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After enuragg fathers to “punch” sons who exhib stereotypilly gay behavr, North Carola pastor Sean Harris said on Tuday that he should...

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WHAT DO LIMP WRISTS HAVE TO DO WH GAY MEN?

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After enuragg fathers to “punch” sons who exhib stereotypilly gay behavr, North Carola pastor Sean Harris said on Tuday that he should have chosen different words. ” Why do we associate a limp wrist wh male homosexualy? This had nothg to do wh homosexualy—the Romans didn’t nsir gay sex, per se, unmanly.

In the 18th century, however, Europeans me to thk of homosexualy as a character tra rather than an ocsnal behavr, and gay sex beme the anthis of manls. Durg this time, limp wrists me to signify not jt ill disciple, but var other supposed failur of manhood, such as homosexualy, exhibnism, and foppery. ) As the ornamentatn and leisure of urtly life fell out of favor wh men, a limp wrist—often wh the other hand placed on the hip an “I’m a Ltle Teapot” pose—me to symbolize the unmanly homosexual stereotype.

Whatever s origs, the associatn of limp wrists wh male homosexualy was very well-tablished the Uned Stat by the begng of the 20th century. ” At some pot—certaly by the early 20th century, but maybe even earlier—gay men -opted stereotypil postur and hand gtur as a way to signal their sexual orientatn.

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In a 1919 homosexualy trial New Hampshire, for example, the judge asked a wns how gay men intified each other. The wns said a gay man “acted sort of peculiar, walkg around wh his hands on his hips… the exprsn wh the ey and the gtur. In his ntroversial stctns on how to al wh gay-actg children, Pastor Sean Harris picked up on a recurrg theme popular culture: how to tra apparently gay men to assume stereotypilly heterosexual mannerisms.

That’s so gay!

”The pos, facial exprsns, and body language of the men below will strike the morn viewer as very gay ed. But is ccial to unrstand that you nnot view the photographs through the prism of our morn culture and current nceptn of homosexualy. The term “homosexualy” was fact not ed until 1869, and before that time, the strict dichotomy between “gay” and “straight” did not yet exist.

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It was a behavr — accepted by some cultur and nsired sful by at the turn of the 20th century, the ia of homosexualy shifted om a practice to a liftyle and an inty. You did not have temptatns towards a certa s, you were a homosexual person. Thkg of men as eher “homosexual” or “heterosexual” beme mon.

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As this new nceptn of homosexualy as a stigmatized and onero intifier took root Amerin culture, men began to be much more reful to not send msag to other men, and to women, that they were gay. At the same time, also may expla why untri wh a more nservative, relig culture, such as Ai or the Middle East, where men do engage homosexual acts, but still nsir homosexualy the “crime that nnot be spoken, ” remas mon for men to be affectnate wh one another and fortable wh thgs like holdg hands as they walk.

Whether the men below were gay the way our current culture unrstands that ia, or the way that they themselv unrstood , is unknowable. The men’s very fortable and faiar pos and body language might make the men look like gay lovers to the morn eye — and they uld very well have been — but that was not the msage they were sendg at the time.

Bee homosexualy, even if thought of as a practice rather than an inty, was not somethg publicly exprsed, the men were not knowgly outg themselv the shots; their pos were mon, and simply reflected the timacy and tensy of male iendships at the time — none of the photos would have ed their ntemporari to bat an the thor of Picturg Men, John Ibson, nducted a survey of morn day portra studs to ask if they had ever had two men e to have their photo taken, he found that the event was so rare that many of the photographers he spoke to had never seen happen durg their reer. The snapshots ually were veloped by someone else who would have gotten a look at all of them, so aga, the pictur were not likely purposeful exprsns of gay love, but rather ptured the very mon level of fort men felt wh one another durg the early 20th of the reasons male iendships were so tense durg the 19th and early 20th centuri, is that socializatn was largely separated by sex; men spent most their time wh other men, women wh other women.

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