Domique Dugay. Camera and Electril Department: Hélène et l garçons. Domique Dugay is known for Hélène et l garçons (1992), Premiers baisers (1991) and L fill d'à côté (1993)." data-id="ma
Contents:
FILMS GAY & LBIEN ANçAIS
Hall, S., & du Gay, P. (1996). Qutns of Cultural Inty. London Sage Publitns. * du gay 1996 *
In particular, Pl du Gay shows how the paci and predisposns required of nsumers and those required of employe are creasgly difficult to distguish. Stuart Hall and Pl du Gay. Hall, S., & du Gay, P.
Neoliberal subjects are entreprenrial subjects who lculate about themselv and work on themselv orr to better themselv (du Gay, 1996). " Internatnal Journal of Qualative Studi Edutn20(3): Gay, P.
Pl du Gay. Create acuntENFully supportedEnglish (Uned Stat)Partially supportedFrançais (Canada)Français (France)Dtsch (Dtschland)हिंदी (भारत)Italiano (Italia)Português (Brasil)Español (España)Español (Méxi)Use appBackBgraphyIMDbProBgraphyEdMi BDomique Dugay is known for Hélène et l garçons (1992), Premiers baisers (1991) and L fill d'à côté (1993).
DOMIQUE DUGAY
Le Temps qui rte, Yv Sat Lrent, Gazon Md... et tr films Gay & Lbien ançais * du gay 1996 *
Keep track of how much of Domique Dugay’s work you have seen. The phrase has bee creasgly mon polil anthropology sce the send half of the 20th century wh the emergence of a wi diversy of social movements, cludg the women’s movement, the Ain Amerin civil rights movement, and the gay and lbian movement, as well as natnalist and postlonial movements.
Hall and du Gay 1996, Mart Alff and Mendieta 2003, and Mart Alff, et al.
Hall, Stuart, and Pl du Gay, eds.
* du gay 1996 *
Du Gay explor the nstctn of new work inti relatn to the Fouuldian ncept of ernmentaly. The ncept of ernment this sense pruppos “the pacy of dividuals as agents” (Du Gay, 1996, p. In this sense the promotn of prenteeism n be seen as a technology of self and of inty nstctn (Du Gay, 1996, p.
This paper suggts that some stanc workers only have a Hobson's choice, but even relatively privileged posns where choice is strongly articulated— may also be tightly posn supports Du Gay's readg of Certe. Du Gay relat the work of Certe to his tert inty at work. Strategy nstcts a realy “through the terplay of power and knowledge” (Du Gay, 1996, p.
Tactics are relatnal to power, and are “immanent to power” (Du Gay, 1996, p.