Know Your Entertaers: Sandra Gay - Indianapolis Rerr

new york gay theatre

Born and raised Brooklyn, New York, Sandra Gay said dancg and theater has always been a huge part of her life, even as she pursued a gree tn at her parents’ beht of “gettg a real job.”

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KNOW YOUR ENTERTAERS: SANDRA GAY

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An entreprenr lnched a nned cktail this week lled “Gay Water” that’s aimed at LGBTQ drkers — and said he’s lookg to palize on Bud Light’s mistak.

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But “Gay Water” — which adopts a moniker the gay muny has long given to the simple vodka and soda cktail — has been spired by the dtup to bee even bolr about the dience ’s targetg, founr and CEO Spencer Hodson told The Post. Gay Water — a nned cktail brand that plays on the gay muny’s lloquialism for the vodka-and-soda mixed drk — lnched on Wednday and promis to unrstand s dience better than Bud Light.Spencer Hodson/Instagram. The 30-year-old Hodson said he is g suggtive — albe playful — msagg and imagery Gay Water’s social media and webse, cludg a provotive nod to the 12-ounce n’s 6.1-ch height.

“Our missn is to -stigmatize the word ‘gay’ and start to create reprentatn spac that tradnally don’t have queer-owned products, let alone products wh the word ‘gay’ their tle,” Hodson told The Post. “Part of the pot of lnchg outsi of Pri month is to rerce the msage that Gay Water is here to make the LGBTQ+ muny more visible 365 days a year, not jt a sgle month,” he said. Although she reloted to Indianapolis upon a iend’s requt, Gay found Actors Ink Theatre Productn Company 1981 after a productn of “For Colored Girls Who Consired Suici / When the Rabow is Enuf” at the Indianapolis Civic Theatre (now The Palladium).

As a POCA pany, Gay said they ter to actors and performers over the age of 65 — her youngt pany member is 68 and the olst is 93 — learng, rehearsg and performg alongsi each other the same way any profsnal pany do. Although some members of her troupe may have had knee replacements, hip replacements, back pa or breathg problems, Gay said everyone works hard bee they re about the art.

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Of urse, there are always workarounds for those who nnot stand for long or have trouble dancg, but Gay said she fds ways for them to not jt participate but she onstage. Even after all the years, Gay said her philosophy has not changed that rpect and believ she uld teach any subject, cludg math and language, g theater techniqu.

AdvertisementSKIP ADVERTISEMENTCric’s NotebookIn recent shows, ias of gayns are expandg, bg and disappearg all at WisemanI don’t know whether was bee my parents were jt generally open-md, or bee they had a specific, kdly yet mortifyg agenda, but one of the first Broadway plays they took me to, June of 1977, was way too gay for fort. Some, like “A Strange Loop” and “Fat Ham, ” dramatize how the experience of racism amplifi that of homophobia, and vice fy expectatns by makg sexual orientatn a distctly sendary ncern among characters who “happen to be” gay or lbian, as “A Case for the Existence of God” and “At the Weddg.

When a (male) love tert enters the picture, and they sg Katy Perry’s “I Kissed a Girl” as a duet, you feel somethg new has happened, as ntroversy melts to a blissful cloud of nonbary bubble is the equalizg, homogenizg fluence of pop culture at work — an fluence that some queer people unrstandably mistst.

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Jackson’s “A Strange Loop” go further, makg the cross-pollatn of inty the prime source of s nflict, as the ma character nonts both the homophobia of his Black fay and the racism of his queer one. ) Its body, race and orientatn issu are left a kd of stalemate that suggts what might happen if a foundatnal gay play like “The Boys the Band” (which had only one Black character) were multiplied fun hoe mirrors ad fum.

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That the Hamlet figure, lled Juicy, is Black and gay, wh an termtent csh on a Laert-like iend, suggts that the queer theme will domate, yet don’t; “Fat Ham” is really a play about Black masculy and, even more broadly, the vlent herance all men mt renounce. ” Beltran portrays a gay Black man hopg to adopt the young girl he’s been Klwich/The New York TimMy other favore queer plays of the past year likewise offer no bands; their gay characters (there are still far too few lbian on) operate as if their gayns were mostly ternal and pletely irrelevant.

Hunter’s heartbreakg “A Case for the Existence of God, ” that turns out to be an illn, as a gay Black man, after fosterg a ltle girl for more than three years, fds his plan to adopt her undone at the last mute. If there are subtle ways which their sexual inti affect their character or behavr, they were too subtle for me; miss a le or two and you may not even know that gayns is a part of their makp at mak sense plays about cris that threaten to oblerate a person entirely: genr, race, orientatn and all.

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