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class="ArticlePageLeBackground-EufvU tFsh"><hear class="ContentHearWrapper-clujbs hksevn ntent-hear article__ntent-hear"><div data-ttid="ContentHearContaer" class="ContentHearContaer-cGKRbE knDxNq"><div class="ContentHearHedAccredatnWrapper-GFiQf cDNVlV"><div data-ttid="ContentHearTleBlockWrapper" class="ContentHearTleBlockWrapper-cjmSKp ikebRK"><div data-ttid="ContentHearRubric" class="ContentHearRubricBlock-LmpbT bUmLnT"><div data-ttid="ContentHearRubricDateBlock" class="ContentHearRubricDateBlock-kAQcZP fTFWxD"><div class="RubricWrapper-dKmCNX iJOI bric ContentHearRubricContaer-eTudtt iRsSlw"><a class="RubricLk-gRWSOU kImecF bric__lk" href="/culture/books"><span class="RubricName-fVtemz cLxcNi">Books</span></a></div></div></div><h1 data-ttid="ContentHearHed" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearHed-NCyCC iUEiRd HXZX gydgrM">Holly Golightly Is a Call Girl and Other Revelatns About <em>Breakfast at Tiffany's</em></h1></div><div class="ContentHearAccredatn-lfctVB eDhhwT ntent-hear__accredatn" data-ttid="ContentHearAccredatn"><div class="ContentHearByle-kmPyCa emiglw"><div class="ContentHearByleContent-dpPmNn DRFq"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl ContentHearByl-cZqgyJ bHLeKI"><p class="ByleWrapper-jWHrLH jqYyWD byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd bIbWCO gnILss byle__preamble">By </span><a class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM ByleLk-gEnFiw iUEiRd kIEUAJ lddgzd eErqIx byle__name-lk button" href="/ntributor/e-a-hanks">E.A. Hanks</a></span></span></p></div><time data-ttid="ContentHearPublishDate" dateTime="2010-06-22T08:01:27-04:00" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearPublishDate-eIBicG iUEiRd bSlZUC cmPkTr">June 22, 2010</time></div></div></div></div><div class="ContentHearLeadAsset-hGbumP dDDxdb lead-asset ContentHearLeadAssetWrapper-hfXHEc Grck" data-ttid="ContentHearLeadAsset"><figure class="ContentHearLeadAssetContent-kOfYSG dRGWbI"><div class="ContentHearLeadAssetContentMedia-bLEIpi jjhWdS lead-asset__ntent__photo"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset ContentHearRponsiveAsset-bREgIb hONbnm"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz ghtAvV"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa ContentHearRponsiveAsset-bREgIb hONbnm rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w, 960w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w, 1920w, 2240w" siz="100vw"/><img alt="Image may nta Human Person Clothg and Apparel" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></div></div></span></div></figure></div></div></hear></div><div data-attribute-verso-pattern="article-body" class="ArticlePageContentBackGround-cNiFNN diFyUH article-body__ntent"><div class="ActnBarWrapperContent-lasBkU cAHp"><div class="ActnBarWrapperComponent-cjwxLS bEeSLb"><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh izlawS viewport-monor-anchor"><button id="bookmark" aria-label="Save" class="ActnBarButton-dyFOZU foKBbl bookmark large-screen"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Save this story</tle><path class="in-bookmark-stroke" d="M11.7661 16.3228L4.5 20.1695V3.5H19.5V20.1695L12.2339 16.3228L12 16.199L11.7661 16.3228Z" stroke-lep="square"/></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd kdAzed gkccfO">Save</span></button></div><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh ledqMp viewport-monor-anchor"><button id="bookmark" aria-label="Save" class="ActnBarButton-dyFOZU ePWKOF bookmark mobile"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Save this story</tle><path class="in-bookmark-stroke" d="M11.7661 16.3228L4.5 20.1695V3.5H19.5V20.1695L12.2339 16.3228L12 16.199L11.7661 16.3228Z" stroke-lep="square"/></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd kdAzed gkccfO">Save</span></button></div></div></div><div class="ArticlePageChunksContent-etcMtP bwyLBj"><div data-ttid="ArticlePageChunks" class="ArticlePageChunks-fLyCVG eOdfIs"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa gwvVqF body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="has-dropp">Los Angel–based wrer Sam Wasson's new book, <em><a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">5th Ave, 5 AM: Audrey Hepburn, Breakfast at Tiffany's, and the Dawn of the Morn Woman</a>,</em> which is out today om HarperStud, tells the story of how a book about a gay man love wh a ll girl turned to a beloved romance between a dreamboat and a style maven.</p><p><strong><em>VF Daily:</em> I heard you have a <a href="><em>New York Tim</em>–approved</a> book out, <em><a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">5th Ave, 5 AM: Audrey Hepburn, Breakfast at Tiffany's, and the Dawn of the Morn Woman</a>.</em></strong></p><p class="paywall"><em>Sam Wasson:</em> That's the one. I wrote !</p><div class="AdWrapper-dQtivb fZrssQ ad ad---ntent"><div class="ad__slot ad__slot---ntent" data-no-id="sc4u2"></div></div><p class="paywall"><strong>We've <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">talked about this before</a>, but I want to know more about your thoughts on how the film exprs feme morny. What are the signifiers—what is the secret language?</strong></p><div class="Contaer-bkChBi byNLHx"></div><p class="paywall">Thk of olr romantic edi om the classil era, and even to the 50s. In those movi, the woman tends not to have many optns. Eher she's an unhappy marriage and wants to get out or she's love wh a guy that, for whatever reason, she n't have. They tend to be triangl of some kd. But what amounts to is that bee there's this no-sex-before-marriage stigma—she n't shop around, so to speak. Her optns are limed, and her time as a sgle woman is sexls. Then Audrey around <em>Tiffany's,</em> and sudnly she has all of the suors. She <em>has</em> had sex, and, fact, she's already been married and divorced! And far om beg a bad thg—somethg she will be punished for—she's actually reward for . She's charmg, adorable, fun—she's <em>Audrey!