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fill="black"></path><path class="in-bookmark-stroke" d="M23 3H20V0H19V3H16V4H19V7H20V4H23V3Z" fill="black"></path></svg></div></a></li></ul></div></div></div><div class="GridItem-buujkM eHLzLy grid--em"><div class="SplScreenContentHearLeadWrapper-jYfGAC kBeEbL"><div data-ttid="ContentHearLeadAsset" class="SplScreenContentHearLeBlock-nUOA cwQiEB"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset SplScreenContentHearLe-bGywFh gyNssY"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SplScreenContentHearLe-bGywFh gyNssY rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w, 960w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w, 1920w, 2240w" siz="100vw"/><img alt="The Chicks" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></span></div></div></div></div><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0 SplScreenContentHearGrid-kFpOdh fLkIyA"><div 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viewBox="0 0 24 24" fill="none" xmlns="><tle>Save this story</tle><path class="in-bookmark-fill" d="M20 23.9508L12.5 19.7312L5 23.9508V2.95081H14V3.93211H6V22.1845L12.5 18.5536L19 22.1845V8.83866H20V23.9508Z"></path><path class="in-bookmark-fill" d="M23 3H20V0H19V3H16V4H19V7H20V4H23V3Z"></path></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd bkefvo gkccfO">Save this story</span></button></div><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh kAEsuD viewport-monor-anchor"><button id="bookmark" aria-label="Save this story" class="ActnBarButton-dyFOZU cjjxgx bookmark mobile"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Save this story</tle><path class="in-bookmark-fill" d="M20 23.9508L12.5 19.7312L5 23.9508V2.95081H14V3.93211H6V22.1845L12.5 18.5536L19 22.1845V8.83866H20V23.9508Z"></path><path class="in-bookmark-fill" d="M23 3H20V0H19V3H16V4H19V7H20V4H23V3Z"></path></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd bkefvo gkccfO">Save this story</span></button></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ArticlePageChunksContent-etcMtP bwyLBj"><div data-ttid="ArticlePageChunks" class="ArticlePageChunks-fLyCVG Uozmo"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bDyAMU body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="has-dropp has-dropp__lead-standard-headg">In late June, the Dixie Chicks dropped the word “Dixie” om s name. The band’s statement was brief and elegant: “We want to meet this moment.” The Dixie Chicks were found Texas, 1989. Back then, the band was a four-piece. (The sisters Martie and Ey Erw, now Martie Maguire and Ey Strayer, are the remag origal members; sce 1995, the band has been onted by the sger and guarist Natalie Ma.) They wore prairie skirts and ged blo, and played a mixture of bluegrass and tradnal untry—wgirls wh chops. The band’s name was a riff on “Dixie Chicken,” a 1973 album by the choogl’ rock band Ltle Feat. Siftg through early prs verage of the group, I uldn’t fd a sgle cric who thought the name was repugnant.</p><p class="paywall">Yet, among historians, there is ltle ambiguy about what the word “Dixie” munit. Its e as a dotg nickname for the Conferacy was popularized by “I Wish I Was Dixie’s Land,” a mstrel song published 1860 and ually performed blackface. The song is creded to Daniel Detur Emmett, a whe man om Knox County, Oh, though the scholars Howard and Judh Sacks have suggted that Emmett stole the tune om the Snowns, a fay of eed slav who performed and farmed around Emmett’s home town.</p><p class="paywall">“Dixie songs”—which typilly exprsed nostalgia for the antebellum South—ntued to appear throughout the first s of the twentieth century. “They were que popular. Irvg Berl even wrote one,” Karen L. Cox, a profsor of history at the Universy of North Carola at Charlotte and the thor of “Dreamg of Dixie: How the South Was Created Amerin Popular Culture,” told me recently. She do not fd the word to be merely scriptive: “As a scholar of the South, I regard ‘Dixie’ as a term that not only refers to the stat of the former Conferacy but is synonymo wh segregatn.” Cox ced the Dixiecrats, the group formed 1948, by Strom Thurmond and other Southern Democrats who seced om the Democratic Party bee they disagreed wh s support of civil rights. “The ronanc are part of what the Dixie Chicks selected when they selected the name, whether they tend to or not,” Gregory Downs, a profsor of history at the Universy of California at Davis, said. “It’s important that they—and everyone who received that msage of whe Southern pri—thk about what they took on.”</p><p class="paywall">Wh morn untry mic, trop that addrs a kd of vigilante Southern swagger—an sistence on both the rebellns and the ep moral pury of the Southern stat—rema wildly popular, even rooted as they are racial vlence. Yet untry mic self ow an lculable bt to the Black strg bands and players—the Mississippi Sheiks, G Cannon, Frank Patterson, and Nathan Frazier, among others—who predated the proliferatn of the phonograph. (There are several pilatns of the few Black strg bands that did rerd; two exceptnal on are “Altamont: Black Strgband Mic om the Library of Congrs” and “Black Banjo Songsters of North Carola and Virgia.”) Early labels liberately sold untry and hillbilly 78s to whe ctomers, and blu and jazz 78s (or “race rerds”) to Black ctomers, thereby enforcg a racial fissure along genre l.