER, UNIVERSAL LANGUAGEIT BE THE LIGHT, SO OPEN UPTHIS IS , WHAT THE FUCK? ("JT LIKE MIC")ONE FLY TUNETHAT HAVE BLACK AND WHE VIBE ONE ROOMNO NONTATN, PARLAY ALL NIGHTIT'S JT THE SENSATN ("JT LIKE MIC")[CHOS: MARV GAYE]TURN ON SOME MIC, I GOT MY MICTURN ON SOME MIC, I GOT MY MICTURN ON SOME MIC, I GOT MY MICTURN ON SOME MIC, I GOT MY MIC - JT LIKE MIC[VERSE 3: MARV GAYE]MIC IS THE SOUL OF THE MANMIC MAK A HAPPY DAYMIC MAK THE CLOUDS ROLL BY BABYYOUR MIC IS MY TEARS SI MY EY (JT LIKE MIC)YOUR MIC MAK ME WANT TO SGGIRL, MIC IS A JOY TO BRG (JT LIKE MIC)MIC IS MY HEART AND SOUL, MORE PREC THAN GOLD(TURN ON SOME MIC, I GOT MY MIC)HAPPS TODAY IS JT A SONG AWAY, JT A SONG(TURN ON SOME MIC, I GOT MY MIC)I LOVE YOUR MIC BABY (I GOT MY MIC)I DON'T WORRY 'BOUT A THG(TURN ON SOME MIC, I GOT MY MIC - JT LIKE MIC)[OUTRO: MARV GAYE]HEY (LA-DA-DA-DA-DAAAA-DAH-DAH-DAHH) DOO-DOO, DOO-DOO-DOOTURN ON SOME MIC (LA-DA-DA-DA-DAAAA) TURN ON SOME MICJT LIKE MIC (LA-DA-DA-DA-DAAAA-DAH-DAH-DAHH) DOO-DOO, DOO-DOO-DOO7EMBEDCANCELHOW TO FORMAT LYRICS:TYPE OUT ALL LYRICS, EVEN REPEATG SONG PARTS LIKE THE CHOSLYRICS SHOULD BE BROKEN DOWN TO DIVIDUAL LUSE SECTN HEARS ABOVE DIFFERENT SONG PARTS LIKE [VERSE], [CHOS], ETC.USE ALICS (<I>LYRIC</I>) AND BOLD (<B>LYRIC</B>) TO DISTGUISH BETWEEN DIFFERENT VOLISTS THE SAME SONG PARTIF YOU DON’T UNRSTAND A LYRIC, E [?]TO LEARN MORE, CHECK OUT OUR TRANSCRIPTN GUI OR VIS OUR TRANSCRIBERS FOMABOUTGENI ANNOTATN1 NTRIBUTORORIGALLY OM “WHAT’S THE WORST THAT COULD HAPPEN?” SOUNDTRACKEXPAND +41SHAREASK A QUTN ABOUT THIS SONGASK A QUTN *WHO PRODUCED “MIC” BY ERICK SERMON?WHEN DID ERICK SERMON RELEASE “MIC”?WHO WROTE “MIC” BY ERICK SERMON?MIC (2001)ERICK SERMON1. RAPTURE2. IT’S NUTT’3. COME TH4. MIC5. SK I6. NOW WHUT’S UP7. I’M THAT NIGGA8. GENI E DUB9. SK II (MISSG LYRICS)10. A’T NO FUTURE... 200111. DO-RE-MI12. I’M HOT13. UP THEM THANGS14. THE SERMON15. SK III (MISSG LYRICS)16. MIC (REMIX)EXPAND CREDSFEATURGMARV GAYEPRODUCED BYERICK SERMONWRTEN BYERICK SERMON & MARV GAYEINSTMENTATNERICK SERMONRERDG ENGEERERICK SERMON & MARC BERTOMIXG ENGEERERICK SERMON & TOMMY UZZOMASTERG ENGEERJOSEPH M. PALMACCLABELJ RERDSCOPYRIGHT ©J RERDSPHONOGRAPHIC COPYRIGHT ℗J RERDSPUBLISHERERICK SERMON ENTERPRIS, MG III MIC, NMG MIC, FCG MIC, EMI APRIL MIC, EMI MIC PUBLISHG & ZOMBA MIC PUBLISHGPERFORMANCE RIGHTSASCAPMIXED ATMIRROR IMAGERERD ATL.I.T.E. RERDG STUDS (LONG ISLAND, NY)RELEASE DATEJUNE 12, 2001MIC SAMPLI’VE GOT MY MIC (ORIGAL VOL VERSN OF “TURN ON SOME MIC”) BY MARV GAYE & TURN ON SOME MIC BY MARV GAYEMIC REMIXMIC (REMIX) BY ERICK SERMON (FT. DEF SQUAD, KEH MURRAY, MARV GAYE & REDMAN)VIEW MIC SAMPLTAGSR&BRAPG-FUNKUNRGROUND RAPSOUNDTRACKHIP-HOPEAST COASTEXPAND COMMENTSADD A MENTSIGN UP AND DROP KNOWLEDGE ?GENI IS THE ULTIMATE SOURCE OF MIC KNOWLEDGE, CREATED BY SCHOLARS LIKE YOU WHO SHARE FACTS AND SIGHT ABOUT THE SONGS AND ARTISTS THEY LOVE.SIGN UPGENI IS THE WORLD’S BIGGT LLECTN OF SONG LYRICS AND MIL KNOWLEDGE
) After two s at Motown, Gaye signed wh CBS's Columbia Rerds 1982 and began to work on his last album, Midnight Love. Personal LifeIn 1975, Gaye's wife Anna Gordy—Berry Gordy's sister—filed for divorce, and two years later Gaye married Hunter, who had by then given birth to their dghter, Nona (born September 4, 1974) and their son Frankie (born November 16, 1975). Gaye also had an adopted son (Marv Pentz Gaye III) om his prev marriage.
The sger's marriage to Hunter proved short lived and tumultuo, endg divorce and LegacyDpe his succsful eback the early 1980s, Gaye stggled badly wh the substance abe and bouts of prsn that had plagued him for most of his life. On April 1, 1984, Marv Gaye Sr. Three years after his ath, Gaye was ducted to the Rock and Roll Hall of Fame.
Creatg betiful art om a troubled life, Gaye aga and aga brought his visn, range and artistry to the world stage.