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Fox's new hip-hop seri tak a stand by troducg a gay character wh a notorly homophobic genre

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EMPIRE'S GAY SON IS THE SHOW'S GREATT ASSET

Rather than jt flailg agast his father's homophobia and retreatg to the fort of his keyboard, Jamal summoned his anger to a missn statement: He pledged to take over his father's pany. First, and I fear we've unrsold this our last two reps, how spectacular is that a work TV show picts not only a gay man of lor, but a gay man of lor the hetero-domated world of hip-hop? Lee Daniels and his team may have unrled Luc's homophobia too hard so far, havg him nsistently refer to Jamal as female and sist homosexualy is a choice egregly bluntly, but 's probably (and sadly) realistic—and mak Jamal's assertn that he is a gay man, emphasis on both of those scriptors, all the more valuable.

CANNED CKTAIL ‘GAY WATER’ AIMS TO SH ON BUD LIGHT’S DYLAN MULVANEY DISASTER

Yep, he’s gay.

In the prev episo of the Fox drama, a soulful kiss between the characters had many the gay muny a state of social-media outrage, what wh Jamal and Smollett beg LGBT idols and all.

Some argued that Jamal gog bi rerc the homophobic notn that a gay guy n be straightened out by the right girl. But Smollett and his Empire boss Lee Daniels—both openly gay—do not see this plot twist as a polil misfire.

*BEAR-MAGAZINE.COM* EMPIRE GAY GUY

'Empire' Rep: Jamal's Story Is the Show's Greatt Asset - The Atlantic</tle><meta name="scriptn" ntent="Audienc were promised <em>Kg Lear</em> and Def Jam, not Suge Knight&#39;s <i>Mystic River</i>. So why are we gettg more of the latter?"/><meta property="kx:tle" ntent="'Empire' Rep: Jamal's Story Is the Show's Greatt Asset - The Atlantic"/><meta property="kx:scriptn" ntent="Audienc were promised <em>Kg Lear</em> and Def Jam, not Suge Knight&#39;s <i>Mystic River</i>. 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So why are we gettg more of the latter?","url":","datePublished":"2015-01-22T03:00:00Z","dateModified":"2015-01-23T21:06:58Z","isAccsibleForFree":false,"hasPart":{"@type":"WebPageElement","isAccsibleForFree":false,"cssSelector":".article-ntent-body"},"publisher":{"@id":"},"maEntyOfPage":{"@type":"WebPage","@id":"},"image":[{"@type":"ImageObject","width":{"@type":"QuantativeValue","unCo":"E37","value":720},"height":{"@type":"QuantativeValue","unCo":"E37","value":405},"url":"},{"@type":"ImageObject","width":{"@type":"QuantativeValue","unCo":"E37","value":960},"height":{"@type":"QuantativeValue","unCo":"E37","value":540},"url":"},{"@type":"ImageObject","width":{"@type":"QuantativeValue","unCo":"E37","value":540},"height":{"@type":"QuantativeValue","unCo":"E37","value":540},"url":"}],"thor":[{"@type":"Person","name":"Joe Reid","sameAs":"},{"@type":"Person","name":"Kev O'Keeffe","sameAs":"}],"articleSectn":"Culture"}</script><lk rel="preload" as="image" href=" imageSrcSet=" 750w, 828w, 960w, 976w" imageSiz="(m-width: 976px) 976px, 100vw"/><meta name="next-head-unt" ntent="61"/><lk rel="preload" href=" as="style"/><lk rel="stylheet" href=" data-n-g=""/><lk rel="preload" href=" as="style"/><lk rel="stylheet" href=" data-n-p=""/><lk rel="preload" href=" as="style"/><lk rel="stylheet" href=" data-n-p=""/><lk rel="preload" href=" as="style"/><lk rel="stylheet" href=" data-n-p=""/><lk rel="preload" href=" as="style"/><lk rel="stylheet" href=" data-n-p=""/><lk rel="preload" href=" as="style"/><lk rel="stylheet" href="><lk rel="preload" href=" as="style"/><lk rel="stylheet" href="><noscript data-n-css=""></noscript><lk rel="preload" href=" as="script"/><lk rel="preload" href=" as="script"/><lk rel="preload" href=" as="script"/><lk rel="preload" href=" as="script"/><lk rel="preload" href=" as="script"/><lk rel="preload" href=" as="script"/><lk rel="preload" href=" as="script"/><lk rel="preload" href=" as="script"/><lk rel="preload" href=" as="script"/><lk rel="preload" href=" as="script"/><lk rel="preload" href=" as="script"/><lk rel="preload" href=" as="script"/><lk rel="preload" href=" as="script"/><lk rel="preload" href=" as="script"/><lk rel="preload" href=" as="script"/><lk rel="preload" href=" as="script"/><lk rel="preload" href=" as="script"/><lk rel="preload" href=" as="script"/><lk rel="preload" href=" as="script"/><lk rel="preload" href=" as="script"/><lk rel="preload" href=" as="script"/><lk rel="preload" href=" as="script"/><lk rel="preload" href=" as="script"/><lk rel="preload" href=" as="script"/><lk rel="preload" href=" as="script"/></head><body><div id="__next"><div data-tegory="story page"><div></div><nav class="Nav_root___6bX9" aria-labelledby="se-navigatn" data-tegory="Se Nav" data-event-module="se nav" id="ma-navigatn"><div class="Nav_maNav__yofcm"><a href="#ma-ntent" class="Nav_skipLk__Evjjd">Skip to ntent</a><h2 id="se-navigatn" class="Nav_visuallyHi__AbSDF">Se Navigatn</h2><div class="Nav_flexContaer__Q3LKQ"><ul class="Nav_leftContaer__cPQgJ"><li class="Nav_navListItem__cEyWT Nav_visuallyHiOnMobile__hxCGG"><a href=" class="Nav_navLk__5SUAA"><svg xmlns=" viewBox="0 0 87.83 134" class="Nav_bigA__XvGGC"><tle>The Atlantic .

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