</p><p class="paywall">For the scendants of people subjugated unr slavery, neher tentn nor ignorance now feels like a reasonable fense of the trop. Yet whe history is equently marked by a kd of hered bldns. In “Southern Accents,” published last year, Michael Washburn dissects how, 1985, Tom Petty—a Floridian—ed Conferate inography to promote a ncept album about the South. Washburn suggts that ias of Southern herage are equently and purposefully divorced om the historil rerd. “We her, rtate, sometim re-scribe the notns, and then reprent the ias to the world,” Washburn wr. “If we ph hard enough on jt about any part of our life, we plunge through the surface to a history that’s unknown to even as stctur much of how we live.”</p><p class="paywall">Is possible to love a place and to also disclaim s history? Do the place beg to disappear when s foundatnal myths are challenged? Washburn jokgly scrib Flkner’s oft-quoted le about the nature of time—“The past is never ad, ’s not even past”—as “the first Southern-history meme.”</p><p class="has-dropp has-dropp__lead-standard-headg paywall">The Chicks have been at the center of ntroversy before. In 2003, ne days before the Amerin vasn of Iraq, the band performed London. As Ma troduced the sgle “Travel’ Soldier,” she told the crowd that she was ashamed that the Print of the Uned Stat was om Texas. When the backlash me, was precipate, tastrophic, and unrelentg. The Chicks had recently bee the only female band any genre to have released two nsecutive diamond-certified albums, signifyg sal of ten ln pi or more. In our era of anemic chart numbers and agmented attentn, ’s difficult to reckon wh sal of that magnu. There was a lot to lose.</p><p class="paywall">Fans piled CDs trash ns and set them ablaze. Country rad—which was then operated large part by the media nglomerate Clear Channel—blacklisted the Chicks’ mic. “The are llow, foolish women who serve to be slapped around,” Bill O’Reilly said on Fox News. Ma received one ath threat so credible that the F.B.I. remend that the band ncel a show Dallas. (It didn’t.)</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p class="paywall">What happened to the Chicks 2003 n be unrstood now as a foretellg of so-lled ncel culture, which ntroversial or problematic behavr triggers mass disgt and renunciatn. The Chicks endured the onslght wh relative poise. In 2005, the band started wrg “Takg the Long Way,” s seventh stud album, wh the producer Rick Rub. It’s an angry, reflective rerd. At the 2007 Grammys, the Chicks won five awards, cludg Album of the Year, Rerd of the Year, and Song of the Year. Then the band went on hiat.</p><div class="Contaer-bkChBi byNLHx"></div><p class="paywall">Fourteen years later, the Chicks have a new album, “Gaslighter.” (Its release was layed bee of the ronavis panmic, and some physil pi of the rerd feature the band’s former name, bright-yellow letters.) “Gaslighter” is brasher and more pop-oriented than anythg the band has done before. Part of this shift feels germane to our era—the ia of genre, as appli to ntemporary mic, is growg ls and ls relevant—but also feels like a fal repudiatn of untry mic, and of a muny that mostly failed to support or to unrstand one of s biggt acts.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-1 viewport-monor-anchor"></div><p class="paywall">Gaslightg is a kd of emotnal manipulatn which a bad actor vehemently sists on the veracy of some plaly unte claim, thereby g the victim to doubt realy and, eventually, her own nnectn to . It’s not a stretch to nsir the longtime amg of the word “Dixie” (or any other paean to a South that was reliant on slav) as a type of gaslightg. Amerins have long been told that the reprentatns of the South suggted one thg—some vague ia of regnal herage—when, fact, they have always meant somethg else entirely.</p><p class="paywall">In 2019, Ma divorced the actor Adrian Pasdar, and “Gaslighter,” much like “Takg the Long Way,” is a spirual exorcism of sorts. Ma is at her bt when she’s harnsg the righteons acrd the hly wronged, and she sgs wh the vigor and the specificy of a woman who has no one left to please. Perhaps this is what velops on the other si of a grievo public shamg—fearlsns the face of llapse.</p><p class="paywall">This anger and self-posssn make “Gaslighter” a thrill and a light. “Boy I know exactly what you did on my boat!” Ma sgs on the tle track, a seethg dictment of a failed romance. “I know I’m not crazy, that’s you / Gaslightg / You’re a lie-lie-lie-liar!” The song was -produced by Jack Antonoff, now the flt llaborator for A‑list pop stars, and ’s punchy and lh, buoyed by a rich, three-part vol harmony. Ma’s boat is the album’s Chekhovian gun, reappearg later on. “You n tell the girl who left her tights on my boat that she n have you now,” she sgs on “Tights on My Boat.”</p><p class="paywall">Of urse, beneath every bout of unfettered rage is a badly broken heart, and Ma don’t always excise the ache om her voice. Her lyrics are both the heart and the pot of “Gaslighter.” At tim, her vol phrasg remds me of that of Taylor Swift, another untry-gone-pop superstar who tras ank nfsns and retaliatory chos. A le like “I hope that when you thk of me, you n’t breathe,” om “Tights on My Boat,” feels pecially Swiftian s exactu and ferocy. (The Chicks ma an appearance on “Lover,” Swift’s latt rerd, and Ma seems to have cleared a path, or at least provid a powerful pot of spiratn, for Swift’s recent polil awakeng.)