Over the years, the number of gay nightclubs has dwdled the Fort Myers area, some do to revelopment their neighborhoods, others simply do...
Contents:
- A MEMOIR ABOUT QUEER INTY, TOLD ONE GAY BAR AT A TIME
- IN ‘GAY BAR,’ TIME-HOPPG SNAPSHOTS OF QUEER NIGHTLIFE
- GAY BAR BY JEREMY ATHERTON L REVIEW – A LURID, LERARY NIGHT OUT
- GAY BAR: WHY WE WENT OUT
- GAY BAR BY JEREMY ATHERTON L – A GOG OUT MEMOIR
- THE DEATH OF THE GAY BAR
- 'GAY BAR' TRACKS THE WAVE OF A WHOLE CULTURE — AND ONE LIFE
- THE 42 BT GAY BARS AMERI
- GAY BARS AREN’T DISAPPEARG; THEY’RE CHANGG
- BT GAY CLUBS FORT MYERS
A MEMOIR ABOUT QUEER INTY, TOLD ONE GAY BAR AT A TIME
In his new memoir, “Gay Bar,” Jeremy Atherton L documents his personal history and the history of queer inty by explorg gay bars around the world. * review of gay bar *
AdvertisementSKIP Jeremy Atherton LWhen you purchase an penntly reviewed book through our se, we earn an affiliate 9, 2021GAY BARWhy We Went OutBy Jeremy Atherton LHistory, as is tght, is a straight le of domo fallg — the relentls clack of fact htg fact, an orrly que of aly stretchg on forever.
History, as is lived, is a reelg spiral of flight and return; the erative reawakeng of new selv faiar plac; a never-endg terrogatn of our own nfed and nfg motiv; a msy slather of dots on a graph where the center n be plotted only Atherton L’s betiful, lyril memoir, “Gay Bar: Why We Went Out, ” cloaks this lived history that learned history, examg an objective subject — gay bars — to create a highly subjective object: a book about his life, flensed down to jt the bs that ma past the chapter foc on one particular gay bar (jumpg om London to Los Angel to San Francis and back), s history and s place the trajectory of Atherton L’s life. Atherton L himself is renred only relatn to the bars he walks through; you’ll fd yourself hard-prsed at the end to say where he was born or how many siblgs he has (and you won’t re) Atherton L has a five-octave, Mariah Carey-que range for discsg gay sex.
IN ‘GAY BAR,’ TIME-HOPPG SNAPSHOTS OF QUEER NIGHTLIFE
An cisive history of London, LA and San Francis rells the sights, sounds and distctive smells of gay life om the 1990s to today * review of gay bar *
Like any good gay bar, this book has a bouncer, and his name is is Atherton L’s first book, but benefs om his extensive experience as an sayist and an edor of Failed Stat, a journal about plac.
“Gay Bar” is well crafted (which is pecially pleasg nsirg this is a memoir about stctur), wh a strong thorial hand that mak the rear feel refully shepherd through the text, even as Atherton L jumps s and ntents. When he discs an important 1966 prott at the historic Greenwich Village gay bar Juli’, he c a New York Tim article to talk about the “tr of activists” volved — not realizg that the article left out a fourth man, Randy Wicker (the only one still alive, cintally enough) a half page later, though, Atherton L warns that spe the activist claim that gay bars “should be kept open to facilate knowledge passg between generatns, ” he himself had never really received gay wisdom “on a barstool. ” This book is not about history, the subject you study, but history, that thg you have wh that guy by the jebox whose name you n’t the fal chapter of “Gay Bar, ” Atherton L grappl wh gog to a new generatn of bars, created by very different forc, meetg very different needs.
If you felt a twge of boredom (bon if you thrill to disheveled, elive, gamy), then I have a book for Atherton L’s “Gay Bar” is a rtls and telligent cultural history of queer nightlife. In the openg scene, Atherton L and his partner (rather regrettably referred to as the Famo Blue Raat, after the Leonard Cohen song) go out to a London gay bar, lookg for a ltle adventure, and enter a crowd: “Wh a kd of btal elegance, the group spread apart like the blas of a pocketknife. Atherton L is a skilled rear of the signifiers of cloth and archecture, the fetishizatn of workg-class fashn, for example, and how the rise of AIDS fluenced sign cisns: “A new type of gay bar began to appear London’s Soho the ’90s — airy, glossy, ntental.
GAY BAR BY JEREMY ATHERTON L REVIEW – A LURID, LERARY NIGHT OUT
Gay Bar: Why We Went Out Jeremy Atherton L Ltle, Brown & Co., $28 (cloth) My favore bar San Francis, Tw Peaks Tavern, is danger of * review of gay bar *
Sometim that history is his Atherton“Gay Bar” offers a twist on the nventnal memoir; ’s a life seen snapshots, the bars as the backdrop. “Everythg about beg gay was so crowd: the ads for bars and rts and waxg servic rammed together, shallow and histrnic and imper, ” he wr.