</em> So mt be O.K.<strong>Grown women are still sndalized when told that Holly is a ll girl. The movie als d language that <em>still</em> tras signals. They don't seem to unrstand "$50 for the powr room."</strong></p><p class="paywall">There is a fe transactn gog on there. The stud, the screenwrer, the director, the signers, and jt about everyone volved the makg of the picture had to be very, <em>very</em> reful about walkg that le. So y, is heavily d. Like msag passed unrground; a revolutn a language only revolutnari n unrstand. The drs [is a unto self]. It sends a msage that this is a girl wh knowledge and experience. That's what sophistitn is and 's not on some kd of gran dame—Betty Davis or Gloria Swanson—but someone on the outsi of Tiffany's lookg . A girl who's tryg to get to the big time, and how is she tryg to do ? Sex! And bee 's Audrey, like I said, 's O.K.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-1 viewport-monor-anchor"></div><p class="paywall"><strong>She liv on the borrs of society, like all revolutnari.</strong></p><p class="paywall">Y. [And the drs is] black—let's not fet black. What do that mean a culture of ouou and florals and ills? This girl has edge! Which is another word for sex, is not?</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p class="paywall"><strong>Let's talk about the differenc between the book and the movie, not plot-wise, but tone. And how Hollywood, as stood then, acts as a sort of funnel—changg the story acrdg to s own l.</strong></p><p class="paywall">Right. I mean, Hollywood had to take a novel wh a gay man love wh a straight ll girl and turn to a romantic edy!</p><p class="paywall"><strong>The story of a gay man love wh a sexually promiscuo straight woman seems a very New York story. How do the cy nfigure to the story?</strong></p><p class="paywall">One of the thgs people fet about the book is that 's told flashback: Capote is wrg about a New York gone by. All of is about loss. But actually the cy, I would say, plays a bigger role the film. That's one of Blake Edwards's achievements as the director. That stunng shot of Fifth Avenue at five a.m. is about as elegant and evotive as anythg Capote's novel. The cy the novel is also a place where people who don't f n f . Frge personali belong New York bee <em>everythg</em> belongs New York. That's one of the reasons Holly leav Texas and chang her name. In New York you n bee anythg.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB kNleGZ sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="Contaer-bkChBi byNLHx"></div><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="yye6f"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div><div data-attr-viewport-monor="" class="RecircMostPopularWrapper-bRuGTi jkTTgR recirc-most-popular-wrapper viewport-monor-anchor"><div class="RecircMostPopularConter-jiViNn ktrplG recirc-most-popular-sparrow-trackg hi-asi-ad" data-most-popular-id="mod-most-popular-7695"><div class="RecircMostPopularHeadg-iVzhzt hBHzvB">Most Popular</div><ul 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class="SummaryItemHedLk-civM fPFrPI summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href=" target="_self"><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp SummaryItemHedBase-hiFYpQ eNPkjl summary-em__hed"><div class="ClampContent-hilPkr jVhSBH"><div class="SummaryItemHedTag-TWblf gxaOcP" data-ttid="SummaryItemHed">Kyle Dchanel, the Rothschild Who Wasn’t</div></div></div></a><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY gRtaxp summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH iNSiTG byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd bIbWCO gnILss byle__preamble">By </span>Nate Freeman</span></span></p></div></div></div></div></div></div></li><li><div class="AdWrapper-dQtivb fZrssQ RecircMostPopularSummaryItem-jQxxiw gzPpAt ad ad--asi"><div class="ad__slot ad__slot--asi" data-no-id="z9201li"></div></div></li></ul><div class="RecircMostPopularFooter-enPjgs eAuebe"></div></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div><div data-ttid="RowWrapper" class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="my68b"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa gwvVqF body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="paywall"><strong>How is Capote this story? Where do his terts lie, where are his sympathi, where do he attempt to moralize?</strong></p><p class="paywall">Capote is everywhere. He is Holly. He is the narrator. He's the girl who n't fd a home, and he's the man who dreams of her power and celebry. He's the journalist who wants to pture this type of New York girl. And he's the son whose own mother helped fed Holly's backstory. His tert is personaly, reportg, and the feelg of loss that pervas the book. In a way, <em>Breakfast at Tiffany's</em> looks ahead to <em>In Cold Blood.</em> Though isn't labeled nonfictn, Capote was very outspoken about tryg to pture that New York girl who to the cy hopg to make . We see them everywhere today: mols, actrs, social.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-2 viewport-monor-anchor"></div><p class="paywall"><strong>Where do you start wh a project like <em>5 AM</em>?</strong></p><p class="paywall">Fear and worry. I'm kiddg. Well, not really.</p><p class="paywall"><strong>And what were your goals?</strong></p><p class="paywall">I wanted to unrstand the fascatn behd the movie. Ask someone why they love <em>Breakfast at Tiffany's</em> and what will they say? It's romantic. It's stylish. I love Audrey, etc. But there are other movi that fall to those tegori—so what was about <em>Breakfast at Tiffany's</em>? And tryg to answer that qutn, I disvered all of this behd-the-scen stuff about the makg of the movie that jt floored me. I mean, how hard was to make. I don't know why that surprised me. Of urse was hard to make! Anythg that's gog to break barriers like <em>Tiffany's</em> is gog to have s tractors. The people who say, "No. Too much! Too sexy!" And then I was off . . .