</p><p class="paywall">Elsewhere, Ma’s vrl is ls tobgraphil. “Li are tth and tth is fictn,” she sgs on “March March,” a thumpg, echo-lan o to prott. In an early verse, she referenc the activist Emma González, a survivor of the Marjory Stoneman Douglas High School shootg:</p><blockquote class="BlockquoteEmbedWrapper-sc-SdiGL jPeLne paywall blockquote-embed"><div class="BlockquoteEmbedContent-RbGs gmbtPx blockquote-embed__ntent"><p>Standg wh Emma and our sons and dghters<br/>Watch’ our youth have to solve our problems<br/>I’ll follow them so who’s ’ wh me</p></div></blockquote><p class="paywall">The vio, released late June, featur footage of protts om the past several s. As the song’s stmentatn—banjo, sli guar, fiddle—reach a spare but enzied climax, the vio lists the nam of people of lor who were murred by law enforcement, endg wh Emmett Till.</p><p class="paywall">Lately, I’ve ught myself referrg to a lot of new releas as prcient—work that was wrten and rerd months or even years ago but feels signed to addrs the prent moment. But good art is always prcient, bee good artists are tuned to the currency and the momentum of their time. The Chicks are particularly well posned to see what’s g for Ameri right now—how the past two centuri have livered to this exact moment, and how we should rise to receive . ♦</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><asi class="PersistentAsiWrapper-VGrR daRVRt persistent-asi" style="posn:absolute;top:to;height:to" data-ttid="PersistentAsiWrapper"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box ArticlePageSplAdRail-OyjwD jikppc"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="ArticlePageSplAdRailContent-jsltpq iZDmmY spl-ad-rail-ntent"><div class="ArticlePageSplAdRailTop-jUrrVY jzzFg"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="3d3rn"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un 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“<a href=">Do Not Sell at Any Price: The Wild, Obssive Hunt for the World’s Rart 78rpm Rerds</a>.”</div><div class="ContributorBFooter-brqDlv ezUmSv"></div></div></div></div></div></div></div><div data-ttid="RowWrapper" class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div data-ttid="TagCloudWrapper" class="TagCloudWrapper-gGgndx ctyZyK ContentFooterTagCloud-krQmRG ZLGh"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudSectnHear-cOforY iUEiRd bPyAoD kQQRmu">More:</span><a href="/tag/untry-mic" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Country Mic</span></a><a href="/tag/pop-mic" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span 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summary-em__bric summary-em__seri-lk"><a class="RubricLk-gRWSOU fgWnkQ bric__lk" href="/vio/seri/the-new-yorker-documentary"><span class="RubricName-fVtemz cLxcNi">The New Yorker Documentary</span></a></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-1" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">The Vtage Shop that Captured the New York Cy Spir</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-1" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 720w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 480w" siz="100vw"/><img alt="The Vtage Shop that Captured the New York Cy Spir" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k summary-em__k--isCneVio">Sellg a flashy mix of vtage and uture, Allan & Suzi's shop was a statn for signers, club kids, and fashn eaks a cy that was always changg around .</div></div></div><div class="SummaryItemWrapper-iwvBff hlYhBH summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm fvDIAb" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Ey Nsbm on Country Mic’s Culture Wars" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">The Polil Scene Podst</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-2" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">Ey Nsbm on Country Mic’s Culture Wars</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Ey Nsbm on Country Mic’s Culture Wars" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">The staff wrer talks wh David Remnick and the sger Aem the Artist about the creasgly polarized polics of Nashville.</div></div></div><div class="SummaryItemWrapper-iwvBff hlYhBH summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm fvDIAb" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Disciplg Power of Disappotment" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Unr Review</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">The Disciplg Power of Disappotment</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Disciplg Power of Disappotment" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">In a new book, Sara Marc argu that Amerin polics are fed by unfulfilled sire.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Keeanga-Yamahtta Taylor</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hlYhBH summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm fvDIAb" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Noname’s Ambivalent, Triumphant Comeback" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Persons of Intert</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-4" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">Noname’s Ambivalent, Triumphant Comeback</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Noname’s Ambivalent, Triumphant Comeback" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">Years ago, she gave up mic for activism. Now she’s back, wh a long-awaed third album.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Kelefa Sanneh</span></span></p></div></div></div></div></div></div><div class="AdWrapper-dQtivb fZrssQ SummaryCollectnGridSummaryItem-WColm fvDIAb ad ad--read-more"><div class="ad__slot ad__slot--read-more" data-no-id="4rxyl"></div></div></div><div class="SummaryCollectnGridToActnWrapper-gnReGN eGayfk"></div></div></div></div></div></div><div data-ttid="RowWrapper" 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dixie chicks gay