) Most jarrg, perhaps, are Atherton L’s efforts at mimickg the theorists he clearly admir, those sectns that e across as parodi of amic wrg: “If the word muny is ed a failure of vobulary — too broad, too utopian — perhaps the metaphor to bt replace is metaphor self”; “gay bars are about potentialy, not rolutn.
GAY BAR: WHY WE WENT OUT
Author Jeremy Atherton L wr of the history of gay bars, as their existence is threatened by the populary of datg apps and risg property sts, and reflects on their prence his life. * review of gay bar *
He’s already told what he most miss about gay bars; how movgly he replit here, wh his wi, strobg tellect, enliveng skepticism, raslly allure: “Perhaps you uld ll a gay bar a galaxy: We are held together but kept om llidg by a fe balance of momentum and gravy.
Luckily, his worst misadventure happened when a vulpe lad he brought home om a bar “proceed to rip apart my Amerin Apparel T-shirt om the V-neck” this brand-nsc anecdote reveals, gay inty is a sartorial and existential mefield: before you go out, you have to ci what to wear, which will terme who you tend to be that eveng.
GAY BAR BY JEREMY ATHERTON L – A GOG OUT MEMOIR
He valu the bars as arenas of egalarianism, even if the would-be skheads he enunters East End hangouts are often guilty of “homosexual chinery”, passg for hooligans bee they like the wardrobe; a crique of the post-dtrial enomy, he blam nsumer culture for refg inty as a mody and -optg gay men as “experts leisure and athetics”, prized bee they have sh to spend on ippery. Dpe his mercurial temperament, L’s aim is nobly humane: he urg habués of the bars to look beyond the stereotyp that dify gay sire and “to see one another as multidimensnal begs”.
Gay Bar exemplifi the multidimensnaly L admir: ’s at once erotilly gamey and tellectually playful, bg soft porn wh social theory, semen wh semtics. Jeremy Atherton L’s Gay Bar: Why We Went Out is a seamls batn of memoir and cultural history, orbg the yteryear of queer nightlife—a ptivatg exercise that hg on the limatns of one genre provg the necsy of the other. The ocsn for Atherton L’s shamelsly hybrid text is the realizatn that, jt as queerns has graduated to the mastream, and cisg now primarily exists the digal sphere, so too has our qutsential gatherg space—the gay bar—lost somethg of s urgency.
THE DEATH OF THE GAY BAR
“Gay is an inty of longg, ” Atherton L wr, as he looks back on years spent those dark, crowd plac, “and there is a wistfulns to beholdg the form of a buildg, like how the sight of a theater stirs the imagatn. An epigraph om filmmaker and wrer Derek Jarman, a major figure gay rights activism at the height of the AIDS crisis, opens one chapter: “When I was young the absence of the past was a terror.
'GAY BAR' TRACKS THE WAVE OF A WHOLE CULTURE — AND ONE LIFE
AIDS, police btaly, a history of racism and vlence—the gay bar don’t get off easy jt for beg a sometim lifavg haven for a privileged few.
He scrib his early experienc as a gay man gay plac wh a tenrns for his younger self that never que veers to sentimentaly, prentg stead a hyper-ntextualized nostalgia wh well-curated dips to the historil rerd. Atherton L wr about gay culture as havg been built on the ia of imatn, “the longg embedd feelg real—on embracg that feelg, and refg to accept realns as ’s been nstcted for .
THE 42 BT GAY BARS AMERI
” And if the gay bar was once a place where we hoped we uld fd ourselv—to be someone different om who we’d been before—we did so wh tentn, buildg an inty om the ground up, playg the part until we’d memorized every le. Now the empty gay bars are “st-off exoskeletons, ” reprentative not of the promise of our future selv but of a time that has e and gone. And the gay bars the larger cy where I live now are often overn by straight tourists and dnken bachelorette parti, appropriatn beg a natural nsequence of beg seen.
GAY BARS AREN’T DISAPPEARG; THEY’RE CHANGG
As the remag partiers n attt, gay bars obvly still exist—“this is what we fought for, apparently”—but Atherton L mak the se for why they’ll never be the same. ” But upon reachg the wistfully movg ncln of Gay Bar, s narrator—a historian-as-participant—heads out of the bars and to the streets.
BT GAY CLUBS FORT MYERS
On Irish televisn news, the headl rmed the natn that Panti Bliss, a brilliantly articulate mpaigner, had arrived at Dubl Castle, as ed she gay was all the rage jt then. Leo Varadkar, mister for health, soon to be taoiseach, had announced that he was gay, as did a former mister om the other ma party, as did a well-known TV news journalist.
That day would not have been surprisg had all the bishops of Ireland arrived their fery to let know that they, too, wanted to jo our Gay Bar, a brilliantly wrten and cisive acunt of gay life Los Angel, San Francis and London, Jeremy Atherton L quot the cric Ben Walters on gay history that is “agile om fear and fettg, too often wrten whispers and saved scraps”. I imaged a walk that two men of my generatn – I me to Dubl 1972 – might do to revis the gay plac that have gone, such as The Gym, a sna jt a stone’s throw om Dubl Castle, or Ingno, another sna, much favoured by prits.