Gays Shouldn’t Wear Loggers | BHD's Mgs

Contents:

• GAYS SHOULDN’T WEAR LOGGERS
• GAY HUNTER FDS PATH AND POWER SELF-ACCEPTANCE
• CAMOUFLAGE MEN: GAY MILARY
• KEV MAXEN BE FIRST MALE ACH A US MEN’S PROFSNAL SPORTS LEAGUE TO PUBLICLY E OUT AS GAY

GAYS SHOULDN’T WEAR LOGGERS

But when one particular look cropped up the post-Stonewall gay scene of the 1970s, was so popular—and so distct—that the guys who sported were dismissed as “clon. )And while the nickname was ially pejorative, the clone perd marked perhaps the first time that gay men prented themselv wh a queer-signalg uniform that was a direct rponse to societal stereotyp.

“The clone was a reactn to thgs you would see movi of gay men beg flty and nelly, ” says John Calendo, a wrer who lived LA and New York Cy throughout the 70s and 80s, and worked as an edor at the clone-cubatg sk mags Blueboy and In Touch for Men.

He pots to the gay mstrel stereotyp the 1967 film The Producers, along wh the timid-lookg guys on the illtrated vers of gay pulp books wh nam like All the Sad Young Men. ”) “That’s the kd of imagery”—backwards stereotyp that basilly villaized queer people—“that a lot of my generatn who beme the clone people grew up wh the ccible of the 60s, ” Calendo ntu, when the civil rights and gay liberatn movements were expandg ias of equaly and eedom. Drsg like a clone, he says, was a rejectn of those olr gay ’s not so easy to ppot precisely who origated the clone ial, guys who were alive at the time ually brg up Al Parker, an adult film star turned producer and director who worked om the 70s to the early 90s.

GAY HUNTER FDS PATH AND POWER SELF-ACCEPTANCE

(Parker would eventually bee an advote for gay rights and safe sex, producg only safe-sex films before he passed away om plitns due to AIDS 1992.

CAMOUFLAGE MEN: GAY MILARY

It was like, Oh that’s somethg wh a ltle work I uld atta, and I thk that’s why beme so quickly absorbed to the gay muny.

KEV MAXEN BE FIRST MALE ACH A US MEN’S PROFSNAL SPORTS LEAGUE TO PUBLICLY E OUT AS GAY

“When I thk back on havg lived through the time, was like gay guys were pg om this stereotype that was jt culted to the culture of sissi and faggots, ” says Woodff.

“The clone look was certaly about a whe gay man’s rponse and engagement wh those archetyp, ” says Ben Barry, the an of the school of fashn at the New School’s Parsons School of Dign, whose rearch foc on fashn’s relatnship to masculy, sexualy, and the body. ”)Prentg as mascule public was physilly safer for gay guys, but the clone stume pulled double duty, Barry says, tweakg tradnal masculy while also signalg to other queer folks. “There’s this munal thg happeng right now where people are more open that they’re trans and non-bary or bisexual and not jt on the spectm of beg straight, gay, male, female.

Over 1, 000 gay Jews and bagel-chasers me out to celebrate the third night of Hankah at Hebro's annual Christmas Eve Jewbilee. It is thought that the wearg of bandanas by gay men origated  San Francis after the Gold Rh, when, bee of a shortage of women, men dancg wh each other  square danc veloped a where the man wearg the blue bandana took the male part the square dance, and the man wearg the red bandana took the female part (the bandanas were ually worn around the arm or hangg om the belt or the back pocket of one’s jeans). This is where I heard a classic piece of bullsh fly out of my mouth on why all the gay men around were wearg mo rgo shorts.

It was bee they knew that gay men should never wear fanny packs but, need extra pockets for their water bottl and ty bags of K.

This curriculum was created as an acpaniment to The Camouflage Closet, a short documentary film about trma and revery among ne Lbian, Gay, Bisexual and Transgenr (LGBT) Veterans.

At this time, The Camouflage Closet has screened at a variety of venu cludg the Natnal Queer Arts Ftival, the San Francis Veterans Film Ftival, the Department of Veterans Affairs, Stanford Universy, and the Gay and Lbian Medil Associatn (GLMA). Vcent Keh of MASCULAR Stud and Oliver Zke of Photomolekuel are pleased to announce the lnch of A Portra Isolatn, a project explorg emotnal and physil space the end of March 2020, as the COVID-19 global panmic grew spe and impact, gay men around the world were asked to subm self portras that reflected their experience of the ronavis lock-down. Livg liv which are often agmented between nventnal work ndns and their private liv leav many gay men whout the tradnal support mechanisms of heterosexuals and this shows through the separated by geography, culture and age, the men the imag all share fears for the future, lonels, job secury, and separatn.