Former Dixie Chicks star, Natalie Ma, has spoken out about about her polil beliefs, sayg that she is "pro-gay everythg", and that she nsirs herself to be progrsive.

Contents:

THE DIXIE CHICKS' NATALIE MA IS TOTALLY GAY FOR RACHEL MADDOWBY DAN AVERYMAY 15, 2013/7:29 AMBY DAN AVERYMAY 15, 2013 / 7:29 AM{"@NTEXT":","@TYPE":"NEWSARTICLE","HEADLE":"THE DIXIE CHICKS' NATALIE MA IS TOTALLY GAY FOR RACHEL MADDOW","DATEPUBLISHED":"2013-05-15T11:29:41.000+0000","DATEMODIFIED":"2013-05-15T11:29:41.000+0000","IMAGE":{"@NTEXT":","@TYPE":"IMAGEOBJECT","WIDTH":1920,"HEIGHT":1080},"URL":","THOR":{"@TYPE":"ORGANIZATN","NAME":"LOGO TV"},"MAENTYOFPAGE":{"@TYPE":"WEBPAGE","@ID":"},"PUBLISHER":{"@TYPE":"ORGANIZATN","@ID":","NAME":"LOGO TV","URL":","LOGO":{"@TYPE":"IMAGEOBJECT"}},"CREATOR":"DAN AVERY"}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}HAS THE DIXIE CHICKS' NATALIE MA EVER DGED YOUR GAYDAR? WELL, LOOKS LIKE YOU'RE NOT ENTIRELY OFF BASE: THE SGER TOLD PRISOURCE SHE WOULD SWCH TEAMS FOR RACHEL MADDOW. "SHE WOULD BE MY LBIAN GIRL CSH," SHE REVEALED. "SHE'S HOT! AND SHE'S SMART AND BETIFUL ... AND I LIKE HER HAIR."{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}MA JOK THEY'D BE GREAT TOGETHER BUT "I DON'T KNOW IF MY HBAND OR HER GIRLIEND WOULD THK SO."{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE 38-YEAR-OLD SGER, WHO IS PROMOTG HER BUT SOLO ALBUM, MOTHER, TOLD USA TODAY LAST WEEK THAT ""I'M PRO-GAY MARRIAGE. PRO-GAY EVERYTHG."{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AND WE'RE PRO-NATALIE {BOX-SIZG:BORR-BOX;CLEAR:BOTH;}{BOX-SIZG:BORR-BOX;MARG:0 TO;WIDTH:90%;M-WIDTH:288PX;MAX-WIDTH:1440PX;M-HEIGHT:194PX;}LATT NEWS

