The prent study examed the popular stereotype that gay men lisp by evaluatg to what extent listeners associated ntal or ontal articulatn/lispg wh gayns. Fifteen heterosexual mal and 15 heterosexual femal listened to 275 sampl of read speech and judged the sexual orientatn o …
Contents:
- EMEM AND THE “GAY LISP”
- GAY LISP
- IS THERE A “GAY VOICE”?
- THE PREVALENCE OF LISPG GAY MEN
- GAYDAR—SENDG MIXED SIGNALS
- GAY SPEECH AND LISPG
- STUDY SE ROOTS OF 'GAY LISP' BOYHOOD
- SCIENTISTS EXPLANED WHERE THE ‘GAY LISP’ STEREOTYPE ME OM
- THE GAY LISP?
EMEM AND THE “GAY LISP”
* gay lisp examples *
I am a gay man and this is drivg me crazy bee other aspects of the stereotypil "gay voice" are intifiable (even though they are still homophobic, I at least know what people are referrg to when they talk about them). Wele back to “Ask a Homo, ” Outward’s no-judgement answer service for all your qutns on LGBTQ polics, culture, etiquette, language, and other queer nundms.
This week, Bryan Lowr n-sth-irs the li-sth-p and other elements of the “stereotypil gay manner of speakg”—and honey, ’s jt fabulo! It’s this associatn, wh what I lled heightened or stereotypil “femy”, that has given rise to the wispread scriptn of hi-f sibilants or onted s/z as a “gay lisp”. Clearly ’s te that hi-f sibilants are ed by some gay men, throughout the English speakg world and, to some extent, beyond .
A Brish example of a well-known gay man wh hi-f sibilants is Harry Derbidge om the TV realy soap The Only Way Is Essex. The gay character Kurt Hummel on TV’s Glee has hi-f sibilants, but to my ear they’re ls nsistently so the terview speech of Chris Colfer, the (gay) actor who plays him.
GAY LISP
Michael Schulman on “Do I Sound Gay?,” a documentary by David Thorpe that explor how vol nc are associated wh sexualy. * gay lisp examples *
He not only “-swch” between pla and hi-f sibilants, but the hi-f variety an aggrsive “macho” genre which has been acced of sexism and homophobia. So although the “gay” associatn may have predomated people’s mds, hi-f sibilants seem to have been around unnoted hip hop for s. The prent study examed the popular stereotype that gay men lisp by evaluatg to what extent listeners associated ntal or ontal articulatn/lispg wh gayns.
Based on the ratgs of the listeners of the prent study, lispg speakers were signifintly more often judged to be homosexual.
The rults of this study nfirmed prev prelimary fdgs that suggted that ontal or ntal articulatn/lispg is a feature that listeners associate wh gayns. [quote]What gays sometim have is a hissssssy "s" soundPossibly om our tryg to emulate what our schools' speech therapists tried to get to 4th gra when we were pulled out of class to go read the word "stove" over and over until we got "right" Anonymoreply 10May 15, 2022 5:24 AM.
IS THERE A “GAY VOICE”?
Gaydar is a reified skill that nfirms the existe * gay lisp examples *
Not long after Thorpe broke up wh his boyiend, he began thkg about the way he speaks, and the way other gay men speak, and why both sudnly bothered him so much. He terviews gay public figur, cludg David Sedaris, Tim Gunn, Don Lemon, and Gee Takei, who have had to listen to themselv for a livg.
THE PREVALENCE OF LISPG GAY MEN
Co swchg, gay speech styl, and lispg. * gay lisp examples *
Gay adolcents, Thorpe pots out, often learn that the “tell” of their sexualy is their voic, even more so than physily—a limp wrist is easier to straighten out than an flectn. Even wh the gay datg muny (and gay porn), hyper-masculy is habually prized, so self-disgt gets easily turned back outward. Thorpe talks to a straight iend who sounds “gay” (he grew up on an ashram, surround by women), and a gay iend who sounds “straight” (he has jock brothers).
“For many gay men, that’s the last vtige, that’s the last chunk of ternalized homophobia, is this hatred of how they sound, ” Dan Savage tells Thorpe. One of the ways gay people tend to pensate, the film suggts, is to adopt the supercil speech patterns of the leisure class, i.
The CNN anchor Don Lemon tells Thorpe that he worked harr to ntralize his Southern black accent than his “gay” accent. As gays and lbians ga cultural pal, helped along by equaly victori like the one jt hand down by the Supreme Court, “gay voice” will surely evolve, too.
GAYDAR—SENDG MIXED SIGNALS
Two clicians who were unaware of the specific purpose of the study and the populatns volved judged randomized d-rerdgs of 175 gay mal, 100 heterosexual mal and 100 heterosexual femal for the prence of lispg durg readg of a standardized text.