</p><p class="paywall">What is your relatnship wh Tiffany's now? How do you see the story differently than when you started?</p><p class="paywall">Actually, I have more admiratn for . More love for Audrey and more sadns for Tman. Everyone I spoke wh told me they loved Audrey and they meant . They didn't have to. She was wonrful. Wonrful! People I spoke wh sisted I unrstood that. And Tman . . . It breaks my heart. It's very plited and I don't want to give short shrift, but I'm not sure he really felt love. And if he did feel , I'm not sure felt good to him.</p><p class="paywall"><strong>What is the one thg you wished everyone knew about <em>Breakfast at Tiffany's</em>?</strong></p><p class="paywall">How much they phed the envelope, and how tly did change the urse of women the movi.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="zmmguw"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 PaywallInleBarrierWhWrapperGrid-fyrGfS kLQIUk grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__le-barrier article__body"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"><asi class="PaywallInleBarrierWrapper-iBnuqk lfXXa-D" data-ttid="PaywallInleBarrierWrapper"><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--paywall-le-barrier" role="prentatn" aria-live="pole" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--paywall-le-barrier"></div><div class="journey-un"></div></div></asi></div></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ContentWrapperGrid-fvkmBv brYtrA grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__ntaer"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"></div></div></div></div></div></div></article><div class="ContentFooterWrapper-jVNdRG dTJkpP ArticlePageContentFooterGrid-ccsXYy eMZRHU article-body__footer"><div class="ContentFooterContributorSpotlightWrapper-jglHff edmTAt"><sectn data-ttid="ContributorSpotlightContaer" class="ContributorSpotlightContaer-ccVxgz fwlOPD"><div class="ContributorSpotlightInnerContaer-elBox jSvXVx"><div class="ContributorSpotlightSgleColumn-idLiJU goRdaE"><sectn class="ContributorSpotlightSummaryGrid-jZdHDE hJMn"><div class="GridWrapper-cAzTTK hvFIAc grid grid-ems-2 ContributorSpotlightMaSectnGrid-kYVLYK gpZeIC"><div class="GridItem-buujkM eHLzLy grid--em"><div class="ContributorHearWrapper-cMHleS bnIcwz"><div class="ContributorGrid-fKcSKO fnuDrA"><div class="ContributorHearContent-gJdnVA cyzBPN"><div class="ContributorDenseHearWrapper-gwHjlj jdTgya"><div class="ContributorNameAndTleWrapper-jlSeaF ifAFdg"><h1 data-ttid="ContributorHearName" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContributorHearName-fNrWXe iUEiRd cSfQOi kxfYnW">E.A. 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lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Hollywood</span></div><a class="SummaryItemHedLk-civM cxlTHI summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-1" data-recirc-pattern="summary-em" href=" target="_self"><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp SummaryItemHedBase-hiFYpQ evYKZo summary-em__hed"><div class="ClampContent-hilPkr jVhSBH"><div class="SummaryItemHedTag-TWblf gxaOcP" data-ttid="SummaryItemHed"><em>The Whe Lot</em> Season 2: All the Easter Eggs You May Have Missed</div></div></div></a><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd ijSOpT jDyfzW summary-em__k">A gui to the hidn referenc this buzzy anthology’s new episos, om first-season llbacks to what <em>exactly</em> is happeng wh Daphne’s traer.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY gRtaxp summary-em__byle"><div 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Prley, Losg Lisa Marie, and Inherg Graceland</div></div></div></a><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd ijSOpT jDyfzW summary-em__k"><em>Daisy Jon & the Six</em> propelled her to stardom even as she navigated tragedi, new motherhood, and a legal stggle wh Priscilla.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY gRtaxp summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH iNSiTG byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd bIbWCO gnILss byle__preamble">By </span>Brt Hennemuth</span></span></p></div></div></div></div></div></div><div class="AdWrapper-dQtivb fZrssQ 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breakfast at tiffany's fred gay

Los Angel–based wrer Sam Wasson's new book, 5th Ave, 5 AM: Audrey Hepburn, Breakfast at Tiffany's, and the Dawn of the Morn Woman, which is out today om HarperStud, tells the story of how a book about a gay man love wh a ll girl turned to a beloved romance between a dreamboat and a style maven. VF Daily: I heard you have a New York Tim–approved book out, 5th Ave, 5 AM: Audrey Hepburn, Breakfast at Tiffany's, and the Dawn of the Morn Wasson: That's the one. I wrote !We've talked about this before, but I want to know more about your thoughts on how the film exprs feme morny. What are the signifiers—what is the secret language?Thk of olr romantic edi om the classil era, and even to the 50s. In those movi, the woman tends not to have many optns. Eher she's an unhappy marriage and wants to get out or she's love wh a guy that, for whatever reason, she n't have. They tend to be triangl of some kd. But what amounts to is that bee there's this no-sex-before-marriage stigma—she n't shop around, so to speak. Her optns are limed, and her time as a sgle woman is sexls. Then Audrey around Tiffany's, and sudnly she has all of the suors. She has had sex, and, fact, she's already been married and divorced! And far om beg a bad thg—somethg she will be punished for—she's actually reward for . She's charmg, adorable, fun—she's Audrey! So mt be O.K.