In our recent chat, Ma revealed why she went rock (untry “seemed so fake”), how beg disowned–and her new short hair – ma her feel closer to the gay muny and whether now, a after her Bh outburst, she’s ready to make nice.

You’ve always had a really loyal gay fan base, even before you publicly chastised Gee W. How do you expla your nnectn wh gay fans?

We had some very stume-y, over-the-top looks that the gays do appreciate. Were you noticg more support om the gay muny at shows after the cint?

NATALIE MA: THE GAY TERVIEW

When hardly anyone untry mic was speakg out about equal rights and gay marriage, you were.

DIXIE CHICKS SGER NATALIE MA: ‘I’M PRO-GAY MARRIAGE. I’M PRO-GAY EVERYTHG’

(Lghs) But we did always answer qutns if we were asked them, and I always supported women’s rights and gay marriage and everythg.

THE VOICE OF CHICAGO'S GAY, LESBIAN, BI, TRANS AND QUEER COMMUNITY SINCE 1985

I have to thk that Fah Hill has answered that qutn, hontly, and that she’s for gay marriage. Their stggle hasn’t been all that dissiar to what many of as women, gays, and transgenr folks have experienced.

Durg our Zoom ssn, Ma discsed the post-ntroversy era of their reer as the moment she noticed a major show of support om the LGBTQ muny, the queer creators who nurtured the new album’s vibe, and the gays she’d party wh on her boat. ” Tell me what led you down that road – a road so many gay men themselv have gone down.

One of the thgs he said was, “Have more om gay Pri march. But growg up Lubbock, Texas, I n thk of people that I knew who were probably gay, but they weren’t out yet. – but back the ’90s high school, I n’t even thk of somebody who was out-there gay.

CHICKS DIG GAY GUYS

You know, I’ve asked some of our gay fans, “What is that has drawn gay people to ? Before that, what my iends have told me was what gay fans liked was the over-the-top sort of Spice Girls fashn.

” But I thk I’m more of a gay guy on the si.

For a straight woman who prents as a gay man? Gay Twter is obssed wh your boat, referenced on “Gaslighter” and then, of urse, “Tights on My Boat.