Breakdown of the rults of the gay participants two different age groups showed a higher prevalence of lispg the younger age group than the olr age group. No relatn was found between lispg and age of g-out or lispg and the probabily of beg gay as asssed by a qutnnaire about sexual orientatn. Learng out: The rears of this article will able (1) to discs articulatory behavur as a possible marker that may distguish gay om heterosexual men (2) to discs the prevalence of lispg gay by (0)1aspirant van het Fonds voor Wetenschappelijk Onrzoek full textCopyright © 2008 Elsevier Inc.
However, as a gay man, I thk of gaydar not so much as a tool for intifyg one’s orientatn, but as a meang and discrimatory weapon ed to ntrast sexual and social differenc.
GAY SPEECH AND LISPG
For my class project Language US Society, I wanted to qutn the nature of gaydar and trace s origs beyond jt the perceptn of the speaker. The key to unrstandg gaydar is the telemunitn ncept of “radar, ” which is fed as “a radtermatn system based on the parison of reference signals wh rad signals reflected or retransmted, om the posn to be termed” (ITU Rad Regulatns, 2013). Gaydar borrows the functns of receivg and parg signals and reifi the skill of intifyg sexual orientatn to an operatnal tool.
Hence, the technil fn of gaydar is a “system based on the parison of reference signals wh language reflected or retransmted, om the posn to be termed, ” where the posn to be termed ultimately translat to inty. A historil example of this is what lguists ll the onted “s” sound that is typilly characterized as a lisp, also known as the “gay lisp” (Mack and Munson 2012). Instead of intifyg the onted “s” as a lguistic variable, listeners equently thk of as an x of non-normative behavr such as a speech fect or homosexualy.
This associatn between language and behavr puts speakers g this variable a double bd: they are perceived eher to have a speech fect or to be gay—wh both perceptns rryg negative nnotatns. Moreover, gaydar self is not a reliable system bee the stereotypil featur of gay speech n be cross-xil wh other social tegori. Heteronormativy is the iology that driv many heterosexual men to be particularly aware of gay dory cu as they strive to protect their exprsns of masculy through their lguistic performanc.
STUDY SE ROOTS OF 'GAY LISP' BOYHOOD
This iology is what prompted me to hi my “gay accent” as a child—I was tryg to f this ialized heteronormative mold, I was tryg to appear heterosexual, I was tryg to sound normal. In particular, s existence emphasiz that gay speakers the Uned Stat share certa lguistic variabl as a part of their lguistic repertoir. Ultimately, the lguistic repertoir that are symptomatic of a functng gaydar form the lguistic hab shared by members of the English-speakg gay speech muny.
Even though some semtic tras are ed markers of belongg, gaydar is merely an abstractn created by the society that is not based on trsic factors and therefore do not guarantee accuracy. “This mak sense bee that is the very same ‘s’ that is characteristic of gay male speech styl the adult populatn, ” said Munson, drawg on somethg he had intified prev the team also found that boys who pronounced an “s” wh a lisp were also nsired to sound ls prototypilly, said Munson, was surprisg.
“We never see [that pronunciatn] adult men gay populatns or really adult men very much at all, or women for that matter, ” he said. Seemgly subtle variatn language n nvey social meangs learnt om a very early age, ” he Munson said genr dysphoria/GID is a good predictor of who is gog to grow up to be a adult gay man, he rejected ncerns that speech tras childhood uld be ed to predict future sexual orientatn, notg there are no long term studi the area. "Homophobia, seems, is the only prejudice that remas rpectable, that has not been -legimized, which has not been cut off om s wellsprgs.
SCIENTISTS EXPLANED WHERE THE ‘GAY LISP’ STEREOTYPE ME OM
Fascated by the sheer volume of such search, and the tert people have the nnectns between gay speech styl and lispg, I did a few search on the topic myself. After intifyg phoic characteristics that seem to make a man’s voice sound gay, their bt hunch is that some gay men may subnscly adopt certa female speech patterns. They want to know how men acquire this manner of speakg, and why – pecially when society so often stigmatiz those wh gay-soundg voic.
One hypothis is that given the stereotype many gay men may actually take on a ntalized or terntal /s/ pattern as an direct statement about wantg to intify wh, and be a part of, the gay muny.
THE GAY LISP?
While Jack is openly gay, Mr Humphri om Grace Brothers clothg partment the long nng Brish s Are You Beg Served (AYBS) 1972-1984 provis a reasonably well known example of a character whose sexualy remas ambiguo. "He nstantly acts like a stereotypil gay male: limp-wristed, never walkg always flouncg, obssed about keepg a youthful appearance, gog gaga over cute guys, drsg drag, etc. Humphri, although very popular, was (and is) a ntroversial character, disliked by many: first of all, many people hated gays general, and those who were acceptg of homosexuals disapproved of the fact that Mr.