Contents:

HOLLY GOLIGHTLY IS A CALL GIRL AND OTHER REVELATNS ABOUT BREAKFAST AT TIFFANY'SBY E.A. HANKSJUNE 22, 2010SAVE THIS STORYSAVESAVE THIS STORYSAVELOS ANGEL–BASED WRER SAM WASSON'S NEW BOOK, 5TH AVE, 5 AM: AUDREY HEPBURN, BREAKFAST AT TIFFANY'S, AND THE DAWN OF THE MORN WOMAN, WHICH IS OUT TODAY OM HARPERSTUD, TELLS THE STORY OF HOW A BOOK ABOUT A GAY MAN LOVE WH A LL GIRL TURNED TO A BELOVED ROMANCE BETWEEN A DREAMBOAT AND A STYLE MAVEN.VF DAILY: I HEARD YOU HAVE A NEW YORK TIM–APPROVED BOOK OUT, 5TH AVE, 5 AM: AUDREY HEPBURN, BREAKFAST AT TIFFANY'S, AND THE DAWN OF THE MORN WOMAN.SAM WASSON: THAT'S THE ONE. I WROTE !WE'VE TALKED ABOUT THIS BEFORE, BUT I WANT TO KNOW MORE ABOUT YOUR THOUGHTS ON HOW THE FILM EXPRS FEME MORNY. WHAT ARE THE SIGNIFIERS—WHAT IS THE SECRET LANGUAGE?THK OF OLR ROMANTIC EDI OM THE CLASSIL ERA, AND EVEN TO THE 50S. IN THOSE MOVI, THE WOMAN TENDS NOT TO HAVE MANY OPTNS. EHER SHE'S AN UNHAPPY MARRIAGE AND WANTS TO GET OUT OR SHE'S LOVE WH A GUY THAT, FOR WHATEVER REASON, SHE N'T HAVE. THEY TEND TO BE TRIANGL OF SOME KD. BUT WHAT AMOUNTS TO IS THAT BEE THERE'S THIS NO-SEX-BEFORE-MARRIAGE STIGMA—SHE N'T SHOP AROUND, SO TO SPEAK. HER OPTNS ARE LIMED, AND HER TIME AS A SGLE WOMAN IS SEXLS. THEN AUDREY AROUND TIFFANY'S, AND SUDNLY SHE HAS ALL OF THE SUORS. SHE HAS HAD SEX, AND, FACT, SHE'S ALREADY BEEN MARRIED AND DIVORCED! AND FAR OM BEG A BAD THG—SOMETHG SHE WILL BE PUNISHED FOR—SHE'S ACTUALLY REWARD FOR . SHE'S CHARMG, ADORABLE, FUN—SHE'S AUDREY! SO MT BE O.K.GROWN WOMEN ARE STILL SNDALIZED WHEN TOLD THAT HOLLY IS A LL GIRL. THE MOVIE ALS D LANGUAGE THAT STILL TRAS SIGNALS. THEY DON'T SEEM TO UNRSTAND "$50 FOR THE POWR ROOM."THERE IS A FE TRANSACTN GOG ON THERE. THE STUD, THE SCREENWRER, THE DIRECTOR, THE SIGNERS, AND JT ABOUT EVERYONE VOLVED THE MAKG OF THE PICTURE HAD TO BE VERY, VERY REFUL ABOUT WALKG THAT LE. SO Y, IS HEAVILY D. LIKE MSAG PASSED UNRGROUND; A REVOLUTN A LANGUAGE ONLY REVOLUTNARI N UNRSTAND. THE DRS [IS A UNTO SELF]. IT SENDS A MSAGE THAT THIS IS A GIRL WH KNOWLEDGE AND EXPERIENCE. THAT'S WHAT SOPHISTITN IS AND 'S NOT ON SOME KD OF GRAN DAME—BETTY DAVIS OR GLORIA SWANSON—BUT SOMEONE ON THE OUTSI OF TIFFANY'S LOOKG . A GIRL WHO'S TRYG TO GET TO THE BIG TIME, AND HOW IS SHE TRYG TO DO ? SEX! AND BEE 'S AUDREY, LIKE I SAID, 'S O.K.SHE LIV ON THE BORRS OF SOCIETY, LIKE ALL REVOLUTNARI.Y. [AND THE DRS IS] BLACK—LET'S NOT FET BLACK. WHAT DO THAT MEAN A CULTURE OF OUOU AND FLORALS AND ILLS? THIS GIRL HAS EDGE! WHICH IS ANOTHER WORD FOR SEX, IS NOT?LET'S TALK ABOUT THE DIFFERENC BETWEEN THE BOOK AND THE MOVIE, NOT PLOT-WISE, BUT TONE. AND HOW HOLLYWOOD, AS STOOD THEN, ACTS AS A SORT OF FUNNEL—CHANGG THE STORY ACRDG TO S OWN L.RIGHT. I MEAN, HOLLYWOOD HAD TO TAKE A NOVEL WH A GAY MAN LOVE WH A STRAIGHT LL GIRL AND TURN TO A ROMANTIC EDY!THE STORY OF A GAY MAN LOVE WH A SEXUALLY PROMISCUO STRAIGHT WOMAN SEEMS A VERY NEW YORK STORY. HOW DO THE CY NFIGURE TO THE STORY?ONE OF THE THGS PEOPLE FET ABOUT THE BOOK IS THAT 'S TOLD FLASHBACK: CAPOTE IS WRG ABOUT A NEW YORK GONE BY. ALL OF IS ABOUT LOSS. BUT ACTUALLY THE CY, I WOULD SAY, PLAYS A BIGGER ROLE THE FILM. THAT'S ONE OF BLAKE EDWARDS'S ACHIEVEMENTS AS THE DIRECTOR. THAT STUNNG SHOT OF FIFTH AVENUE AT FIVE A.M. IS ABOUT AS ELEGANT AND EVOTIVE AS ANYTHG CAPOTE'S NOVEL. THE CY THE NOVEL IS ALSO A PLACE WHERE PEOPLE WHO DON'T F N F . FRGE PERSONALI BELONG NEW YORK BEE EVERYTHG BELONGS NEW YORK. THAT'S ONE OF THE REASONS HOLLY LEAV TEXAS AND CHANG HER NAME. IN NEW YORK YOU N BEE ANYTHG.MOST POPULARAND JT LIKE THAT: MICHAEL PATRICK KG KNOWS WHEN THE AUDIENCE TURNED ON CHE DIAZBY CHRIS MURPHYMARJORIE TAYLOR GREENE: IMPEACH BIN NOW OR I'LL SHUT DOWN THE GOVERNMENTBY ERIC LUTZKYLE DCHANEL, THE ROTHSCHILD WHO WASN’TBY NATE FREEMANHOW IS CAPOTE THIS STORY? WHERE DO HIS TERTS LIE, WHERE ARE HIS SYMPATHI, WHERE DO HE ATTEMPT TO MORALIZE?CAPOTE IS EVERYWHERE. HE IS HOLLY. HE IS THE NARRATOR. HE'S THE GIRL WHO N'T FD A HOME, AND HE'S THE MAN WHO DREAMS OF HER POWER AND CELEBRY. HE'S THE JOURNALIST WHO WANTS TO PTURE THIS TYPE OF NEW YORK GIRL. AND HE'S THE SON WHOSE OWN MOTHER HELPED FED HOLLY'S BACKSTORY. HIS TERT IS PERSONALY, REPORTG, AND THE FEELG OF LOSS THAT PERVAS THE BOOK. IN A WAY, BREAKFAST AT TIFFANY'S LOOKS AHEAD TO IN COLD BLOOD. THOUGH ISN'T LABELED NONFICTN, CAPOTE WAS VERY OUTSPOKEN ABOUT TRYG TO PTURE THAT NEW YORK GIRL WHO TO THE CY HOPG TO MAKE . WE SEE THEM EVERYWHERE TODAY: MOLS, ACTRS, SOCIAL.WHERE DO YOU START WH A PROJECT LIKE 5 AM?FEAR AND WORRY. I'M KIDDG. WELL, NOT REALLY.AND WHAT WERE YOUR GOALS?I WANTED TO UNRSTAND THE FASCATN BEHD THE MOVIE. ASK SOMEONE WHY THEY LOVE BREAKFAST AT TIFFANY'S AND WHAT WILL THEY SAY? IT'S ROMANTIC. IT'S STYLISH. I LOVE AUDREY, ETC. BUT THERE ARE OTHER MOVI THAT FALL TO THOSE TEGORI—SO WHAT WAS ABOUT BREAKFAST AT TIFFANY'S? AND TRYG TO ANSWER THAT QUTN, I DISVERED ALL OF THIS BEHD-THE-SCEN STUFF ABOUT THE MAKG OF THE MOVIE THAT JT FLOORED ME. I MEAN, HOW HARD WAS TO MAKE. I DON'T KNOW WHY THAT SURPRISED ME. OF URSE WAS HARD TO MAKE! ANYTHG THAT'S GOG TO BREAK BARRIERS LIKE TIFFANY'S IS GOG TO HAVE S TRACTORS. THE PEOPLE WHO SAY, "NO. TOO MUCH! TOO SEXY!" AND THEN I WAS OFF . . .WHAT IS YOUR RELATNSHIP WH TIFFANY'S NOW? HOW DO YOU SEE THE STORY DIFFERENTLY THAN WHEN YOU STARTED?ACTUALLY, I HAVE MORE ADMIRATN FOR . MORE LOVE FOR AUDREY AND MORE SADNS FOR TMAN. EVERYONE I SPOKE WH TOLD ME THEY LOVED AUDREY AND THEY MEANT . THEY DIDN'T HAVE TO. SHE WAS WONRFUL. WONRFUL! PEOPLE I SPOKE WH SISTED I UNRSTOOD THAT. AND TMAN . . . IT BREAKS MY HEART. IT'S VERY PLITED AND I DON'T WANT TO GIVE SHORT SHRIFT, BUT I'M NOT SURE HE REALLY FELT LOVE. AND IF HE DID FEEL , I'M NOT SURE FELT GOOD TO HIM.WHAT IS THE ONE THG YOU WISHED EVERYONE KNEW ABOUT BREAKFAST AT TIFFANY'S?HOW MUCH THEY PHED THE ENVELOPE, AND HOW TLY DID CHANGE THE URSE OF WOMEN THE MOVI.E.A. HANKS