*BEAR-MAGAZINE.COM* DIXIE CHICKS GAY

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grid-full-bleed grid-no-gap SplScreenContentHearMa-fNigKG daohZh"><div class="GridItem-buujkM eHLzLy grid--em"><div class="SplScreenContentHearTleBlock-sCMXE jActCi"><div data-ttid="ContentHearRubric"><div class="RubricWrapper-dKmCNX dZhWBL bric SplScreenContentHearRubric-cLHEJQ ildzkT"><a class="RubricLk-gRWSOU fgWnkQ bric__lk" href="/magaze/pop-mic"><span class="RubricName-fVtemz cLxcNi">Pop Mic</span></a></div></div><h1 data-ttid="ContentHearHed" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SplScreenContentHearHed-lcUSuI iUEiRd NbxED dfelga">Why the Chicks Dropped Their “Dixie”</h1><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SplScreenContentHearDek-emptdL iUEiRd wOnsu dJrDEb">The all-female untry band, which survived an stance of proto-ncel culture for s polics the past, aga wants to meet the current moment.</div><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl SplScreenContentHearByle-kvEhqE ejWxsm"><p class="ByleWrapper-jWHrLH ivtvgj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span><a class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM ByleLk-gEnFiw iUEiRd ggMZaT cXqSTL eErqIx byle__name-lk button" href="/ntributors/amanda-petsich">Amanda Petsich</a></span></span></p></div><time data-ttid="ContentHearPublishDate" dateTime="2020-07-13T06:00:00-04:00" class="SplScreenContentHearPublishDate-bMGEVk gvRvVr">July 13, 2020</time><div class="SocialInsWrapper-hKMEXV ffgPVr social-ins social-ins--standard SplScreenContentHearSocialShare-gSVclr kUKgnn"><ul data-ttid="socialInslist" class="SocialInsList-cHVTIA ivmblD social-ins__list"><li class="SocialInsListItem-mbhR hHoUCw social-ins__list-em social-ins__list-em--facebook social-ins__list-em--standard thner"><a aria-label="Share on 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class="GridItem-buujkM kHPPIF grid--em"><div class="CaptnWrapper-jSZdqE iTuhkZ ptn SplScreenContentHearCaptn-iOfEOv ckLUKG"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo iXWezO ptn__text">The band formerly known as the Dixie Chicks reasss Southern herage.</span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd iicloT jbIJNS ptn__cred">Illtratn by Anja Slibar</span></div></div></div></hear></div><div data-attribute-verso-pattern="article-body" class="ArticlePageContentBackGround-cNiFNN kbAoLA article-body__ntent"><div class="ActnBarWrapperContent-lasBkU cAHp"><div class="ActnBarWrapperComponent-cjwxLS bEeSLb"><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh kNjTbQ viewport-monor-anchor"><button id="bookmark" aria-label="Save this story" class="ActnBarButton-dyFOZU hQrwCF bookmark large-screen"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" width="24" height="24" 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class="in-bookmark-fill" d="M23 3H20V0H19V3H16V4H19V7H20V4H23V3Z"></path></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd bkefvo gkccfO">Save this story</span></button></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ArticlePageChunksContent-etcMtP bwyLBj"><div data-ttid="ArticlePageChunks" class="ArticlePageChunks-fLyCVG Uozmo"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bDyAMU body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="has-dropp has-dropp__lead-standard-headg">In late June, the Dixie Chicks dropped the word “Dixie” om s name. The band’s statement was brief and elegant: “We want to meet this moment.” The Dixie Chicks were found Texas, 1989. Back then, the band was a four-piece. (The sisters Martie and Ey Erw, now Martie Maguire and Ey Strayer, are the remag origal members; sce 1995, the band has been onted by the sger and guarist Natalie Ma.) They wore prairie skirts and ged blo, and played a mixture of bluegrass and tradnal untry—wgirls wh chops. The band’s name was a riff on “Dixie Chicken,” a 1973 album by the choogl’ rock band Ltle Feat. Siftg through early prs verage of the group, I uldn’t fd a sgle cric who thought the name was repugnant.</p><p class="paywall">Yet, among historians, there is ltle ambiguy about what the word “Dixie” munit. Its e as a dotg nickname for the Conferacy was popularized by “I Wish I Was Dixie’s Land,” a mstrel song published 1860 and ually performed blackface. The song is creded to Daniel Detur Emmett, a whe man om Knox County, Oh, though the scholars Howard and Judh Sacks have suggted that Emmett stole the tune om the Snowns, a fay of eed slav who performed and farmed around Emmett’s home town.</p><p class="paywall">“Dixie songs”—which typilly exprsed nostalgia for the antebellum South—ntued to appear throughout the first s of the twentieth century. “They were que popular. Irvg Berl even wrote one,” Karen L. Cox, a profsor of history at the Universy of North Carola at Charlotte and the thor of “Dreamg of Dixie: How the South Was Created Amerin Popular Culture,” told me recently. She do not fd the word to be merely scriptive: “As a scholar of the South, I regard ‘Dixie’ as a term that not only refers to the stat of the former Conferacy but is synonymo wh segregatn.” Cox ced the Dixiecrats, the group formed 1948, by Strom Thurmond and other Southern Democrats who seced om the Democratic Party bee they disagreed wh s support of civil rights. “The ronanc are part of what the Dixie Chicks selected when they selected the name, whether they tend to or not,” Gregory Downs, a profsor of history at the Universy of California at Davis, said. “It’s important that they—and everyone who received that msage of whe Southern pri—thk about what they took on.”