Gay Bar: Why We Went Out - Harvard Review

Contents:

• JAGUARS ASSOCIATE STRENGTH ACH OUT AS GAY A FIRST FOR US-BASED PRO LEAGU
• A MEMOIR ABOUT QUEER INTY, TOLD ONE GAY BAR AT A TIME
• 'GAY BAR' TRACKS THE WAVE OF A WHOLE CULTURE — AND ONE LIFE
• LGBTQ+ BERL – THE CY’S BT GAY BARS, CLUBS AND SNAS
• GAY BAR BY JEREMY ATHERTON L – A GOG OUT MEMOIR
• IN ‘GAY BAR,’ TIME-HOPPG SNAPSHOTS OF QUEER NIGHTLIFE
• IN A FIRST FOR THE NFL, JAGUARS ACH OUT AS GAY
• GAY BAR
• GAY BAR: WHY WE WENT OUT
• THE PLEASURE AND PA OF GAY BARS

JAGUARS ASSOCIATE STRENGTH ACH OUT AS GAY A FIRST FOR US-BASED PRO LEAGU

In a culturally nservative muny, where gog to church and buildg a fay were heavily emphasized, Ahn felt his gay inty kept him “om beg able to participate Korean culture.

” Then, he started equentg GAMeBoi, a weekly Asian Amerin gay party at Wt Hollywood’s Rage Nightclub. He learned to embrace beg both Korean and gay, so much so that he directed “Fire Island, ” a groundbreakg queer Asian Amerin rom- released last year.

Beg Asian Amerin and LGBTQ+ n feel lonely, wh stutns such as ethnic church often disavowg non-heterosexual relatnships while tradnal LGBTQ+ spac such as gay bars n be unwelg to people of lor. “Fdg plac like GAMeBoi, where beg queer and Asian do -exist … It’s not like a 1, 000-year-old Korean cultural rual, but I uld create a new rual, ” said Ahn, a recent Friday, hundreds packed QT Nightlife’s monthly K-Pop Night at Micky’s, a Wt Hollywood gay club a block or so east om the old GAMeBoi posed for selfi a pk Barbie box wh dis balls hangg overhead. ” (Michael Owen Baker / For The Tim) Even historilly gay neighborhoods like Wt Hollywood or San Francis’s Castro district, Asian Amerins have long been ignored or fetishized, seen as feme and weak.

A MEMOIR ABOUT QUEER INTY, TOLD ONE GAY BAR AT A TIME

In 2019, then-Wt Hollywood Mayor John Duran argued that he did not appropriately touch a member of the Gay Men’s Chos of Los Angel bee “he’s a skny Korean kid wh pimpl on his cheek.

'GAY BAR' TRACKS THE WAVE OF A WHOLE CULTURE — AND ONE LIFE

” Asian Amerin advocy groups cricized Duran’s remark, wh API Equaly-LA potg to the long history of discrimatn agast Asian men gay muni such as Wt Hollywood, whose clubs “ed to require three forms of photo intifitn om anyone they perceived as Asian.

On this night, he had brought some female high school iends who wanted to experience the gay clubbg scene. AdvertisementSKIP Jeremy Atherton LWhen you purchase an penntly reviewed book through our se, we earn an affiliate 9, 2021GAY BARWhy We Went OutBy Jeremy Atherton LHistory, as is tght, is a straight le of domo fallg — the relentls clack of fact htg fact, an orrly que of aly stretchg on forever. History, as is lived, is a reelg spiral of flight and return; the erative reawakeng of new selv faiar plac; a never-endg terrogatn of our own nfed and nfg motiv; a msy slather of dots on a graph where the center n be plotted only Atherton L’s betiful, lyril memoir, “Gay Bar: Why We Went Out, ” cloaks this lived history that learned history, examg an objective subject — gay bars — to create a highly subjective object: a book about his life, flensed down to jt the bs that ma past the chapter foc on one particular gay bar (jumpg om London to Los Angel to San Francis and back), s history and s place the trajectory of Atherton L’s life.

LGBTQ+ BERL – THE CY’S BT GAY BARS, CLUBS AND SNAS

“Gay Bar” danc on the edge of that third space between fictn and nonfictn, a space often rerved for poetry. Atherton L himself is renred only relatn to the bars he walks through; you’ll fd yourself hard-prsed at the end to say where he was born or how many siblgs he has (and you won’t re) Atherton L has a five-octave, Mariah Carey-que range for discsg gay sex. Like any good gay bar, this book has a bouncer, and his name is is Atherton L’s first book, but benefs om his extensive experience as an sayist and an edor of Failed Stat, a journal about plac.