And while other schools of thought claim that Capote beg a homosexual was also ed by his relatnship wh his mother, ’s more likely that his adult penncy on dgs and alhol were directly ed by Na as well. Holly is unfazed by the fact that Capote’s namels narrator, whom she mysterly lls “Fred” after her brother, is gay, and the character even laments at beg a “b of a dyke” herself. Although ’s never explicly stated or discsed, given that male homosexualy was still illegal North Ameri, “Fred” is ed a homosexual, and Holly even refers to him as “M”—gay slang om the 50s.

But she’s the kd of girl gay men adore.

” Or, to put more morn terms: straight men want to be wh her, straight women and gay men want to be her.

*BEAR-MAGAZINE.COM* BREAKFAST AT TIFFANY'S FRED GAY

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class="ArticlePageLeBackground-EufvU tFsh"><hear class="ContentHearWrapper-clujbs hksevn ntent-hear article__ntent-hear"><div data-ttid="ContentHearContaer" class="ContentHearContaer-cGKRbE knDxNq"><div class="ContentHearHedAccredatnWrapper-GFiQf cDNVlV"><div data-ttid="ContentHearTleBlockWrapper" class="ContentHearTleBlockWrapper-cjmSKp ikebRK"><div data-ttid="ContentHearRubric" class="ContentHearRubricBlock-LmpbT bUmLnT"><div data-ttid="ContentHearRubricDateBlock" class="ContentHearRubricDateBlock-kAQcZP fTFWxD"><div class="RubricWrapper-dKmCNX iJOI bric ContentHearRubricContaer-eTudtt iRsSlw"><a class="RubricLk-gRWSOU kImecF bric__lk" href="/culture/books"><span class="RubricName-fVtemz cLxcNi">Books</span></a></div></div></div><h1 data-ttid="ContentHearHed" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearHed-NCyCC iUEiRd HXZX gydgrM">Holly Golightly Is a Call Girl and Other Revelatns About <em>Breakfast at Tiffany's</em></h1></div><div class="ContentHearAccredatn-lfctVB eDhhwT ntent-hear__accredatn" data-ttid="ContentHearAccredatn"><div class="ContentHearByle-kmPyCa emiglw"><div class="ContentHearByleContent-dpPmNn DRFq"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl ContentHearByl-cZqgyJ bHLeKI"><p class="ByleWrapper-jWHrLH jqYyWD byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd bIbWCO gnILss byle__preamble">By </span><a class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM ByleLk-gEnFiw iUEiRd kIEUAJ lddgzd eErqIx byle__name-lk button" href="/ntributor/e-a-hanks">E.A. Hanks</a></span></span></p></div><time data-ttid="ContentHearPublishDate" dateTime="2010-06-22T08:01:27-04:00" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearPublishDate-eIBicG iUEiRd bSlZUC cmPkTr">June 22, 2010</time></div></div></div></div><div class="ContentHearLeadAsset-hGbumP dDDxdb lead-asset ContentHearLeadAssetWrapper-hfXHEc Grck" data-ttid="ContentHearLeadAsset"><figure class="ContentHearLeadAssetContent-kOfYSG dRGWbI"><div class="ContentHearLeadAssetContentMedia-bLEIpi jjhWdS lead-asset__ntent__photo"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset ContentHearRponsiveAsset-bREgIb hONbnm"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz ghtAvV"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa ContentHearRponsiveAsset-bREgIb hONbnm rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w, 960w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w, 1920w, 2240w" siz="100vw"/><img alt="Image may nta Human Person Clothg and Apparel" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></div></div></span></div></figure></div></div></hear></div><div data-attribute-verso-pattern="article-body" class="ArticlePageContentBackGround-cNiFNN diFyUH article-body__ntent"><div class="ActnBarWrapperContent-lasBkU cAHp"><div class="ActnBarWrapperComponent-cjwxLS bEeSLb"><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh izlawS viewport-monor-anchor"><button id="bookmark" aria-label="Save" class="ActnBarButton-dyFOZU foKBbl bookmark large-screen"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Save this story</tle><path class="in-bookmark-stroke" d="M11.7661 16.3228L4.5 20.1695V3.5H19.5V20.1695L12.2339 16.3228L12 16.199L11.7661 16.3228Z" stroke-lep="square"/></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd kdAzed gkccfO">Save</span></button></div><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh ledqMp viewport-monor-anchor"><button id="bookmark" aria-label="Save" class="ActnBarButton-dyFOZU ePWKOF bookmark mobile"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Save this story</tle><path class="in-bookmark-stroke" d="M11.7661 16.3228L4.5 20.1695V3.5H19.5V20.1695L12.2339 16.3228L12 16.199L11.7661 16.3228Z" stroke-lep="square"/></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd kdAzed gkccfO">Save</span></button></div></div></div><div class="ArticlePageChunksContent-etcMtP bwyLBj"><div data-ttid="ArticlePageChunks" class="ArticlePageChunks-fLyCVG eOdfIs"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa gwvVqF body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="has-dropp">Los Angel–based wrer Sam Wasson's new book, <em><a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">5th Ave, 5 AM: Audrey Hepburn, Breakfast at Tiffany's, and the Dawn of the Morn Woman</a>,</em> which is out today om HarperStud, tells the story of how a book about a gay man love wh a ll girl turned to a beloved romance between a dreamboat and a style maven.</p><p><strong><em>VF Daily:</em> I heard you have a <a href="><em>New York Tim</em>–approved</a> book out, <em><a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">5th Ave, 5 AM: Audrey Hepburn, Breakfast at Tiffany's, and the Dawn of the Morn Woman</a>.</em></strong></p><p class="paywall"><em>Sam Wasson:</em> That's the one. I wrote !