</p><p class="paywall">Wh morn untry mic, trop that addrs a kd of vigilante Southern swagger—an sistence on both the rebellns and the ep moral pury of the Southern stat—rema wildly popular, even rooted as they are racial vlence. Yet untry mic self ow an lculable bt to the Black strg bands and players—the Mississippi Sheiks, G Cannon, Frank Patterson, and Nathan Frazier, among others—who predated the proliferatn of the phonograph. (There are several pilatns of the few Black strg bands that did rerd; two exceptnal on are “Altamont: Black Strgband Mic om the Library of Congrs” and “Black Banjo Songsters of North Carola and Virgia.”) Early labels liberately sold untry and hillbilly 78s to whe ctomers, and blu and jazz 78s (or “race rerds”) to Black ctomers, thereby enforcg a racial fissure along genre l.</p><p class="paywall">For the scendants of people subjugated unr slavery, neher tentn nor ignorance now feels like a reasonable fense of the trop. Yet whe history is equently marked by a kd of hered bldns. In “Southern Accents,” published last year, Michael Washburn dissects how, 1985, Tom Petty—a Floridian—ed Conferate inography to promote a ncept album about the South. Washburn suggts that ias of Southern herage are equently and purposefully divorced om the historil rerd. “We her, rtate, sometim re-scribe the notns, and then reprent the ias to the world,” Washburn wr. “If we ph hard enough on jt about any part of our life, we plunge through the surface to a history that’s unknown to even as stctur much of how we live.”</p><p class="paywall">Is possible to love a place and to also disclaim s history? Do the place beg to disappear when s foundatnal myths are challenged? Washburn jokgly scrib Flkner’s oft-quoted le about the nature of time—“The past is never ad, ’s not even past”—as “the first Southern-history meme.”</p><p class="has-dropp has-dropp__lead-standard-headg paywall">The Chicks have been at the center of ntroversy before. In 2003, ne days before the Amerin vasn of Iraq, the band performed London. As Ma troduced the sgle “Travel’ Soldier,” she told the crowd that she was ashamed that the Print of the Uned Stat was om Texas. When the backlash me, was precipate, tastrophic, and unrelentg. The Chicks had recently bee the only female band any genre to have released two nsecutive diamond-certified albums, signifyg sal of ten ln pi or more. In our era of anemic chart numbers and agmented attentn, ’s difficult to reckon wh sal of that magnu. There was a lot to lose.</p><p class="paywall">Fans piled CDs trash ns and set them ablaze. Country rad—which was then operated large part by the media nglomerate Clear Channel—blacklisted the Chicks’ mic. “The are llow, foolish women who serve to be slapped around,” Bill O’Reilly said on Fox News. Ma received one ath threat so credible that the F.B.I. remend that the band ncel a show Dallas. (It didn’t.)</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p class="paywall">What happened to the Chicks 2003 n be unrstood now as a foretellg of so-lled ncel culture, which ntroversial or problematic behavr triggers mass disgt and renunciatn. The Chicks endured the onslght wh relative poise. In 2005, the band started wrg “Takg the Long Way,” s seventh stud album, wh the producer Rick Rub. It’s an angry, reflective rerd. At the 2007 Grammys, the Chicks won five awards, cludg Album of the Year, Rerd of the Year, and Song of the Year. Then the band went on hiat.</p><div class="Contaer-bkChBi byNLHx"></div><p class="paywall">Fourteen years later, the Chicks have a new album, “Gaslighter.” (Its release was layed bee of the ronavis panmic, and some physil pi of the rerd feature the band’s former name, bright-yellow letters.) “Gaslighter” is brasher and more pop-oriented than anythg the band has done before. Part of this shift feels germane to our era—the ia of genre, as appli to ntemporary mic, is growg ls and ls relevant—but also feels like a fal repudiatn of untry mic, and of a muny that mostly failed to support or to unrstand one of s biggt acts.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-1 viewport-monor-anchor"></div><p class="paywall">Gaslightg is a kd of emotnal manipulatn which a bad actor vehemently sists on the veracy of some plaly unte claim, thereby g the victim to doubt realy and, eventually, her own nnectn to . It’s not a stretch to nsir the longtime amg of the word “Dixie” (or any other paean to a South that was reliant on slav) as a type of gaslightg. Amerins have long been told that the reprentatns of the South suggted one thg—some vague ia of regnal herage—when, fact, they have always meant somethg else entirely.</p><p class="paywall">In 2019, Ma divorced the actor Adrian Pasdar, and “Gaslighter,” much like “Takg the Long Way,” is a spirual exorcism of sorts. Ma is at her bt when she’s harnsg the righteons acrd the hly wronged, and she sgs wh the vigor and the specificy of a woman who has no one left to please. Perhaps this is what velops on the other si of a grievo public shamg—fearlsns the face of llapse.