“Gay Bar” is well crafted (which is pecially pleasg nsirg this is a memoir about stctur), wh a strong thorial hand that mak the rear feel refully shepherd through the text, even as Atherton L jumps s and ntents.

GAY BAR BY JEREMY ATHERTON L – A GOG OUT MEMOIR

When he discs an important 1966 prott at the historic Greenwich Village gay bar Juli’, he c a New York Tim article to talk about the “tr of activists” volved — not realizg that the article left out a fourth man, Randy Wicker (the only one still alive, cintally enough) a half page later, though, Atherton L warns that spe the activist claim that gay bars “should be kept open to facilate knowledge passg between generatns, ” he himself had never really received gay wisdom “on a barstool. ” This book is not about history, the subject you study, but history, that thg you have wh that guy by the jebox whose name you n’t the fal chapter of “Gay Bar, ” Atherton L grappl wh gog to a new generatn of bars, created by very different forc, meetg very different needs.

Gay Bar b memoir, history and cricism; 's a difficult book to p down, but that's what mak so readable and so endlsly fascatg. Atherton L's book starts off a crowd room a gay bar where he's gone cisg wh his partner, whom he refers to throughout the book wh the Leonard Cohen-spired nickname Famo Blue Raat. That kd of gay bar — all kds of gay bars, really — are danger of closg, Atherton L wr, due to the populary of datg apps and risg property sts.

IN ‘GAY BAR,’ TIME-HOPPG SNAPSHOTS OF QUEER NIGHTLIFE

He's ambivalent about the velopment, wrg, "I had to nsir whether gay bars promised a sense of belongg then lured to a trap. In a gay bar, am I penned to mory stat, swallowg drks that nourish my opprsn — have gay bars kept me my place?

He wr betifully about his llege days Los Angel, where he went to his first one, though he n't rell the name, wryly notg, "Of urse I n't remember my first gay bar — I was dnk. " He's also spired to dig to the past: "Enough time has passed that gay bars, once a surge, have bee monumental their own way.

" That history clus the famo 1969 uprisg at the Stonewall Inn New York, but Atherton L also div to other, lser-known bars, cludg on that endured police raids meant to put gay people their place. Throughout the book, Atherton L scrib the gay bars that he equented, and his scriptns of the tablishments are endlsly evotive.

IN A FIRST FOR THE NFL, JAGUARS ACH OUT AS GAY

" Atherton L explor topics like archecture and urban geography, as they relate to gay bars, betifully; he wr wh a real knowledge that's more than jt tellectual dilettantism. About the changg looks of bars before the turn of the century, he observ, "A new type of gay bar began to appear London's Soho the neti — airy, glossy, ntental. " Along the way, Atherton L dips to other topics related to the gay muny: the appropriatn of gay culture by straight people, mic, drkg, and the valu of the younger generatn of LGBTQ people.

Gay Bar is a book that's beyond imprsive, and Atherton L's wrg is both extremely telligent and rehgly unpretent. And while succeeds on many levels, perhaps the most remarkable one is Atherton L's nstant qutng of himself, and the realizatns of how he's changed sce he walked to his first gay bar years ago: "Maybe, I thought, I'm a dis ball.

On Irish televisn news, the headl rmed the natn that Panti Bliss, a brilliantly articulate mpaigner, had arrived at Dubl Castle, as ed she gay was all the rage jt then. Leo Varadkar, mister for health, soon to be taoiseach, had announced that he was gay, as did a former mister om the other ma party, as did a well-known TV news journalist. That day would not have been surprisg had all the bishops of Ireland arrived their fery to let know that they, too, wanted to jo our Gay Bar, a brilliantly wrten and cisive acunt of gay life Los Angel, San Francis and London, Jeremy Atherton L quot the cric Ben Walters on gay history that is “agile om fear and fettg, too often wrten whispers and saved scraps”.

GAY BAR

I imaged a walk that two men of my generatn – I me to Dubl 1972 – might do to revis the gay plac that have gone, such as The Gym, a sna jt a stone’s throw om Dubl Castle, or Ingno, another sna, much favoured by prits. Photograph: Clodagh Kilyne/Getty ImagThe arrival of the big, loud gay venu Dubl me at the same time as other eedoms. In Barcelona 1975, when Fran died, there was not a sgle bar that was clearly signated as gay the cy.

GAY BAR: WHY WE WENT OUT

“Gays, ” he wr, “n relax a gay bar, people will say, but I went out for the tensn the room.

THE PLEASURE AND PA OF GAY BARS

He wr about a DJ his 40s lled B Statn John who “played ecstatic sets of arne dis … He was there to bear wns, to ttify, g rare tracks om what he lled ‘the goln age of gay’, the perd between Stonewall and Aids.