</p><div class="AdWrapper-dQtivb fZrssQ ad ad---ntent"><div class="ad__slot ad__slot---ntent" data-no-id="sc4u2"></div></div><p class="paywall"><strong>We've <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">talked about this before</a>, but I want to know more about your thoughts on how the film exprs feme morny. What are the signifiers—what is the secret language?</strong></p><div class="Contaer-bkChBi byNLHx"></div><p class="paywall">Thk of olr romantic edi om the classil era, and even to the 50s. In those movi, the woman tends not to have many optns. Eher she's an unhappy marriage and wants to get out or she's love wh a guy that, for whatever reason, she n't have. They tend to be triangl of some kd. But what amounts to is that bee there's this no-sex-before-marriage stigma—she n't shop around, so to speak. Her optns are limed, and her time as a sgle woman is sexls. Then Audrey around <em>Tiffany's,</em> and sudnly she has all of the suors. She <em>has</em> had sex, and, fact, she's already been married and divorced! And far om beg a bad thg—somethg she will be punished for—she's actually reward for . She's charmg, adorable, fun—she's <em>Audrey!</em> So mt be O.K.<strong>Grown women are still sndalized when told that Holly is a ll girl. The movie als d language that <em>still</em> tras signals. They don't seem to unrstand "$50 for the powr room."</strong></p><p class="paywall">There is a fe transactn gog on there. The stud, the screenwrer, the director, the signers, and jt about everyone volved the makg of the picture had to be very, <em>very</em> reful about walkg that le. So y, is heavily d. Like msag passed unrground; a revolutn a language only revolutnari n unrstand. The drs [is a unto self]. It sends a msage that this is a girl wh knowledge and experience. That's what sophistitn is and 's not on some kd of gran dame—Betty Davis or Gloria Swanson—but someone on the outsi of Tiffany's lookg . A girl who's tryg to get to the big time, and how is she tryg to do ? Sex! And bee 's Audrey, like I said, 's O.K.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-1 viewport-monor-anchor"></div><p class="paywall"><strong>She liv on the borrs of society, like all revolutnari.</strong></p><p class="paywall">Y. [And the drs is] black—let's not fet black. What do that mean a culture of ouou and florals and ills? This girl has edge! Which is another word for sex, is not?</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p class="paywall"><strong>Let's talk about the differenc between the book and the movie, not plot-wise, but tone. And how Hollywood, as stood then, acts as a sort of funnel—changg the story acrdg to s own l.</strong></p><p class="paywall">Right. I mean, Hollywood had to take a novel wh a gay man love wh a straight ll girl and turn to a romantic edy!</p><p class="paywall"><strong>The story of a gay man love wh a sexually promiscuo straight woman seems a very New York story. How do the cy nfigure to the story?</strong></p><p class="paywall">One of the thgs people fet about the book is that 's told flashback: Capote is wrg about a New York gone by. All of is about loss. But actually the cy, I would say, plays a bigger role the film. That's one of Blake Edwards's achievements as the director. That stunng shot of Fifth Avenue at five a.m. is about as elegant and evotive as anythg Capote's novel. The cy the novel is also a place where people who don't f n f . Frge personali belong New York bee <em>everythg</em> belongs New York. That's one of the reasons Holly leav Texas and chang her name. In New York you n bee anythg.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB kNleGZ sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="Contaer-bkChBi byNLHx"></div><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="yye6f"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div><div data-attr-viewport-monor="" class="RecircMostPopularWrapper-bRuGTi jkTTgR recirc-most-popular-wrapper viewport-monor-anchor"><div class="RecircMostPopularConter-jiViNn ktrplG recirc-most-popular-sparrow-trackg hi-asi-ad" data-most-popular-id="mod-most-popular-7695"><div class="RecircMostPopularHeadg-iVzhzt hBHzvB">Most Popular</div><ul 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BylePreamble-iJolpQ iUEiRd bIbWCO gnILss byle__preamble">By </span>Nate Freeman</span></span></p></div></div></div></div></div></div></li><li><div class="AdWrapper-dQtivb fZrssQ RecircMostPopularSummaryItem-jQxxiw gzPpAt ad ad--asi"><div class="ad__slot ad__slot--asi" data-no-id="z9201li"></div></div></li></ul><div class="RecircMostPopularFooter-enPjgs eAuebe"></div></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div><div data-ttid="RowWrapper" class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="my68b"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa gwvVqF body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="paywall"><strong>How is Capote this story? Where do his terts lie, where are his sympathi, where do he attempt to moralize?</strong></p><p class="paywall">Capote is everywhere. He is Holly. He is the narrator. He's the girl who n't fd a home, and he's the man who dreams of her power and celebry. He's the journalist who wants to pture this type of New York girl. And he's the son whose own mother helped fed Holly's backstory. His tert is personaly, reportg, and the feelg of loss that pervas the book. In a way, <em>Breakfast at Tiffany's</em> looks ahead to <em>In Cold Blood.</em> Though isn't labeled nonfictn, Capote was very outspoken about tryg to pture that New York girl who to the cy hopg to make . We see them everywhere today: mols, actrs, social.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-2 viewport-monor-anchor"></div><p class="paywall"><strong>Where do you start wh a project like <em>5 AM</em>?</strong></p><p class="paywall">Fear and worry. I'm kiddg. Well, not really.</p><p class="paywall"><strong>And what were your goals?