</p><p class="paywall">This anger and self-posssn make “Gaslighter” a thrill and a light. “Boy I know exactly what you did on my boat!” Ma sgs on the tle track, a seethg dictment of a failed romance. “I know I’m not crazy, that’s you / Gaslightg / You’re a lie-lie-lie-liar!” The song was -produced by Jack Antonoff, now the flt llaborator for A‑list pop stars, and ’s punchy and lh, buoyed by a rich, three-part vol harmony. Ma’s boat is the album’s Chekhovian gun, reappearg later on. “You n tell the girl who left her tights on my boat that she n have you now,” she sgs on “Tights on My Boat.”</p><p class="paywall">Of urse, beneath every bout of unfettered rage is a badly broken heart, and Ma don’t always excise the ache om her voice. Her lyrics are both the heart and the pot of “Gaslighter.” At tim, her vol phrasg remds me of that of Taylor Swift, another untry-gone-pop superstar who tras ank nfsns and retaliatory chos. A le like “I hope that when you thk of me, you n’t breathe,” om “Tights on My Boat,” feels pecially Swiftian s exactu and ferocy. (The Chicks ma an appearance on “Lover,” Swift’s latt rerd, and Ma seems to have cleared a path, or at least provid a powerful pot of spiratn, for Swift’s recent polil awakeng.)</p><p class="paywall">Elsewhere, Ma’s vrl is ls tobgraphil. “Li are tth and tth is fictn,” she sgs on “March March,” a thumpg, echo-lan o to prott. In an early verse, she referenc the activist Emma González, a survivor of the Marjory Stoneman Douglas High School shootg:</p><blockquote class="BlockquoteEmbedWrapper-sc-SdiGL jPeLne paywall blockquote-embed"><div class="BlockquoteEmbedContent-RbGs gmbtPx blockquote-embed__ntent"><p>Standg wh Emma and our sons and dghters<br/>Watch’ our youth have to solve our problems<br/>I’ll follow them so who’s ’ wh me</p></div></blockquote><p class="paywall">The vio, released late June, featur footage of protts om the past several s. As the song’s stmentatn—banjo, sli guar, fiddle—reach a spare but enzied climax, the vio lists the nam of people of lor who were murred by law enforcement, endg wh Emmett Till.</p><p class="paywall">Lately, I’ve ught myself referrg to a lot of new releas as prcient—work that was wrten and rerd months or even years ago but feels signed to addrs the prent moment. But good art is always prcient, bee good artists are tuned to the currency and the momentum of their time. The Chicks are particularly well posned to see what’s g for Ameri right now—how the past two centuri have livered to this exact moment, and how we should rise to receive . ♦</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><asi class="PersistentAsiWrapper-VGrR daRVRt persistent-asi" style="posn:absolute;top:to;height:to" data-ttid="PersistentAsiWrapper"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box ArticlePageSplAdRail-OyjwD jikppc"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="ArticlePageSplAdRailContent-jsltpq iZDmmY spl-ad-rail-ntent"><div class="ArticlePageSplAdRailTop-jUrrVY jzzFg"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="3d3rn"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un 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aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Ey Nsbm on Country Mic’s Culture Wars" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">The staff wrer talks wh David Remnick and the sger Aem the Artist about the creasgly 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class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Disciplg Power of Disappotment" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Unr Review</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">The Disciplg Power of Disappotment</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Disciplg Power of Disappotment" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">In a new book, Sara Marc argu that Amerin polics are fed by unfulfilled sire.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Keeanga-Yamahtta Taylor</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hlYhBH summary-em summary-em--ARTICLE summary-em--no-in 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media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Noname’s Ambivalent, Triumphant Comeback" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Persons of Intert</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-4" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">Noname’s Ambivalent, Triumphant Comeback</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Noname’s Ambivalent, Triumphant Comeback" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">Years ago, she gave up mic for activism. Now she’s back, wh a long-awaed third album.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Kelefa Sanneh</span></span></p></div></div></div></div></div></div><div class="AdWrapper-dQtivb fZrssQ SummaryCollectnGridSummaryItem-WColm fvDIAb ad ad--read-more"><div class="ad__slot ad__slot--read-more" data-no-id="4rxyl"></div></div></div><div class="SummaryCollectnGridToActnWrapper-gnReGN eGayfk"></div></div></div></div></div></div><div data-ttid="RowWrapper" 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