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THE 30 BT GAY BARS NYC
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Bravo Night Club’s gay night is a celebratn of clivy and diversy, where everyone is wele to e together and embrace the joy of mic and uny. ITS ONLY GAY NIGHT ON SATURDAYS. Love that there is a mix between English and Spanish mic and gay and straight nights.
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NICE · GAY BARS
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Andrew Ahn’s father once told him that there were “no gay people Korea. In a culturally nservative muny, where gog to church and buildg a fay were heavily emphasized, Ahn felt his gay inty kept him “om beg able to participate Korean culture. ” Then, he started equentg GAMeBoi, a weekly Asian Amerin gay party at Wt Hollywood’s Rage Nightclub.
He learned to embrace beg both Korean and gay, so much so that he directed “Fire Island, ” a groundbreakg queer Asian Amerin rom- released last year. Beg Asian Amerin and LGBTQ+ n feel lonely, wh stutns such as ethnic church often disavowg non-heterosexual relatnships while tradnal LGBTQ+ spac such as gay bars n be unwelg to people of lor. “Fdg plac like GAMeBoi, where beg queer and Asian do -exist … It’s not like a 1, 000-year-old Korean cultural rual, but I uld create a new rual, ” said Ahn, a recent Friday, hundreds packed QT Nightlife’s monthly K-Pop Night at Micky’s, a Wt Hollywood gay club a block or so east om the old GAMeBoi posed for selfi a pk Barbie box wh dis balls hangg overhead.
” (Michael Owen Baker / For The Tim) Even historilly gay neighborhoods like Wt Hollywood or San Francis’s Castro district, Asian Amerins have long been ignored or fetishized, seen as feme and weak. In 2019, then-Wt Hollywood Mayor John Duran argued that he did not appropriately touch a member of the Gay Men’s Chos of Los Angel bee “he’s a skny Korean kid wh pimpl on his cheek. ” Asian Amerin advocy groups cricized Duran’s remark, wh API Equaly-LA potg to the long history of discrimatn agast Asian men gay muni such as Wt Hollywood, whose clubs “ed to require three forms of photo intifitn om anyone they perceived as Asian.
GAY AUGTA
” said Crisman, a 36-year-old gay Korean Amerin rearcher and artist. On this night, he had brought some female high school iends who wanted to experience the gay clubbg scene. Explicly nceived as a haven for gay men, was known for s youthful clientele, celebry patrons, and notorly hedonistic vibe; beme even more of a draw wh the openg of “The Backlot, ” an adjacent performance venue that featured some of the biggt “A-list” acts of the era.
“Stt Forb’ visn was to have a place for gay whe men only, ” Saltarelli tells . Built on stunng, powerful mil performanc and peppered wh surprisg and revelatory historil terpretatn – as well as edic banter and form-transcennt dience teractn – wove a narrative piled om “between the l” of monly-held history, exposg thgs like the sual bigotry at the heart of many of Ameri’s earlit popular songs and the misogyny and homophobia that has ntued to permeate s mic until the prent day; an hour was dited to each , wh Mac cked out an elaborate new era-specific stume – signed by longtime llaborator Mache Dazzle and rporatg humoro referenc to Amerin life each of the 24 s vered the show – for each one; each hour, one of 24 onstage micians would part the stage, until Mac, alone and unacpanied except for a ulele, was left alone to perform origal songs for the fal hour.