</strong></p><p class="paywall">I wanted to unrstand the fascatn behd the movie. Ask someone why they love <em>Breakfast at Tiffany's</em> and what will they say? It's romantic. It's stylish. I love Audrey, etc. But there are other movi that fall to those tegori—so what was about <em>Breakfast at Tiffany's</em>? And tryg to answer that qutn, I disvered all of this behd-the-scen stuff about the makg of the movie that jt floored me. I mean, how hard was to make. I don't know why that surprised me. Of urse was hard to make! Anythg that's gog to break barriers like <em>Tiffany's</em> is gog to have s tractors. The people who say, "No. Too much! Too sexy!" And then I was off . . .</p><p class="paywall">What is your relatnship wh Tiffany's now? How do you see the story differently than when you started?</p><p class="paywall">Actually, I have more admiratn for . More love for Audrey and more sadns for Tman. Everyone I spoke wh told me they loved Audrey and they meant . They didn't have to. She was wonrful. Wonrful! People I spoke wh sisted I unrstood that. And Tman . . . It breaks my heart. It's very plited and I don't want to give short shrift, but I'm not sure he really felt love. And if he did feel , I'm not sure felt good to him.</p><p class="paywall"><strong>What is the one thg you wished everyone knew about <em>Breakfast at Tiffany's</em>?</strong></p><p class="paywall">How much they phed the envelope, and how tly did change the urse of women the movi.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="zmmguw"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 PaywallInleBarrierWhWrapperGrid-fyrGfS kLQIUk grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__le-barrier article__body"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"><asi class="PaywallInleBarrierWrapper-iBnuqk lfXXa-D" data-ttid="PaywallInleBarrierWrapper"><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--paywall-le-barrier" role="prentatn" aria-live="pole" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--paywall-le-barrier"></div><div class="journey-un"></div></div></asi></div></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ContentWrapperGrid-fvkmBv brYtrA grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__ntaer"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"></div></div></div></div></div></div></article><div class="ContentFooterWrapper-jVNdRG dTJkpP ArticlePageContentFooterGrid-ccsXYy eMZRHU article-body__footer"><div class="ContentFooterContributorSpotlightWrapper-jglHff edmTAt"><sectn data-ttid="ContributorSpotlightContaer" class="ContributorSpotlightContaer-ccVxgz fwlOPD"><div class="ContributorSpotlightInnerContaer-elBox jSvXVx"><div class="ContributorSpotlightSgleColumn-idLiJU goRdaE"><sectn class="ContributorSpotlightSummaryGrid-jZdHDE hJMn"><div class="GridWrapper-cAzTTK hvFIAc grid grid-ems-2 ContributorSpotlightMaSectnGrid-kYVLYK gpZeIC"><div class="GridItem-buujkM eHLzLy grid--em"><div class="ContributorHearWrapper-cMHleS bnIcwz"><div class="ContributorGrid-fKcSKO fnuDrA"><div class="ContributorHearContent-gJdnVA cyzBPN"><div class="ContributorDenseHearWrapper-gwHjlj jdTgya"><div class="ContributorNameAndTleWrapper-jlSeaF ifAFdg"><h1 data-ttid="ContributorHearName" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContributorHearName-fNrWXe iUEiRd cSfQOi kxfYnW">E.A. 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lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Hollywood</span></div><a class="SummaryItemHedLk-civM cxlTHI summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-1" data-recirc-pattern="summary-em" href=" target="_self"><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp SummaryItemHedBase-hiFYpQ evYKZo summary-em__hed"><div class="ClampContent-hilPkr jVhSBH"><div class="SummaryItemHedTag-TWblf gxaOcP" data-ttid="SummaryItemHed"><em>The Whe Lot</em> Season 2: All the Easter Eggs You May Have Missed</div></div></div></a><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd ijSOpT jDyfzW summary-em__k">A gui to the hidn referenc this buzzy anthology’s new episos, om first-season llbacks to what <em>exactly</em> is happeng wh Daphne’s traer.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY gRtaxp summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH iNSiTG byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd bIbWCO gnILss byle__preamble">By </span>Savannah Walsh</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff fKazuH summary-em summary-em--has-le summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm kOHaaP" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz hlQxkn"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet="" siz="100vw"/><source media="(m-width: 768px)" srcSet="" siz="100vw"/><img alt="The 2023 Hollywood Issue: Selena Gomez, At Butler, Florence Pugh & More" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl clSLtF summary-em__ntent"><div class="RubricWrapper-dKmCNX hXRWeY bric bric--disvery SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Hollywood Issue 2023 Portfol</span></div><a class="SummaryItemHedLk-civM cxlTHI summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-2" data-recirc-pattern="summary-em" href=" target="_self"><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp SummaryItemHedBase-hiFYpQ evYKZo summary-em__hed"><div class="ClampContent-hilPkr jVhSBH"><div class="SummaryItemHedTag-TWblf gxaOcP" data-ttid="SummaryItemHed">The 2023 Hollywood Issue: Selena Gomez, At Butler, Florence Pugh & More</div></div></div></a><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd ijSOpT jDyfzW summary-em__k">For our 29th annual Hollywood ver, a dozen ptivatg young stars gather for the after-party of our dreams.</div></div></div><div class="SummaryItemWrapper-iwvBff fKazuH summary-em summary-em--has-le summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm kOHaaP" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz hlQxkn"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet="" siz="100vw"/><source media="(m-width: 768px)" srcSet="" siz="100vw"/><img alt="Riley Keough on Growg Up Prley, Losg Lisa Marie, and Inherg Graceland" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl clSLtF summary-em__ntent"><div class="RubricWrapper-dKmCNX hXRWeY bric bric--disvery SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Hollywood</span></div><a class="SummaryItemHedLk-civM cxlTHI summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href=" target="_self"><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp SummaryItemHedBase-hiFYpQ evYKZo summary-em__hed"><div class="ClampContent-hilPkr jVhSBH"><div class="SummaryItemHedTag-TWblf gxaOcP" data-ttid="SummaryItemHed">Riley Keough on Growg Up Prley, Losg Lisa Marie, and Inherg Graceland</div></div></div></a><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd ijSOpT jDyfzW summary-em__k"><em>Daisy Jon & the Six</em> propelled her to stardom even as she navigated tragedi, new motherhood, and a legal stggle wh Priscilla.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY gRtaxp summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH iNSiTG byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd bIbWCO gnILss byle__preamble">By </span>Brt Hennemuth</span></span></p></div></div></div></div></div></div><div class="AdWrapper-dQtivb fZrssQ SummaryCollectnGridSummaryItem-WColm kOHaaP ad ad--read-more"><div class="ad__slot ad__slot--read-more" data-no-id="u0ozy"></div></div><div class="SummaryItemWrapper-iwvBff fKazuH summary-em summary-em--has-le summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm kOHaaP" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz hlQxkn"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet="" siz="100vw"/><source media="(m-width: 768px)" srcSet="" siz="100vw"/><img alt="Te Crime, Te Fah: The Serial Killer and the Texas Mom Who Stopped Him" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl clSLtF summary-em__ntent"><div class="RubricWrapper-dKmCNX hXRWeY bric bric--disvery SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Style</span></div><a class="SummaryItemHedLk-civM cxlTHI summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-4" data-recirc-pattern="summary-em" href=" target="_self"><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp SummaryItemHedBase-hiFYpQ evYKZo summary-em__hed"><div class="ClampContent-hilPkr jVhSBH"><div class="SummaryItemHedTag-TWblf gxaOcP" data-ttid="SummaryItemHed">Te Crime, Te Fah: The Serial Killer and the Texas Mom Who Stopped Him</div></div></div></a><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd ijSOpT jDyfzW summary-em__k">In 1981, Margy Palm was abducted by Stephen Mor outsi a Kmart. She’s never told the whole shockg story—until now.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY gRtaxp summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH iNSiTG byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd bIbWCO gnILss byle__preamble">By </span>Julie Miller</span></span></p></div></div></div></div></div></div></div><div class="SummaryCollectnGridToActnWrapper-gnReGN eGayfk"></div></div></div></div></div></div><div data-ttid="RowWrapper" class="RowWrapper-UmqTg HEhan"><div class="TaboolaWrapper-hMVdpE iYfBhy"><div class="TaboolaWidgetWrapper-egPIjc hkSrgt TaboolaWidget-eUSdED hQCCRa" data-ttid="TaboolaWidgetWrapper"><div class="TaboolaWidgetContent-iBEQTO eXroXG TABOOLA" id="taboola-below-article-thumbnails" data-ttid="TaboolaWidgetContent"></div></div></div></div><div data-ttid="RowWrapper" class="RowWrapper-UmqTg HEhan"><div class="AdWrapper-dQtivb fZrssQ ad ad--footer should-hold-space"><div class="ad__slot ad__slot--footer" data-no-id="ei4vx7"></div></div></div></div></div></ma><div class="BasePageMaFooterFiller-hTlZph jSriYf page__ma-footer-filler"></div><div data-ttid="RowWrapper" class="RowWrapper-UmqTg HEhan"><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--cm-footer" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--cm-footer"></div><div class="journey-un"></div></div></div><div data-ttid="RowWrapper" class="RowWrapper-UmqTg HEhan BasePageSeFooterRow-kpEBGH jqlJed"><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0 BasePageSeFooterRowGrid-iBGjXL zQNeb"><div class="GridItem-buujkM kHPPIF grid--em"><footer class="SeFooterWrapper-bXjkRY bwIeHh se-footer--wh-store"><div class="SeFooterGridNoMargs-jSrXSj kdlxBX" data-ttid="SeFooterGridNoMargs"><div class="SeFooterBrandInfo-cdoqKy cdkwFG"><div class="SeFooterLogo-eYlNHY eigdAF se-footer__logo"><a href="/"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset SeFooterLogoRponsiveAsset-ckjzWk kubVDn se-footer__rponsive-image"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SeFooterLogoRponsiveAsset-ckjzWk kubVDn se-footer__rponsive-image rponsive-image"><img alt="Vany Fair" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="/verso/static/vany-fair/assets/" srcSet="" siz="100vw"/></picture></span></a></div><div data-ttid="SeFooterAbout" class="SeFooterAbout-lflfWa XEKOX"><div class="SeFooterAboutText-XXKBX blTbmF"></div></div><div class="SocialInsWrapper-hKMEXV hwdgCG social-ins social-ins--footer SeFooterSocialIns-cLAKVY pJQob"><ul data-ttid="socialInslist" class="SocialInsList-cHVTIA gBoIvv social-ins__list"><li class="SocialInsListItem-mbhR gQILrJ social-ins__list-em social-ins__list-em--facebook social-ins__list-em--footer"><a aria-label="Follow on Facebook" class="external-lk SocialInExternalLk-huuzOU bjORTK social-ins__lk social-ins__lk--facebook" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank"><div class="SocialInContaer-huXzUC pMzVC social-ins__in-ntaer"><svg class="SocialInNetworkInComponent-cZaKGz dlOAhZ in in-facebook" focable="false" viewBox="0 0 32 32" width="32" height="32" fill="none" xmlns="><tle>Facebook.

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